“If I let myself argue with you I’d be running wild through the woods

in about fifteen minutes. Tell me, does anyone in your family--or among

your acquaintances--does _anyone_ ever dispute with you?”

She reflected, ignoring the irony in his tone. “No,” said she, “I don’t

believe they do. I have my own way.”

“I’d have sworn it,” cried he.

“You are the only one that ever opposes me,” said she.

“I? Oh, no. Never! But in this one thing I must.” He changed to

seriousness. “Rix, I’ll have nothing to do with your deceiving that

nice young chap. That’s flat and final.”

“Isn’t he nice, though!” exclaimed she. “I’ve always liked him since

he was a little boy at dancing school with such a polite, quiet way of

sniffling. He hates to blow his nose. You know, there are people like

that. I wouldn’t hurt his feelings for the world. You see, everybody

can’t be harsh and hard like you. Now, you take a positive delight in

saying unpleasant truths.”

“I’m nothing of a liar,” said he curtly.

“I like that in you,” cried she with enthusiasm. “It makes me feel

such confidence. You’re the only person I ever knew whom I believed in

everything they said.”

He gave her a look of frank surprise and suspicion. “What are you

driving at?” he demanded. “Now, don’t look innocent. Out with it!”

“I don’t understand,” said she, smiling.

“Pardon me, but you do--perfectly. What are you wheedling for?”

“How _can_ we be friends,” pleaded she, “if you’re always suspecting

me?”

“We’re not going to be friends,” replied he positively. “This--here and

now--is the end.”

It was evident that his words had given her a shock--a curious shock

of surprise, as if she had expected some very different reception to

this proffer of hers. However, after a brief reflection she seemed to

recover. “How _can_ so clever a man as you be so foolish?” expostulated

she. “You know as well as you’re sitting there that we simply can’t

help being friends.”

“Friends--yes,” he conceded. “But we’re not going to see each other.”

“And what would I say to Pete?”

“Something clever and satisfying. By the way, how did you manage to get

away with it when you reached home?”

She laughed delightedly. She was looking her most innocent, most

youthful. “Oh, _such_ a time!” cried she. “Mother-- You don’t know

mother, so you can’t appreciate. But you will, when you do know her.

It was a three-cornered row--Heck and mother and I. Heck took a shine

to you, so he was really about half on my side. I told just how I met

you--the whole story--except I didn’t tell the exact truth about the

picture.”

Her look was so queer that he said in alarm: “What did you say about

it?”

“We’ll talk of that later,” replied she--and his knowledge of her

methods did not allow him to receive with an eased mind this hasty

insistence on delay. “Mother wanted to know who you were, and, of

course, I couldn’t tell her--not anything that would satisfy a woman

like mother. She forbade me ever to see you again. I told her that,

on the contrary, I’d see you this morning. She raved--my, how she did

rave!” And Rix burst into peals of laughter. “You ought to have heard!

She’s so conventional. She accused me--but you can imagine.”

“Yes, I can,” said he dryly. “And she’s right--absolutely right. We’ll

not see each other again.”

“Oh, but she wants to see you,” rejoined Miss Richmond. “She can hardly

wait to see you, herself. She’s badly frightened lest you’ll not come.”

Roger let his absolute disbelief show in his face. There must somewhere

be bounds to what this resourceful and resolute young person could

accomplish. These assertions of hers were beyond those bounds--far

beyond them.

“It was this way,” pursued Miss Richmond with innocent but intense

satisfaction in her own cleverness. “I pointed out to her that, if I

didn’t go to you and keep on with the picture, Hanky--that’s Peter

Vanderkief--would realize I’d been flirting _wildly_ with a strange man

I had picked up in the woods and would break the engagement. And mother

is set on my marrying Peter. So she sent me off herself this morning

and took charge of Peter to keep him safe. Am I not clever?”

“I can think of nothing to add to what I have already said on that

point,” observed Roger mildly. “I am actually flabbergasted!”

“So was mother,” said she with innocent, young triumph. “And she used

just that word. Here’s a note from her to you.”

Miss Richmond took a letter from the pocket of her jacket and held it

toward him. He made no move to advance and take it from her. Instead he

made a gesture that was the beginning of a carrying out of the boyish

impulse to put his hands behind his back.

“Do you want me to get up and bring it to you?” said she.

“I want nothing to do with it,” said he coldly. “I don’t know your

mother. I’ve no doubt she’s an estimable woman, but I’ve no time to

enlarge the circle of my acquaintances.”

