Regretfully Mrs. Holmes answered, "No, dear, I don't know him."

"But," persisted Omassa, "you know him, or how could you speak his

name?"

"I learned the name from you, child, when you talked in the fever. I am

very sorry I have caused you a disappointment. I am to blame for my

curiosity--forgive me."

All the light faded from her face and very quietly she lay down upon her

pillow, her lips close-pressed, her eyes closed; but she could not hide

the shining of the tears that squeezed between her short, thick lashes

and clung to them. 'Twas long before his name was mentioned again; but

one day something had been said of friends, when Omassa with intense

pride had exclaimed:--"I have got my own self one friend--he--my friend

Frank."

"What's his other name?" asked the nurse.

"Oh, he very poor, he got only one name."

"But, dear, he must have another name, he is Frank somebody or

something."

"No! no!" persisted Omassa with gentle obstinacy, "he tell me always

true, he very poor, good man--he got only one name, my Frank Sen."

"There," cried Mrs. Holmes, triumphantly, "you see he _has_ two names

after all, you have just called him by them both--Frank Sen."

At which the invalid sent forth a tinkling laugh of amusement, crying:

"Oh, that not one man's name, oh, no! That Sen that like your Mr.--Mrs.;

you nurse-lady, you Holmes Sen. Ito--big Japan fight man, he Ito Sen,

you unnerstand me, nurse-lady?"

"Yes, child, I understand. Sen is a title, a term of respect, and you

like to show your friend Frank all the honour you can, so you call him

Frank Sen."

And Omassa with unconscious slanginess gravely answered: "You right _on_

to it at first try. My boss" (her manager Kimoto) "find _me_ baby in

Japan, with very bad old man. He gamble all time. I not know why he have

me, he not my old man, but he sell me for seven year to Kimoto, and

Kimoto teach me jump, turn, twist, climb, and he send my money all to

old man--_all_. We go Mexico--South America--many Islands--to German

land, and long time here in this most big America--and the world so

big--and then I so little Japan baby--I no play--I no sing--I know

nothing what to do--and just _one_ person in this big lonesome_ness_

make a kindness to me--my Frank Sen--just one man--just one woman in all

world make goodness to me--my Frank Sen and my nurse-lady," and she

stroked with reverent little fingers the white hand resting on the bed

beside her.

"What was he like, your Frank?" asked the nurse.

"Oh, he one big large American man--he not laugh many times loud, but he

laugh in he blue eye. He got brown mustache and he hair all short,

thick, wavy--like puppy dog's back. He poor--he not perform in circus,

oh, no! He work for put up tents, for wagon, for horses. He ver good man

for fight too--he smash man that hurt horse--he smash man that kick dog

or push me, Japan baby. Oh, he best man in all the world" (the exquisite

Madame Butterfly was not known yet, so Omassa was not quoting). "He tell

me I shall not say some words, 'damn' and 'hell' and others more long,

more bad, and he tell me all about that 'hell' and where is--and how you

get in for steal, for lie, for hurt things not so big as you--and how

you can't get out again where there is cool place for change--and he

smooth my hair and pat my shoulder, for he know Japan people don't ever

be kissed--and he call me one word I cannot know."

She shook her head regretfully. "He call me 'poor little wave'--why poor

little wave--wave that mean water?" she sighed. "I can't know why Frank

Sen call me that."

But quick-witted Mrs. Holmes guessed the word had been "waif"--poor

little waif, and she began dimly to comprehend the big-hearted, rough

tent-man, who had tried to guard this little foreign maid from the

ignorance and evil about her.

"But," resumed Omassa, with perfect conviction, "Frank Sen meaned

goodness for me when he called me 'wave'--I know _that_. What you think

that big American man do for help me little Japan baby--with no sense?

Well, I will tell you. When daylight circus-show over, he take me by

hand and lead me to shady place between tents--he sit down--put me at he

knee, and in what you call primer-book with he long brown finger he

point out and make me know all those big fat letters--yes, he do _that_.

Other mens make of him fun--and he only laugh; but when they say he my

father and say of me names, he lay down primer and fight. When he lay

out the whole deck, he come back and wash he hands and show me some more

letters. Oh, I very stupid Japan baby; but at last I know _all_, and

_then_ he harness some together and make d-o-g say dog, and n-o say no,

and so it come that one day next week was going to be his

fête-day,--what you call birsday,--and I make very big large secret."

She lifted herself excitedly in bed, her glowing eyes were on her

nurse's face, her lips trembled, the "lantern" was alight and glowing

radiantly.

"What you think I do for my Frank Sen's birsday? I have never one

penny,--I cannot buy,--but I make one big great try. I go to

circus-lady, that ride horse and jump hoops--she read like Frank Sen. I

ask her show me some right letters. Oh, I work hard--for I am very

stupid Japan child; but when that day come, Frank Sen he lead me to

shady place--he open primer--then," her whole face was quivering with

fun at the recollection, "then I take he long finger off--I put _my_

finger and I slow spell--not cat--not dog--oh, _what_ you think?--I

spell F-r-a-n-k--Frank! He look to me, and then he make a big jump--he

catch me--toss me, high up in air, and he shout big glad shout, and then

I say--'cause for your birsday.' He stop, he put me down, and he eyes

come wet, and he take my hand and he say: 'Thank you, that's the only

birsday gift I ever _re_ceived that was not from my mother. Spell it

again for me,' he said; and then he was very proud and said, 'there was

not any-other birsday gift like that in all the world!' What you think

of _that_?

"Then the end to season of circus come--Frank Sen he kneel down by

me--he very sad--he say, 'I have nothing to give--I am such a fool--and

the green-cloth--oh, the curse of the green-cloth!' He took off my Japan

slippers and smiled at them and said, 'Poor little feet'; he stroked my

hands and said, 'Poor little hands'; he lifted up my face and said,

'Poor little wave'; then he look up in air and he say, very

troubled-like, 'A few home memories--some small knowledge, all I had, I

have given her. To read a little is not much, but maybe it may help her

some day, and I have nothing more to give!'

"And I feeling something grow very fast, here and here" (touching throat

and breast), "and I say, '_You_ have nothing to give me? well'--and then

I forget all about I am little Japan girl, and I cry, 'Well, _I_ have

something to give you, Frank Sen, and that is one kiss!' And I put my

arms about he neck and make one big large kiss right on he kind lips."

Her chin sank upon her night-robed breast. After a moment she smiled

deprecatingly at Mrs. Holmes and whispered: "You forgive me, other day?

You see I Japan girl--and just once I give big American kiss to my

friend, Frank Sen."

_CHAPTER XXI

Stage Confidences: Talks About Players and Play Acting · 第 30 / 32 题