“I wouldn’t let him trip _me_ up that way, you bet,” inspired a friend

on your right, boldly.

“An’ call me a liar an’ everything!” added a friend on your left.

Oh, how solicitous of your honor were they who were not to do the

fighting!

“He _is_ a liar if he says I tripped him on purpose,” stoutly reiterated

Ted, slightly qualifying his former blunt statement.

“You’re another!” you returned. “Anyhow, it _looked_ as if you tripped

me on purpose.”

You, likewise, were hedging a mite.

“There! He called _you_ a liar, too!” admonished the circle to Ted.

“Then he’s another, an’ he da’sn’t back it,” responded Ted, grimly

performing his duty.

This harmless verbal fencing might have been continued up to the very

present, and the ethics of the duello not have been violated, had not

some over-zealous enthusiast pushed Ted and you together, with the

result that, in fending each other off, you, according to the eager

verdict of the highly observant critics, “backed it,” and he hit you,

simultaneously; whereupon, not seeing anything else left to do, at each

other you went like a couple of jumping-jacks, until (fortunately, you

held, for Ted) the approach of the man caused him to be removed from on

top of you.

[Illustration: “YOU ... ARE THE INVENTOR OF A PECULIAR, IRRESISTIBLE

BLOW”]

Flushed, excited, and disheveled, you went your way; and flushed,

excited, and disheveled, Ted went his way. Throughout your route, you

and your babbling escorts, with many a “Gee!” and “Darn!” discoursed

upon what you had done, and what Ted had not done, and what would have

happened had the fight lasted only a minute longer.

Loudly you wrangled with them as to which got the worst of it, quite

blind to the fact, which now you are free to acknowledge, that the one

who got the worst of it was your mother, for she had to mend your

clothes.

She was always getting the worst of it. She was the unlucky

non-combatant.

The duello produced the best of feeling between Ted and you. Fights were

for mutual benefit. Swelling dignity and biceps so demanded expression

that they could not forever be gratified by merely playfully poking

chums in the ribs.

Therefore it is plain why, when a friend mischievously reported to you,

“Say, Speck says he can lick you,” it was all that was required. Like to

a strutting cockerel who hears a distant crow, you bristled in answer.

“He can’t, either. I can lick him with one hand tied behind my back.”

Fast flew the news to Speck, and Speck promptly resented the slur, as he

should. The boys of the neighborhood were pleased.

Now you, and likewise Speck, are the objects of much flattering

attention. You let your following feel your muscle, and they let you

feel theirs, and you are firmly convinced that yours is the hardest.

Also, you are convinced that you have a great knack at fisticuffs, and

are the inventor of a peculiar, irresistible blow which you deliver, the

knuckle of the middle finger carefully protruded, under your warding

left arm. More or less secretly you have demonstrated it while “fooling”

with your companions.

You can chin yourself six times, and you are, in valor and strength, a

boy wonder.

Your companions favor you with adulation to a degree compatible with

their own self-respect; for most of them, too, are boy wonders.

Well as Speck and you are satisfied with bravado and careful avoidance

of each other, it is inevitable that you meet.

“There’s Speck—see? Come on; _you_ ain’t afraid of _him_!”

You have committed yourself too far for graceful retreat, and in the

midst of your crowd you advance boldly to join Speck and his crowd.

The rival clans come together and mingle, but Speck and you pretend not

to see each other.

“John says he can lick you, Speck!”

Yes, you have said so, but it was under provocation of, presumably, a

direct challenge from him. However, the duello does not thrive on

explanations, and Speck and you are in the hands of your friends.

The all-engaging topic has been broached. Speck apparently does not

hear. Maybe the matter will be dropped. But no.

“He says he can lick you with one hand—aw, Speck!”

“He can’t, though,” defends Speck.

“Speck says he can’t, either,” obligingly announces his backers.

“Well, he can, I bet you.”

“Bet you he can’t.”

