BY REV. “GOLIGHTLY” MORRILL

Pastor People’s Church, Minneapolis, Minn.

California’s coast is a big bathing beach. The state is not only famous

for its walnuts, but for its beach nuts one sees every day, especially

Sunday.

The ocean strand is covered with half-dressed women, boys and girls

sprawled out like goats and satyrs hugging the shore and each other. It

is the playground of the sexes.

At many bathing resorts Sunday is anything but religious. The cross

gives way to Cupid’s bow and arrow. The Bible is the book of nature

done in calf. Brown lads lie with their heads in the laps of half-naked

brunettes, forgetting that to do so and not mean harm is “hypocrisy to

the devil” who tempts their virtue. They make no attempt to hide under

beach umbrellas. One may question their propriety, but neither their

nerve nor shape. Their speech is low, but if actions speak louder than

words, their conduct is often vulgar if not vicious. We saw a place

advertised as the “safest beach,” but without falling into the deep

water we fear the devil’s undertow is carrying many out beyond their

moral depth. “Love one another” is the favorite text, and the “laying

on of hands” is not omitted. All the flesh-pots were not in Egypt.

Cleopatra had a good time on the Nile and “Clara” has the same time here.

We saw many couples and decided that more marriages were made on the

beach than in heaven. Position in society is everything. Here there was

everything in position. Heads in laps, arms around waists, boys in girls’

laps, girls in boys’, legs linked, or arms and legs tied up in lover’s

bow-knots. All were taking “Sea”estas in their “surge” suits. The sight

was very “surf”eiting. In this Cupid school we saw girls with pearly

teeth, but with no pearls of wisdom; many who could paint their face,

but not paint a Madonna; girls who could play with the boys, but not the

piano; the only apparent study was that of anatomy.

Breakers on the beaches are divided into three classes: ocean-breakers,

law-breakers and heart-breakers. California is a fruit state and we

looked everywhere to see the “peaches” on the beaches—but most of them

were dried, and there were more old Iowa valetudinarians and bearded

bipeds than anyone else. Timon of Athens was a misanthrope who went to

the seashore to get away from mankind. Had he come to this beach, the day

we were there, he would have prayed for a tidal wave to wipe it off the

map.

Scripture says of the beautiful lilies, “they toil not, neither do they

spin.” Of these painted, half-dressed, lounging, walking, posturing

beach-combers with their dry feet, we say, “They toil not, neither do

they swim.” We came away from the beach that Sunday with a composite

picture of pop-eyed, pot-bellied promenaders in the sand, vulgar Venuses,

wobbly wenches, living links, heavy-hipped hags, sinuous, shrunken men,

tattered tights, tousled head nymphs, and vain cock of the walks admiring

their own shape and gazing on their feet and fingernails.

We wish we could forget the bather’s singularity and angularity, the

plethoric paunch, the blinking, bawling, calling, sprawling, mawling,

drawling, squalling figures that defaced the beauty of the sky, the sea

and the sand. Oh, the water cataracts running and dripping from shaking

sides, heavy hips and swinging busts! If Ulysses and his crew sailed by

this shore with its sweating sirens and howling hurdy-gurdies, they would

stop their ears—but not for fear of being enticed ashore.

The poet sings of the “smile” of the sea—we do not wonder at laughing

waves when they see some of the freak styles. What are the wild waves

saying? Some things we think we better omit. To watch this beach of

bathers is like having a front seat at the Winter Garden Follies. The

visitor may study the contour of beach and bathers. Here he meets

the living skeleton of angles and the bag of bones, as well as her

heavy-set sister with all her capricious curves, crests, elevations and

depressions. How unlike the pictures in the Sunday supplements, and how

like the caricatures in the comic supplement. When first they appear all

nice and dry they are passable, but look at them if you dare and can,

when they take a dip or flop and come out with their homely lines all

emphasized. No Greek statues, no things of beauty and joy forever, but

shattered, disenchanting dreams, or nightmares rather.

Farewell to this flotsam and jetsam, foam and scum, these sand-flies.

If you want to have a “good time,” go to the beach where the volume of

nature and human nature is “wide open.” The text books you should bring

and study on the seashore are Shelley, Burns, Sand, Crabbe and Bacon.

* * * * *

Dickory, dickory, docking,

The mouse ran up her stocking,

But I’m afraid

Up there it stayed

Which makes it twice as shocking!

* * * * *

A marriage certificate is a mere scrappy paper. One divorce leads to

another, but the marriage vow will always be taken ad-in-fun-item.

* * * * *

Nice day for swimmin’!

What swimmin’?

Loo swimmin’.

* * * * *

“Your new stenog, I hear, is a beauty. Can she spell?”

“What does that matter?”

