THE STAGE AS AN OCCUPATION FOR WOMEN_

In looking over my letters from the gentle "Unknown," I find that the

question, "What advantage has the stage over other occupations for

women?" is asked by a Mrs. Some One more often than by the more

impulsive and less thoughtful girl writer, and it is put with frequency

and earnestness.

Of course there is nothing authoritative in these answers of mine,

nothing absolute. They are simply the opinion of one woman, founded upon

personal experience and observation. We must, of course, to begin

with, eliminate the glamour of the stage--that strange, false lustre, as

powerful as it is intangible--and consider acting as a practical

occupation, like any other. And then I find that in trying to answer the

question asked, I am compelled, after all, to turn to a memory.

I had been on the stage two years when one day I met a schoolmate. Her

father had died, and she, too, was working; but she was bitterly envious

of my occupation. I earnestly explained the demands stage wardrobe made

upon the extra pay I drew; that in actual fact she had more money for

herself than I had. Again I explained that rehearsals, study, and

preparation of costumes required time almost equal to her working hours,

with the night work besides; but she would not be convinced.

"Oh, don't you see," she cried, "I am at service, that means I'm a

dependant, I labour for another. You serve, yes, but you labour for

yourself," and lo! she had placed her stubby little finger upon the sore

spot in the working-woman's very heart, when she had divined that in the

independence of an actress lay her great advantage over other workers.

Of course this independence is not absolute; but then how many men there

are already silver-haired at desk or bench or counter who are still

under the authority of an employer! Like these men, the actress's

independence is comparative; but measured by the bondage of other

working-women, it is very great. We both have duties to perform for

which we receive a given wage, yet there is a difference. The

working-girl is expected to be subservient, she is too often regarded as

a menial, she is ordered. An actress, even of small characters, is

considered a necessary part of the whole. She assists, she attends, she

obliges. Truly a difference.

Again, women shrink with passionate repugnance from receiving orders

from another woman; witness the rarity of the American domestic. A pity?

Yes; but what else can you expect? The Americans are a dominant race.

Free education has made all classes too nearly equal for one woman to

bend her neck willingly and accept the yoke of servitude offered by

another woman.

And even this is spared to the actress, since her directions are more

often received from the stage manager or manager than from a woman star.

True, her life is hard, she has no home comforts; but, then, she has no

heavy duties to perform, no housework, bed-making, sweeping,

dish-washing, or clothes-washing, and when her work is done, she is her

own mistress. She goes and comes at her own will; she has time for

self-improvement, but best of all she has something to look forward to.

That is a great advantage over girls of other occupations, who have such

a small chance of advancement.

Some impetuous young reader who speaks first and thinks afterward may

cry out that I am not doing justice to the profession of acting, even

that I discredit it in thus comparing it with humble and somewhat

mechanical vocations; so before I go farther, little enthusiasts, let me

remind you of the wording of this present query. It does not ask what

advantage has acting over other professions, over other arts, but "What

advantage has it over other occupations for women?"

A very sweeping inquiry, you see; hence this necessary comparison with

shop, factory, and office work. As to the other professions, taking, for

instance, law or medicine, preparations for practice must be very

costly. A girl puts her family to a great strain to pay her college

expenses, or if some family friend advances funds, when she finally

passes all the dreaded examinations, and has the legal right to hang out

her shingle, she starts in the race of life handicapped with crushing

debts.

The theatre is, I think, the only place where a salary is paid to

students during all the time they are learning their profession; surely

a great, a wonderful advantage over other professions to be

self-sustaining from the first.

Then the arts, but ah! life is short and art, dear Lord, art is long,

almost unto eternity. And she who serves it needs help, much help, and

then must wait, long and wearily, for the world's response and

recognition, that, even if they come, are apt to be somewhat uncertain,

unless they can be cut on a marble tomb; then they are quite positive

and hearty. But in the art of acting the response and recognition come

swift as lightning, sweet as nectar, while you are young enough to enjoy

and to make still greater efforts to improve and advance.

So it seems to me the great advantage of acting over work is one's

independence, one's opportunity to improve oneself. Its advantage over

the professions is that it is self-sustaining from the start. Its

advantage over the arts is its swift reward for earnest endeavour.

It must be very hard to endure the contempt so often bestowed upon the

woman who simply serves. I had a little taste of it once myself; and

though it was given me by accident, and apologies and laughter followed,

I remember quite well that even that tiny taste was distinctly

unpleasant--yes, and bitter. I was abroad with some very intimate

friends, and Mrs. P----, an invalid, owing to a mishap, was for some

days without a maid. We arrived in Paris hours behind time, late at

night, and went straight to our reserved rooms, seeing no one but some

sleepy servants.

Early next morning, going to my friends' apartments, I came upon this

piteous sight: Mrs. P----, who had a head of curly hair, was not only

without a maid, but also without the use of her right arm. The fame of

Charcot had brought her to Paris. Unless she breakfasted alone, which

she hated, her hair must be arranged. Behold, then, the emergency for

which her husband, Colonel P----, had, boldly not to say recklessly,

offered his services.

I can see them now. She, with clenched teeth of physical suffering and

uplifted eye of the forgiving martyr, sat in combing jacket before him;

and he, with the maid's white apron girt tight about him just beneath

his armpits, had on his soldierly face an expression of desperate

resolve that suggested the leading of a forlorn hope. A row of hair-pins

protruded sharply from between his tightly closed lips; a tortoise-shell

back-comb, dangling from one side of his full beard where he placed it

for safety, made this amateur hairdresser a disturbing sight both for

gods and men.