“He’ll show him whether he can or not.”

“Huh! I’d just like to see him once!”

You find yourself hustled forward and set against Speck, who in like

manner has been pressed to the front. Your hands hang limply by your

side; so do Speck’s. You feel very tame and pale and artificial; not a

whit mad; not a whit like fighting. The pugnacity is your seconds’.

[Illustration: “‘KNOCK THAT OFF, IF YOU DARE’”]

Somebody laboriously balances a small block on Speck’s shoulder.

“Knock that off, if you dare,” bids a Speck chorus.

“I will if I want to,” you assert.

“Well, do it, then!” invites Speck.

“I will if I want to.”

“Well, do it, then!”

“I will if I want to.”

You strive to work up steam by biting your lips, and raising your voice,

and spitting ferociously into the dust; you are assisted by the

irritating shoves bestowed upon you from behind.

“Well, do it, then!”

“I will if I want to.”

Impatient fingers supply you also with a gage of defiance, an

impertinent sliver laid athwart your collarbone.

“Now let’s see Speck knock _that_ off!”

Speck disdainfully lifts his hand and brushes the offending chip to the

ground.

“Hit him, John!”

“Don’t you stand that!”

“There!” you say, tapping him gently on the breast.

“There!” he answers, tapping you a little harder.

“There!” you return, tapping him harder still.

“There!” he retaliates, tapping you yet harder.

Then with a final “There!” that breaks through all restraint, and amid

shrill, rapturous cheers, two pairs of arms begin to whirl with wild

rapidity, the sole thought of their owners being a blind offense

according to hit-who-hit-can rules.

The engagement did not last long. A horrified and meddlesome old lady

interfered, and after informing you both many times that “little boys

shouldn’t fight,” your temperature down again to normal, she sent you

off with your disappointed encouragers, while she conscientiously

watched you out of sight.

Up to date the question whether you can lick Speck or Speck can lick you

is no further settled. Henceforth the spirit of amity prevailed between

you. Mettle had been proved, the fight had been fought, and now somebody

else must furnish entertainment.

Although victory, actual or prospective, of course never was doubtful

(either you were winning, or the other fellow was winning, according as

to which did the telling), at some times it appeared to a spectator more

decisive than at others.

You were feeling very spunky that noon when amid your preserves you

descried a stranger boy; but civilly you challenged him. One may witness

two bluff but wary fox-terriers thus approach each other, accost, and

investigate.

“Hello!” you wagged; that is, said.

“Hello, yourself!” wagged he.

[Illustration: “TWO PAIRS OF ARMS BEGIN TO WHIRL”]

“Say—what’s your name?” you inquired, as you had every right to do.

“Puddin’ tame; ask me again, an’ I’ll tell you the same,” he replied

insolently.

At the unmerited rebuff you stiffened.

“Better not give _me_ any of your sass!” you growled.

“Pooh! What’ll _you_ do!” he growled back.

“I’ll show you what I’ll do.”

“You couldn’t hurt a flea.”

“I couldn’t, couldn’t I?”

“Naw, you couldn’t, ‘couldn’t I.’”

Walking circles around each other, after this fashion you and he sowed

crimination and recrimination, while larger and larger waxed an audience

hopeful of seeing them spring up as blows.

Only when the flurry came did you discover too late how much taller and

stronger and older than you he was. Your bleeding nose showed this to

you; and cowed and weeping, you retreated in bad order.

“I’ll tell my big brother, an’ _he_’ll fix you!” you howled

threateningly.

“Aw, he ain’t got any big brother,” jeered the heartless crowd, who saw

no pathos in your abused organ.

That was true; you had none.

“I’ll tell my father, then,” you wailed angrily—another empty boast; and

still sniffling and, fearsomely gory, with the handkerchiefs of yourself

and your one faithful companion quite exhausted, you reached the haven

of a friendly pump.

Yet you had not been whipped—not exactly.

