TWO WAYS.

It seemed to Millard that Phillida would be the better for seeing more

of life. He would not have admitted to himself that he could wish her

any whit different from what she was. But he was nevertheless disposed

to mold her tastes into some likeness to his own--it is the impulse of

all advanced lovers and new husbands. It was unlucky that he should have

chosen for the time of beginning his experiment the very evening of the

day on which she had heard Mrs. Frankland. Phillida's mind was all aglow

with the feelings excited by the address when Millard called with the

intention of inviting her to attend the theater with him.

He found a far-awayness in her mood which made him keep back his

proposal for a while. He did not admire her the less in her periods of

exaltation, but he felt less secure of her when she soared into a region

whither he could not follow. He hesitated, and discussed the weather of

the whole week past, smiting his knee gently with his gloves in the

endeavor to obtain cheerfulness by affecting it. She, on her part, was

equally eager to draw Millard into the paths of feeling and action she

loved so well, and while he was yet trifling with his gloves and the

weather topic, she began:

"Charley, I do wish you could have heard Mrs. Frankland's talk to-day."

Phillida's hands were turned palms downward on her lap as she spoke;

Millard fancied that their lines expressed the refinement of her

organization.

"Why doesn't she admit men?" he said, smiling. "Here you, who don't need

any betterment, will become so good by and by that you'll leave me

entirely behind. We men need evangelizing more than women do. Why does

Mrs. Frankland shut us out from her good influences?"

"Oh! you know she's an Episcopalian, and Episcopalians don't think it

right for women to set up to teach men."

"I'm Episcopalian enough, but if a woman sets up as a preacher at all, I

don't see why she shouldn't preach to those that need it most. It's only

called a 'Bible reading'"--here Charley carefully spread his gloves

across his right knee--"there's no law against reading the Bible to

men?" he added, looking up with a quick winning smile. "Now you see she

turns the scripture topsy-turvy. Instead of women having to inquire of

their husbands at home, men are obliged to inquire of their wives and

sweethearts. I don't mind that, though. I'd rather hear it from you than

from Mrs. Frankland any day." And he gathered up his gloves, and leaned

back in his chair.

Phillida smiled, and took this for an invitation to repeat to him part

of what Mrs. Frankland had said. She related the story of Elizabeth

Fry's work in Newgate, as Mrs. Frankland had told it, she retold Mrs.

Frankland's version of Florence Nightingale in the hospital, and then

she paused.

"There, Charley," she said deprecatingly, "I can't tell these things

with half the splendid effect that Mrs. Frankland did. But it made a

great impression on me. I mean to try to be more useful."

"You? I don't see how you can be any better than you are, my dear. That

kind of talk is good for other people, but it isn't meant for you."

"Don't say that; please don't. But Mrs. Frankland made a deep impression

on all the people at Mrs. Van Horne's."

"At Mrs. Van Horne's?" he asked, with curiosity mingled with surprise.

"Yes; I went with Mrs. Hilbrough."

"Whew! Has Mrs. Frankland got in there?" he said, twirling his cane

reflectively. "I hadn't heard it."

"It isn't quite fair for you to say 'got in there,' is it, Charley? Mrs.

Frankland was invited by Mrs. Van Horne to give her readings at her

house, and she thought it might do good," said Phillida, unwilling to

believe that anybody she liked could be more worldly than she was

herself.

"I did not mean to speak slightingly of Mrs. Frankland," he said; "I

suppose she is a very good woman. But I know she asked Mrs. Hilbrough to

let her read in her house. I only guessed that she must have managed

Mrs. Van Horne in some way. It is no disgrace for her to seek to give

her readings where she thinks they will do good."

"Did she ask Mrs. Hilbrough?" said Phillida.

"Mrs. Hilbrough told me so, and the Van Horne opening may have been one

of Mrs. Hilbrough's clever contrivances. _That_ woman is a perfect

general. This reading at Mrs. Van Horne's must be a piece of her fine

work."

Just why this view of the case should have pained Phillida she could

hardly have told. She liked to dwell in a region of high ideals, and she

hated the practical necessities that oblige high ideals to humble

themselves before they can be incarnated into facts. There could be no

harm in Mrs. Frankland's seeking to reach the people she wished to

address, but the notion of contrivance and management for the promotion

of a mission so lofty made that mission seem a little shop-worn and

offended Phillida's love of congruity. Then, too, she felt that to

Millard Mrs. Frankland was not so worshipful a figure as to herself, and

a painful lack of concord in thought and purpose between her lover and

herself was disclosed. The topic was changed, but the two did not get

into the same groove of thought during the evening.

Even though a lover, Millard did not lose his characteristic

thoughtfulness. Knowing that early rest was important for the mother,

and conjecturing that she slept just behind the sliding-doors, Charley

did not allow himself to outstay his time. It was only when he had taken

his hat to leave that he got courage to ask Phillida if she were

engaged for the next afternoon. When she said no, he proposed the

theater. Phillida would have refused the invitation an hour before, but

in the tenderness of parting she had a remorseful sense of pain

regarding the whole interview. With a scrupulousness quite

characteristic she had begun to blame herself. To refuse the invitation

to the Irving matinee would be to add to an undefined estrangement which

both felt but refused to admit, and so, with her mind all in a jumble,

she said: "Yes; certainly. I'll go if you would like me to, Charley."

