CHAPTER IX

The next morning David was surprised, and a little touched, to have his

aunt come up to him in the shadowy upper hall and embrace him warmly.

It was a long time since he had had such a kiss from Aunt Flora.

“Sylvia’s just hinted it to me--I’m so glad, my dear, dear boy!” said

Flora. “She doesn’t want anything said of it--I understand! She wants

it just as if nothing had happened, until June--I understand! But I

must let you know that I am so delighted, David.”

And pressing his hands with a display of emotion very rare in her she

hurried on. But for this David might almost believe that he had dreamed

that little conversation with Sylvia in the firelight last night.

Sylvia really showed less feeling than her mother; Aunt Flora was quite

visibly beaming over the thought.

Yet Sylvia did show some; she was demure and sweet with David, and on

New Year’s Eve they had a few moments’ grave conversation about the

future.

“Perhaps there’ll be a young Mrs. Fleming here next year, Sylvia?”

“Oh, not quite so soon, I think. Promise me, promise me you won’t hurry

matters! But some day----” And she let her smooth, warm hand rest in

his until they were interrupted by her mother’s entrance into the room.

Sylvia went back to college early on the day after New Year’s Day, and

David took her in to Boston, promising his aunt, however, that he would

return to Wastewater that night. And late in the afternoon, before

Sylvia went, she found an opportunity to give Gay a hint of the state

of affairs.

The two girls had managed to establish a real friendliness and were

merry and confidential and full of chatter together. Now Gay had asked

curiously, as in an ice-cold bedroom she watched Sylvia packing her

things:

“Sylvia, do you hate to go back?”

“Well, yes and no,” Sylvia said, thoughtfully. “In a way, I wish June

would hurry, and in another way I want to get every scrap of sweetness

out of my last college days. I shall be tremendously busy when I get

home, of course, for weeks and weeks, and then it’s possible--I won’t

say definitely, but it’s possible that Mamma and I may go abroad for a

few months, after that. I feel as if, in a way, I owed Mamma a holiday.”

Gay’s face was radiant with sympathy.

“Oh, you will love it!” she said, enthusiastically, as she wrapped

the big comforter tightly about her and curled her feet up in the big

armchair. Sylvia, shuddering, blew upon her own fingers as she gave a

last look about the room.

“There, everything’s in!” she said. “Do let’s get downstairs and have

some tea as a celebration!” And to herself Sylvia added, “I wonder if

she realizes that I don’t plan to take her with us?”

But Gay was thinking: “She can’t care for David or she wouldn’t be

making plans to go away!” and in the queer, indefinable happiness that

came with this conviction, she could well afford to be indifferent to

her own plans for the summer.

When they were downstairs again and shuddering with cold, as the

heavenly warmth of the sitting room enveloped them Sylvia said:

“I should love to give Mamma a really happy time, because--next

winter--there may be changes----”

Gay, kneeling by the hearth and hammering a great smoking lump of coal

with a poker, felt salt in her mouth, and her heart sank like a leaden

weight. Sylvia’s serious yet happy tone was unmistakable. The younger

girl did not turn.

“You mean--you and David----?” she said, thickly, putting one arm

across her eyes as if the smoke had blinded her.

“I think so,” Sylvia answered, smiling quietly and mysteriously.

Gay took her chair. “I always thought so!” she said, bravely. “Has it

been settled--long?”

“It isn’t settled now!” Sylvia responded, in a little tone of merry

warning and alarm. “But I have promised”--and her smile was that of the

consciously beloved and courted woman--“I have promised to think about

it!”

When David came down with the suitcases a few minutes later Sylvia

was alone. Gay did not come in until just before dinner, and then

she seemed quiet and grave. David suspected that Sylvia’s departure

and the ending of the happy holidays were depressing her, but two or

three times, catching her serious glance fixed upon himself during the

evening, he was puzzled by something more serious than this, something

almost reproachful, almost accusing.