“Got licked, didn’t you?” unkindly commented various friends and

enemies.

“I didn’t, either!” you asserted, indignant. “I had to quit ’cause my

nose was bleedin’. It takes more’n him to lick me.”

“He gave you a bloody nose just the samee.”

You would not admit so much as that.

“He didn’t, either; he never touched my nose. It bleeds awful easy. It

bleeds sometimes when you just _look_ at it—don’t it, Hen?”

[Illustration]

------------------------------------------------------------------------

THE CIRCUS

------------------------------------------------------------------------

THE CIRCUS

TIME: When “You” were a Boy

PLACE: Up-stairs in Hen’s Barn

DRAMATIS PERSONÆ

HEN SCHMIDT, Proprietor and Ringmaster

YOU, Proprietor and Contortionist

BILLY LUNT, Trapeze and Tumbling

TOM KEMP, Trapeze and Juggling

NIXIE KEMP, Trapeze and Tight Rope

FAT DAY, Clown

SNOOPIE MITCHELL, Everything

ADMISSION—Ten Pins to All, including Grand Menagerie

------------------------------------------------------------------------

THE CIRCUS

CIRCUS was in the air. Circus had been in the air for some time, exhaled

broadcast by village billboards and fences, and the fronts and exposed

sides of numerous buildings. Breathing this atmosphere, small wonder is

it that you and your compatriots were circus-crazy, and cared not who

knew it.

The circus came. From half-past four, in the pink of the dawn, until

nightfall, it was given your unremitting aid and presence—the two in

one. Your fellows were equally assiduous. Nothing that might be done

outside the tent was left undone; nothing that might be inspected was

overlooked. As for the inside, some of your friends penetrated, like

yourself, with the escort of father, mother, uncle, brother, or

neighbor; some, like Snoopie Mitchell, “snuk under”; but all were there.

The circus went. Behind it remained, as evidences of its visit, the

still contagious bills; one more welt in the shape of a ring, added to

the other similar but older welts upon the face of that historic pasture

patch; and a burning ambition in the breast of every youth.

[Illustration]

Now witness each back yard a training-school for tumblers,

trapeze-experts, weight-slingers, jugglers, bareback-riders, and

tight-rope walkers. Right among the foremost were _you_.

“Hen and me are goin’ to have a circus,” you vouchsafed importantly at

the family board.

“Hen and who?” queried father, quizzically.

“Hen and _me_.” Why fuss with grammar, when greater things were

impending? It is not what one says, but what one does, that counts: at

least, according to your copy-book at school, in which you had

laboriously written, “Deeds, not Words,” twenty times.

“We’re goin’ to give it in Hen’s barn, and you and mama’ve got to come.”

“I don’t know that I can get away, having just been to one,” stated

father, gravely. “I didn’t expect another so soon.”

“_I_’ll come,” comforted mother. “When is it?”

“We dunno yet; but everybody that gets in has got to bring ten pins—and

bent ones don’t count, either. Hen’s mother’s comin’.”

“Do you think we can spare ten pins?” inquired mother of father.

The idea seemed preposterous to you, with a whole cushion bristling on

the bedroom bureau; but nevertheless you awaited, with considerable

anxiety, father’s reply.

“I guess so,” answered father. “But members of the performers’ families

ought to go in free. How’s that, John?”

You shook your head decidedly. Such a suggestion must be nipped in the

bud.

“_Naw_, sir! Everybody has to pay!”

* * * * *

There was no dearth of performers; they were as plenty as ball-players,

and you had an embarrassing number of volunteers, who offered themselves

as soon as the news of your circus spread through the neighborhood.

Snoopie Mitchell was among the earliest.

“Say, I’ll be in your circus,” he proposed. “I can skin the cat twice,

an’ do the giant’s swing, an’ turn flip-flops both ways, an’—”

[Illustration]

“Pooh! That’s nothin’. So can I,” scoffed Hen.

