CHAPTER VIII.

PORTENDS A DEED OF VENGEANCE.

The difficulty of getting up the evidence to support a charge of

conspiracy, in the absence of Mr. Williamson, and Lieutenant Somerton’s

unwillingness to prosecute, saved Gibbs from one of the perils which

threatened him; and the other case which Mr. Bales had against him

also fell through. But the ex-swell was reminded by the Court that he

had had a narrow escape, and that his escape was rather owing to a

technicality in the law than to any doubt of his guilt.

Gibbs had been falling lower and lower, as our readers will have seen,

since the night of his expulsion from the Ashford Club. Now and then

Fortune’s lamp had blazed up for a moment, but only to flicker down

again, and tempt him into lower depths of degradation. From bad to

worse, from fashionable gambling to swindling, from cheating at cards

to forgery, Gibbs had run the gauntlet of vice and immorality. From

a Stock Exchange bear to a money-lender’s cad; from an advertising

sharper to a begging-letter writer; from haunting clubs to frequenting

hotels; from hotels to taverns; from taverns to gin-shops; from

gin-shops to the lowest night-houses, Shuffleton Gibbs had become a

mean, shabby, out-of-elbows, unshaven outcast of society, who had twice

been within a gaol, and seemed likely to die in the gutter.

There is no exaggeration in this rapid downward career--it is a common

occurrence. We are not romancing, we are not sermonising, we do not

believe in the Maine Law, we have no sympathy with trumpet-and-drum

teetotal demagogues; but we are none the less sure in our belief that

the first step aside from the straight path, unless at once retraced,

will lead to misery if not to ruin, and that the man or woman who

descends to “neat gin” is beyond human redemption. There is hope in

beer, in wine, even in brandy; but the gin-drinker swallows a devilish

elixir that destroys him body and soul. There is something heroic in

brandy, something noble, the smack of the grape is there, the origin

of the liquor has a glory in it; in gin there is debasement; the

juniper berry has no classic history; who does not shudder, too, at

the compound which the habitual gin tippler consumes--the fumetacious

spirit, imbued with turpentine? Ugh! Whilst brandy fires the soul of

the hero, the gin of the London stew stimulates the morbid passions of

the thief and the murderer!

Shuffleton Gibbs had come down to gin and fog, to gin and darkness,

to gin and the reeking night air; he was the habitué of the lowest

night-houses, a shivering miserable wretch, and all the more dangerous

to the man whom he hated with the low grovelling murderous hate of raw

gin and poverty.

We have told the reader how Gibbs had applied for assistance to his

early friend, Richard Tallant, and how he had been discarded and

disowned. He made another effort still, a last effort, the effort of a

miserable hungry beggar, in whose heart every spark of pride and honour

has been drowned in juniper juice and turpentine.

“I have done with you, sir,” said the managing director of the Meter

Works, “you are an impostor; I never saw you before.”

“Not at Oxford,” said the shivering beggar, “not when somebody wrote an

epigram on the name of Tallant?”

“Never! This will be my answer always.”

“Not at Westminster, at the Ashford, at Madame ----”

“Never, sir!” exclaimed Richard, stopping Gibbs in his enumeration of

the places on the highway of infamy where they had supped together. “I

once knew a scoundrel who led astray a wealthy merchant’s son and broke

the father’s heart; you are something like that aristocratic sneak,

but you are not he. The man I mean was a swell, wore light kid gloves,

and splendid shirts. They did say he wore stays, and thought himself a

woman killer; _you_ are not that man, but some blear-eyed, shambling

vagabond who would impose upon a gentleman in order that he may give

you a night’s lodging in the station house.”

“You infernal damned scoundrel,” said Gibbs, rushing towards the cool

satirical friend of former days; “you miserable mushroom huxter!”

Richard Tallant was by far the strongest man of the two, and he felled

Gibbs to the ground with ease.

“Now, shall I ring the bell and have you pitched into the street, or

will you get up and go home to dinner, or go to your club and have

devilled chops and champagne--eh?”

Gibbs gathered himself together and stood before his victor, clenching

his hands and teeth, and trembling with passion.

“I will go,” he said, hissing out the words as if they scorched him.

“The cat will mew; the dog will have his day.”

Mr. Tallant rang the bell. A servant came on the instant.

“Show this fellow to the door; if ever he presumes to make his

appearance here again thrust him into the street and give him in charge

of the police.”

“Yes, sir,” said the man, “this way.”

Gibbs followed his guide muttering, and nervously clutching his fingers.

