CHAPTER THIRTEEN: _Simon Harlowe's Treasure-room_

Like the rest of the reception-rooms along the corridor, it was

longer than it was broad and more of a gallery than a room. But it

had been arranged for habitation rather than for occasional visits.

For it was furnished with a luxurious comfort and not over-crowded.

In the fawn-coloured panels of the walls a few exquisite pictures by

Fragonard had been framed; on the writing-table of Chinese

Chippendale by the window every appointment, ink-stand, pen-tray,

candlestick, sand-caster and all were of the pink Battersea enamel

and without a flaw. But they were there for use, not for exhibition.

Moreover a prominent big fire-place in the middle of the wall on the

side of the hall, jutted out into the room and gave it almost the

appearance of two rooms in communication, The one feature of the

room, indeed, which at a first glimpse betrayed the collector, was

the Sedan chair set in a recess of the wall by the fire-place and

opposite to the door communicating with Mrs. Harlowe's bedroom. Its

body was of a pale French grey in colour, with elaborately carved

mouldings in gold round the panels and medallions representing

fashionable shepherds and shepherdesses daintily painted in the

middle of them. It had glass windows at the sides to show off the

occupant, and it was lined with pale grey satin, embroidered in gold

to match the colour of the panels. The roof, which could be raised

upon a hinge at the back, was ornamented with gold filigree work, and

it had a door in front of which the upper part was glass. Altogether

it was as pretty a gleaming piece of work as the art of

carriage-building could achieve, and a gilt rail very fitly protected

it. Even Hanaud was taken by its daintiness. He stood with his

hands upon the rail examining it with a smile of pleasure, until Jim

began to think that he had quite forgotten the business which had

brought him there. However, he brought himself out of his dream with

a start.

"A pretty world for rich people, Monsieur Frobisher," he said. "What

pictures of fine ladies in billowy skirts and fine gentlemen in silk

stockings! And what splashings of mud for the unhappy devils who had

to walk!"

He turned his back to the chair and looked across the room. "That is

the clock which marked half-past ten, Mademoiselle, during the moment

when you had the light turned up?" he asked of Ann.

"Yes," she answered quickly. Then she looked at it again. "Yes,

that's it."

Jim detected or fancied that he detected a tiny change in her

intonation, as she repeated her assurance, not an inflexion of

doubt--it was not marked enough for that--but of perplexity. It was

clearly, however, fancy upon his part, for Hanaud noticed nothing at

all. Jim pulled himself up with an unspoken remonstrance. "Take

care!" he warned himself. "For once you begin to suspect people,

they can say and do nothing which will not provide you with material

for suspicion."

Hanaud was without doubt satisfied. The clock was a beautiful small

gilt clock of the Louis Quinze period, shaped with a waist like a

violin; it had a white face, and it stood upon a marquetry Boulle

cabinet, a little more than waist high, in front of a tall Venetian

mirror. Hanaud stood directly in front of it and compared it with

his watch.

"It is exact to the minute, Mademoiselle," he said to Betty, with a

smile as he replaced his watch in his pocket.

He turned about, so that he stood with his back to the clock. He

faced the fire-place across the narrow neck of the room. It had an

Adam mantelpiece, fashioned from the same fawn-coloured wood as the

panels, with slender pillars and some beautiful carving upon the

board beneath the shelf. Above the shelf one of the Fragonards was

framed in the wall and apparently so that nothing should mask it,

there were no high ornaments at all upon the shelf itself. One or

two small boxes of Battersea enamel and a flat glass case alone

decorated it. Hanaud crossed to the mantelshelf and, after a

moment's inspection, lifted, with a low whistle of admiration, the

flat glass case.

"You will pardon me, Mademoiselle," he said to Betty. "But I shall

probably never in my life have the luck to see anything so

incomparable again. And the mantel-shelf is a little high for me to

see it properly."

Without waiting for the girl's consent he carried it towards the

window.

"Do you see this, Monsieur Frobisher?" he called out, and Jim went

forward to his side.

The case held a pendant wrought in gold and chalcedony and

translucent enamels by Benvenuto Cellini. Jim acknowledged that he

had never seen craftsmanship so exquisite and delicate, but he chafed

none the less at Hanaud's diversion from his business.

"One could spend a long day in this room," the detective exclaimed,

"admiring these treasures."

"No doubt," Jim replied dryly. "But I had a notion that we were

going to spend an afternoon looking for an arrow."

Hanaud laughed.