However, he forgot it in the confusion of the early start the next

morning, and when he returned to Wastewater late that evening, Gay

seemed quite herself. David stayed on comfortably from day to day, and

the three settled to a pleasant, if monotonous and quiet, life.

Gay worked busily at her music and with her books all morning and now

and then had the additional interest of a postcard from one of the

Montallens, or one of Frank du Spain’s singularly undeveloped and

youthful letters to answer. David was painting a study of the old sheds

and fences on the western side of the house, buried in a heavy snow,

with snow-laden trees bowed about them, and as a fresh blizzard came

along early in the year, and the first study was extremely successful,

he delayed to make a second.

In the cold afternoons he and Gay usually went for long walks, talking

hard all the way, and David found it as often astonishingly stimulating

to get her views of men and affairs and books as it was pleasant to

guide her or influence her. Sometimes, bundled to the ears, she would

rush out to the old cow yard to stand behind him as he painted, and

what she said of his work, he thought, was always worth hearing. He was

to have an exhibition in New York for a week in the early spring, and

it was at Gay’s suggestion that he did some small water colours for it.

“There!” she said. “Now those things that you call ‘notes’--those

are perfectly delightful! And many a person who couldn’t--or

wouldn’t--spend several hundred dollars for a picture would love one of

those.”

“Lots of fellows either throw them out as rubbish or give them away,”

David protested.

“Yes, but yours are so lovely, David! I can’t think that most men would

make such nice ones. This little one--I’ll tell you what it’s like,”

said Gay, with a brightening face, “It’s like a little Diziani in the

Louvre!”

These little touches of familiarity with the field so infinitely

interesting to him were delightful to David. He would spend whole

winter afternoons going over his European catalogues with her and

identifying picture after picture. Gay made him mark the “notes” at a

hundred dollars each.

“Catalogue them separately under ‘notes,’” she suggested one morning,

“and then let’s give each one of them a name.” And following some line

of thought she presently added dreamily, “David, does the money part

matter so tremendously to you?”

“Does--God bless the child!” answered David, with a glance toward the

sketches he was assorting in the big upstairs room in which he worked

at Wastewater. “Of course it does!”

Gay, who had been making some little sketches herself on a large bare

block with a very sharp pencil, laughed at his tone. Outside a January

rain was sleeting roughly against the windows, the casements rattled. A

small oil stove was burning in the cool gray daylight of the room, the

air was faintly scented with the odour of kerosene and hot metal.

“Why, what would you do if you had more money?” Gay asked.

“Oh, Lord----!” David began. “Well, I’d take a studio near Rucker’s,”

he began. “At least, I might. And probably about once in every three

years I’d go across and study in Europe. I’d buy one of Neil Boone’s

pictures to-morrow,” went on David, warming suddenly, “and I’d buy one

every three months, to keep the poor fellow from committing suicide

before people begin to find out what a marvel he is.”

“Is he so clever, David?”

“Oh----” David said, briefly, almost impatiently. “The uses of

adversity are sweet, Gay,” he added, working busily with an eraser on a

smudged pencil sketch, “but Boone has had a little too much of a good

thing! He idolized his wife, and she died, and I think he feels that

it might have been different if she’d had less want and care. He’s mad

about his kid, and a well-to-do sister has him in Washington. Boone

can’t afford to keep him.”

“I must say that you don’t seem to want money so much for yourself,”

said Gay, laughing. “You _might_ get a studio, and you _might_ go

abroad. I’ll tell you what I think,” finished Gay, “you’d like money

principally because, when a man’s pictures sell, it’s proof that he is

succeeding in his profession!”

“Well, I shouldn’t wonder if you’re right, Gay,” David said, surprised

at the shrewdness of the analysis.

“Because, if you and Sylvia----” the girl was beginning, animatedly.

She stopped. Her face was crimson. “Perhaps I wasn’t supposed to know

that,” she stammered, smiling.

“Not much to know,” David said, also a little red. “It--it’s indefinite

until Sylvia chooses to have it definite,” he added. And then, with

what was suddenly a rough, almost an angry manner, for David, he went

on: “But what were you going to say, Gay? Did you mean that if Sylvia

and I were married I _would_ be rich?”