_Questions and Answers_

=Dear Captain Billy=—What is meant by “A third rail girl?”—=Inoa Recipe.=

It probably means one dangerous to touch.

* * * * *

=Dear Captain Billy=—What is your idea of the height of

indifference?—=Goofey Gander.=

Spilling coffee in your lap and not caring which leg it runs down.

* * * * *

=Dear Captain Billy=—What is the difference between kissing a horse and

an ugly girl?—=Paul Bearer.=

No difference whatever. In either case it’s a horse on you.

* * * * *

=Dear Whiz Bang Bill=—I am a great lover of literature, but find that

friends borrow my books to read. Did you ever hear of anything like

it?—=Oliver Mudd.=

We know an old fogy who married a flapper.

* * * * *

=Dear Captain Billy=—My sweetheart got angry at me last night and said I

had feet like a camel. What did he mean?—=Rebeccah.=

He probably inferred that your feet had gone too long without water.

* * * * *

=Dear Capt. Whiz Bang=—A friend informs me his wife ran away with a “bank

walker.” I have heard of bank tellers and bank cashiers, but never heard

of a “bank walker.” Please tell me what he meant?—=Bob Sledd.=

Your query has been referred to the swimming editor.

* * * * *

=Dear Captain Billy=—Will you please tell me the origin of the

expression: “Mother, who is this silly ass?”—=S. O. Elly.=

It originated in France after the close of the war when a poilu returned

and, finding his home disrupted, left again to vow further vengeance on

the German.

* * * * *

=Dear Cap=—Please tell me how to grow fat.—=Slim Jim.=

Breed hogs.

* * * * *

=Dear Skipper Bill=—What is a cure for a horse that slobbers?—=Artie

Fishel.=

Teach him to spit.

* * * * *

=Dear Skipper=—What is the difference between a sewing machine and a

kiss?—=B. Qrious.=

One sews seams nice and the other seams sew nice.

* * * * *

=Dear Captain Whiskers=—What is a crazy bone?—=Howe D. Dew.=

A dollar spent on a girl.

* * * * *

=Dear Kapten Billy=—An electriek trolly goes through my corn feild. Would

it be against the law to uze it to shock my corn with?—=O. G. Kroakim.=

No, but be careful and not let the juice wet the kernels.

* * * * *

=Dear Skipper=—What is meant by “self respect”?—=Dottie Dimple.=

Self respect, Dottie, is a comfortable feeling one has in having escaped

detection.

* * * * *

=Dear “Skipper”=—Who was the Duke of Peruna?—=C. C. Pill.=

Lydia Pinkham’s husband.

* * * * *

=Dear Captain Bill=—Please give me a definition of a cannibal.—=Student.=

Sure. One who loves his fellow man.

* * * * *

=Dear Skipper=—Kindly furnish me with an illustration of “Poetry of

Motion.”—=Awsthetic Awlice.=

How would this be: A picnic girl with a bug down her back?

* * * * *

=Dear Skipper=—Do leaves of trees turn red in the fall from blushing

because they are showing naked limbs?—=Bon Jurrows.=

No, it’s because they realize how green they were all summer.

* * * * *

=Dear Captain Billy=—I had a tussle with my beau last night. How may I

recover myself?—=Petite Fifi.=

Go to a tailor.

* * * * *

=Dear Capt. Billy=—I am ambitious for a career on the stage. Can you

suggest an act that will be entirely new and up-to-date?—=Art Gumm.=

Why not try kicking a giraffe in the mouth?

* * * * *

=Dear Cap=—I am a member of a newly formed organization known

as the “Woman Hater’s Union.” Could you suggest a motto for our

association?—=Fat Chance.=

“Oh, kill me now and call it the end of a perfect day.”

* * * * *

=Dear Skipper=—When is a good girl not a good girl?—=McNotty.=

About half the time, we’d say.

* * * * *

=Dear Captain Billy=—What is the difference between a rehearsal and a

show?—=Plain Jane.=

A rehearsal is the same as a show, only nobody comes around to see it.

* * * * *

=Dear Captain Bullybeef=—My fiance says I have a peachy complexion. What

does he mean?—=Kitty Furr.=

He probably infers, Kitty, that you have a yellow and orange shade with

fuzz on your face.

* * * * *

=Dear Doctor Bill=—Why, oh why, did the police inspect her?—=The Duke o’

Dubuque.=

Possibly to help the “deek” detect her.

* * * * *

A convalescent requiring whisky and beer for rapid recovery is

convalescent all over except his thirst, and that’s in the acute stages.

* * * * *

Captain Billy's Whiz Bang, Vol. 2, No. 22, July, 1921 America's Magazine of Wit, Humor and Filosophy · 第 20 / 71 题