Miss Richmond once more seemed astounded by this unmistakable evidence

of an intention on his part to end their friendship absolutely. She

looked at him incredulously, then questioningly, then haughtily. She

put the note in her pocket, rose and stood very straight and dignified.

“That is rude,” she said.

“Yes, it is rude,” admitted he. “But you have left me no alternative.

There is only the one way to avoid being drawn into deceptions that are

most distasteful to me.”

She eyed him as if measuring his will. She saw no sign of yielding.

“You think I’m contemptible, don’t you?” said she, her tone friendly

again.

“I do not presume to judge you. You have your own scheme of life, I

mine. They are different--that is all. I don’t ask you to accept mine.

You must not ask me to accept yours. You must not--shall not--entangle

me in yours.”

She leaned against a tree, gazed thoughtfully at the rainbow appearing

and disappearing on the little waterfall. When she returned to him her

face was sweet and sad. He glanced up from his work, hastily fixed

his gaze on it again. “You are right--absolutely right,” she said.

“I’ve always done as I pleased. And everyone round me--the family, the

servants, the governesses--everyone--has humored and petted me and

encouraged me to take my own way.”

“I understand,” said he. “The wonder is--” But he deemed it wise not to

say what the wonder was.

“You really can’t blame me, Chang, can you, for having got into the

habit of thinking whatever I please to do is right?”

“Certainly I don’t blame you, Rix,” said he gently. “Considering what

you’ve probably been through, you’re amazing. In the same circumstances

I’d have been unfit to live.”

“You don’t despise me?” asked she eagerly.

“Despise you? Why, I couldn’t despise anybody. It’s a roomy world--room

for all kinds.”

“You like me? Not love,” she hastened to explain, “just like. Do you?”

He smiled his friendliest. “Sure! You’re about the nicest girl I ever

met--when you want to be.”

“Thank you,” she said, tears in her eyes; and she dropped back into her

reverie, he resuming his work. There was a long pause between them--a

pause filled by the song of birds thronging the foliage above and

around them, and by the soft music of the falling waters. “Sometimes

I think it’s an awful bad thing for people to have all the money they

want--to be rich,” said she pensively. “That’s one trouble with our

family.”

“Why, you told me you had to marry for money,” said Roger, much

surprised. He hated liars; he was loath to believe that she had lied to

him.

She looked miserably confused. “You didn’t understand quite,” she

replied hastily. “And I can’t explain--not now. You mustn’t ask me.”

“Ask you? It’s none of my business.”

“I didn’t mean--I didn’t mean to deceive you,” pleaded she. “But--I

can’t explain now.”

“Don’t think of it again,” said he, with a careless wave of one of his

long brushes. It was no new experience to find that people supposed

to be rich were merely struggling along on the edge of the precipice

of poverty. Poor child, making one of those hideous sacrifices on

the altar of snobbishness!--or, rather, being sacrificed, for she was

too young to realize to the full what she was doing. Still, Peter

Vanderkief did not size up so badly, as husband material went.

Silence for several minutes; she, seated again and studying his strong,

handsome face with its intent, absorbed expression--concentrated,

powerful. She did not venture to speak until he happened to glance at

her with an absent smile. Then she inquired sweetly: “May I ask you

something?”

“Go ahead.”

“Won’t you please come to dinner to-morrow night? That’s what mother’s

note’s about. It would be a great favor to me. It would straighten

everything out. You won’t have to do any further deceiving.”

He went on with his work. After a while he asked: “Does your Peter

think you love him?”

The color mounted in her cheeks. But it was in the accents of truth

that she replied: “He knows I don’t.”

“And if I came I’d not be helping to deceive him as to what you think

of him?”

“No--on my honor.”

He looked at her. “No’s quite enough,” said he, in a tone that made her

thrill with pride. “I think you are truthful.”

“And I am--with you,” said she, her expression at its very

best. “I’d be ashamed to lie to you. Not that I’ve always been

quite--quite--painfully _accurate_----”

“I understand. You and I mean the same thing when we say truthful.”

“Will you come?”

“Yes. Where do you live?”

She laughed. “Why, we’re _the_ Richmonds. Didn’t you guess?” She nodded

as if a mystery had been cleared up for her. “Oh, I understand now why

you’ve acted so differently from what I thought you would when you

found out.”

He smiled faintly. “I suppose I ought to know. But I’m a stranger here.

