THE LEOPARD’S-BANE
Their minds once made up, the children collected the fading armfuls
of leopard’s-bane and made for the arbour that led to the tunnel.
Inside the door they lighted the candle, closed and bolted the door
as they had been told to, and went carefully down the steps and along
the secret passage. And as they went they heard something moving in
the darkness that lay thick beyond the little wavering light of their
candle.
They stopped and listened. They heard the sound of breathing, and
the next moment they saw, vaguely, in the almost darkness, something
four-footed, spotted, furry, creeping along the passage towards them.
It uttered a low, fierce, snarling growl.
‘Throw it down,’ said Caroline, casting her flowers from her. ‘It can’t
pass it. It can’t.’
A heap of tangled crushed leaves and flowers was all that there was
now between the children and the leopard.
[Illustration: Something four-footed, spotted, furry, creeping along
the passage.]
‘It can’t pass it. It can’t,’ said Caroline again, in an agonised
whisper. Yet none of the children dared to turn and fly. Charlotte had
remembered what she had heard of quelling wild animals by the power
of the human eye, and was trying, almost without knowing that she
tried, to meet the eye of this one. But she could not. It held its
head down close to the ground and kept quite still. Every one felt it
was impossible to turn their backs on the creature. Better to face it.
If they turned and ran, well, the door at the end of the passage was
bolted; and if the flower-spell should fail, then, the moment their
backs were turned, the leopard might—with one spring——
‘Oh, I wish we hadn’t,’ said Charles, and burst into tears.
‘Don’t, oh, don’t!’ said Caroline; and to the leopard, who had not
moved, she said, with wild courage:
‘Down, sir! Lie down!’
The leopard lay down, flat—flatter than you would think a leopard
_could_ lie.
‘It understands,’ said Charlotte.
‘Oh yes.’ Caroline’s voice trembled as much as the hand that held the
candlestick. ‘It does. Poor Pussy! Poor Leopard, then.’
A faint rumbling sound came from the crouching heap of spotted fur.
‘I believe it’s trying to purr,’ whispered Caroline. ‘Of course
leopards’ purrs _would_ be different.’
‘Give a paw, then,’ she said very shakily. And the leopard lifted a
ragged-looking forefoot. But even Caroline had not the courage to reach
out a hand towards it.
‘Go to sleep, good dog, then,’ she said in a distracted whisper. ‘Go to
sleep, go by-by, good little leopard, then.’
The leopard curled up and lay quite still.
‘It’s all right, I tell you,’ said Caroline. ‘Stop snivelling, Charles.
I knew the leopard’s-bane would do it. Now let’s go back backwards,
very slowly, and if it moves, I’ll speak to it again.’
Very slowly, still striving to keep their eyes on the leopard, they
retreated. They had not gone three steps before they heard it move.
They stopped.
‘Lie down!’ said Caroline. And then, to their mingled horror, wonder,
delight, surprise, dismay, and satisfaction, a voice answered them—a
curious, choked, husky voice.
‘Leopard stay still,’ it answered; ‘little lady not be frightened.
Leopard like flowers. Leopard quite good.’
‘Is it?’ said Caroline, speaking as well as she could through the
beating of her heart. ‘Is it the leopard speaking?’
‘Ess, little missy,’ said the choked voice. ‘Pretty flowers loose
leopard’s tonguey, make him talky. Leopard tell a secret. Little ladies
sow seeds, pinky seeds, hearty seeds, the right day, the right way, and
see what come up. Run way now. Leopard done talky. He go sleepy by-by.
So long!’
None of them ever knew how they got to the end of the tunnel, got the
bolts undone, got the door shut again, and stood in the dusky arbour
looking in each other’s paper-white faces.
Charlotte made two steps into the sunlight and threw herself face
downwards on the path. Her shoulders heaved. Charles was still weeping
without moderation or concealment. Caroline stood shivering in the
sunshine.
‘But we’ve got to get back,’ she said. ‘It’s all right this side,
because of the leopard’s-bane. But if somebody came behind the
leopard’s-bane, from the house, you know? We must climb the wall and
get to the house and warn them. Get up, Char. Charles, if you’re ever
going to be a man, be one now. There’ll be plenty of time to howl when
it’s all over. We must climb the wall, somehow.’
One leaves the children in the garden, a locked door between them
and the leopard, trying to find a way of climbing a ten-foot wall. No
gardener was to be found and the gates were locked.