With legs well braced and far apart, his arms high lifted like outspread

wings, he wielded the comb after the manner of a man raking hay. For one

moment all my sympathy was for the shrinking woman; then, when

suddenly, in despite of the delicious morning coolness, a great drop of

perspiration splashed from the Colonel's corrugated brow, down into the

obstreperous curly mass he wrestled with, I pitied him, too, and

cried:--

"Oh, I'll do that. Take care, you'll swallow a pin or two if you

contradict me. Your spirit is willing, Colonel, but your flesh, for all

you have such a lot of it, is weak, when you come to hair-dressing!"

And regardless of his very earnest protest, I took the tangled,

tormented mass in hand and soon had it waving back into a fluffy knot;

and just as I was drawing forth some short locks for the forehead, there

came a knock and in bounced the mistress of the house, our landlady,

Mme. F----, who, missing our arrival the night before, came now to bid

us welcome and inquire as to our satisfaction with arrangements, etc.

She was a short woman, of surprising breadth and more surprising

velocity of speech. She could pronounce more words to a single breath

than any other person I have ever met. She was German by birth, and

spoke French with a strong German accent, while her English was a thing

to wring the soul, sprinkled as it was with German "unds," "ufs," and

"yousts," and French "zees" and "zats." Our French being of the slow and

precise kind, and her English of the rattling and at first

incomprehensible type, the conversation was somewhat confused. But even

so, my friends noticed with surprise, that Madame did not address one

word of welcome to me. They hastened to introduce me, using my married

name.

A momentary annoyance came into her face, then she dropped her lids

haughtily, swept me from head to foot with one contemptuous glance, and

without even the faintest nod in return to my "Bon jour, Madame," she

turned to Mrs. P----, who, red with indignation, was trying to sputter

out a demand for an explanation, and asked swiftly:--

"Und zat ozzer lady? you vas to be t'ree--n'est-ce pas? She hav' not

com' yed? to-morrow, perhaps, und--und" (I saw what was coming, but my

companions suspected nothing), "und"--she dropped her lids again and

indicated me with a contemptuous movement of the head--"she, zat maid,

you vant to make arrange for her? You hav' not write for room for zat

maid?"

I leaned from the window to hide my laughter, for it seemed to me that

Colonel P---- jumped a foot, while the cry of his wife drowned the sound

of the short, warm word that is of great comfort to angry men. Before

they could advance one word of explanation, an aproned waiter fairly

burst into the room, crying for "Madame! Madame! to come quick, for that

Jules was at it very bad again!" And she wildly rushed out, saying over

her shoulder, "By und by we zee for zat maid, und about zat udder lady,

by und by also," and so departed at a run with a great rattling of

starch and fluttering of cap ribbons; for Jules, the head cook, already

in the first stages of delirium tremens, was making himself interesting

to the guests by trying to jump into the fountain basin to save the

lives of the tiny ducklings, who were happily swimming there, and Madame

F---- was sorely needed.

Yes, I laughed--laughed honestly at the helpless wrath of my friends,

and pretended to laugh at the mistake; but all the time I was saying to

myself, "Had I really been acting as maid, how cruelly I should have

suffered under that contemptuous glance and from that withheld bow of

recognition." She had found me well-dressed, intelligent, and

well-mannered; yet she had insulted me, because she believed me to be a

lady's maid. No wonder women find service bitter.

We had retired from the breakfast room and were arranging our plans for

the day, when a sort of whirlwind came rushing through the hall, the

door sprang open almost without a pronounced permission, and Madame

F---- flung herself into the room, caught my hands in hers, pressed them

to her heart, to her lips, to her brow, wept in German, in French, in

English, and called distractedly upon "Himmel!" "Ciel!" and "Heaven!"

But she found her apologies so coldly received by my friends that she

was glad to turn the flood of her remorse in my direction, and for very

shame of the scene she was making I assured her the mistake was quite

pardonable--as it was. It was her manner that was almost unpardonable.

Then she added to my discomfort by bursting out with fulsome praise of

me as an actress; how she had seen me and wept, and so on and on, she

being only at last walked and talked gently out of the room.

But that was not the end of her remorse. A truly French bouquet with its

white paper petticoat arrived in about an hour, "From the so madly

mistooken Madame F----," the card read, and that act of penance was

performed every morning as long as I remained in Paris. But one day she

appealed to the Colonel for pity and sympathy.

"Ah!" said she, "I hav' zee two tr'ubles, zee two sorrows! I hav' zee

grief to vound zee feelin's of zat so fine actrice Americaine--zat ees

one tr'ubles, und den I hav' zee shame to mak' zat grande fool

meestak'--oh, mon Dieu! I tak' her for zee maid, und zare my most great

tr'uble come in! I hav' no one with zee right to keek me--to keek me

hard from zee back for being such a fool. I say mit my husband dat

night, 'Vill you keek me hard, if you pleas'?' Mais, he cannot, he hav'

zee gout in zee grande toe, und he can't keek vurth one sou!--und zat is

my second tr'uble!"

Behind her broad back the Colonel confessed that had she expressed such

a wish on the occasion of the mistake, he would willingly have obliged

her, as he was quite free from gout.

So any woman who goes forth to win her living as an actress will at

least be spared the contemptuous treatment bestowed on me in my short

service as an amateur lady's maid.

_CHAPTER XIII

Stage Confidences: Talks About Players and Play Acting · 第 20 / 32 题