He sat down with his eyes fixed blandly on me. I was so taken aback that

I scarcely knew what to say. The smoothness of his words and the

confidence of his manner had evidently made an impression on the others.

They had, indeed, almost influenced me, but suddenly a whole train of

reflection swept through my mind. Peck's duplicity from his earliest

appearance in Wolffert's room at college down to the present, with my

two old clients, the Miss Tippses, at the end, deceived and robbed by

Collis McSheen, with Peck, as the facile instrument, worming himself

into their confidence for what he called so paltry a thing as money, all

came clearly to my mind. I stood up slowly, for I was thinking hard; but

my duty appeared clear.

I regretted, I said, that Mr. Peck had appealed to me and to my long

acquaintance with him, for it made my position a painful one; but as he

had cited me as a witness, I felt that my duty was plain, and this was

to state the facts. In my judgment, Mr. Peck was not entitled to any

compensation whatever, as the evidence, so far as it existed outside of

Mr. Peck's statements, was contrary to his contention, and so far as it

rested on his personal testimony, I considered it as nothing, for I

would not believe one word he said where his personal interest was

concerned.

"And now," I added, "if Mr. Peck wishes me to give the grounds on which

this opinion of mine is based, either orally or in writing, I will do

so."

I paused, with my gaze fastened on him, and, with a sudden settling in

their seats, the other counsel also turned their eyes on him. His face

had suddenly blanched, but beyond this his expression did not change. He

sat for a few seconds rather limply, and then slowly rose.

"I am astonished," he began slowly, and his voice faltered. "I am

surprised, gentlemen, that Mr. Glave should think such things of me." He

took out his watch, fumblingly, and glanced at it. It was the same watch

he had got of me. "I see I must ask you to excuse me. I must catch my

train," he stammered. "Good morning," and he put on his hat and slunk

out of the door.

As the door closed every one drew a long breath and settled in his seat,

and nearly every one said, "Well."

My kinsman, whose eyes had been resting on me with a somewhat unwonted

twinkle in them, reached across the board and extended his large hand.

"Well, young man, you and I had a misunderstanding a few years ago, but

I hope you bear me no grudge for it now. I should like to be friends

with you. If you had needed it, you would have squared all accounts

to-day. I know that man. He is the greatest liar on earth. He has lost

the power to tell the truth."

It may well be believed that I had gripped his hand when he first held

it out, and the grip was one of a friendship that has lasted.

I had expected to hear from Peck, but no word came from him, and the

last I ever heard of him was that he and McSheen had had a quarrel, in

which McSheen had kicked him out of his office. A suit appeared on the

docket against McSheen, in which Peck was the plaintiff, but no

declaration was ever filed, and the case was finally dropped from the

docket.

Jeams failed to hold long the position of butler in our modest

household, for though my wife put up--on my account, as I believe--with

Jeams's occasionally marked unsteadiness of gait or mushiness of

utterance, she finally broke with him on discovering that Dix showed

unmistakable signs of a recent conflict, in which the fact that he had

been worsted had possibly something to do with Jeams's discharge, for

Dix was the idol of her heart, and it came to her ears that Jeams had

taken Dix out one night and matched him against the champion of the

town. But though Jeams lost the post of butler, he simply reverted to

his old position of factotum and general utility man about my premises.

His marriage to a very decent woman, though, according to rumor, with a

termagant's tongue, helped to keep him reasonably straight, though not

uniformly so; for one afternoon my wife and I came across him when he

showed that degree of delightful pomposity which was the unmistakable

sign of his being "half-shot."

"Jeams," I said, when I had cut short his grandiloquence, "what will

Eliza say to you when she finds you this way again?"

Jeams straightened himself and assumed his most dignified air. "My wife,

sir, knows better than to take me to task. She recognizes me, sir, as a

gentleman."

"She does? You wait and see when you get home."

Jeams's manner suddenly changed. He sank back into his half-drivelling

self. "Oh, she ain't gwine to say nothin' to me, Marse Hen. She ain't

gwine to say no more than Miss Nelly there says to you when you gets

this way. What does she say to you?"