‘We must get over,’ Caroline kept saying. ‘Oh, we must, we must! The
charm worked perfectly. If we can only get to the other end of the
tunnel and throw in some more bane we shall have done the great deed.
Try again, Charles. I’ll give you a leg up. We _must_ get over. Try
again.’
One leaves Charles trying.
* * * * *
Now although the three C.’s firmly believed that the magic of the green
and yellow flowers subdued the leopard and caused it to speak—in a sort
of language that somehow recalled the far-off speech of their ayah in
India—I cannot quite expect you to believe this. And I feel that I must
delay no longer to tell you what it is you _can_ believe. To do this we
must go back to Rupert, whom we left with William in the harness-room,
fingering the bright buckles and drawing the long smooth reins through
his fingers.
‘I say, William,’ he said, ‘couldn’t we play a little trick on that
Poad? There’s a leopard skin in the drawing-room. If I got a couple of
pillows and a needle and thread?’
‘Eh?’ said William, staring at him. Then suddenly he smacked his leg
and laughed aloud. ‘You’ve hit it this time, Master Rupert,’ he said;
‘blessed if you ’aven’t. You go along in and get the skin. Careful now,
because of Mother Wilmington.’
‘The drawing-room’s locked,’ said Rupert, ‘and I don’t want to tell the
others.’
‘The drawing-room windows isn’t,’ said William. ‘We’ll watch our time,
and I’ll make a back for you. An’ never you mind about pillows. Straw’s
good enough stuffing. An’ don’t forget the needle and cotton. I expect
you’ll find some lady’s working-box in the drawing-room to get _them_
out of.’
Rupert, once safely landed in the drawing-room, found the leopard skin
easily enough, but the needle and cotton were not so easily found. He
found a work-table indeed, made of satinwood, inlaid with ivory and
lined with faded red velvet, where were reels of silk and flat ivory
winders with thread on them, but all the needles were red with rust,
and fast embedded in their cushions and cases. He looked round. None of
the cabinets looked as though they held needles. And besides, what was
the use of finding more rusty needles? One rusty needle was as useful,
or rather as useless, as fifty could be. He thought of using the
blind-cords instead of cotton, but they were too thick, and one could
not push them through the leopard skin without tearing it. Then he saw
the golden quiet harp standing in its far corner. Its strings perhaps?
But he did not know how to unstring a harp, and when he touched one
of its fine wires, just the thing for sewing with without a needle,
it gave out the thin sweet ghost of a note of music, faint indeed,
but loud enough to warn him of the cry it could and would give if he
attempted violence. The harp quivered under his hands as he gently let
the string go, and something rattled. It was the lid of a sort of box
in the pedestal of the harp.
‘Perhaps they kept spare strings there,’ Rupert thought, and opened the
lid.
‘They,’ it seemed, had kept spare strings here, and here the spare
strings still lay, coiled neatly in little round boxes. Rupert opened
several, and choosing the thinner strings, put them in his pocket. One
box rattled dryly in his hand, and when he opened it there were no
strings, only a number of odd, flat, pinkish heart-shaped seeds. On the
box was written, ‘Seed of the F. of H.D. Sow only in the way and on the
day.’
He put its lid on and thought, then, no more of the box. But
afterwards he remembered it.
And now, with the leopard’s skin in his arms and the wires in his
pockets, Rupert went cautiously to the window. Yes, all was safe; so
William’s signal told him. He dropped the bright skin into William’s
hands, and himself dropped to the ground.
‘I’ve thought of something better than straw,’ he said, when he and
William and the leopard skin were alone together in the harness-room.
And William, when the new thought was explained to him, slapped his leg
harder, and laughed more thoroughly than before.
Rupert had only just entered the secret passage, his first match had
just gone out, when he heard the children at the other end. He went
towards them, fully meaning to explain what sort of leopard he was,
and what sort of joke—he called it a joke to himself—he and William
had arranged to play upon Poad. But when he heard them speak, and saw
the showers of leopard’s-bane fall on the flags of the passage, he,
as he put it later, ‘played up.’ And when the children had gone, he
laughed softly to himself and began to think what would be the best
spot in the tunnel to wait for Poad in. He had noticed, by the light
of that first match, an arched recess, the one, you remember, where the
children stored their sacks of wet rose leaves the night they played
at Rosicurians and cured Rupert. He would hide in this, and then, when
Poad came along, he would jump out at him with that snarl which had
sounded so well when he met the children.
