"Further, its casuistry is impracticable; because the more you stir the

said 'fire' the stronger hold it takes. Therefore, men and women are

_rightly_ secret about it, and detailed confessions unadvisable. Much

talk about 'hypocrisy' in this matter is quite wrong and unjust. Then,

its connection with female beauty, as a cause of love between man and

woman, seems to me to be the inextricable nodus of the Fall, the here

inseparable mixture of good and evil, till soul and body are parted. For

the sense of seen Beauty is the awakening of Love, at whatever distance

from any kind of return or sympathy--as with a rose, or what not. Sandro

may be the man who has gone nearest to the right separation of Delight

from Desire: supposing that he began with religion and a straight

conscience; saw lovingly the error of Fra Filippo's way; saw with

intense distant love the error of Simonetta's; and reflected on Florence

and _its_ way, and drew nearer and nearer to Savonarola, being yet too

big a man for asceticism; and finally wearied of all things and sunk

into poverty and peace."

[1] Pitti, Stanza di Prometeo, 348.

[2] I think Zipporah may be a remembrance of her.

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| TRANSCRIBERS' NOTES |

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| General: Corrections to punctuation have not been individually |

| documented |

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| List of Plates: Fac-simile standardised to Facsimile (3 occurrences) |

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| List of Plates, Illustration III: Fesole standardised to Fesole |

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| List of Plates: Obedienta corrected to Obediente |

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| Pages 10, 31, 105: Leonardo standardised to Lionardo |

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| Pages 26, 78: nell' arte as in original |

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| Page 27: Diagram has been split into two parts as it was too wide to |

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| Page 27: Durer standardised to Duerer (in diagram) |

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| Page 46: line work standardised to line-work (first occurrence) |

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| Page 47, 51, 54, 70, 151: wood-cuts standardised to woodcuts |

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| Page 50, 51, 53, 56, 57, 59, 70, 107, 147: wood-cut standardised to |

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| Page 76: dexterous standardised to dextrous |

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| Page 103: "Holbein had bitterer task." as in the original |

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| Page 112: beame corrected to became |

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Ariadne Florentina: Six Lectures on Wood and Metal Engraving · 第 14 / 14 段