He paused, "Ah, well, it's hard for those who have it."

"But I haven't heard Carlstrom refer to Sweden for years," I said. "Is

it homesickness, or just old age?"

"There ye have it, Davy; the nail right on the head!" exclaimed the

Scotch Preacher. "Is it homesickness, or is he just old and tired?"

With that we fell to talking about Carlstrom, the gunsmith. I have known

him pretty nearly ever since I came here, now more than ten years

ago--and liked him well, too--but it seemed, as Dr. McAlway talked that

evening, as though we were making the acquaintance of quite a new and

wonderful person. How dull we all are! How we need such an artist as the

Scotch Preacher to mould heroes out of the common human clay around us!

It takes a sort of greatness to recognize greatness.

In an hour's time the Scotch Preacher had both Harriet and me much

excited, and the upshot of the whole matter was that I promised to call

on Carlstrom the next day when I went to town.

I scarcely needed the prompting of the Scotch Preacher, for Carlstrom's

gunshop has for years been one of the most interesting places in town

for me. I went to it now with a new understanding.

Afar off I began to listen for Carlstrom's hammer, and presently I heard

the familiar sounds. There were two or three mellow strokes, and I knew

that Carlstrom was making the sparks fly from the red iron. Then the

hammer rang, and I knew he was striking down on the cold steel of the

anvil. It is a pleasant sound to hear.

Carlstrom's shop is just around the corner from the main street. You may

know it by a great weather-beaten wooden gun fastened over the doorway,

pointing in the daytime at the sky, and in the night at the stars. A

stranger passing that way might wonder at the great gun and possibly say

to himself:

"A gunshop! How can a man make a living mending guns in such a peaceful

community!"

Such a remark merely shows that he doesn't know Carlstrom, nor the shop,

nor _us_.

I tied my horse at the corner and went down to the shop with a peculiar

new interest. I saw as if for the first time the old wheels which have

stood weathering so long at one end of the building. I saw under the

shed at the other end the wonderful assortment of old iron pipes,

kettles, tires, a pump or two, many parts of farm machinery, a broken

water wheel, and I don't know what other flotsam of thirty years of

diligent mending of the iron works of an entire community. All this, you

may say--the disorder of old iron, the cinders which cover part of the

yard but do not keep out the tangle of goldenrod and catnip and boneset

which at this time of the year grows thick along the neighbouring

fences--all this, you say, makes no inviting picture. You are wrong.

Where honest work is, there is always that which invites the eye.

I know of few things more inviting than to step up to the wide-open

doors and look into the shop. The floor, half of hard worn boards half

of cinders, the smoky rafters of the roof, the confusion of implements

on the benches, the guns in the corners--how all of these things form

the subdued background for the flaming forge and the square chimney

above it.

At one side of the forge you will see the great dusty bellows and you

will hear its stertorous breathing. In front stands the old brown anvil

set upon a gnarly maple block. A long sweep made of peeled hickory wood

controls the bellows, and as you look in upon this lively and pleasant

scene you will see that the grimy hand of Carlstrom himself is upon the

hickory sweep. As he draws it down and lets it up again with the

peculiar rhythmic swing of long experience--heaping up his fire with a

little iron paddle held in the other hand--he hums to himself in a high

curious old voice, no words at all, just a tune of contented employment

in consonance with the breathing of the bellows and the mounting flames

of the forge.

As I stood for a moment in the doorway the other day before Carlstrom

saw me, I wished I could picture my friend as the typical blacksmith

with the brawny arms, the big chest, the deep voice and all that. But as

I looked at him newly, the Scotch Preacher's words still in my ears, he

seemed, with his stooping shoulders, his gray beard not very well kept,

and his thin gray hair, more than ordinarily small and old.

I remember as distinctly as though it were yesterday the first time

Carlstrom really impressed himself upon me. It was in my early blind

days at the farm. I had gone to him with a part of a horse-rake which I

had broken on one of my stony hills'.