He waited till the garden door was locked, and then felt for his
matches. He could not find them. He must have dropped them when he was
pretending to the children. He felt along the floor, but there were no
matches to be found. Never mind, he could feel his way in the dark. He
knew exactly where the arch was. To the left, about three-quarters of
the way down the passage. He stood up and laid his hand upon the wall,
walked forward till he felt the corner of the recess, and stooped to
curl himself up in it and wait for Poad. He put his hand out to steady
himself as he sat down, and his hand touched, not the stone floor, but
soft warm fur. And not dry hard fur like that which he himself wore,
sewn tightly round him with harp-strings, but living fur, on a living
creature. He drew back his hand, and a cold sweat of horror broke out
on his forehead, and the little hairs on the back of his neck seemed
to move by themselves. His hand still felt the dreadful warm softness
of that fur. It almost seemed to him that he had felt the spots on it.
‘Oh, I wish I hadn’t!’ said Rupert to himself, as so many of us have
said when it was too late to say anything. ‘Oh, I _wish_ I hadn’t!’
He stood perfectly still in the mockery of his sewn-on leopard skin,
waiting for the real leopard to move, or to settle down. Perhaps it
would settle down? The leopard must have crept in when the door into
the garden was opened in readiness for the children to pass through. It
must have gone to sleep there, and perhaps he had not roused it.
‘Oh, why didn’t I go with the others?’ Rupert thought. And then a good
thought came to him.
‘If I had,’ he told himself, ‘I should have been out there, and they
wouldn’t have met me and turned back, and then they might have found
the real leopard, and it might have jumped on them. I’m glad it’s only
me.’
This good thought came to him as he rose up and steadied himself by
the wall. Then in an instant all thoughts were drowned in a flood of
terror, and Rupert found himself almost running, feeling his way by the
wall towards the house entrance. If he could only get out before the
leopard was up and after him! He reached the end of the passage. The
door at the foot of the stairs was shut and locked. He was alone there
in the dark with a locked door at each end of the passage. He crouched
down by the door. In spite of his agony of fear he had enough sense
not to beat on the door and scream for help, which was, of course, his
first mad impulse.
‘Keep quiet,’ he kept telling himself, ‘some one _must_ come soon. If
you keep quiet, the leopard will go on sleeping, perhaps. The children
will open the garden door when they hear the dinner-bell. Then you can
get out. If you make a row, the leopard will wake up and come for you.’
So he crouched and waited. But no one came. Then suddenly he
remembered. When the children heard the dinner-bell they would come
down the passage. They would find the real leopard. It would certainly
wake. His own feelings about the leopard now made him certain that the
children, when they were safe in the sunshine, would see that what
talked to them, dressed in a leopard’s skin, _could_ only have been a
human being dressed up. Most likely they knew already who it was. So
they would come back without fear—come back to find him, Rupert, and
would find _that_!
Then Rupert did what was really an heroic thing. He stood up, and, as
quickly as he could, began to feel his way back along the side of the
passage farthest from the arched recess. He would go to the garden
door, and when the children opened it, he could prevent their coming
in. To do this he must pass the leopard.
A warm delicious glow stole through him. This was worth it. Better than
crouching like a coward at the far side and letting those children come
laughing and talking down the passage to meet _that_, savage from a
sudden awakening. He took off his boots, and crept quietly along. No
sound broke the black silence. He reached the flight of steps, reached
the other door, sat down on the top step and waited.
Nothing had stirred in the silence.
‘Anyhow,’ said Rupert, ‘I feel safer at the top of the stairs than at
the bottom.’
Rupert will never know how long he sat there in the darkness. The
cracks in the door which showed as pale vertical streaks were his only
comfort. He tried to get off the leopard’s skin, but the harp-strings
were too strong. It seemed to him that he had been there a week.
There were voices, many voices, Charlotte’s voice high above the
others. Rupert hoped the leopard was too far away to hear, but how
could he know where the leopard was? It might have crept quite close
to him on its padded noiseless feet, and he would never have known. It
might be within a yard of him now.
Rupert understood in that hour what sort of practical joke it was that
he had prepared for the policeman.
‘Because, of course,’ said Rupert, ‘I should have been just as dreadful
for Poad as _that_ is for me. He’d have thought I was It.’
The voices and footsteps came nearer. They were talking outside.
‘Best shoot it, when it rushes out at us. I’ve got a revolver,’ said
Poad. And a cold shiver ran down Rupert’s back. Suppose he had met Poad
alone in that dark passage as he had planned?
