OLD SILVER, OLD PAPERS, AND AN OLD COURT GOWN
Toward the last of our stay in Chippoak Creek, the weather was bad; but
it was surprising how agreeable disagreeable days could be at Brandon.
It was dark and gloomy that afternoon when we got to looking at the old
family silver, and even raining dismally by the time we were carefully
unfolding the faded court gown; but on we went from treasure to
treasure oblivious of the weather.
Fine and quaint pieces of old silver are among the family plate. Many
of them bear the Harrison crest--a demi-lion rampant supporting a
laurel wreath. And who would know what the weather was doing, when
those ancient pieces were passing from hand to hand, and the
fascinating study of hall marks was revealing dates more than two
centuries past? There is even some ecclesiastical silver in the old
home--the communion service once used in the Martin's Brandon Church, a
building no longer standing. The inscription tells that the service was
the gift of Major John Westhrope, and the marks give date of about
1659.
But no one form of the antique can hold you long at Brandon. From out
some drawer or chest or closet, another treasure will appear and lure
you away with another story of the long ago. With the inimitable sheen
of old silver still in our eyes, our ears caught the crackle of ancient
parchment; and we turned to the fascinations of venerable records and
dingy red seals and queer blue tax stamps. The papers were delightfully
quaint and yellow and worn, but from their very age a little awesome
too.
The most valued one of them all is the original grant of Martin's
Brandon bearing date 1616--four years before the Pilgrims landed at
Plymouth. The grant covers a page and a half of the large sheets of
heavy parchment, and the ink is a stronger black than that on records a
century younger.
[Illustration: TREASURED PARCHMENTS, INCLUDING THE ORIGINAL GRANT OF
1616.]
On a worn paper dated 1702 is a plat of Brandon plantation. It shows
that at that time the central portion of the manor-house had not been
built as only two disconnected buildings (the present wings) are given.
A part of the sketch is marked "a corner of the garden." So, for two
hundred years (and who knows how much longer?) there has been that
garden by the river. Off at one side of the old map, we found our
landing-place in the woods beside some wavy lines that, a neat clerkly
hand informed us in pale brown ink, were the "meanderings of Chippoak
Creek."
Poring so intently over those ancient papers with their great Old
English capitals, their stiff flourishes, their quaint abbreviations,
we should scarcely have been startled to see a peruked head bend above
them and a hand with noisy quill go tracing along the lines of those
long-ago "Whereases" and "Be it knowns."
But, instead, something quite different came out of the past: something
very soft and feminine fell over the blotched old papers--the treasured
silk brocade in which Evelyn Byrd was presented at the Court of George
I. Like a shadowy passing of that famous colonial belle, was the sweep
of the faint-flowered gown. A fabric of the patch-and-powder days is
this, with embroidered flowers in old blues and pinks clustered on its
deep cream ground. Its fashioning is quaint: the Watteau pleat in the
back with tiny tucks each side at the slim waist line, the square low
neck, the close elbow sleeves, the open front to display the quilted
petticoat.
Mingled feelings rise at sight of the soft brocade whose bodice once
throbbed with the happy heartbeats of this Virginia maiden, making
pretty curtsy in rosy pleasure, the admiration of the English Court.
Perhaps in this very gown she danced the stately minuet with young
Charles Mordaunt; perhaps hid beneath its fluttering laces his first
love sonnet. So, in those far colonial days it knew the life of her.
The grace of the young body seems still to linger in the pale,
shimmering folds; and the clinging touch of the old court gown is like
a timid appeal for remembrance.
After that rainy afternoon at the manorhouse, we were storm-bound
aboard Gadabout for a few days. At last the weather cleared and we
again thought of a trip ashore. There was yet a brisk wind; and for
some time our rowboat rocked alongside, industriously bumping the paint
off the houseboat, while we sat on the windlass box enjoying the fresh
breeze in our faces and watching the driftage catch on our anchor
chain. Of course one can sit right down on the bobby bow itself with
feet hanging over, and poke with a stick at the flotsam. But that is
only for moments of lazy leisure, not for a time when one is about to
visit Brandon.
