CHAPTER XXVIII

Accompanying this pleasant, pregnant bit of paper, possessed of such

admirable literary excellence, were the following flimsy lines from

Edward's self, to Algernon incomprehensible.

As there is a man to be seen behind these lines in the dull unconscious

process of transformation from something very like a villain to

something by a few degrees more estimable, we may as well look at the

letter in full.

It begins with a neat display of consideration for the person addressed,

common to letters that are dictated by overpowering egoism:--

“Dear Algy,--I hope you are working and attending regularly to

office business. Look to that and to your health at present.

Depend upon it, there is nothing like work. Fix your teeth in it.

Work is medicine. A truism! Truisms, whether they lie in the

depths of thought, or on the surface, are at any rate the pearls of

experience.

“I am coming home. Let me know the instant this affair is over. I

can't tell why I wait here. I fall into lethargies. I write to no

one but to you. Your supposition that I am one of the hangers-on of

the coquette of her time, and that it is for her I am seeking to get

free, is conceived with your usual discrimination. For Margaret

Lovell? Do you imagine that I desire to be all my life kicking the

beam, weighed in capricious scales, appraised to the direct nicety,

petulantly taken up, probed for my weakest point, and then flung

into the grate like a child's toy? That's the fate of the several

asses who put on the long-eared Lovell-livery.

“All women are the same. Know one, know all. Aware of this, and

too wise to let us study them successfully, Nature pretty language

this is for you, Algy! I can do nothing but write nonsense. I am

sick of life. I feel choked. After a month, Paris is sweet

biscuit.

“I have sent you the order for the money. If it were two, or

twenty, thousand pounds, it would be the same to me.

“I swear to heaven that my lowest cynical ideas of women, and the

loathing with which their simply animal vagaries inspires a

thoughtful man, are distanced and made to seem a benevolent

criticism, by the actualities of my experience. I say that you

cannot put faith in a woman. Even now, I do not--it's against

reason--I do not believe that she--this Dahlia--means to go through

with it. She is trying me. I have told her that she was my wife.

Her self-respect--everything that keeps a woman's head up--must have

induced her to think so. Why, she is not a fool! How can she mean

to give herself to an ignorant country donkey? She does not: mark

me. For her, who is a really--I may say, the most refined nature I

have ever met, to affect this, and think of deceiving me, does not

do credit to her wits--and she is not without her share.

“I did once mean that she should be honourably allied to me. It's

comforting that the act is not the wife of the intention, or I

should now be yoked to a mere thing of the seasons and the hours--a

creature whose 'No' to-day is the 'Yes' of to-morrow. Women of this

cast are sure to end comfortably for themselves, they are so

obedient to the whips of Providence.

“But I tell you candidly, Algy, I believe she's pushing me, that she

may see how far I will let her go. I do not permit her to play at

this game with me.” The difficulty is in teaching women that we are

not constituted as they are, and that we are wilfully earnest, while

they, who never can be so save under compulsion, carry it on with

us, expecting that at a certain crisis a curtain will drop, and we

shall take a deep breath, join hands, and exclaim, 'What an exciting

play!'--weeping luxuriously. The actualities of life must be

branded on their backs--you can't get their brains to apprehend

them.

“Poor things! they need pity. I am ready to confess I did not keep

my promise to her. I am very sorry she has been ill. Of course,

having no brains--nothing but sensations wherewith to combat every

new revolution of fortune, she can't but fall ill. But I think of

her; and I wish to God I did not. She is going to enter her own

sphere--though, mark me, it will turn out as I say, that, when it

comes to the crisis, there will be shrieks and astonishment that the

curtain doesn't fall and the whole resolve itself to what they call

a dream in our language, a farce.

“I am astonished that there should be no letters for me. I can

understand her not writing at first; but apparently she cherishes

rancour. It is not like her. I can't help thinking there must be

one letter from her, and that you keep it back. I remember that I

told you when I left England I desired to have no letter forwarded

to me, but I have repeatedly asked you since if there was a letter,

and it appears to me that you have shuffled in your answer. I

merely wish to know if there is a letter; because I am at present

out in my study of her character. It seems monstrous that she

should never have written! Don't you view it in that light? To be

ready to break with me, without one good-bye!--it's gratifying, but

I am astonished; for so gentle and tender a creature, such as I knew

her, never existed to compare with her. Ce qui est bien la preuve

que je ne la connaissais pas! I thought I did, which was my error.

I have a fatal habit of trusting to my observation less than to my

divining wit; and La Rochefoucauld is right: 'on est quelquefois un

sot avec de l'esprit; mais on ne Pest jamais avec du jugement.'

Well! better be deceived in a character than doubt it.

