LECTURING AT CHAUTAUQUA

To render any real impression of the Chautauqua Summer Assembly, I must

approach this many-mooded subject from a personal point of view. Others,

more thoroughly informed in the arcana of the Institution, have written

the history of its development from small beginnings to its present

impressive magnitude, have analyzed the theory of its intentions, and have

expounded its extraordinary influence over what may be called the

middle-class culture of our present-day America. It would be beyond the

scope of my equipment to add another solemn treatise to the extensive list

already issued by the tireless Chautauqua Press. My own experience of

Chautauqua was not that of a theoretical investigator, but that of a

surprised and wondering participant. It was the experience of an alien

thrust suddenly into the midst of a new but not unsympathetic world; and,

if the reader will make allowance for the personal equation, some sense of

the human significance of this summer seat of earnest recreation may be

suggested by a mere record of my individual reactions.

I had heard of Chautauqua only vaguely, until, one sunny summer morning, I

suddenly received a telegram inviting me to lecture at the Institution. I

was a little disconcerted at the moment, because I was enjoying an

amphibious existence in a bathing-suit, and was inclined to shudder at the

thought of putting on a collar in July; but, after an hour or two, I

managed to imagine that telegram as a Summons from the Great Unknown, and

it was in a proper spirit of adventure that I flung together a few books,

and climbed into the only available upper berth on a discomfortable train

that rushed me westward.

In some sickly hour of the early morning, I was cast out at Westfield, on

Lake Erie,--a town that looked like the back-yard of civilization, with

weeds growing in it. Thence a trolley car, climbing over heightening hills

that became progressively more beautiful, hauled me ultimately to the

entrance of what the cynical conductor called "The Holy City." A fence of

insurmountable palings stretched away on either hand; and, at the little

station, there were turn-stiles, through which pilgrims passed within.

Most people pay money to obtain admittance; but I was met by a very

affable young man from Dartmouth, whose business it was to welcome invited

visitors, and by him I was steered officially through unopposing gates. I

liked this young man for his cheerful clothes and smiling countenance; but

I was rather appalled by the agglomeration of ram-shackle cottages through

which we passed on our way to the hotel.

I say "the hotel," for the Chautauqua Settlement contains but one such

institution. It carries the classic name of Athenæum; but the first view

of it occasioned in my sensitive constitution a sinking of the heart. The

edifice dates from the early-gingerbread period of architecture. It

culminates in a horrifying cupola, and is colored a discountenancing

brown. The first glimpse of it reminded me of the poems of A.H. Clough,

whose chief merit was to die and to offer thereby an occasion for a grave

and twilit elegy by Matthew Arnold. Clough's life-work was a continual

asking of the question, "Life being unbearable, why should I not

die?"--while echo, that commonplace and sapient commentator, mildly

answered, "Why?": and this was precisely the impression that I gathered

from my initial vista of the Athenæum between trees.

On entering the hotel I was greeted over the desk (with what might be

defined as a left-handed smile) by one of the leading students of the

university with which I am associated as a teacher. He called out,

"Front!" in the manner of an amateur who is amiably aping the

professional, and assigned me to a scarcely comfortable room.

My first voluntary act in the Chautauqua Community was to take a swim. But

the water was tepid, and brown, and tasteless, and unbuoyant; and I felt,

rather oddly, as if I were swimming in a gigantic cup of tea. From this

initial experience I proceeded, somewhat precipitately, to induce an

analogy; and it seemed to me, at the time, as if I had forsaken the roar

and tumble of the hoarse, tumultuous world, for the inland disassociated

peace of an unaware and loitering backwater.

With hair still wet and still dishevelled, I was met by the Secretary of

Instruction,--a man (as I discovered later) of wise and humorous

perceptions. By him I was informed that, in an hour or so, I was to

lecture, in the Hall of Philosophy, on (if I remember rightly) Edgar Allan

Poe. I combed my hair, and tried to care for Poe, and made my way to the

Hall of Philosophy. This turned out to be a Greek temple divested of its

walls. An oaken roof, with pediments, was supported by Doric columns; and

under the enlarged umbrella thus devised, about a thousand people were

congregated to greet the new and unknown lecturer.