"My friend, you recall me to my duty." He looked at the jewel again

and sighed. "Yes, as you say, we are not visitors here to enjoy

ourselves."

He carried the case back again to the mantelshelf and replaced it.

Then all at once his manner changed. He was leaning forward with his

hands still about the glass case. But he was looking down. The

fire-grate was hidden from the room by a low screen of blue lacquer;

and Hanaud, from the position in which he stood, could see over the

screen into the grate itself.

"What is all this?" he asked.

He lifted the screen from the hearth and put it carefully aside. All

now could see what had disturbed him--a heap of white ashes in the

grate.

Hanaud went down upon his knees and picking up the shovel from the

fender he thrust it between the bars and drew it out again with a

little layer of the ashes upon it. They were white and had been

pulverised into atoms. There was not one flake which would cover a

finger-nail. Hanaud touched them gingerly, as though he had expected

to find them hot.

"This room was sealed up on Sunday morning and to-day is Thursday

afternoon," said Jim Frobisher with heavy sarcasm. "Ashes do not as

a rule keep hot more than three days, Monsieur Hanaud."

Maurice Thevenet looked at Frobisher with indignation. He was daring

to make fun of Hanaud! He treated the Sûrété with no more respect

than one might treat--well, say Scotland Yard.

Even Monsieur Bex had an air of disapproval. For a partner of the

firm of Frobisher & Haslitt this gentleman was certainly not very

correct. Hanaud on the contrary was milk and water.

"I have observed it," he replied mildly, and he sat back upon his

heels with the shovel still poised in his hands.

"Mademoiselle!" he called; and Betty moved forward and leaned against

the mantelshelf at his side. "Who burnt these papers so very

carefully?" he asked.

"I did," Betty replied.

"And when?"

"On Saturday night, a few, and the rest on Sunday morning, before

Monsieur le Commissaire arrived."

"And what were they, Mademoiselle?"

"Letters, Monsieur."

Hanaud looked up into her face quickly.

"Oho!" he said softly. "Letters! Yes! And what kind of letters, if

you please?"

Jim Frobisher was for throwing up his hands in despair. What in the

world had happened to Hanaud? One moment he forgot altogether the

business upon which he was engaged in his enjoyment of Simon

Harlowe's collection. The next he was off on his wild-goose chase

after anonymous letters. Jim had not a doubt that he was thinking of

them now. One had only to say "letters," and he was side-tracked at

once, apparently ready to accuse any one of their authorship.

"They were quite private letters," Betty replied, whilst the colour

slowly stained her cheeks. "They will not help you."

"So I see," Hanaud returned, with just a touch of a snarl in his

voice as he shook the shovel and flung the ashes back into the grate.

"But I am asking you, Mademoiselle, what kind of letters these were."

Betty did not answer. She looked sullenly down at the floor, and

then from the floor to the windows; and Jim saw with a stab of pain

that her eyes were glistening with tears.

"I think, Monsieur Hanaud, that we have come to a point when

Mademoiselle and I should consult together," he interposed.

"Mademoiselle would certainly be within her rights," said Monsieur

Bex.

But Mademoiselle waived her rights with a little petulant movement of

her shoulders.

"Very well."

She showed her face now to them all, with the tears abrim in her big

eyes, and gave Jim a little nod of thanks and recognition.

"You shall be answered, Monsieur Hanaud," she said with a catch in

her voice. "It seems that nothing, however sacred, but must be

dragged out into the light. But I say again those letters will not

help you."

She looked across the group to her notary.

"Monsieur Bex," she said, and he moved forward to the other side of

Hanaud.

"In Madame's bedroom between her bed and the door of the bathroom

there stood a small chest in which she kept a good many unimportant

papers, such as old receipted bills, which it was not yet wise to

destroy. This chest I took to my office after Madame's death, of

course with Mademoiselle's consent, meaning to go through the papers

at my leisure and recommend that all which were not important should

be destroyed. My time, however, was occupied, as I have already

explained to you, and it was not until the Friday of the sixth of May

that I opened the chest at all. On the very top I saw, to my

surprise, a bundle of letters in which the writing had already faded,

tied together with a ribbon. One glance was enough to assure me that

they were very private and sacred things with which Mademoiselle's

notary had nothing whatever to do. Accordingly, on the Saturday

morning, I brought them back myself to Mademoiselle Betty."

With a bow Monsieur Bex retired and Betty continued the story.