“You can’t, neither!” contradicted Snoopie. “Le’ ’s see you, now.”

Hen obligingly cut a caper.

“Aw, gee!” sneered the redoubtable Snoopie, in high scorn. “That ain’t

no hand-spring! That’s a cart-wheel! Anybody can turn a cart-wheel! Aw,

gee! Lookee here! Here’s the way _you_ did.” He demonstrated.

“Lookee!”—and again he demonstrated.—“_That’s_ a reg’lar hand-spring.”

“Well—I can do it, only my back’s lame,” faltered the abashed Hen. “And

I can skin the cat, too. Can’t I, John?”

You nodded.

“But I’ve skun it twice, an’ John’s seen me, haven’t you, John?”

trumpeted Snoopie.

You nodded confirmation to this, also.

“Yep,” you said; “he did, Hen; truly he did.”

“Without changin’ hands?” insisted Hen.

“Of course,” asserted Snoopie.

Snoopie was accepted.

Tom Kemp and Nixie Kemp were organizing a circus of their own, but

consented to be in yours if you’d be in theirs.

Over Billy Lunt occurred almost a fight, because a rival company set up

the claim that he had promised them; but by bribe of a jews’-harp he was

won to your side. Fat Day was asked chiefly on account of his pair of

white rats, which would prove a valuable addition to the prospective

menagerie.

[Illustration]

“If you’ll lemme be clown, I’ll bring ’em,” consented Fat.

“But John he’s clown,” explained Hen.

This was true. Before advertising for talent, Hen had preempted

ringmaster, and you, clown, as the choice positions, which was only the

part of ordinary discretion.

“I tell you, Fat: you can be fat boy, and wiggle your ears and make

folks laugh,” suggested Hen, eagerly.

“Uh-uh! If I can’t be clown, I won’t be nothin’,” declared Fat. “An’ you

can’t have my white rats, either.”

Hen looked at you dubiously.

“All right. I don’t care. Let him,” you assented moodily, kicking up the

dirt with your toe.

“You can be one clown, Fat, and John’ll be the other,” proffered Hen,

with fine diplomacy. “And you and he can make b’lieve fight, and things.

We ought to have two clowns, you know.”

But the glowing picture of the two clowns did not appeal to Fat’s

imagination.

“Naw,” he whined. “If anybody else is goin’ to be clown, _I_ don’t want

to.”

Accordingly Fat was awarded the clownship, and you said you’d just as

lief be contortionist, which he _couldn’t_ be.

Clowns were really a drug on the market. Not a boy but aspired to the

chair, and it required no little tact to steer them into other lines.

The organization, as finally effected, was as follows:

Hen, ringmaster.

You, contortionist.

Billy, who could hang by his toes and do other things on the trapeze,

and who, as a tumbler, could stand on his head (sometimes) without

touching his hands.

Tom, who could do things on the trapeze, and who was a juggler learning

to keep three balls going in the air.

Nixie, who also could do things on the trapeze, and who was an aspiring

(and at times almost an _ex_piring) clothes-line walker.

Fat, who could wiggle his ears.

Snoopie, indefatigable, marvelous, a genius of one suspender, whom a

special providence seemed to have endowed.

[Illustration]

Menagerie (in prospect): Don, your dog; Snap, the Kemps’ dog; Lunt’s

cat; Fat’s white rats; Hen’s “bantie” rooster.

A rehearsal was not only unnecessary, but impracticable as well; that

is, a rehearsal in company. However, individual practice went on daily,

and not a member of the troupe but emulated the most daring feats

produced under Barnum’s tent, as could be testified to by the most

casual observer, and by that emergency Band of Mercy, the Sisterhood of

Mothers, adepts with court-plaster and needle.

“Oh, John!” sighed your own mother. “How _do_ you manage to tear your

pants so! This is the third time, and in the very same place! Can’t you

be careful?”

[Illustration]

“I’m practisin’ splits,” you offered.