I honestly believe that that was the worst lecture I have ever imposed

upon a suffering audience. I had lain awake all night, in an upper berth,

on the hottest day of the year; I had found my swim in inland water

unrefreshing; and, at the moment, I really cared no more for Edgar Allan

Poe than I usually care for the sculptures of Bernini, the paintings of

Bouguereau, or the base-ball playing of the St. Louis "Browns." This

feeling was, of course, unfair to Poe, who is (with all his emptiness of

content) an admirable artist; but I was tired at the time. It pained me

exceedingly to listen, for an hour, to my own dull and unilluminated

lecture. And yet (and here is the pathetic point that touched me deeply) I

perceived gradually that the audience was listening not only attentively

but eagerly. Those people really wanted to hear whatever the lecturer

should say: and I wandered back to the depressing hotel with bowed head,

actuated by a new resolve to tell them something worthy on the morrow.

That afternoon and evening I strolled about the summer settlement of

Chautauqua; and (in view of my subsequent shift of attitude) I do not mind

confessing that this first aspect of the community depressed me to a

perilous melancholy. I beheld a landscape that reminded me of Wordsworth's

Windermere, except that the lake was broader and the hills less high,

deflowered and defamed by the huddled houses of the Chautauqua settlers.

The lake was lovely; and, with this supreme adjective, I forbear from

further effort at description. Upon the southern shore, a natural grove of

noble and venerable trees had been invaded by a crowded horror of

discomfortable tenements, thrown up by carpenters with a taste for

machine-made architectural details, and colored a sickly green, an acid

yellow, or an angry brown. The Chautauqua Settlement, which is surrounded

by a fence of palings, covers only two or three square miles of territory;

and, in the months of July and August, between fifteen and twenty thousand

people are crowded into this constricted area. Hence a horror of unsightly

dormitories, spawning unpredictable inhabitants upon the ambling, muddy

lanes.

There have been, in the history of this Assembly, a few salutary

fires,--as a result of which new buildings have been erected which are

comparatively easy on the eyes. The Hall of Philosophy is really

beautiful, and is nobly seated among memorable trees at the summit of a

little hill. The Aula Christi tried to be beautiful, and failed; but at

least the good intention is apparent. The Amphitheatre (which seats six or

seven thousand auditors) is admirably adapted to its uses; and some of the

more recent business buildings, like the Post Office, are inoffensive to

the unexacting observer. A wooded peninsula, which is pleasantly laid out

as a park, projects into the lake; and, at the point of this, has lately

been erected a _campanile_ which is admirable in both color and

proportion. Indeed, when a fanfaronnade of sunset is blown wide behind it,

you suffer a sudden tinge of homesickness for Venice or Ravenna. It is

good enough for that. But beside it is a helter-skelter wooden edifice

which reminds you of Surf Avenue at Coney Island. Indeed, the Settlement

as a whole exhibits still an overwhelmment of the unæsthetic, and appalls

the eye of the new-comer from a more considerative world.

On the way back from the lovely _campanile_ to the hotel, I stumbled over

a scattering of artificial hillocks surrounding two mud-puddles connected

by a gutter. This monstrosity turned out to be a relief-map of Palestine.

Little children, with uncultivated voices, shouted at each other as they

lightly leaped from Jerusalem to Jericho; and waste-paper soaked itself to

dingy brown in the insanitary Sea of Galilee.--Then I encountered a wooden

edifice with castellated towers and machicolated battlements, which called

itself (with a large label) the Men's Club; and from this I fled, with

almost a sense of relief, to the hotel itself, now sprawling low and dark

beneath its Boston-brown-bread cupola.

Thus my first impression of Chautauqua was one of melancholy and

resentment. But, in the subsequent few days, this emotion was altered to

one of impressible satiric mirth; and, subsequently still, it was changed

again to an emotion of wondering and humble admiration. I had been assured

at the outset, by one who had already tried it, that, if I stayed long

enough, I should end up by liking Chautauqua; and this is precisely what

happened to me before a week was out.

But meanwhile I laughed very hard for three days. The thing that made me

laugh most was the unexpected experience of enduring the discomfiture of

fame. Chautauqua is a constricted community; and any one who lectures

there becomes, by that very fact, a famous person in this little backwater

of the world, until he is supplanted (for fame is as fickle as a

ballet-dancer) by the next new-comer to the platform. The Chautauqua Press

publishes a daily paper, a weekly review, a monthly magazine and a

quarterly; and these publications report your lectures, tell the story of

your life, comment upon your views of this and that, advertise your books,

and print your picture. Everybody knows you by sight, and stops you in the

street to ask you questions. Thus, on your way to the Post Office, you are

intercepted by some kindly soul who says: "I am Miss Terwilliger, from

Montgomery, Alabama; and do you think that Bernard Shaw is really an

immoral writer?" or, "I am Mrs. Winterbottom, of Muncie, Indiana; and

where do you think I had better send my boy to school? He is rather a

backward boy for his age--he was ten last April--but I really think that

if, etc."