“Nothing quite so crude, David!” she answered, readily, with an

apologetic smile. “I was contrasting the pleasure you would get from

a--well, from a really sensational success with your exhibition,” Gay

went on, feeling for words, “to the pleasure any amount of money just

put into your hand would give you! You and Sylvia can do anything you

like, I suppose, but I know it won’t make you feel like working any

less!”

It was said with her innocent, sisterly smile, and with her usual

unspoiled earnest interest, but David felt oddly uncomfortable whenever

he thought of it throughout the day. A dozen times he wondered exactly

what the situation would be if Sylvia were in--well, in Gay’s position,

looking to her husband for everything.

He could not be more fond of her, he was glad to think. Indeed, David

thought, Sylvia’s character would probably come out in far finer

colours under these circumstances than it was apt to do as it was. To

receive all that Sylvia was to receive upon coming of age, to be so

clever, so beautiful, and so admired, was sure to prove more or less

upsetting. As for the rest, he wished heartily that it had been his

good fortune to fall in love with a woman who had not a penny!

Not that Sylvia would be anything but charming in her attitude to his

income and her own. She would glide over any conceivable awkwardness

with her own native fineness. She would ask--he knew exactly how

prettily--“David, should I buy a new fur coat, do you think? David,

would another maid be an awful extravagance?” There would never be a

word or a hint to remind him that after all the safety-deposit box, and

the check books, and indeed the very roof over their heads, were hers.

It was not that that he feared. But he did fear her quite natural

opinion that money was extremely important. It was important to her. It

was important to almost everyone. But it was not important to David.

If their friends would think him fortunate in winning so clever and

beautiful and charming a wife, well and good. But he knew that they

would go on to the consideration of her wealth, if indeed many of them

did not actually commence there. “Pretty comfortable for him, she has

scads of money!” the world would say, and Sylvia--unfortunately!--could

hardly help having her own convictions upon that score, too.

Of course dear old David would love to be rich! Sylvia would think.

Here he had been struggling along on a few thousands a year, making no

complaints, happy in his work, travelling, with a keenly anxious eye on

his checkbook, spending nothing on clothes, giving one odd and curious

little presents that yet were so pitifully inexpensive, anxious about

those exhibitions of canvases that as yet did not sell very fast--what

could be more delightful than sudden riches to David? To buy him a big

car, a big fur coat, to entertain their friends at the finest hotels,

to travel, to pick up odd books and canvases, to have smart luggage, a

beautiful home--who wouldn’t like such a change?

Well, David knew himself that he would not. He realized perfectly that

one of the difficulties of his early married life would be to persuade

his rich young wife that he really preferred his old corduroys to paint

in, that he really liked little restaurants, that he hated big hotels.

Far happier for him if Gay, for example, had been the heiress. Then

he and Sylvia would have been the poor relations, would have had the

tramping, the little studio in Keyport, the frugal trips abroad so

full of adventures and excitements, and always the beloved old family

homestead to turn to for holidays and special occasions. That would

be a realler sort of living than he was apt to experience with all

Sylvia’s charming responsibilities and exaction upon his shoulders.

There would be a distinct loss of something free and personal,

something far higher and purer and more wonderful than even old Uncle

Roger’s money, in David’s marriage. And he knew now that he could never

expect Sylvia to see that loss. To Sylvia any one who could be rich,

and who saw even the tiniest scrap of advantage anywhere in remaining

poor, was stupid to the point of annoyance.

Well, it would all work out somehow, David thought philosophically,

thinking these things seriously upon a certain bitter night late in

January. A heavy storm was brewing again, for the winter was unusually

severe, but he had resolved to turn his back upon it; he must get down

into the city and arrange matters for the April exhibition. He would

leave Wastewater the next day, after almost six weeks in which the days

had seemed to fly by.