"I put the letters aside so that I might read them quietly after

dinner. As it happened I could not in any case have given them

attention before. For on that morning Monsieur Boris formulated his

charge against me, and in the afternoon I was summoned to the Office

of the Examining Magistrate. As you can understand, I was--I don't

say frightened--but distressed by this accusation; and it was not

until quite late in the evening, and then rather to distract my

thoughts than for any other reason, that I looked at the letters.

But as soon as I did look at them I understood that they must be

destroyed. There were reasons, which"--and her voice faltered, and

with an effort again grew steady--"which I feel it rather a sacrilege

to explain. They were letters which passed between my uncle Simon

and Mrs. Harlowe during the time when she was very unhappily married

to Monsieur Raviart and living apart from him--sometimes long

letters, sometimes little scraps of notes scribbled off--without

reserve--during a moment of freedom. They were the letters of," and

again her voice broke and died away into a whisper, so that none

could misunderstand her meaning--"of lovers--lovers speaking very

intimate things, and glorying in their love. Oh, there was no doubt

that they ought to be destroyed! But I made up my mind that I ought

to read them, every one, first of all lest there should be something

in them which I ought to know. I read a good many that night and

burnt them. But it grew late--I left the rest until the Sunday

morning. I finished them on the Sunday morning, and what I had left

over I burnt then. It was soon after I had finished burning them

that Monsieur le Commissaire came to affix his seals. The ashes

which you see there, Monsieur Hanaud, are the ashes of the letters

which I burnt upon the Sunday morning."

Betty spoke with a very pretty and simple dignity which touched her

audience to a warm sympathy. Hanaud gently tilted the ashes back

into the grate.

"Mademoiselle, I am always in the wrong with you," he said with an

accent of remorse. "For I am always forcing you to statements which

make me ashamed and do you honour."

Jim acknowledged that Hanaud, when he wished, could do the handsome

thing with a very good grace. Unfortunately grace seemed never to be

an enduring quality in him; as, for instance, now. He was still upon

his knees in front of the hearth. Whilst making his apology he had

been raking amongst the ashes with the shovel without giving, to all

appearance, any thought to what he was doing. But his attention was

now arrested. The shovel had disclosed an unburnt fragment of

bluish-white paper. Hanaud's body stiffened. He bent forward and

picked the scrap of paper out from the grate, whilst Betty, too,

stooped with a little movement of curiosity.

Hanaud sat back again upon his heels.

"So! You burnt more than letters last Sunday morning," he said.

Betty was puzzled and Hanaud held out to her the fragment of paper.

"Bills too, Mademoiselle."

Betty took the fragment in her hand and shook her head over it. It

was obviously the right-hand top corner of a bill. For an intriguing

scrap of a printed address was visible and below a figure or two in a

column.

"There must have been a bill or two mixed up with the letters," said

Betty. "I don't remember it."

She handed the fragment of paper back to Hanaud, who sat and looked

at it. Jim Frobisher standing just behind him read the printed ends

of names and words and the figures beneath and happened to remember

the very look of them, Hanaud held them so long in his hand; the top

bit of name in large capital letters, the words below echelonned in

smaller capitals, then the figures in the columns and all enclosed in

a rough sort of triangle with the diagonal line browned and made

ragged by the fire--thus--

ERON

STRUCTION

LLES

IS

========

375.05

"Well, it is of no importance luckily," said Hanaud and he tossed the

scrap of paper back into the grate. "Did you notice these ashes,

Monsieur Girardot, on Sunday morning?" He turned any slur the

question might seem to cast upon Betty's truthfulness with an

explanation.

"It is always good when it is possible to get a corroboration,

Mademoiselle."

Betty nodded, but Girardot was at a loss. He managed to look

extremely important, but importance was not required.

"I don't remember," he said.

However, corroboration of a kind at all events did come though from

another source.

"If I might speak, Monsieur Hanaud?" said Maurice Thevenet eagerly.

"But by all means," Hanaud replied.

"I came into this room just behind Monsieur Girardot on the Sunday

morning. I did not see any ashes in the hearth, that is true. But

Mademoiselle Harlowe was in the act of arranging that screen of blue

lacquer in front of the fireplace, just as we saw it to-day. She

arranged it, and when she saw who her visitors were she stood up with

a start of surprise."

"Aha!" said Hanaud cordially. He smiled at Betty. "This evidence is

just as valuable as if he had told us that he had seen the ashes

themselves."

He rose to his feet and went close to her.

"But there is another letter which you were good enough to promise to

me," he said.

"The an----" she began and Hanaud stopped her hurriedly.

"It is better that we hold our tongues," he said with a nod and a

grin which recognised that in this matter they were accomplices.