Then, when you return to the hotel, you observe that everybody is rocking

vigorously on the veranda, and reading one of your books. This pleases you

a little; for, though an actor may look his audience in the eyes, an

author is seldom privileged to see his readers face to face. Indeed, he

often wonders if anybody ever reads his writings, because he knows that

his best friends never do. But very soon this tender sentiment is

disrupted. There comes a sudden resurrection of the rocking-chair brigade,

a rush of readers with uplifted fountain-pens, and a general request for

the author's autograph upon the flyleaf of his volume. All of this is

rather flattering; but afterward these gracious and well-meaning people

begin to comment on your lectures, and tell you that you have made them

see a great light. And then you find yourself embarrassed.

It is rather embarrassing to be embarrassed.

One enthusiastic lady, having told me her name and her address, assaulted

me with the following commentary:--"I heard you lecture on Stevenson the

other day; and ever since then I have been thinking how very much like

Stevenson you are. And today I heard you lecture on Walt Whitman: and all

afternoon I have been thinking how very much like Whitman you are. And

that is rather puzzling--isn't it?--because Stevenson and Whitman weren't

at all like each other,--were they?"

I smiled, and told the lady the simple truth; but I do not think she

understood me. "Ah, madam," I said, "wait until you hear me lecture about

Hawthorne...."

For (and now I am freely giving the whole game away) the secret of the art

of lecturing is merely this:--on your way to the rostrum you contrive to

fling yourself into complete sympathy with the man you are to talk about,

so that, when you come to speak, you will give utterance to _his_ message,

in terms that are suggestive of _his_ style. You must guard yourself from

ever attempting to talk about anybody whom you have not (at some time or

other) loved; and, at the moment, you should, for sheer affection, abandon

your own personality in favor of his, so that you may become, as nearly as

possible, the person whom it is your business to represent. Naturally, if

you have any ear at all, your sentences will tend to fall into the rhythm

of his style; and if you have any temperament (whatever that may be) your

imagined mood will diffuse an ineluctable aroma of the author's

personality.

This at least, is my own theory of lecturing; and, in the instance of my

talk on Hawthorne, I seem to have carried it out successfully in practice.

I must have attained a tone of sombre gray, and seemed for the moment a

meditative Puritan under a shadowy and steepled hat; for, at the close of

the lecture, a silvery-haired and sweet-faced woman asked me if I wouldn't

be so kind as to lead the devotional service in the Baptist House that

evening. I found myself abashed. But a previous engagement saved me; and I

was able to retire, not without honor, though with some discomfiture.

This previous engagement was a steamboat ride upon the lake. When you want

to give a sure-enough party at Chautauqua, you charter a steamboat and

escape from the enclosure, having seduced a sufficient number of other

people to come along and sing. On this particular evening, the party

consisted of the Chautauqua School of Expression,--a bevy of about thirty

young women who were having their speaking voices cultivated by an admired

friend of mine who is one of the best readers in America; and they sang

with real spirit, so soon as we had churned our way beyond remembrance of

(I mean no disrespect) the Baptist House. But this boat-ride had a curious

effect on the four or five male members of the party. We touched at a

barbarous and outrageous settlement, named (if I remember rightly) Bemus

Point; and hardly had the boat been docked before there ensued a

hundred-yard dash for a pair of swinging doors behind which dazzled lights

splashed gaudily on soapy mirrors. I did not really desire a drink at the

time; but I took two, and the other men did likewise. I understood at once

(for I must always philosophize a little) why excessive drinking is

induced in prohibition states. Tell me that I may not laugh, and I wish at

once to laugh my head off,--though I am at heart a holy person who loves

Keats. This incongruous emotion must have been felt, under this or that

influence of external inhibition, by everyone who is alive enough to like

swimming, and Dante, and Weber and Fields, and Filipino Lippi, and the

view of the valley underneath the sacred stones of Delphi.

Within the enclosure of Chautauqua one does not drink at all; and I infer

that this regulation is well-advised. I base this inference upon my

gradual discovery that all the regulations of this well-conducted

Institution have been fashioned sanely to contribute to the greatest good

of the greatest number. That is my final, critical opinion. But how we did

dash for the swinging doors at Bemus Point!--we four or five

simple-natured human beings who were not, in any considerable sense,

drinking men at all.