It was almost midnight now; Gay, who had seemed out of spirits

to-night, had gone upstairs early, and Aunt Flora had followed her an

hour ago. But David sat on by the fire, not so much reading the book

he held in his hand, as musing, and occasionally leaning forward to

stir the last of the coals. The passage to bed was a long and chilly

one, the halls were cold, his room would be cold; he felt a deep, lazy

disinclination to stir.

* * * * *

Suddenly and hideously in the darkness and night he heard a wild

scream, followed by other screams, all piercing, high--the shrieks of a

woman in mortal terror. David, with a quick exclamation, started to his

feet, ran to the door, opened it and shouted into the blackness of the

hall, snatched the lamp from the centre table, and, always shouting,

ran up toward the evident source of the confusion; which was in the

direction of his room and Gay’s, on the floor above.

It had all taken place so quickly and was so unspeakably horrifying

and alarming that David had no time to think of his own emotions until

he reached the upper hall and rushed into Gay’s room. He set the light

on a table, and caught the girl, who was blundering blindly about the

doorway, in his arms.

“Gay--for God’s sake--what is it!” he said, drawing her into the hall,

holding her tight, and looking beyond her into the dimness of the room.

“Oh, David--David!” she sobbed, clinging to him. “Oh, David, it’s that

old woman again! She’s in my room--I saw her! She had a candle in her

hand--I tell you I saw her!”

“You had a dream, dear!” David said, tenderly. “She must have had a bad

dream!” David explained to Flora, who came upstairs carrying a candle,

and with a ghastly face, and to Hedda and Trude, who appeared from

another direction, frightened and pale.

“Oh, no--no--no! I didn’t dream it!” Gabrielle said, still gasping and

clinging tight to David, but in a somewhat quieter tone. “No, I didn’t

dream it! She--I had just put out the light and she--she came into my

room----”

“Now, don’t get excited, dear,” David interrupted the rising tone

reassuringly. “We’re all here, and she can’t hurt you! What did you

think you saw?”

“She came to my door,” Gabrielle whispered, with a heaving breast and

a dry throat. “She was--she was----” Her voice rose on a shrill note

of terror in spite of herself, and she looked into David’s eyes with a

pathetic childish effort to control herself. “She was--smiling at me!”

Gabrielle whispered.

David felt his own flesh creep; it was Flora’s voice that said somewhat

harshly:

“Come down to Sylvia’s room for the rest of the night, Gabrielle.”

They were all in the doorway of Gabrielle’s room; the lamp that David

had carried upstairs he had placed just within it, in a sort of alcove.

Now he picked up the light and said reassuringly:

“Look here, dear, nobody’s gone out of the hall! We’ll go all over your

room, and open the wardrobes, and look under the bed----”

He had gotten so far, turning courageously into the apartment, when he

stopped, and Gabrielle screamed again. For the light now shone upon the

girl’s tumbled bed, her desk, her bureau, her bookshelves. And standing

close to the latter, with bright mad eyes fixed upon them all, and

something of the hunted look of a cornered yet unfrightened animal, was

a small, bent old woman, with gray hair straggling out upon the gray

shawl she wore over her shoulders, and an extinguished candle in the

stick she carried in her hands.

David’s heart came into his mouth with shock; there was an uncanny and

fearful quality about such an apparition in the quiet winter night and

in the shadowy old house. Flora, behind him, made a sound of despair,

and Hedda and Trude moaned together. Afterward, it seemed to him odd

that it was Gabrielle who spoke.

The girl was still shaken badly, but the lights and the voices had

instantly dissipated the horrifying mystery and fear, and although

Gay was pale and spoke with a somewhat dry throat, it was steadily

enough, it was even with a pathetic sort of reassurance in her voice,

and a trembling eagerness to quiet the strange visitor, to restore the

fantastic unnaturalness of the scene to something like the normal.

“You--you frightened me so!” she said to the little old woman, gently,

touching her on the arm, even trying to draw about the shaking little

old figure the big slipping gray shawl. “You--she didn’t mean any harm,

David,” Gay said, with her breath coming easier every second. “She--I

think she’s a little----” A significant lifting of Gay’s eyebrows

finished the sentence. “Margret knows her--Aunt Flora knows who she

is!” she added, appealingly.