"Can you mend it?" I asked.

If I had known him better I should never have asked such a question. I

saw, indeed, at the time that I had not said the right thing; but how

could I know then that Carlstrom never let any broken thing escape him?

A watch, or a gun, or a locomotive--they are all alike to him, if they

are broken. I believe he would agree to patch the wrecked chariot of

Phaëthon!

A week later I came back to the shop.

"Come in, come in," he said when he saw me.

He turned from his forge, set his hands on his hips and looked at me a

moment with feigned seriousness.

"So!" he said. "You have come for your job?"

He softened the "j" in job; his whole speech, indeed, had the engaging

inflection of the Scandinavian tongue overlaid upon the English words.

"So," he said, and went to his bench with a quick step and an air of

almost childish eagerness. He handed me the parts of my hay-rake without

a word. I looked them over carefully.

"I can't see where you mended them," I said.

You should have seen his face brighten with pleasure! He allowed me to

admire the work in silence for a moment and then he had it out of my

hand, as if I couldn't be trusted with anything so important, and he

explained how he had done it. A special tool for his lathe had been

found necessary in order to do my work properly. This he had made at his

forge, and I suppose it had taken him twice as long to make the special

tool as it had to mend the parts of my rake; but when I would have paid

him for it he would take nothing save for the mending itself. Nor was

this a mere rebuke to a doubter. It had delighted him to do a difficult

thing, to show the really great skill he had. Indeed, I think our

friendship began right there and was based upon the favour I did in

bringing him a job that I thought he couldn't do!

When he saw me the other day in the door of his shop he seemed greatly

pleased.

"Come in, come in," he said.

"What is this I hear," I said, "about your going back to Sweden?"

"For forty years," he said, "I've been homesick for Sweden. Now I'm an

old man and I'm going home."

"But, Carlstrom," I said, "we can't get along without you. Who's going

to keep us mended up?"

"You have Charles Baxter," he said, smiling.

For years there had been a quiet sort of rivalry between Carlstrom and

Baxter, though Baxter is in the country and works chiefly in wood.

"But Baxter can't mend a gun or a hay-rake, or a pump, to save his

life," I said. "You know that."

The old man seemed greatly pleased: he had the simple vanity which is

the right of the true workman. But for answer he merely shook his head.

"I have been here forty years," he said. "and all the time I have been

homesick for Sweden."

I found that several men of the town had been in to see Carlstrom and

talked with him of his plans, and even while I was there two other

friends came in. The old man was delighted with the interest shown.

After I left him I went down the street. It seemed as though everybody

had heard of Carlstrom's plans, and here and there I felt that the

secret hand of the Scotch Preacher had been at work. At the store where

I usually trade the merchant talked about it, and the postmaster when I

went in for my mail, and the clerk at the drug store, and the

harness-maker. I had known a good deal about Carlstrom in the past, for

one learns much of his neighbours in ten years, but it seemed to me that

day as though his history stood out as something separate and new and

impressive.

When he first came here forty years ago I suppose Carlstrom was not

unlike most of the foreigners who immigrate to our shores, fired with

faith in a free country. He was poor--as poor as a man could possibly

be. For several years he worked on a farm--hard work, for which, owing to

his frail physique, he was not well fitted. But he saved money

constantly, and after a time he was able to come to town and open a

little shop. He made nearly all of his tools with his own hands, he

built his own chimney and forge, he even whittled out the wooden gun

which stands for a sign over the door of his shop. He had learned his

trade in the careful old-country way. Not only could he mend a gun, but

he could make one outright, even to the barrel and the wooden stock. In

all the years I have known him he has always had on hand some such

work--once I remember, a pistol--which he was turning out at odd times

for the very satisfaction it gave him. He could not sell one of his

hand-made guns for half as much as it cost him, nor does he seem to want

to sell them, preferring rather to have them stand in the corner of his

shop where he can look at them. His is the incorruptible spirit of the

artist!