Then the congregated School of Expression tripped ashore with nimble

ankles; and there ensued a general dance at a pavilion where a tired boy

maltreated a more tired piano, and one paid a dime before, or after,

dancing. One does not dance at Chautauqua, even on moon-silvery summer

evenings:--and again the regulation is right, because the serious-minded

members of the community must have time to read the books of those who

lecture there.

And this brings me to a consideration of the Chautauqua Sunday. On this

day the gates are closed, and neither ingress nor egress is permitted.

Once more I must admit that the regulation has been sensibly devised. If

admittance were allowed on Sunday, the grounds would be overrun by

picnickers from Buffalo, who would cast the shells of hard-boiled eggs

into the inviting Sea of Galilee; and unless the officers are willing to

let anybody in, they can devise no practicable way of letting anybody out.

Besides, the people who are in already like to rest and meditate. But

alas! (and at this point I think that I begin to disapprove) the row-boats

and canoes are tied up at the dock, the tennis-courts are emptied, and the

simple exercise of swimming is forbidden. This desuetude of natural and

smiling recreation on a day intended for surcease of labor struck me (for

I am in part an ancient Greek, in part a mediæval Florentine) as strangely

irreligious. All day the organ rumbles in the Amphitheatre (and of this I

approved, because I love the way in which an organ shakes you into

sanctity), and many meetings are held in various sectarian houses, the

mood of which is doubtless reverent--though all the while the rippling

water beckons to the high and dry canoes, and a gathering of many-tinted

clouds is summoned in the windy west to tingle with Olympian laughter and

Universal song. How much more wisely (if I may talk in Greek terms for the

moment) the gods take Sunday, than their followers on this forgetful

earth!

But we must change the mood if I am to speak again of what amused me in

the pagan days of my initiation at Chautauqua. Life, for instance, at the

ginger-bread hotel amused me oddly. To one who lives in a metropolis

throughout the working months, the map of eating at Chautauqua seems

incongruous. Dinner is served in the middle of the day, at an hour when

one is hardly encouraged to the thought of luncheon; and at six P.M. a

sort of breakfast is set forth, which is denominated _Supper_. This Supper

consists of fruit, followed by buckwheat cakes, followed by meat or eggs;

and to eat one's way through it induces a curious sense of standing on

one's head. After two days I discovered a remedy for this undesired

dizziness. I turned the _menu_ upside down, and ordered a meal in the

reverse order. The Supper itself was a success; but the waitress (who, in

the winter, teaches school in Texas) disapproved of what she deemed my

frivolous proceeding. Her eyes took on an inward look beneath the

pedagogical eye-glasses; and there was a distinct furrowing of her

forehead. Thereafter I did not dare to overturn the _menu_, but ate my way

heroically backward. After all, our prandial prejudices are merely the

result of custom. There is no real reason why stewed prunes should not be

eaten at three A.M.

But this philosophical reflection reminds me that there is no such hour at

Chautauqua. At ten P.M. a carol of sweet chimes is rung from the Italian

_campanile_; and at that hour all good Chautauquans go to bed. If you are

by profession (let us say) a writer, and are accustomed to be alive at

midnight, you will find the witching hours sad. Vainly you will seek

companionship, and will be reduced at last to reading the base-ball

reports in the newspapers of Cleveland, Ohio.

At the Athenæum you are passed about, from meal to meal, like a one-card

draw at poker. The hotel is haunted by Old Chautauquans, who vie with each

other to receive you with traditional cordiality. The head-waitress steers

you for luncheon (I mean Dinner) to one table, for Supper to another, and

so on around the room from day to day. The process reminds you a little of

the procedure at a progressive euchre party. At each meal you meet a new

company of Old Chautauquans, and are expected to converse: but many

(indeed most) of these people are humanly refreshing, and the experience

is not so wearing as it sounds.

But you must not imagine from all that I have said that the life of the

lecturer at Chautauqua is merely frivolous. Not at all. You get up very

early, and proceed to Higgins Hall, a pleasant little edifice (named after

the late Governor of New York State) set agreeably amid trees upon a

rising knoll of verdure; and there you converse for a time about the

Drama, and for another time about the Novel. In each of these two courses

there were, perhaps, seventy or eighty students,--male and female, elderly

and young. I found them much more eager than the classes I had been

accustomed to in college, and at least as well prepared. They came from

anywhere, and from any previous condition of servitude to the general

cause of learning; but I found them apt, and interested, and alive.

