I. A WORD OF WARNING
II. THE STAGE AND REAL LIFE
III. IN CONNECTION WITH "DIVORCE" AND DALY'S
IV. "MISS MULTON" AT THE UNION SQUARE
V. THE "NEW MAGDALEN" AT THE UNION SQUARE
VI. "ODETTE" IN THE WEST. A CHILD'S FIRST PLAY
VII. A CASE OF "TRYING IT ON A DOG"
VIII. THE CAT IN "CAMILLE"
IX. "ALIXE." THE TRAGEDY OF THE GOOSE GREASE
X. J.E. OWENS'S "WANDERING BOYS." "A HOLE IN THE WALL" INCIDENT
XI. STAGE CHILDREN. MY "LITTLE BREECHES" IN "MISS MULTON"
XII. THE STAGE AS AN OCCUPATION FOR WOMEN
XIII. THE BANE OF THE YOUNG ACTRESS'S LIFE
XIV. THE MASHER, AND WHY HE EXISTS
XV. SOCIAL CONDITIONS BEHIND THE SCENES
XVI. THE ACTRESS AND RELIGION
XVII. A DAILY UNPLEASANTNESS
XVIII. A BELATED WEDDING
XIX. SALVINI AS MAN AND ACTOR
XX. FRANK SEN: A CIRCUS EPISODE
XXI. STAGE FORFEITS AND THEIR HUMOUR
XXII. POOR SEMANTHA
_ILLUSTRATIONS_
CLARA MORRIS (1883)
CLARA MORRIS IN "L' ARTICLE 47"
CHARLES MATTHEWS
CLARA MORRIS IN "ALIXE"
CLARA MORRIS AS "MISS MULTON"
CLARA MORRIS AS "ODETTE"
MRS. GILBERT, AUGUSTIN DALY, JAMES LEWIS, AND LOUIS JAMES
JOHN E. OWENS
"LITTLE BREECHES"
CLARA MORRIS AS "JANE EYRE"
CLARA MORRIS IN "THE SPHINX"
CLARA MORRIS IN "EVADNE"
CLARA MORRIS AS "CAMILLE"
TOMMASO SALVINI
W.J. LE MOYNE
CLARA MORRIS BEFORE COMING TO DALY'S THEATRE IN 1870
_CHAPTER I