XI

On the evening of that same day the customary visitors assembled at the

Zasyékins’; I was among the number.

The conversation turned on Maidánoff’s poem; Zinaída candidly praised

it.--“But do you know what?”--she said:--“If I were a poet, I would

select other subjects. Perhaps this is all nonsense, but strange

thoughts sometimes come into my head, especially when I am wakeful

toward morning, when the sky is beginning to turn pink and grey.--I

would, for example.... You will not laugh at me?”

“No! No!”--we all exclaimed with one voice.

“I would depict,”--she went on, crossing her arms on her breast, and

turning her eyes aside,--“a whole company of young girls, by night, in a

big boat, on a tranquil river. The moon is shining, and they are all in

white and wear garlands of white flowers, and they are singing, you

know, something in the nature of a hymn.”

“I understand, I understand, go on,”--said Maidánoff significantly and

dreamily.

“Suddenly there is a noise--laughter, torches, tambourines on the

shore.... It is a throng of bacchantes running with songs and outcries.

It is your business to draw the picture, Mr. Poet ... only I would like

to have the torches red and very smoky, and that the eyes of the

bacchantes should gleam beneath their wreaths, and that the wreaths

should be dark. Don’t forget also tiger-skins and cups--and gold, a

great deal of gold.”

“But where is the gold to be?” inquired Maidánoff, tossing back his lank

hair and inflating his nostrils.

“Where? On the shoulders, the hands, the feet, everywhere. They say that

in ancient times women wore golden rings on their ankles.--The

bacchantes call the young girls in the boat to come to them. The girls

have ceased to chant their hymn,--they cannot go on with it,--but they

do not stir; the river drifts them to the shore. And now suddenly one of

them rises quietly.... This must be well described: how she rises

quietly in the moonlight, and how startled her companions are.... She

has stepped over the edge of the boat, the bacchantes have surrounded

her, they have dashed off into the night, into the gloom.... Present at

this point smoke in clouds; and everything has become thoroughly

confused. Nothing is to be heard but their whimpering, and her wreath

has been left lying on the shore.”

Zinaída ceased speaking. “Oh, she is in love!”--I thought again.

“Is that all?”--asked Maidánoff.

“That is all,”--she replied.

“That cannot be made the subject of an entire poem,”--he remarked

pompously,--“but I will utilise your idea for some lyrical verses.”

“In the romantic vein?”--asked Malévsky.

“Of course, in the romantic vein--in Byron’s style.”

“But in my opinion, Hugo is better than Byron,”--remarked the young

Count, carelessly:--“he is more interesting.”

“Hugo is a writer of the first class,”--rejoined Maidánoff, “and my

friend Tonkoshéeff, in his Spanish romance, ‘El Trovador’....”

“Ah, that’s the book with the question-marks turned upside

down?”--interrupted Zinaída.

“Yes. That is the accepted custom among the Spaniards. I was about to

say that Tonkoshéeff....”

“Come now! You will begin to wrangle again about classicism and

romanticism,”--Zinaída interrupted him again.--“Let us rather play....”

“At forfeits?”--put in Lúshin.

“No, forfeits is tiresome; but at comparisons.” (This game had been

invented by Zinaída herself; some object was named, and each person

tried to compare it with something or other, and the one who matched the

thing with the best comparison received a prize.) She went to the

window. The sun had just set; long, crimson clouds hung high aloft in

the sky.

“What are those clouds like?”--inquired Zinaída and, without waiting for

our answers, she said:--“I think that they resemble those crimson sails

which were on Cleopatra’s golden ship, when she went to meet Antony. You

were telling me about that not long ago, do you remember, Maidánoff?”

All of us, like Polonius in “Hamlet,” decided that the clouds reminded

us precisely of those sails, and that none of us could find a better

comparison.

“And how old was Antony at that time?”--asked Zinaída.

“He was assuredly still a young man,”--remarked Malévsky.

“Yes, he was young,”--assented Maidánoff confidently.

“Excuse me,”--exclaimed Lúshin,--“he was over forty years of age.”

“Over forty years of age,”--repeated Zinaída, darting a swift glance at

him....

I soon went home.--“She is in love,” my lips whispered involuntarily....

“But with whom?”

First love, and other stories · 第 23 / 89 题