When I was here as a boy the city lawyers and merchants hadn’t got

the habit of coming up and taking farmhouses for the summer. Are you

boarding or have you a place of your own?”

She had got very red and was hanging her head. Evidently she was

suffering keenly from embarrassment.

“What’s the matter, Rix?”

“I--I rather thought--after yesterday--you sort of--understood about

us,” she stammered.

He laughed encouragingly. “Good Lord, don’t be a snob,” cried he. “What

do I care about where you live? I don’t select my acquaintances by

what’s in their pockets, but by what’s in their heads. A while ago you

said you were rich--and then you said you weren’t----”

“Oh, I’m all upset,” interrupted she. “Don’t mind the way I act. We

live on Red Hill. The house up there belongs to father.”

“That big, French country house?” said Roger, surprised. “I’ve seen it.

I’ll be glad to see it closer.” He painted a few minutes. “I suppose

you put on a lot of style up there. Well, I’ve got evening clothes

somewhere in my traps. I used to wear them occasionally in Paris, but

not much. Paris doesn’t go in for formalities--at least, not the Paris

I know.... What time’s the dinner?”

“Half past eight.”

He groaned and laughed. “Just my bedtime. But I’ll brace myself and

show up awake.... I wonder if I’ve got an evening shirt.” He happened

to glance at her, was struck by a queer gleam in her gray eyes. “What

now?”

“Nothing--nothing,” she hastened to assure him. “Just some silliness.

I’m full of it.”

He went on painting, and presently resumed his soliloquizing: “May

have to come in ordinary clothes. But that wouldn’t be a killing

matter--would it?... This isn’t town--it’s backwoods.... I’ve heard

some sorts of Americans have got to be worse than the English for

agitation about petty little forms. Are yours that sort?”

“Mother’s a dreadful snob,” said she weakly.

“Well, I’ll do the best I can,” was his careless reply. “Perhaps it’ll

be just as well if I have to horrify her.” He laughed absently.

“I hope you’ll do the best you can,” pleaded she. “For my sake.”

He looked amused. “You don’t want her to think you picked up a

hooligan--eh?”

“Oh, I don’t care what she thinks--not deep down,” cried the girl.

“I don’t care what anybody thinks about you--not really. But on the

surface--I’m--I’m a horrible snob, too.”

“All right. I’ll try not to disgrace you utterly.”

She reflected absently. Presently she interrupted his painting with

“Heck and father are both small. But Hank--I might send you down one

of Hank’s shirts. He’s almost as big as you--in the way of size. And I

could get my maid to borrow one from his valet----”

His expression--amused, intensely, boyishly amused--halted her. She had

been blushing. She flamed scarlet, looked as if she were about to sink

with humiliation. Then she lifted her head proudly and a strange light

came into her eyes--a light that made him quail. “Anyway you please,”

she said--and the words came jerkily--“Anything _you_ please.” And she

fled.

He stared after her until she was lost to view among the rocks and

bushes. He held the brush poised before the canvas--laid it down

again--gazed at the radiant figure he was conjuring in the midst of

his picture. He drew a huge breath. “Well, to-morrow night will be the

finish,” he muttered. “And it’s high time.”

V

AN ATTEMPT TO DAZZLE

At a quarter past eight the following night Roger drove up to the vast

entrance to Red Hill in the buggy he had hired from Burke, the Deer

Spring liveryman. Five lackeys in gorgeous livery, with powdered hair

and white silk stockings--five strapping fellows with the dumb faces

and the stalwart figures the rich select as menial showpieces--appeared

in the huge doorway. Three of them advanced to assist Roger. A fourth

disappeared--to telephone the stables about this unexpected, humble

equipage. The fifth stood upon the threshold, ready to take the hat

and coat of the evening’s one guest from without. The moon was high,

almost directly above the towers of the great, gray chateau. By the

soft, abundant light Roger surveyed the splendid, broad terraces

that broke the long and steep descent to Lake Wauchong; the enormous

panorama of untouched wilderness covering little mountain, big hill and

valley far as the eye could reach--all of it the property of Daniel

Richmond. Nearer, in the immediate neighborhood of the house were the

elaborations of the skilled landscape gardener. It was indeed a scene

of beauty--beauty as well as magnificence--an interesting exhibit of

the grandiose style of living wherein the rich sacrifice practically

all the joys of life and most of its comforts for the sake of tickling

their own vanity and stimulating the envy of their fellow-beings.

