CHAPTER XI

THE ROSICURIANS

The door of the drawing-room at the Manor House was kept locked, and

Mrs. Wilmington dusted the room herself and carried its key in her

pocket. After the Uncle had said that about Mrs. Wilmington having

expected the children to break everything in the house, the three C.’s

began to wonder whether the drawing-room had always been kept in this

locked-up state, or whether it was only done on their account.

‘Out of compliment to us,’ as Charles put it.

‘I almost think it must be that,’ Caroline said; ‘because of course

drawing-rooms are for people to sit in, and the Wilmington must expect

some one to sit in it or she wouldn’t dust it so carefully.’

‘I looked in the other day when she was dusting,’ said Charlotte. ‘I

couldn’t see much just a bit of the carpet, pink and grey and pretty,

and the corner of a black cupboard-thing with trees and birds and gold

Chinamen on it, and a table with a soup tureen with red rabbits’ heads

for handles, and a round looking-glass that you could see some more of

the room in, all tiny and all drawn wrong somehow—you know the sort;

convict mirrors, Harriet says they are. I asked her.’

‘When?’ said Charles.

‘Oh, I don’t know. Just after. And Harriet goes in to sweep it. She

says its full of lovelies.’

‘Why don’t you ask her if it was shut up out of compliment to us?’

Charles asked.

‘Because I wasn’t going to put ideas into Harriet’s head, of course.’

And Caroline agreed that such a question would have been simply giving

themselves away.

Each of the three C.’s had turned the handle of the drawing-room door

many times to see whether by chance Mrs. Wilmington had just this once

not remembered to lock it. But she always had. And their interest in

the room had steadily grown. And now here was another wet day, just the

day for examining golden Chinamen and looking at yourself in convex

mirrors; and the room was locked up so that no one could enjoy these

advantages.

Rupert was still in bed, the doctor had decided against measles; but

the feverish cold which had given rise to the measle idea was still too

bad for Rupert to be anywhere but where he was. And the others were

only allowed to see him for a few minutes at a time. Mrs. Wilmington

had, so Harriet explained, ‘taken to the new young gentleman in a

way you’d hardly believe,’ and was spending the afternoon reading

_Masterman Ready_ to him after a baffled attempt to read him _Eric, or

Little by Little_, which she fetched from her own room on purpose, and

which Rupert stopped his ears with his fingers rather than listen to.

‘It is _the_ time,’ said Charlotte; ‘there is a time in the affairs of

men that they call the Nick. And this is it. Let’s try to get in. The

Wilmington is safely out of the way. Let’s!’

‘Yes, let’s,’ said Charles.

‘No, don’t let’s,’ said Caroline. ‘The Uncle mightn’t want us to.

Perhaps compliments to us aren’t the real reason. Perhaps there’s some

wonderful secret kept in there, known only to the head of the house and

his faithful Wilmington. The Uncle’s been so jolly decent. Let’s ask

the Wilmington for the key.’

The others laughed, and Charles said, ‘You know well enough _that’s_ no

earthly.’

Caroline did not think there could be a secret, because the Uncle was

now a member of the Royal Order of the Secret Rose, whose unchangeable

motto was ‘halves in all secrets.’

‘So if there’d been anything like _that_ he’d have told us without

preservation,’ Charles added. ‘Yes, I agree with Caro.’

‘And,’ said Charlotte, ‘I don’t see—— Oh, I say, I’ve got an idea!

Let’s have another hunt for that second book the Lady in the picture’s

got under her elbow. We really ought to find it. It’s a sacred duty we

owe the Uncle for being so decent about Rupert.’

‘The drawing-room door’s knob is just the same as this one’s,’ Charles

pointed out; ‘and the morning-room’s and the library’s door knobs are

the same too. Let’s see if this key won’t fit the drawing-room.’ He

rattled the key of the dining-room door as he spoke.

‘I wish you wouldn’t,’ said Caroline. ‘It’s jolly rough on me.

Everybody always blames the eldest. I wish you’d been the eldest,

Charles.’

‘I would have if I could, you bet,’ said Charles. ‘Come on.’

‘No, look here,’ said Caroline desperately, ‘please don’t. And I’ll go

and ask uncle if we mayn’t. There!’

‘But we’re forbidden to disturb him.’

‘I’d rather disturb him than go poking into places he doesn’t want us

to go poking into. Don’t you see? If he doesn’t mind us going in he’ll

say “Yes,” and if he does mind he’ll say “No,” and then we shall be

glad we didn’t without asking him.’

‘But what could be in there that he doesn’t want us to see?’ Charles

wanted to know.

‘Oh, anything! Clouds of live butterflies that are let out after lunch,

and go back to their cages when the tea-bell rings. I think Caro’s

right about asking the Uncle,’ Charlotte said.