What a tremendous power there is in work. Carlstrom worked. He was up

early in the morning to work, and he worked in the evening as long as

daylight lasted, and once I found him in his shop in the evening,

bending low over his bench with a kerosene lamp in front of him. He was

humming his inevitable tune and smoothing off with a fine file the nice

curves of a rifle trigger. When he had trouble--and what a lot of it he

has had in his time!--he worked; and when he was happy he worked all the

harder. All the leisurely ones of the town drifted by, all the children

and the fools, and often rested in the doorway of his shop. He made them

all welcome: he talked with them, but he never stopped working. Clang,

clang, would go his anvil, whish, whish, would respond his bellows,

creak, creak, would go the hickory sweep--he was helping the world go

round!

All this time, though he had sickness in his family, though his wife

died, and then his children one after another until only one now

remains, he worked and he saved. He bought a lot and built a house to

rent; then he built another house; then he bought the land where his

shop stands and rebuilt the shop itself. It was an epic of homely work.

He took part in the work of the church and on election days he changed

his coat, and went to the town hall to vote.

[Illustration: "THE CHILDREN ... OFTEN RESTED IN THE DOORWAY OF HIS

SHOP"]

In the years since I have known the old gunsmith and something of the

town where he works, I have seen young men, born Americans, with every

opportunity and encouragement of a free country, growing up there and

going to waste. One day I heard one of them, sitting in front of a

store, grumbling about the foreigners who were coming in and taking up

the land. The young man thought it should be prevented by law. I said

nothing; but I listened and heard from the distance the steady clang,

clang, of Carlstrom's hammer upon the anvil.

Ketchell, the store-keeper, told me how Carlstrom had longed and planned

and saved to be able to go back once more to the old home he had left.

Again and again he had got almost enough money ahead to start, and then

there would be an interest payment due, or a death in the family, and

the money would all go to the banker, the doctor, or the undertaker.

"Of recent years," said Ketchell, "we thought he'd given up the idea.

His friends are all here now, and if he went back, he certainly would

be disappointed."

A sort of serenity seemed, indeed, to come upon him: his family lie on

the quiet hill, old things and old times have grown distant, and upon

that anvil of his before the glowing forge he has beaten out for himself

a real place in this community. He has beaten out the respect of a whole

town; and from the crude human nature with which he started he has

fashioned himself wisdom, and peace of mind, and the ripe humour which

sees that God is in his world. There are men I know who read many books,

hoping to learn how to be happy; let me commend them to Carlstrom, the

gunsmith.

I have often reflected upon the incalculable influence of one man upon a

community. The town is better for having stood often looking into the

fire of Carlstrom's forge, and seeing his hammer strike. I don't know

how many times I have heard men repeat observations gathered in

Carlstrom's shop. Only the other day I heard the village school teacher

say, when I asked him why he always seemed so merry and had so little

fault to find with the world.

"Why," he replied, "as Carlstrom, the smith says, 'when I feel like

finding fault I always begin with myself and then I never get any

farther,'"

Another of Carlstrom's sayings is current in the country.

"It's a good thing," he says, "when a man knows what he pretends to

know."

The more I circulated among my friends, the more I heard of Carlstrom.

It is odd that I should have gone all these years knowing Carlstrom, and

yet never consciously until last week setting him in his rightful place

among the men I know. It makes me wonder what other great souls about me

are thus concealing themselves in the guise of familiarity. (This

stooped gray neighbour of mine whom I have seen so often working in his

field that he has almost become a part of the landscape--who can tell

what heroisms may be locked away from my vision under his old brown

hat?)

On Wednesday night Carlstrom was at Dr. McAlway's house--with Charles

Baxter, my neighbour Horace, and several others. And I had still another

view of him.