“Now then, old ragamuffin,” said the servant when they were in the

hall, “hoff yer go.”

Hunger, as Zimmermann says, is the mother of impatience and anger,

and never had mother a more worthy son than Shuffleton Gibbs. It was

hunger which had driven him to make that third application to his

friend; hunger and thirst; hunger for money as much as hunger for

food. He had neither money nor credit, even in the stews, where he

had exhausted both, when he made this last appeal to Richard Tallant.

But he got money somehow that night, and he swore an awful oath that

he would wreak a terrible revenge on the head of this vile scoundrel.

The red-eyed, low-browed, crouching gin drinkers who sat with him at

the midnight orgie--even they noticed the satanic malignity of Gibbs’s

countenance, as it worked and writhed under a passion too deep for

words; they knew that, whatever it might import, that awful oath would

not be broken. They fairly clanked their glasses and knocked their

skinny knuckles upon the table to see Gibbs so much excited, and the

women, with witch-like grimaces, pledged his “health” and wished him

“luck.”

There is generally a weak point somewhere in the schemes of men who

set right and virtue at naught, and who endeavour to build up wealth

and fame upon false pretences. Religious sceptics will direct your

attention to instances of undeserved poverty and sufferings borne

through a whole lifetime; will show you persons dragging out wretched

lives of penury and want, and prove to you that they are good, honest,

honourable people. As companion pictures, they will show you men of

wealth and station living luxuriously, and rejoicing in the highest

state of worldly happiness. And then they ask you what sort of a

sermon or essay you can write upon the text, “God is love.” But the

sceptic-critic has little or nothing to say about real happiness, and

how that is divided amongst the human family. If he had, perhaps he

might puzzle a good many by pointing to the colliery districts, the

factories, or the nail country, and showing you the hard, bitter life

to which thousands of children are born daily. What a blessed thing to

some of these people is the future, founded on true Christian faith!

But our critic of the ways of Providence does not tell you of the

miseries of keeping up appearances which are behind some of those marks

of wealth; and he does not tell you how scores of the prosperous ones

to whom he points come to grief at last, as they deserve. He fixes them

before you in their full career of success, but he does not show you

their disappointed hopes, their unfulfilled ambition, their social cuts

and wounds, the grievances of their women, the social failures of their

sons and daughters; and, what is more, he does not show you the end of

the men whom he holds up as prosperous, happy, luxurious, revelling,

wealthy villains.

Depend upon it, men such as Richard Tallant, who have trampled upon

honour and honesty, and above all, upon parental kindness (however

mistaken that kindness may have been), are punished in this world

below, whatever may be their lot in that which is to come.

The weakest point in Richard Tallant’s policy was the want of a course

of conciliation towards Shuffleton Gibbs. Fate would, no doubt, have

met him with a just retribution in some other way had he escaped the

result of this mistake; but it is no part of our business to consider

what might have been, we who are considering the facts of Richard

Tallant’s career; and as it has not been our purpose to be mysterious

in this simple narration, we do not hesitate to tell you that Richard

Tallant sealed his destiny when he resealed that letter of his former

companion,--the last abandoned representative of a fallen line of

gentlemen.

He little knew how often he was accompanied after this by a shadow

more than his own. Once or twice, thinking he was being watched,

he had turned round suddenly in the London streets to see a figure

disappear as suddenly in some dark entry, or round an adjacent corner.

He thought this was fancy at first; but finally beginning to fear,

he armed himself. He had never thought of Shuffleton Gibbs at these

times. A superstitious dread took possession of him at the outset,

thoughts of his dead father haunted him, and occasionally sent him home

hot, and feverish, and nervous. Latterly he rarely went out on foot;

but still a mysterious figure occasionally flitted by as he alighted

from his carriage. Sometimes it seemed as if an arm were upraised.

That same figure would stand now and then in front of the great house

where Mr. Tallant resided, and contemplate the lighted windows, and

then disappear by crooked unfrequented ways, up dark alleys, along

neglected streets, away city-wards, until it entered a dirty gin-shop

or some wretched lodging-house, where it would assume the appearance

of Shuffleton Gibbs, but sufficiently changed in feature to render

disguise unnecessary.

Weird, restless, sunken eyes, sharp features, a nervous twitching of

the mouth, and a continual watchfulness, like that of a man charged

with some desperate mission of blood; it was a miserable wreck tossed

about on the dark sea of criminal London without sail or rudder, bound

for no port, without a name, without papers; and yet with a compass

pointing its trembling finger unerringly in one direction, where the

signal lights burnt red and murky on a dark and dreadful shore.

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