‘Butterflies are simply piffle,’ Charles pointed out. ‘They’d be laying

their eggs all over everything and turning into cocoons all the time. I

know, because of silkworms.’

‘Well, a snake then,’ said Charlotte briskly: ‘an enormous

king-serpent, with a crown on its head, and yards and yards long, that

comes out of a cupboard from two to four every day, and twines pieces

of itself round the legs of the furniture, or your legs if you go in.

It wouldn’t mind what legs they were it twined round, I expect.’

‘I like snakes,’ said Charles briefly. ‘Let Caro go to the Uncle if she

wants to.’

They all went. It was deemed respectful to wash a little.

‘They like you to be clean when you ask for things,’ said Caroline.

‘It’s always “wash!” whatever you do,’ Charlotte complained. ‘While

there’s life there’s soap.’ But she washed too.

There was an agitated pause on the sheepskin mat outside the Uncle’s

study door.

‘Shall we knock?’ Charles asked.

‘You don’t knock at sitting-room doors,’ said Caroline, turned the

handle, and opened the door three inches and three-eighths.

‘Who’s that?’ said the voice of the Uncle. ‘How often am I to give

orders that I am not to be disturbed on any pretence?’

‘There isn’t any pretence,’ Charles was beginning, when Caroline broke

in with:

‘It’s a depredation of the Secret Rose.’

‘So I perceive. But I am too busy to play now,’ said the Uncle; and you

could tell by the very way he spoke that he had his thumb in a book and

was afraid of losing his place.

‘It isn’t play. We want to ask your permission for something.’

‘Well, if I receive this deputation, will it undertake not to do it

again for a week, on any pretence? Then come in.’

They came in, to a room that seemed quite full of books. There were

books on the tables, books on the floor, books on the mantelpiece and

on the window-ledge, books open and books shut, books old and new,

books handsome and ugly. The Uncle seemed even to have used books to

cover the walls with, as ordinary people use wall-paper. He was sitting

at a wide green leather-covered writing-table, and sure enough he had

his thumb in a tall brown folio.

They all said ‘Good morning’ politely, and Caroline coughed and said:

‘If you please, uncle, we want to explore the whole house to look for

the other book—the book, I mean, that is lost out of the picture. Dame

Eleanour’s book, I mean. You said we might. But the drawing-room door’s

locked.’

‘Dear me,’ said the Uncle impatiently, ‘can’t you unlock it.’

‘No,’ Charles told him. ‘The Wil—I mean Mrs. Wilmington keeps the key

in her under-pocket.’

‘Oh, she does, does she? You won’t break anything? But of course you

won’t,’ said the Uncle rather in a hurry. ‘Well, as members of the

Society of the Secret Rose, I’ll let you through my secret door.’

He put a folded paper in his book to mark the place, got up, and

crossed the room to a low narrow door by the fireplace that looked as

though it led to a cupboard. He went through the door and the children

followed him. They found themselves in a little carpeted corridor.

At the left was a door, closed and barred; to the right a flight of

stairs, and in front another door. This the Uncle opened.

‘Here is the drawing-room,’ he said; and there it was. They could see a

corner of its carpet, and it was the same pink and grey rose-pattern as

the other corner that Charlotte had seen.

‘Now come up here,’ said the Uncle, and led the way. At the top of

the stairs was another door. The Uncle opened it, and behold, the

well-known corridor, with the stuffed birds and fishes, from which

their bedroom doors opened.

‘I will give you the key of this door to keep,’ said the Uncle, ‘and

then you can visit the drawing-room when you please. If you do not

disturb anything, and refrain from making your visits in muddy boots,

Mrs. Wilmington need never know. It will be a secret between us—my

little contribution to the Society of the Rose. Like a conspiracy,

isn’t it?’ he asked anxiously.

‘Just exactly like,’ every one agreed, and asked whether it was really

a secret staircase.

‘It is now, at any rate,’ said the Uncle. ‘It used to be merely the

humble backstairs, but I had it shut up because I dislike noise.’

‘We’ll always come down in our bath slippers,’ Caroline promised him.

‘Oh, uncle, you are a darling!’

The Uncle submitted to a complicated threefold embrace, and went back

to his brown folio.

‘Now, then,’ said the three, and entered the drawing-room.

You went up three steps to it. That was why you could not reach up from

the outside to look through the windows, of which there were three.

They were curtained with grey and pink brocade that rhymed with the

carpet. There were tall gold-framed mirrors set over marble console

tables with golden legs, and round mirrors whose frames had round

knobs on them, and oval mirrors with candlesticks branching out from

underneath them. There was a golden harp with hardly any of its strings

broken, in one corner, and a piano with inlaid woods of varied colours,

on which Caroline would have dearly loved to play ‘The Bluebells of

Scotland’ and Haydn’s ‘Surprise’; but, as this would have meant Mrs.