‘Let me get at him with the garden fork,’ said another voice—the
gardener’s.
Then another, a strange voice this time:
‘Don’t hurt the beast. It’s valuable. An’ it’s tame, don’t I tell you?
You leave be. Stand back. I’ll tackle him.’
Rupert wretchedly wondered how he was to be trapped; also, how near the
real leopard really was. He decided that a little noise more or less
couldn’t matter now. He tapped at the door and cried, ‘Let me out. It’s
Rupert.’
[Illustration: ‘It’s me; it’s Rupert,’ he shouted.]
But his words were drowned in the chorus of alarm that rose when he
knocked at the door. And the leopard? In the midst of the babel of
voices a bolt was drawn, the door opened. Rupert sprang out and turned
to shut the door. But his feet and arms and head were entangled in
strings, and he fell to the ground.
‘It’s me; it’s Rupert,’ he shouted; ‘shut the door! The real leopard’s
inside!’
‘Why!’ said the leopard’s owner—he who had thrown the net over
Rupert—‘it’s a beastly boy, dressed up.’ He spoke in tones of deep
disgust.
There was a crowd of people. The three C.’s had managed to scale the
wall by means of a pear-tree. They had brought back William—a prey to
secret laughter, and the leopard’s owner, and a dozen other people. A
score of hands helped to loose Rupert from the net.
‘Oh, I don’t know. I did it for a lark. To take a rise out of some one.
But I’ve been paid out. The leopard’s in there. I touched it, in the
dark.’
Sensation!
‘There,’ said William to the policeman, ‘I told you half an hour ago
there was a good chance the beast ’ad taken cover in the passage, and
you would have it you see his tail up a tree somewhere, and wouldn’t go
down.’
‘I certainly thought I see ’is tail,’ said Poad, scratching his ear;
‘and this gentleman’s pal and half a dozen others is after ’im now,
down by the other lodge. But perhaps it wasn’t really ’is tail. In
fact, it couldn’t be, if the animal’s in here like what the young
gentleman says it is.’
‘I tell you the leopard’s in here, now,’ said Rupert. ‘Oh, get me out
of this beastly skin somebody.’
William unlaced him, and he stepped out, a pale boy in shirt and
knickerbockers.
‘In there now, is he?’ said the leopard’s keeper, rudely taking no
notice of Poad; ‘then if some one’ll get a lantern or two we’ll go in
and get him.’
Some one got a lantern or two—it was William in point of fact; the
lanterns happened to be ready in the summer-house.
The keeper went down the steps.
‘On the right-hand side?’ he said, quite unconcernedly.
And Rupert said, ‘Yes, to the right.’
William and three other men followed warily, but to most of the party
it seemed best to remain by the door. Five people and a net were surely
enough to catch one leopard. But every one crowded round the door, and
some even went down a few steps, bending over to catch the first sounds
of anything that might be happening.
All of a sudden a sound came from the dark passage below, and the
listeners started back—a strange sound, the sound of long, loud
laughter. It echoed and re-echoed through the vaulted passage, coming
nearer and nearer. The crowd drew back.
Out came the leopard keeper, laughing, with his net; out came William,
laughing, with his pitchfork; out came Poad, half laughing and half
angry.
‘What is it? what is it?’ said every one outside. And for a moment none
of those inside could get breath to answer.
‘What is it?’ they asked again, and at last William answered:
‘Mrs. Wilmington’s old cat! Gone in there to have her kittens in peace
away from the children. They’ve caught your little bit all right,’ he
said to the leopard keeper. ‘Look!’ He pointed to something white among
the trees beyond the wall. ‘I told Bill to run up a signal if they
found the rest of him where Poad said he’d seen his spotted tail.’
‘Did you know that before we went in?’ Poad asked sternly.
‘’Course I did,’ said William, his hands on his knees and his ruddy
face deeply creased with the joke. ‘You wouldn’t have catched me going
in there without I’d known where my Lord was, him and his spotted tail.
I thought it was Master Rupert up to some more of his larks, I did. I
wasn’t a-going to spoil sport.’
‘You ’aven’t ’eard the last of this,’ said Poad huffily.
‘No more ain’t you,’ said William, ‘so don’t you think it, James Poad.
You that believed one tale when you’d seen the other. You that wouldn’t
believe the sworn evidence of your own eyes and a spotted tail.’