As Roger advanced into the lofty, gloomily paneled entrance hall--its

carvings had cost a fortune--he drew off his overcoat, disclosing

evening dress that would have passed muster on a figure far less in

need of ornamentation than his massive yet admirably proportioned

frame with its climax of godlike head. And the most impressive feature

of that head was the frank simplicity of the expression of the

face--that expression which marks the man who is something and lifts

him high above the flocks and herds of men who are trying--not too

successfully--to seem to be something. The modern evening dress for

men is one of the few conventions--perhaps the only one--not designed

to bolster up insignificance by reducing all to the same level of

smooth elegance. It is one of the curiosities of the history of manners

how such a blunder came to be firmly established as a propriety. In

evening dress, as in no other kind of costume or lack of costume, the

personality, the individuality, of the wearer obtrudes itself to every

eye. At a glance one may classify any number of men by their qualities

and quantities of head and heart. Beatrice Richmond, coming along the

corridor leading into the entrance hall from the east, stopped short at

sight of her artist.

She herself, in an evening gown of pale silver, with lovely shoulders

bare and graceful head looking exquisite under its crown of simply

arranged, yellow hair, was quite a different person from the rather

hoydenish elf of wood and stream whom Roger had been painting. But

she had lost, instead of gaining, in the transformation. She was

more beautiful, but much less fascinating. She had been leveled down

toward the conventional. She merely looked what the newspapers call “a

beautiful, young, society girl.” Roger, on the other hand, had gained.

He was retaining all his charm of the large, the free, the sincere,

the natural; he now had in addition a certain refinement that yet

had nothing of conventionality’s cheapness. It was somewhat like the

difference between a thoroughbred uncurried and curried. His natural

proportions showed to better advantage in this sleekness than they had

in the rough.

“What’s the matter?” demanded Roger, as he took her hand. “Am I late,

or is it the wrong evening?”

“Neither,” she assured him, and it delighted her to note that he did

not dream of taking to himself her pale and trembling joy in his

splendor of manhood. “Nothing much. Just--I was thinking this is the

first time we’ve seen each other in civilized dress.”

“Oh!” Roger evidently thought this not worth pursuing. “This is a

wonderful place you’ve got here. It’d be hard to blame anybody for

making any sort of sacrifice to keep it.” He glanced round with

the expression of a man used to such surroundings. In fact, there

was nothing about him which in the remotest degree suggested the

ill-at-easeness she had anticipated and feared. She felt humbled.

He was again--and where she had least expected it--rebuking her

nervousness over trifles and exaggeration of them. As they stood in the

corridor, talking, she could discover not a trace of the awe she had

confidently expected and hoped for. He treated her precisely as he had

in the woods. But she was not discouraged. She felt that he must be

deeply impressed, that he must be understanding now why she had taken

the proposing upon herself--and must be appreciating what a fine thing

that proposal was. He was concealing his feelings, reasoned she--was

perhaps unconscious of them; later on they would show in results.

“I’ll take you to mother,” said she.

They turned in at one of the several doors, were facing a roomful of

the sort of people one always finds in houses of that kind--carefully

dressed, carefully patterned people, leading the monotonous life

fashion imposes upon the upper class throughout the world. Beatrice

looked round, then looked proudly up at the huge, young man whose

expression made him seem to tower and loom, even among those physically

his equals. “Father isn’t here,” she explained. “He hates this sort of

thing for himself, though he tolerates it for us.”

Roger found himself being welcomed by a youngish, shrewd-looking

woman with a cold, discontented face. Beatrice’s mother was merely a

type--one of the kind the development of great fortunes is turning

out by the score in every city and large town from New York to San

Francisco: an indefatigable and not unintelligent seeker after the

correct aristocratic pose. She was in simple black velvet. Her graying

hair made her too-sharp face softer and more youthful. Her figure was

as slim and straight as her daughter’s, though not without evidences of

toil and corset manipulation to give it that girlish appearance. Peter

Vanderkief--Hanky--was beside her.

“So, you are really here?” she said cordially to Roger, as she gave him

a warm hand clasp and the smile of an old friend. “I can hardly believe

my own eyes.”

“Impossible to resist,” said Roger. “It’s indeed a pleasure to see you

again. How d’ye do, Mr. Vanderkief?”

Vanderkief forced a smile to his lips and extended a tardy hand. But

his brow remained sullen--not the sullenness of suspicion now, but of

jealousy.