“This will soon be over. Then back to the dear old dusky chambers,

with the pick and the axe in the mine of law, till I strike a gold

vein, and follow it to the woolsack. I want peace. I begin to hate

pleading. I hope to meet Death full-wigged. By my troth, I will

look as grimly at him as he at me. Meantime, during a vacation, I

will give you holiday (or better, in the February days, if I can

spare time and Equity is dispensed without my aid), dine you, and

put you in the whirl of Paris. You deserve a holiday. Nunc est

bibendum! You shall sing it. Tell me what you think of her

behaviour. You are a judge of women. I think I am developing

nerves. In fact, work is what I need--a file to bite. And send me

also the name of this man who has made the bargain--who is to be her

husband. Give me a description of him. It is my duty to see that

he has principle; at least we're bound to investigate his character,

if it's really to go on. I wonder whether you will ever perceive

the comedy of, life. I doubt whether a man is happier when he does

perceive it. Perhaps the fact is, that he has by that time lost his

power of laughter; except in the case of here and there a very

tremendous philosopher.

“I believe that we comic creatures suffer more than your tragic

personages. We, do you see, are always looking to be happy and

comfortable; but in a tragedy, the doomed wretches are

liver-complexioned from the opening act. Their laughter is the owl:

their broadest smile is twilight. All the menacing horrors of an

eclipse are ours, for we have a sun over us; but they are born in

shades, with the tuck of a curtain showing light, and little can be

taken from them; so that they find scarce any terrors in the

inevitable final stroke. No; the comedy is painfullest. You and I,

Algy, old bachelors, will earn the right just to chuckle. We will

take the point of view of science, be the stage carpenters, and let

the actors move on and off. By this, we shall learn to take a

certain pride in the machinery. To become stage carpenter, is to

attain to the highest rank within the reach of intellectual man.

But your own machinery must be sound, or you can't look after that

of the theatre. Don't over-tax thy stomach, O youth!

“And now, farewell, my worthy ass! You have been thinking me one

through a fair half of this my letter, so I hasten to be in advance

of you, by calling you one. You are one: I likewise am one. We are

all one. The universal language is hee-haw, done in a grievous

yawn.

“Yours,

“Edward B.

“P.S.--Don't fail to send a letter by the next post; then, go and

see her; write again exactly what she says, and let me know the

man's name. You will not lose a minute. Also, don't waste ink in

putting Mrs. Lovell's name to paper: I desire not to hear anything

of the woman.”

Algernon read this letter in a profound mystification, marvelling how it

could possibly be that Edward and Mrs. Lovell had quarrelled once more,

and without meeting.

They had parted, he knew or supposed that he knew, under an engagement

to arrange the preliminaries of an alliance, when Edward should return

from France; in other words, when Edward had thrown grave-dust on a

naughty portion of his past; severing an unwise connection. Such had

certainly been Edward's view of the matter. But Mrs. Lovell had never

spoken to Algernon on that subject. She had spoken willingly and in deep

sympathy of Dahlia. She had visited her, pitied her, comforted her; and

Algernon remembered that she had looked very keen and pinched about

the mouth in alluding to Dahlia; but how she and Edward had managed to

arrive at another misunderstanding was a prodigious puzzle to him; and

why, if their engagement had snapped, each consented to let Dahlia's

marriage (which was evidently distasteful to both) go on to the

conclusion of the ceremony, he could not comprehend. There were,

however, so many things in the world that he could not comprehend, and

he had grown so accustomed, after an effort to master a difficulty,

to lean his head back upon downy ignorance, that he treated this

significant letter of Edward's like a tough lesson, and quietly put it

by, together with every recommendation it contained. For all that was

practical in it, it might just as well not have been written.

The value of the letter lies in the exhibition it presents of a rather

mark-worthy young man, who has passed through the hands of a--(what I

must call her; and in doing so, I ask pardon of all the Jack Cades of

Letters, who, in the absence of a grammatical king and a government,

sit as lords upon the English tongue) a crucible woman. She may be

inexcusable herself; but you for you to be base, for you to be cowardly,

even to betray a weakness, though it be on her behalf,--though you can

plead that all you have done is for her, yea, was partly instigated by

her,--it will cause her to dismiss you with the inexorable contempt of

Nature, when she has tried one of her creatures and found him wanting.

Margaret Lovell was of this description: a woman fashioned to do both

harm and good, and more of harm than of good; but never to sanction

a scheme of evil or blink at it in alliance with another: a woman, in

contact with whom you were soon resolved to your component elements.

Separated from a certain fascination that there was for her in Edward's

acerb wit, she saw that he was doing a dastardly thing in cold blood. We

need not examine their correspondence. In a few weeks she had contrived

to put a chasm between them as lovers. Had he remained in England,

boldly facing his own evil actions, she would have been subjugated, for

however keenly she might pierce to the true character of a man, the show

of an unflinching courage dominated her; but his departure, leaving all

the brutality to be done for him behind his back, filled this woman with

a cutting spleen. It is sufficient for some men to know that they are

seen through, in order to turn away in loathing from her whom they have

desired; and when they do thus turn away, they not uncommonly turn with

a rush of old affection to those who have generously trusted them in the

days past, and blindly thought them estimable beings.

Algernon was by no means gifted to perceive whether this was the case

with his cousin in Paris.

Rhoda Fleming — Complete · 第 28 / 40 章