Now and then it appeared that their sense of humor was a little less

fantastic than my own; but I liked them very much, because they were so

earnest and simple and human and (what is Whitman's adjective?) adhesive.

And now I come to the point that converted me finally to Chautauqua. I

found myself, after a few days, liking the people very much. In the

afternoons I talked in the Doric Temple about this man or that,--selected

from my company of well-beloved friends among "the famous nations of the

dead"; and the people came in hundreds and listened reverently--not, I am

very glad to know, because of any trick I have of setting words together,

but because of Stevenson and Whitman and the others, and what they meant

by living steadfast lives amid the hurly-burly of this roaring world, and

steering heroically by their stars. Some elderly matrons among the

listeners brought their knitting with them and toiled with busy hands

throughout the lecture; but they listened none the less attentively, and

reduced me to a mood of humble wonderment.

For I have often wondered (and this is, perhaps, the most intimate of my

confessions) how anybody can endure a lecture,--even a good lecture, for I

am not thinking merely of my own. It is a passive exercise of which I am

myself incapable. I, for one, have always found it very irksome--as

Carlyle has phrased the experience--"to sit as a passive bucket and be

pumped into." I always want to talk back, or rise and remark "But, on the

other hand..."; and, before long, I find myself spiritually itching. This

is, possibly, a reason why I prefer canoeing to listening to sermons. Yet

these admirable Chautauquans submit themselves to this experience hour

after hour, because they earnestly desire to discover some glimmering of

"the best that has been known and thought in the world."

These fifteen or twenty thousand people have assembled for the pursuit of

culture--a pursuit which the Hellenic-minded Matthew Arnold designated as

the noblest in this life. But from this fact (and here the antithetic

formula asserts itself) we must deduce an inference that they feel

themselves to be uncultured. In this inference I found a taste of the

pathetic. I discovered that many of the colonists at Chautauqua were men

and women well along in life who had had no opportunities for early

education. Their children, rising through the generations, had returned

from the state universities of Texas or Ohio or Mississippi, talking of

Browning, and the binominal theorem, and the survival of the fittest, and

the grandeur and decadence of the Romans, and the _entassus_ of Ionic

columns, and the doctrine of _laissez faire_; and now their elders had set

out to endeavor to catch up with them. This discovery touched me with both

reverence and pathos. An attempt at what may be termed, in the technical

jargon of base-ball, a "delayed steal" of culture, seemed to me little

likely to succeed. Culture, like wisdom, cannot be acquired: it cannot be

passed, like a dollar bill, from one who has it to one who has it not. It

must be absorbed, early in life, through birth or breeding, or be gathered

undeliberately through experience. A child of five with a French governess

will ask for his mug of milk with an easier Gallic grace than a man of

eighty who has puzzled out the pronunciation from a text-book. There is,

apparently, no remedy for this. Love the _Faerie Queene_ at twelve, or you

will never really love it at seventy: or so, at least, it seems to me. And

yet the desire to learn, in gray-haired men and women who in their youth

were battling hard for a mere continuance of life itself, and founding

homesteads in a book-less wilderness, moved me to a quick exhilaration.

Most of the people at Chautauqua come either from the south or from the

middle west. They pronounce the English language either without any _r_ at

all, or with such excessive emphasis upon the _r_ as to make up for the

deficiency of their fellow-seekers. In other words, these people are

really American, as opposed to cosmopolitan; and to live among them

is--for a world-wandering adventurer--to learn a lesson in Americanism.

Mr. Roosevelt once stated that Chautauqua is the most American institution

in America; and this statement--like many others of his inspired

platitudes--begins to seem meaningful upon reflection.

At one time or another I have drifted to many different corners of the

world; but my residence at Chautauqua was my only experience of a

democracy. In this community there are no special privileges. If the

President of the Institution had wished to hear me lecture (he never did,

in fact--though we used to play tennis together, at which game he proved

himself easily the better man) he would have been required to come early

and take his chance at getting a front seat; and once, when I ventured to

attend a lecture by one of my colleagues, I found myself seated beside

that very waitress in the Athenæum who had disapproved of my method of

ordering a meal. All the exercises are open equally to anybody--first

come, first served--and the boy who blacks your boots may turn out to be a

Sophomore at Oberlin. Teachers in Texas high-schools sweep the floors or

shave you, and the raucous newsboy is earning his way toward the

University of Illinois. All this is a little bewildering at first; but in

a day or two you grow to like it.