I think there is always something that surprises one in finding a

familiar figure in a wholly new environment. I was so accustomed to the

Carlstrom of the gunshop that I could not at once reconcile myself to

the Carlstrom of Dr. McAlway's sitting room. And, indeed, there was a

striking change in his appearance. He came dressed in the quaint black

coat which he wears at funerals. His hair was brushed straight back from

his broad, smooth forehead and his mild blue eyes were bright behind an

especially shiny pair of steel-bowed spectacles. He looked more like

some old-fashioned college professor than he did like a smith.

The old gunsmith had that pride of humility which is about the best

pride in this world. He was perfectly at home at the Scotch Preacher's

hearth. Indeed, he radiated a sort of beaming good will; he had a native

desire to make everything pleasant. I did not realize before what a fund

of humour the old man had. The Scotch Preacher rallied him on the number

of houses he now owns, and suggested that he ought to get a wife to keep

at least one of them for him. Carlstrom looked around with a twinkle in

his eye.

"When I was a poor man," he said, "and carried boxes from Ketchell's

store to help build my first shop, I used to wish I had a wheelbarrow.

Now I have four. When I had no house to keep my family in, I used to

wish that I had one. Now I have four. I have thought sometimes I would

like a wife--but I have not dared to wish for one."

The old gunsmith laughed noiselessly, and then from habit, I suppose,

began to hum as he does in his shop--stopping instantly, however, when

he realized what he was doing.

During the evening the Scotch Preacher got me to one side and said:

"David, we can't let the old man go."

"No, sir," I said, "we can't."

"All he needs, Davy, is cheering up. It's a cold world sometimes to the

old."

I suppose the Scotch Preacher was saying the same thing to all the other

men of the company.

When we were preparing to go, Dr. McAlway turned to Carlstrom and said:

"How is it, Carlstrom, that you have come to hold such a place in this

community? How is it that you have got ahead so rapidly?"

The old man leaned forward, beaming through his spectacles, and said

eagerly:

"It ist America; it ist America."

"No, Carlstrom, no--it is not all America. It is Carlstrom, too. You

work, Carlstrom, and you save."

Every day since Wednesday there has been a steady pressure on Carlstrom;

not so much said in words, but people stopping in at the shop and

passing a good word. But up to Monday morning the gunsmith went forward

steadily with his preparations to leave. On Sunday I saw the Scotch

Preacher and found him perplexed as to what to do. I don't know yet

positively, that he had a hand in it, though I suspect it, but on Monday

afternoon Charles Baxter went by my house on his way to town with a

broken saw in his buggy. Such is the perversity of rival artists that I

don't think Charles Baxter had ever been to Carlstrom with any work. But

this morning when I went to town and stopped at Carlstrom's shop I found

the gunsmith humming louder than ever.

"Well, Carlstrom, when are we to say good-by?" I asked.

"I'm not going," he said, and taking me by the sleeve he led me over to

his bench and showed me a saw he had mended. Now, a broken saw is one of

the high tests of the genius of the mender. To put the pieces together

so that the blade will be perfectly smooth, so that the teeth match

accurately, is an art which few workmen of to-day would even attempt.

"Charles Baxter brought it in," answered the old gunsmith, unable to

conceal his delight. "He thought I couldn't mend it!"

To the true artist there is nothing to equal the approbation of a rival.

It was Charles Baxter, I am convinced, who was the deciding factor.

Carlstrom couldn't leave with one of Baxter's saws unmended! But back of

it all, I know, is the hand and the heart of the Scotch Preacher.

The more I think of it the more I think that our gunsmith possesses many

of the qualities of true greatness. He has the serenity, and the humour,

and the humility of greatness. He has a real faith in God. He works, he

accepts what comes. He thinks there is no more honourable calling than

that of gunsmith, and that the town he lives in is the best of all

towns, and the people he knows the best people.

Yes, it _is_ greatness.

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Adventures in Friendship · 第 26 / 35 题