“How is the picture coming on?” asked Mrs. Richmond of Roger.

“Oh, you know how those things go with me,” was Roger’s subtly

noncommittal reply.

“I remember,” laughed Mrs. Richmond. “You are the true artist. You’re

to take in Beatrice. She tells me you still have your old horror of

strangers.”

“Not horror--shyness,” protested Roger, with no more shyness or

suggestion of it than a well-brought-up child.

Then a small, slim, dark man--obviously a Continental foreigner--joined

the group. In dress and bearing he was a most elegant-looking

person--or, rather, personage. His fine, sensitive face was exceedingly

handsome. “Ah, my dear Wade!” cried he, pronouncing the name as if it

were spelled Vahd.

Roger’s face lighted up. “D’Artois!” exclaimed he, and they shook hands

with enthusiasm.

“How are you in this country without my hearing of it?” said Count

d’Artois. “I’d not have believed one so famous could move about

quietly.”

Mrs. Richmond and Beatrice--and Hank--were intensely interested

spectators and listeners. D’Artois turned to Mrs. Richmond. “Vahd must

be extremely fond of you, that you are able to get him. In Paris they

run after him in vain. He keeps himself hidden.”

Mrs. Richmond smiled nervously. Peter stared despondently at the big

man thus suddenly disclosed as a great man. As for Beatrice, her

eyes sparkled and her cheeks flushed proudly. Roger’s expression

was good-natured tolerance, perhaps touched with annoyance. Dinner

was announced and Beatrice took his arm. “I might have known!” she

exclaimed, gazing up at him.

He reddened and frowned. “Known what?” said he.

“That you were famous.”

“Trash!” observed Roger carelessly. “D’Artois is polite. Also, he is my

friend.”

“Oh, I know,” said the girl. “At lunch he was talking about you--what a

great painter you are--how rapidly you, though an American, were making

yourself famous in Europe. We didn’t dream he was talking of you. He

pronounces your name peculiarly.”

“I’m enormously hungry,” said Roger. “Where do these people come from?

I had no idea this was such a fashionable neighborhood.”

“Oh, they’re stopping in the house. Most of them came last night and

to-day.”

Roger ate and listened to the girl on his left--Alicia Kinnear, the

tennis player. Mrs. Richmond had Count d’Artois on her right, and he

talked steadily of “Vahd.” She listened sourly and from time to time

shot a glance down the table at him--the glance of the alarmed and

angry mother of a rather unmanageable heiress. Peter--directly opposite

Roger--was as silent as he, but instead of covering his silence with

appreciation of the Richmond chef he stared at the lace insertion of

the tablecloth and crumbled and messed his roll. Beatrice was the

happiest of the thirty-two at that table. She was radiant, ecstatic.

“Aren’t you going to say a single word to _me_?” she inquired of Roger

when he had finished the game course. “You can’t still be ravenously

hungry.”

“I’ve eaten too much,” replied he. “I’m stupid.”

“It really doesn’t matter, as I’ll see you to-morrow morning.”

“I’m not working to-morrow. I’ve got to go to town.”

“Then the day after?”

“I may stay in town several days.”

Her expression was so hurt, so depressed, that he felt guilty, mean.

“It’s terribly hard to be friends with you, isn’t it?” said she.

“Because I refuse to spend my time idling about? You must choose your

friends in your own class. No good ever comes of going out of it.”

“I’m surprised at _your_ talking about classes in this country.”

“There are classes everywhere--and always will be. A class simply means

a group of people of similar sympathies, tastes, habits and means.”

“Means!” said she. “I was under the impression you despised money!”

“I?” He laughed. “No more than I despise food. Money is a kind of food.

I want--and I try to get--all of it I need. My appetite is larger than

some, smaller than others. I take--or try to take--in proportion to my

appetite.”

She nodded thoughtfully. It was in a queer, hesitating voice that she

went on to ask: “And you really don’t care to be rich?”

“No more than I want to be fat. And I want to be poor no more than I

want to be emaciated.”

Again she reflected. Suddenly she asked: “Do you like this house?”

“Certainly. It is beautiful of its kind.”

“I mean, wouldn’t _you_ like to have such a house?”

“God forbid!” said he, and she knew he was speaking sincerely. “I’ve

other things to do in my brief life than take care of property.”

“But one can hire those things done.”

White Magic: A Novel · 第 4 / 18 段