"She doesn't say anything to me. She has no occasion to do so."

Jeams twisted his head to one side and burst into a drunken laugh. "Oh!

Yes, she do. I've done heard her. Eliza, she regalates me, and Miss

Nelly, she regalates you, an' I reckon we both knows it, and we better

know it, too."

And this was the fact. As usual, Jeams had struck the mark.

As for John Marvel, he remained the same old John--plodding, quiet,

persistent, patient, zealous, cheery and self-sacrificing, working among

the poor with an unfaltering trust in human nature which no shocks could

shake, because deep down in the untroubled depths of his soul lay an

unfaltering trust in the Divine Goodness and wisdom of God. He had been

called to a larger and quite important church, but after a few days of

consideration he, against the earnest wishes and advice of his friends,

myself among them, declined the call. He assigned among other reasons

the fact that he was expected to work to pay off the debt for which the

church was somewhat noted, and he knew nothing about business, his duty

was to preach the gospel, but when friends made it plain that the debt

would be taken care of if he became the rector, he still shook his head.

His work was among the poor and he could not leave them.

My wife and I went out to his church the Sunday evening following his

decision, and as we strolled along through the well-known squalid

streets, I could not help expressing my disappointment that after all

our work he should have rejected the offer.

"He is really the most unpractical man on earth," I fumed. "Here we have

gotten him a good call to a church that many a man would jump at, and

when he finds a difficulty in the way, we work until we have removed it

and yet he rejects it. He will remain an assistant to the end of his

days." My wife made no reply, a sure sign that she did not agree with

me, but did not care to discuss the matter. It is her most effective

method of refuting me.

When we arrived we found the little church packed to suffocation and men

on the outside leaning in at the windows. Among them I recognized the

tall form of my old Drummer. As we joined the group, John Marvel's

voice, clear and strong, came floating out through the open windows.

He was giving out a hymn.

"One sweetly solemn thought

Comes to me o'er and o'er:

I am nearer home to-day

Than I ever have been before."

The whole congregation joined in, those without the church as well as

those who were within.

As I heard the deep bass of the old Drummer, rolling in a low, solemn

undertone, a sudden shifting of the scene came to me. I was in a great

auditorium filled with light, and packed with humanity rising tier on

tier and stretching far back till lost in the maze of distances. A grand

orchestra, banked before me, with swaying arms and earnest faces, played

a wonderful harmony which rolled about me like the sea and whelmed me

with its volume till I was almost swept away by the tide, then suddenly

down under its sweep I found the low deep roll of the bass drum. No one

appeared to mark it or paid any heed to him. Nor did the big Drummer pay

any heed to the audience. All he minded was the harmony and his drum.

But I knew that, unmarked and unheeded, it set athrob the pulsing air

and stirred the billows through which all that divine music reached and

held the soul.

As we walked home that night after pressing our way into the throng of

poor people to wring John Marvel's hand, I said to my wife after a

struggle with myself to say it:

"I think I was wrong about John, and you were right. He did right. He is

well named the Assistant."

My wife said simply: "I feel that I owe him more than I can say." She

slipped her hand in my arm, and a warm feeling for all mankind surged

about my heart.