“‘Splits’?” repeated mother, densely ignorant.

“Yes. You straddle, and you keep on straddlin’, and see how near you can

come to sittin’; and you’ve got to get up again without usin’ your

hands. There was a man and woman and little girl and boy no bigger ’n me

in the circus that could go clear down till they touched. I can ’most do

it.”

“John!” exclaimed mother, in horror. Then she noted something else. “And

your waist, too!”

You condescended to explain farther.

“Yes; I tumbled off the trapeze when I was swingin’. Look here!” Pulling

up your sleeve you proudly exhibited an elbow. It was an elbow that

earned you distinction among your comrades, although Nixie had a knee

which he boasted was “skinned” much worse.

The date of the circus was set for Wednesday afternoon, and that morning

a show-bill, tacked upon the Schmidt front gate-post, announced it to

all the world.

All the little girls of the neighborhood were by turns flippant and

wheedling, and boys, your rivals, were positively libelous in their

derision.

Schmidt’s barn-loft had long been empty of hay and tenanted chiefly by

spiders and rats and mice. It was a splendid place for the circus, a

commodious tent being lacking.

Throughout the morning you and Hen, assisted by your associate

performers, labored like fury, a profound secrecy enveloping your

operations. No one except Billy’s small brother (he having sacredly been

sworn “not to tell,” an investiture of confidence that gave him a

decided strut) was admitted to gaze upon the advance proceedings; but

the noise of hammering and other preparations was carried afar, together

with a cloud of dust out of the open loft door.

“Where was your parade?” asked father at noon, when, hot and excited and

somewhat grimy, you feverishly attacked your well-heaped plate.

“Didn’t have any,” you mumbled. “Fat wouldn’t let us take his rats out

on the street, ’cause he said they’d get away; and, besides, we didn’t

have wagons enough for all the cages.”

But to the timid inquiries of the little girls during the morning you

had replied boldly:

“There ain’t goin’ to be any parade. Of course there ain’t! Do you

s’pose we’re goin’ to let everybody see what we got?”

At half-past one o’clock the public was invited to ascend. The

ticket-taker was Billy’s small brother aforesaid, and never was

receiving-teller of a national bank more vigilant or particular.

“You didn’t gimme only nine!” he would accuse shrilly. “You didn’t,

either! You didn’t, either! You’ve got to gimme another pin or you

sha’n’t come in!”

“I gave you ten! I did! I did! Didn’t I, Susie? You dropped one.”

Peace would be restored by the number being made up through the

prodigality of a friend, and the ruffled damsel would pass in.

[Illustration]

Your mother and Hen’s mother, and your hired girl, and the Schmidt hired

girl arrived together, their appearance causing a flurry and

contributing to the circus the importance due it. Mrs. Schmidt panted

heavily after the toilsome climb,—she was a large, short-winded

woman,—and, choosing a seat near the door, fanned herself vigorously.

A few boys, after poking their heads above the floor and grinningly

surveying the scene, ended by trooping in with apologetic and bantering

mien. But in the main the spectators were feminine.

The amphitheater, constructed of boards laid across boxes, in two lines,

slowly filled. As the etiquette of the profession required that

circus-performers not be seen until the time for their act, you and Hen

and the other stars remained in close seclusion, huddled in the

dressing-room—the far corner, veiled by a calico curtain (from the

Schmidt clothes-press) tacked to convenient rafters. Meanwhile the

public might enjoy the collection arrayed at one side of the loft, where

was conspicuously exposed the sign, in white chalk: “Managerie.”

In a soap-box with slats across the front wrathfully crouched Lunt’s

gaunt gray Thomas-cat, who had been rudely awakened from a matutinal

slumber in the Lunt cellar and ignominiously confined. At regular

intervals he uttered an appealing, protesting “Yow!” while he glared

through his bars.

Next to him was Hen’s red “bantie,” also in a soap-box, but more

composed.