“I wanted to see you, dear, and Flora wouldn’t let me!” the old woman

said, tearfully and childishly, catching Gay’s hands and beginning to

mumble kisses over them.

David made a sudden exclamation.

“Is it--I’ve not seen her for twenty years!” he said, with a puzzled

look at his aunt, about whose shaking form he immediately put a bracing

arm. “Isn’t it your mother, Aunt Flora? Is it Aunt John? I thought she

was dead.”

“Yes--just help me take her to her room, David,” Flora said, feverishly

and blindly. “Just--take her arm, Hedda. We’ll get her all comfortable,

and then I’ll explain. I’ll explain to you and Gabrielle--you needn’t

be afraid of this happening again--I’ll--I’ll----Let Trude take her,

Gabrielle.”

“But she doesn’t want to go, do you, dear?” Gay asked, pitifully.

And David thought her youth and beauty, the hanging rope of glorious

tawny hair, the slim figure outlined in her plain little embroidered

nightgown, and the kimono she had caught up, contrasted to that shaking

old creature’s feebleness and wildness, were the most extraordinary

things he had ever seen in his life. But then the whole thing was like

a crazy dream.

“But she must go,” Flora reiterated, firmly, her voice shaking and raw,

her face streaked with green lines across its pallor.

“Aunt John,” David pleaded, gently, taking an elbow that controlled

a thin old yellow hand like a hanging bird’s claw. For he remembered

the days when “Aunt John” had kept house for them all, when Flora was

a brisk young woman, and Lily only a timid, romantic girl, when his

own mother was mistress of Wastewater, and poor Tom and himself the

idolized small boys of the family.

“What are you calling me ‘Aunt John’ for, David Fleming?” said the old

woman, shrilly and suddenly. “Mamma died years and years ago, didn’t

she, Flora? I’m your Aunt Lily, and I came down to see my girl!”

Hedda and Trude exclaimed together; but David sensed instantly that

they were not surprised. Flora choked, caught blindly at the back of a

chair, and stood staring; David, in his quick glance, saw that her lips

were moving. But she made no sound.

Then it was at Gabrielle that they all looked; Gabrielle, who

stood tall and young and ashen in the uncertain lamplight, with

her magnificent, pathetically widened eyes, like shadowy gray star

sapphires, moving first to Flora’s face, and then to David’s, and then

back to the little woman beside her, whose hand, or claw, she still

held in her own.

David saw her breast rise and fall suddenly, but there was in her

bearing no sign that she was conscious of his presence, or that of the

maids or Flora. She bent down toward the forlorn little mowing and

mumbling creature, looking into the wandering eyes.

“I’m sorry they wouldn’t let you see me!” Gay said, gently, in just

the essence of her own beautiful voice. To David every syllable seemed

to throb and flower like a falling star in the unearthly silence of

the room. Outside a winter wind whined, branches creaked, the ivy at

Gay’s window crackled as a load of snow slipped from its dry twigs;

they could hear the distant muffled sound of the cold sea, tumbling and

booming among the rocks.

The lamp flared up in a sudden draught, burned steadily again. Great

shadows marched and wheeled on the ceiling. The two maids stared with

dilated eyes. Flora caught at David with fierce fingers.

“Don’t--don’t let her talk! She’s not responsible, David! I tell you

it’s all a mistake--no harm done--I won’t have Gabrielle worried----”

“Don’t worry about me, Aunt Flora!” Gay’s voice said. And again it

sounded strange to David; it had a sad and poignant sweetness that

seemed to have more in common with the icy night, and the streaming

winter moonlight, and the cold sea, than with this troubled little

human group. “I’m glad to know. I never would have been afraid of you

if I had known,” Gay said, to the little bent old woman. “I won’t be

frightened again. You can--you can see me as much as you like. If

you’re Lily, I’m--I’m your little girl, you know--Mother.”

The black Flemings · 第 9 / 21 章