"This is to be our exclusive little secret, which, if he is very

good, we will share with Monsieur le Commissaire."

He laughed hugely at his joke, whilst Betty unlocked a drawer in the

Chippendale secretary. Girardot the Commissaire tittered, not quite

sure that he thought very highly of it. Monsieur Bex, on the other

hand, by a certain extra primness of his face, made it perfectly

clear that in his opinion such a jape was very, very far from correct.

Betty produced a folded sheet of common paper and handed it to

Hanaud, who took it aside to the window and read it carefully. Then

with a look he beckoned Girardot to his side.

"Monsieur Frobisher can come too. For he is in the secret," he

added; and the three men stood apart at the window looking at the

sheet of paper. It was dated the 7th of May, signed "The Scourge,"

like the others of this hideous brood, and it began without any

preface. There were only a few words typed upon it, and some of them

were epithets not to be reproduced which made Jim's blood boil that a

girl like Betty should ever have had to read them.

"_Your time is coming now, you----_" and here followed the string

of abominable obscenities. "_You are for it, Betty Harlowe.

Hanaud the detective from Paris is coming to look after you with

his handcuffs in his pocket. You'll look pretty in handcuffs,

won't you, Betty? It's your white neck we want! Three cheers

for Waberski? The Scourge._"

Girardot stared at the brutal words and settled his glasses on his

nose and stared again.

"But--but----" he stammered and he pointed to the date. A warning

gesture made by Hanaud brought him to a sudden stop, but Frobisher

had little doubt as to the purport of that unfinished exclamation.

Girardot was astonished, as Hanaud himself had been, that this item

of news had so quickly leaked abroad.

Hanaud folded the letter and turned back into the room.

"Thank you, Mademoiselle," he said to Betty, and Thevenet the

secretary took his notebook from his pocket.

"Shall I make you a copy of the letter, Monsieur Hanaud?" he said,

sitting down and holding out his hand.

"I wasn't going to give it back," Hanaud answered, "and a copy at the

present stage isn't necessary. A little later on I may ask for your

assistance."

He put the letter away in his letter-case, and his letter-case away

in his breast-pocket. When he looked up again he saw that Betty was

holding out to him a key.

"This unlocks the cabinet at the end of the room," she said.

"Yes! Let us look now for the famous arrow, or we shall have

Monsieur Frobisher displeased with us again," said Hanaud.

The cabinet stood against the wall at the end of the room opposite to

the windows, and close to the door which opened on to the hall.

Hanaud took the key, unlocked the door of the cabinet and started

back with a "Wow." He was really startled, for facing him upon a

shelf were two tiny human heads, perfect in feature, in hair, in

eyes, but reduced to the size of big oranges. They were the heads of

Indian tribesmen killed upon the banks of the Amazon, and preserved

and reduced by their conquerors by the process common amongst those

forests.

"If the arrow is anywhere in this room, it is here that we should

find it," he said, but though he found many curious oddities in that

cabinet, of the perfect specimen of a poison arrow there was never a

trace. He turned away with an air of disappointment.

"Well then, Mademoiselle, there is nothing else for it," he said

regretfully; and for an hour he searched that room, turning back the

carpet, examining the upholstery of the chairs, and the curtains,

shaking out every vase, and finally giving his attention to Betty's

secretary. He probed every cranny of it; he discovered the simple

mechanism of its secret drawers; he turned out every pigeon-hole;

working with extraordinary swiftness and replacing everything in its

proper place. At the end of the hour the room was as orderly as when

he had entered it; yet he had gone through it with a tooth comb.

"No, it is not here," he said and he seated himself in a chair and

drew a breath. "But on the other hand, as the two ladies and

Monsieur Frobisher are aware, I was prepared not to find it here."

"We have finished then?" said Betty, but Hanaud did not stir.

"For a moment," he replied, "I shall be glad, Monsieur Girardot, if

you will remove the seals in the hall from the door at the end of the

room."

The Commissary went out by the way of Mrs. Harlowe's bedroom,

accompanied by his secretary. After a minute had passed a key grated

in the lock and the door was opened. The Commissary and his

secretary returned into the room from the hall.

"Good!" said Hanaud.

He rose from this chair and looking around at the little group, now

grown puzzled and anxious, he said very gravely:

"In the interest of justice I now ask that none of you shall

interrupt me by either word or gesture, for I have an experiment to

make."

In a complete silence he walked to the fireplace and rang the bell.

The House of the Arrow · 第 21 / 38 题