Then came Don, for whom no cage procurable was ample enough; so he was

tied to a nail, which afforded him liberty to fawn impartially upon old

and young, and occasionally to make frantic endeavors to reach you in

the dressing-room.

Next to him was Snap, the Kemps’ black-and-tan, miserable in close

quarters; and at the end of the row, quaking in abject terror over the

proximity of so many enemies, were Fat’s precious white rats.

“Is _that_ all the m’nag’rie you kids got? Aw, gee!” sneered the

invidious boys among the spectators.

“It’s more’n _you_ got, anyhow!” you and Hen retorted from your covert.

“Don’t you touch those rats!” commanded Fat, with a jealous eye out for

meddling fingers. “They’re my rats.”

It was very hard restraining the members of the troupe in their quarters

until time was ripe. Fat, his face streaked in red and white

water-colors, and wearing a costume devised by his mother from

large-figured calico, was wild to exhibit himself; and Snoopie, bursting

with prowess, demanded careful watching or he would anticipate the

program.

“Stay in here, darn you! You’ve all got to wait till the ringmaster says

to come.”

[Illustration]

“Let go of me, will you!”

“You sha’n’t go out! ’Tain’t your circus!”

“Who’s goin’ out!”

Signs of revolt manifested themselves.

“Why don’t you begin?”

“Gee, I’m hot!”

“If you don’t begin pretty soon I’m goin’ home, and I’ll take my rats,

too!”

So, urged from behind, Ringmaster Hen stalked forth and announced:

“We’re ready to begin now.”

He swaggered and magnificently cracked his whip—a treasure consisting of

a double length of leather lash, cut by the shoemaker from a square of

oak calf, with a twine snapper and a skilfully whittled stock.

Fat Day, needing no second summons, immediately bolted out. He gamboled

and pranced and grimaced and “wiggled” his ears, to the applause of the

amphitheater and the tremendous excitement of the menagerie.

“Lem_me_! It’s my turn!” besought Snoopie.

“No, lem_me_!” implored Nixie.

“You said _I_ could go first, didn’t you, John?” reminded Billy.

Privately, you thought that the honor should be yours; but you waived

your rights as proprietor and decreed:

“Yes, let Billy go first, ’cause I promised.”

Out went Billy and distinguished himself by all the feats in his

repertoire, after each one saluting with the expansive gesture of the

real professional. Having exhausted the trapeze, and having poised for a

breathless instant on his head, he finished by vaulting over three

saw-horses, in lieu of elephants, and plunging into the dressing-room.

“Now _I_’m goin’,” asserted Snoopie.

“Naw; it’s my turn!” opposed Tom and Nixie together.

But Snoopie shoved between them and past you, and was in the ring.

Snoopie Mitchell—ragged, wandering, independent, but at times despised

Snoopie—was as one inspired. Never before had he such a circle of

witnesses, and the wine went to his brain.

He flip-flopped frontward clear across the loft from the dressing-room

corner into Mrs. Schmidt’s lap, and flip-flopped backward to the

dressing-room again; and bowed. He walked about on his hands; and bowed.

He stood on his head (“That ain’t fair!” called Billy. “I did that!”)

longer than Billy did, and while in that position spit, besides; and

bowed. He did the “splits” farther than you could, and kissed his hand,

while the spectators murmured various acknowledgments of his posture.

He rubbed his palms and lightly sprang to the trapeze dangling from the

beam.

_He_ skinned the cat, but he skinned it twice, and half into the third,

and impishly hung poised, while his shoulder-joints cracked and the

Schmidt hired girl moaned:

“Howly saints!”

_He_ hung by his toes and threw wide his arms; but, suddenly letting go,

with preconceived adroitness fell on his back, amidst muffled shrieks.

_He_ chinned himself, but he did it ten times.

“Come in! That’s enough!” you ordered.

When You Were a Boy · 第 3 / 10 段