At last, we were ashore and again in the "woods-way." That was the day
we got into trouble, all owing to Nautica's passion for ancient
tombstones. We were half way to Brandon when she concluded that it was
not the manor-house that she wished to visit first, but the old
graveyard. We stopped at the manager's house to inquire the way. The
road led inland. It soon dipped to a bridge over a little stream, where
the banks were masses of honeysuckle whose fragrance followed us up the
slope beyond. On a little farther was a field with a grove in the
centre of it that we knew, from the directions given us, contained the
cemetery.
We entered the field, and had got almost to the grove when Nautica
suddenly stopped, stared, and turned pale. The Commodore's glance
followed hers; whereupon, he uttered brave words calculated to reassure
the timid feminine heart, and in a voice that would have been steady
enough if his knees had kept still. The bull said nothing.
Very soon, and without his moving at all, that bull was far away from
us. We recognized at once that the field was properly his preserve and
that we really had no right there; but we trusted that our intrusion in
coming in would be atoned for by our promptness in getting out.
In the absorbing process of putting space between the bull and the
houseboaters, the restlessness of the Commodore's knees was really an
advantage. They moved so fast that he was able to keep in advance of
Nautica, and so be ready to protect her if another bull should appear
on ahead. When he felt satisfied that he need no longer expose himself
in the van (and, incidentally, that the bull in the rear had been left
out of sight), he slackened his pace. We managed to get down to a walk
in the course of half a mile or so; and at last approached Brandon at a
quite decorous gait.
There, we learned that we had gone to the wrong cemetery anyway--to the
one that had belonged to the old Brandon Church whose communion service
we had seen. The Harrison burying-ground was not far from the home.
So, with members of the household, we went out across the lawn and
around a corner of the garden to the family graveyard. The first
Benjamin Harrison, the emigrant, who died about 1649, is not buried
here. His tomb stands near the great sycamore tree in the churchyard at
James Towne. However, the tombs of his descendants, owners of Brandon,
are (with one exception) in this old plantation burying-ground.
[Illustration: THE ANCIENT GARRISON HOUSE.]
In the walk back to the house, we stopped to see what is probably the
oldest, and in many respects the most interesting, building on the
plantation. It is just an odd stubby brick house with a crumbling
cellar-hut at one end. But family tradition says that it is one of the
old garrison houses, or "defensible houses," built in early times for
protection against the Indians. It certainly looks the part, with its
heavy walls, its iron doors and shutters, and the indications of former
loopholes. Upon those first scattered plantations, a characteristic
feature was such a strong-house or "block-house" surrounded by a
stockade or "palisado" of logs.
While this strong-house at Brandon must have been built after the
terrible Indian massacre of 1622, yet it doubtless served as a place of
refuge in later attacks. Many a time that dread alarm may have spread
over this plantation. We thought of the hurrying to and fro; of the
gathering of weapons, ammunition, bullet-molds, food, and whatever
necessities there may have been time to catch up; and of the
panic-stricken men, women and children fleeing from field and cabin to
the shelter of the stockade and of the strong-house.
Back again in the manor-house, we spent our last hour at Brandon; for
Gadabout was to sail away next day. It was a colonial hour; for Brandon
clocks tick off no other, nor would any other seem natural within those
walls.
Sitting there in the old home, we slipped easily back into the
centuries; back perhaps to the day of the great mahogany sofa that we
sat upon. It all seemed very real. The afternoon sun--some eighteenth
century afternoon sun--came in through deep-casemented windows. It
lighted up the high, panelled room, falling warmly upon antique
furniture about us, upon by-gone worthies on the wall, and (quite as
naturally, it seemed) upon a colonial girl, who now smilingly appeared
in the doorway. Bringing the finishing touch of life to the old-time
setting, she came, a curl of her dark hair across a white shoulder and
her gown a quaintly fashioned silk brocade.
This eighteenth century presentment was in kindly compliance with a
wish that we had expressed on that rainy day when we were looking over
Brandon treasures. It was Brandon's daughter in the court gown of her
colonial aunt, Evelyn Byrd. And we thought in how few American homes
could this charming visitor from the colonies so find the colonial
waiting to receive her.
[Illustration: MISS HARRISON IN THE COURT GOWN OF HER COLONIAL AUNT,
EVELYN BYRD.]
Nowhere in the world, it is said, are there so many new, comfortable
homes built for the passing day as in America; but also in no civilized
country are there so few old homes. More and more, as this fact comes
to be realized, will Americans who care for the permanent and the
storied appreciate such colonial homesteads as Brandon, the ancestral
home of the Harrisons.