Wilmington’s surprise too, it was not to be thought of. There were

carved Indian cabinets with elephants and lions on them, and Chinese

cabinets with mandarins and little-footed gold ladies, and pagodas

in ivory under glass cases, and wax flowers also glass-cased. There

were statues, tall and white and cold, and boxes of carved ivory and

carved ebony, and one of porcupine quills, and one of mother-of-pearl

and silver—a work-box that was. There were cushions and chair-seats

of faded needlework; old and beautiful and straight-backed chairs and

round-backed chairs; two crystal chandeliers that looked like fountains

wrong way up; china of all sorts, including a Chinaman who wagged his

head when you came near him.

In fact, the room was the kind of room you sometimes find in houses

where the same family has lived for many many many years, and each

generation has taken care of the beautiful things left by its

ancestors, and has added one or two more beautiful things, to be

taken care of by the generation that is to come after. You could have

amused yourself there for an hour just by looking; and the three C.’s

remembered joyously that they had not been forbidden to touch.

It is wonderful how careful children can be if they do not allow their

minds to wander from their determination to be careful. The three

C.’s looked at everything and touched a good many things, and did not

break or hurt anything at all. They examined the cabinets, opening

their doors and pulling out every drawer in the hope of discovering

some secret place where The Book might be. But they only found coins

and medals and chessmen and draughts and spellicans, bright foreign

sea-shells, a sea-horse and a snake skin, some mother-of-pearl counters

and ivory draughts, and an ivory cribbage board inlaid with brass that

shone like gold.

‘It’s no good,’ said Charles at last, pulling out one of the lacquered

drawers; ‘let’s play spellicans. It’s a nice quiet game that grown-ups

like you to play, and we owe the Uncle _something_.’

‘Let’s have just _one_ more look,’ Charlotte pleaded. ‘Oh, I say, we

haven’t looked at the books yet.’

There were books, not many, on some of the tables—large books with

pictures, and one, a photograph book, so heavy that Caroline could not

lift it up.

‘I say. Look here,’ she called out; ‘this book’s only got about three

pages of uncles and aunts, the rest is solid, like a box made to

imitate a book. Suppose _the_ book were inside the box part?’

‘Won’t it open?’ The others were crowding close to look.

‘There’s a sort of catch there,’ said Charles, putting his finger on a

little brass button.

‘Oh, crikey!’ he started back. So did the others. For a low whirring

sound had come from the book, and Charlotte had hardly time to say,

‘It’s a Nihilist bomb, come away!’ before the book broke into the

silvery chiming cadence of ‘Home, Sweet Home.’

‘It’s a musical box,’ Charlotte explained needlessly. And then the same

thought struck each mind.

‘Mrs. Wilmington!’ For the musical box was a fine one, and its clear

silvery notes rang out through the room. Mrs. Wilmington must hear

wherever she was. She would hear and come.

‘Fly!’ said Caroline, and they fled. They got out, locked the door,

rushed softly yet swiftly up the stairs and waited behind the upper

door till they heard Mrs. Wilmington’s alpaca sweep down the front

stairs. Then out, and down after her, quickly and quietly, so

that when, having found the musical box playing with sweet tinkling

self-possession to an empty drawing-room whose doors were locked,

and having satisfied herself that no intruder lurked behind brocaded

curtain or Indian screen, she came to the dining-room, she found the

three C.’s quietly seated there each with a book, a picture of good

little children on a rainy day. She could not see that Charles’s book

was a _Bradshaw_ and Caroline’s _Zotti’s Italian Grammar_, wrong way up.

[Illustration: ‘It’s a Nihilist bomb, come away!‘]

‘Oh, you _are_ here,’ she said; ‘did you hear that musical box?’

‘Yes,’ said the children meekly.

Mrs. Wilmington stood a moment in the door. She did not understand

machinery, and to her it seemed quite possible that a musical box might

begin to play all on its own account without any help from outside. On

the other hand, it had never chosen to do it before these children came.

‘You ought not to wear bedroom slippers in the sitting-rooms,’ she

said, and went away without more words.

‘I nearly burst,’ said Charles then; ‘especially when she noticed our

feet.’

‘But she’ll find out,’ Charlotte said. ‘She found out about Rupert.

Let’s go back _now_; because she won’t think we’re _there_ now she

knows we’re _here_. There was another book, all heavy too. We’ll start

that and wake her up again.’

‘I say, isn’t it a lark?’ Charles whispered, as they crept up the

stairs.

The Wonderful Garden; or, The Three Cs · 第 11 / 23 章