But she lay awake long that night in dissatisfaction with herself. She

had gained nothing with Charley, her ideals had been bruised and broken,

her visions of future personal excellence were now confused, and she was

committed to give valuable time to what seemed to her a sort of

dissipation. Would she never be able to emulate Mrs. Fry? Would the

lofty aspiration she had cherished prove beyond her reach? And then,

once, just once, there intruded the unwelcome thought that her

engagement with Millard was possibly a mistake, and that it might defeat

the great ends she had in view. The thought was too painful for her; she

banished it instantly, upbraiding herself for her disloyalty, and

replacing the image of her lover on its pedestal again. Was not Charley

the best of men? Had he not been liberal to the Mission and generous to

Mina Schulenberg? Then she planned again the work they would be able to

accomplish together, she diligent, and he liberal, until thoughts of

this sort mingled with her dreams.

She went to see Irving's _Shylock_. The spectacular street scenes

interested her; the boat that sailed so gracefully on the dry land of

the stage excited her curiosity; and she felt the beauty and artistic

delicacy of the _Portia_. But she was ill at ease through it all. She

was too much in the mood of a moralist to see the play merely as a work

of art; she could not keep her mind from reverting to matters having

nothing to do with the play, such as the versatility of an actress's

domestic relations. And she could not but feel that in so far as the

play diverted her, it did so at the expense of that strenuousness of

endeavor for extraordinary usefulness which her mind had taken under the

spell of Mrs. Frankland's speech.

"Didn't you like it?" said Millard, when they had reached the fresh air

of the street and disentangled themselves from the debouching crowd--a

noble pair to look upon as they walked thus in the late afternoon.

"Yes," said Phillida, spreading her parasol against the slant beams of

the declining sun, which illuminated the red brick walls and touched the

lofty cornices and the worn stones of the driveway with high lights,

while now this and now that distant window seemed to burn with ruddy

fire--"yes; I couldn't help enjoying Miss Terry's _Portia_. I am no

judge, but as a play I think it must have been good."

"Why do you say 'as a play'?" he asked. "What could it be but a play?"

He punctuated his question by tapping the pavement with his cane.

Phillida laughed a little at herself, but added with great seriousness:

"Would you think worse of me, Charley, if I should tell you that I don't

quite like plays?" And she looked up at him in a manner at once

affectionate and protesting.

Millard could not help giving her credit for the delicacy she showed in

her manner of differing from him.

"No," he said; "I couldn't but think the best of you in any case,

Phillida, but you might make me think worse of myself, you know, for I

do like plays. And more than that," he said, turning full upon her, "you

might succeed in making me think that you thought the worse of me, and

that would be the very worst of all."

This was said in a half-playful tone, but to Phillida it opened again

the painful vision of a possible drawing apart through a contrariety of

tastes. She therefore said no more in that direction, but contented

herself with some general criticisms on Irving's _Shylock_, the

incongruities in which she pointed out, and her criticisms, which were

tolerably acute, excited Millard's admiration; and it is not to be

expected that a lover's admiration should maintain any just proportion

to that which calls it forth.

Again the Thursday sermon at Mrs. Van Horne's came around, and again

Phillida was restored to a white heat of zeal mingled with a rueful

distrust of her own power to hold herself to the continuous pursuit of

her ideal. Millard, perceiving that she dreaded to be invited again,

refrained from offering to take her to the theater. He waited several

weeks, and then ventured, with some hesitation, to ask her to go with

him to see one of the Wagner operas. He was frightened at his own

boldness in asking, and he kept his eyes upon the ferule of his cane

with which he was tapping the toe of his boot, afraid to look up while

she answered. She saw how timidly he asked, and her heart was cruelly

wounded by the necessity she felt to refuse; but she had fortified

herself to resist just such a temptation.

"I'd rather not go, Charley," she said slowly, in accents so pleading

and so full of pain that Millard felt remorse that he should have

suggested such a thing.

But this traveling on divergent lines could not but have its effect upon

them. He was too well-mannered, she was too good, both were too

affectionate, for them to quarrel easily. But there took place something

that could hardly be called estrangement; it was rather what a Frenchman

might, with a refinement not possible in our idiom, call an

_eloignement_. In spite of their exertions to come together, they drew

apart. This process was interrupted by seasons of renewed tenderness.

But Phillida's zeal, favored by Mrs. Frankland's meetings, held her back

from those pursuits into which Millard would have drawn her, and only a

general interest in her altruistic aims was possible to him. Again and

again he made some exertion to enter into her pursuits, but he could

never get any farther than he could go by the aid of his check-book.

Once or twice she went with him to some public entertainment, but those

social pursuits to which he was habituated she avoided as dissipations.

Thus they loved each other, but it is pitiful to love as they did, while

unable to conceal from themselves that a gulf lay between the main

tastes and pursuits of the one and the other.

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