* * * * *

BOOKS BY THOMAS NELSON PAGE

ROBERT E. LEE: The Southerner

"The South will treasure this volume."--_Louisville Courier-Journal._

THE OLD DOMINION: Her Making and Her Manners

"One of the most charming volumes ever written about Virginia; as

history it is important."--_Newark Evening News._

THE OLD SOUTH

Essays Social and Political

"They afford delightful glimpses of aspects and conditions of Southern

life which few at the North have ever appreciated fully."--_The

Congregationalist._

THE NEGRO: The Southerner's Problem

"One of the most dispassionate and illuminating discussions of the

racial questions in the South."--_Cincinnati Times-Star._

SOCIAL LIFE IN OLD VIRGINIA BEFORE THE WAR

"Will be much admired by the lovers of 'the good old times,' which the

author describes so graphically."--_Charleston News and Courier._

THE COAST OF BOHEMIA

"These poems are full of music. They are exquisite in sentiment and

charming in expression."--_Nashville American._

RED ROCK

A Chronicle of Reconstruction

Illustrated by B. West Clinedinst

"One of the most satisfactory works of fiction that the South has ever

produced. On all this crowded canvas there is not a figure that is not

drawn from the life, and given character by sympathy or insight into

motive."--_The Dial._

THE OLD GENTLEMAN OF THE BLACK STOCK

With 8 colored illustrations by H. C. Christy

"This is not only one of the most characteristic and charming of Mr.

Page's studies of Virginia character, but it is a story which readily

lends itself to illustration, and especially to the kind of decorative

illustration which Mr. Christy has given it."--_The Outlook._

IN OLE VIRGINIA

Marse Chan, and Other Stories

"Nothing more beautiful than these stories has ever been penned by a

Southern writer. The person who has not read them has missed something

akin to the loss of the town-bred child who treads among forests of

stone houses, and who has never known a forest of nature, the perfume of

wild dog-roses, and the unsoiled beauty of God's sunshine."--_New

Orleans Picayune._

THE BURIAL OF THE GUNS

"One can hardly read the story that gives the name to this volume

without a quickening of the breath and moisture of the eye."--_Christian

Register._

"Three of them are war stories, and all are told in Mr. Page's charming

style."--_Chicago Inter-Ocean._

GORDON KEITH

"Always rings true. Its ideas are of the sincere, manly type."--_New

York Tribune._

BRED IN THE BONE

"A book which will be thoroughly enjoyed."--_Literary World._

UNDER THE CRUST

"It contains work which Mr. Page has never surpassed."--_The Outlook._

ON NEWFOUND RIVER: A Story

"The rich promise of his rarely beautiful short stories has been

fulfilled, and the Old Dominion has another novelist of whom she may be

proud."--_Richmond Dispatch._

ELSKET AND OTHER STORIES

"'Elsket' is a veritable poem in prose--a tragic poem that you will

hardly read, unless you are very hard hearted indeed, without the

tribute of a tear. Of the five stories in the book, however, the one

which moves me most deeply is 'Run to Seed.'"--LOUISE CHANDLER MOULTON,

_in the Boston Herald_.

PASTIME STORIES

With Illustrations by A. B. Frost

"Some of these short character sketches equal in artistic moderation and

fineness of workmanship the best work Mr. Page has ever done."--_New

York Times._

STORIES AND SPECIAL EDITIONS

"Mr. Page is the brightest star in our Southern literature. He belongs

to the old Virginia quality; he knows the life of the people, he knows

the negro and renders his dialect perfectly, he has an eye for the

picturesque, the poetic, and the humorous, and his style shows exquisite

artistic taste and skill."--_Nashville American._

=TOMMY TROT'S VISIT TO SANTA CLAUS.= Illustrated in colors.

=A CAPTURED SANTA CLAUS.= Illustrated in colors.

=SANTA CLAUS'S PARTNER.= With illustrations in colors.

=IN OLE VIRGINIA.= With illustrations by FROST, PYLE, SMEDLEY, and others.

=IN OLE VIRGINIA.= [_Cameo Edition._] With an etching by W. L. SHEPPARD.

=MARSE CHAN.= A Tale of Old Virginia. Illustrated.

=MEH LADY.= A Story of the War. Illustrated.

=POLLY.= A Christmas Recollection. Illustrated.

=UNC' EDINBURG.= A Plantation Echo. Illustrated.

"=BEFO' THE WAR.=" Echoes of Negro Dialect. By A. C. GORDON and THOMAS

NELSON PAGE.

=AMONG THE CAMPS=, or Young People's Stories of the War. Illustrated.

=TWO LITTLE CONFEDERATES.= Illustrated.

CHARLES SCRIBNER'S SONS

NEW YORK

End of Project Gutenberg's John Marvel, Assistant, by Thomas Nelson Page

John Marvel, Assistant · 第 32 / 32 段