This free-for-all spirit that permeates Chautauqua reminds me to speak of

the economic conduct of the Institution. The only charge--except in the

case of certain special courses--is for admission to the grounds. The

visitor pays fifty cents for a franchise of one day, and more for periods

of greater length, until the ultimate charge of seven dollars and fifty

cents for a season ticket is attained. On leaving the grounds, he has to

show his ticket; and if it has expired he is taxed according to the term

of his delinquent lingering. Once free of the grounds, he may avail

himself of any of the privileges of the Assembly. Lectures, on an infinite

variety of subjects, are delivered hour after hour; and a bulletin of

these successive lectures is posted publicly and printed in the daily

paper. Every evening an entertainment of some sort is given in the

Amphitheatre, and this is eagerly attended by swarming thousands. The

Institution owns all the land within the bounding palisades. Private

cottages may be erected by individual builders on lots leased for

ninety-nine years; but the Institution owns and operates the only hotel,

and exercises an absolute empery over the issuance of franchises to

necessary tradesmen. The revenue of the corporation is therefore rich; but

all of it is expended in importing the best lecturers that may be

obtained, and in furthering the general good of the general assembly. The

entire system suggests the theoretic observation that an absolute

democracy can be instituted and maintained only by an absolute monarchy.

If all the people are to be free and equal, the government must have

absolute control of all the revenue. Here is, perhaps, a principle for our

presidential candidates to think about.

But I do not wish to terminate this summer conversation on a serious note;

and I must revert, in closing, to some of the recreations at Chautauqua.

The first of these is tea. Every afternoon, from four to five o'clock, the

visitor lightly flits from tea to tea,--making his excuses to one hostess

in order to dash onward to another. This is rather hard upon the health,

because it requires the deglutition of innumerable potions. I have always

maintained that tea is an admirable entity if it be considered merely as a

time of day, but that it is insidious if it be considered as a beverage.

At Chautauqua, tea is not only an hour but a drink; and (though I am a

sympathetic soul) I can only say that those who like it like it. For my

part, I preferred the concoction sold at rustic soda-fountains, which is

known locally as a "Chautauqua highball,"--a ribald term devised by

college men who make up the by-no-means-despicable ball-team. This

beverage is compounded out of unfermented grape-juice and foaming

fizz-water; and, if it be taken absent-mindedly, seems to taste like

something.

But the standard recreation at Chautauqua is the habit of impromptu eating

in the open air. Every one invites you to go upon a picnic. You take a

steamer to some point upon the lake, or take a trolley to a wild and deep

ravine known by the somewhat unpoetic name of the Hog's Back; and then

everybody sits around and eats sandwiches and hard-boiled eggs, and

considers the occasion a debauch. This formality resembles great good

fun,--especially as there are girls who laugh, and play, and threaten to

disconcert you on the morrow when you solemnly arise to lecture on the

Religion of Emerson. But picnic-baskets out of doors are rather hard on

the digestion.

Perhaps I should record also, as a curious experience, that I was required

to appear as one of the guests of honor at a large reception. This meant

that I had to stand in line, with certain other marionettes, and shake

hands with an apparently endless procession of people who were themselves

as bored as were the guests of honor. I determined then and there that I

should never run for President,--not even in response to an irresistible

appeal from the populace. I had never suspected before that there could be

so many hands without the touch of nature in them. I shook hands

mechanically, chatting all the while with a humorous and human woman who

stood next to me in the line of the attacked--until suddenly I felt the

sensitive and tender grasp of a sure-enough hand, reminding me of friends

and one or two women it has been a holiness to know. My attention was

attracted by the thrill. I turned swiftly--and I looked upon a little bent

old woman who was blind. She had a voice, too, for she spoke to me ...

and,--well, I was very glad that I went to that reception.

And many other matters I remember fondly,--a certain lonely hill at

sunset, whence you looked over wide water to distant dream-enchanted

shores; the urbanity and humor of the wise directors of the Institution;

the manner of many young students who discerned an unadmitted sanctity

beneath the smiling conversations of those summer hours; my own last

lecture, on "The Importance of Enjoying Life"; the people who walked with

me to the station and whom I was sorry to leave; and the oddly-minded

student behind the desk of the hotel; and an old man from Kentucky who

cared about Walt Whitman after I had talked about his ministrations in the

army hospitals; and the trees, and the reverberating organ, and, beneath a

benison of midnight peace, the hushed moon-silvery surface of the lake. It

is, indeed, a memorable experience to have lectured at Chautauqua.

The Unpopular Review, Volume II Number 3 · 第 23 / 30 题