VI.

At ten o'clock the large sala of the Governor's house was thronged

with guests, and the music of the flute, harp, and guitar floated

through the open windows: the musicians sat on the corridor. How

harmonious was the Monterey ball-room of that day!--the women in their

white gowns of every rich material, the men in white trousers, black

silk jackets, and low morocco shoes; no color except in the jewels

and the rich Southern faces. The bare ugly sala, from which the uglier

furniture had been removed, needed no ornaments with that moving

beauty; and even the coffee-colored, high-stomached old people were

picturesque. I wander through those deserted salas sometimes, and,

as the tears blister my eyes, imagination and memory people the cold

rooms, and I forget that the dashing caballeros and lovely doñas who

once called Monterey their own and made it a living picture-book are

dust beneath the wild oats and thistles of the deserted cemetery on

the hill. The Americans hardly know that such a people once existed.

Chonita entered the sala at eleven o'clock, looking like a snow queen.

Her gold hair, which always glittered like metal, was arranged to

simulate a crown; she wore a gown of Spanish lace, and no jewels but

the string of black pearls. I never had seen her look so cold and so

regal.

Estenega stepped out upon the corridor. "Play El Son," he said,

peremptorily. Then as the vivacious music began he walked over to

Chonita and clapped his hands in front of her as authoritatively as

he had bidden the musicians. What he did was of frequent occurrence

in the Californian ball-room, but she looked haughtily rebellious. He

continued to strike his hands together, and looked down upon her

with an amused smile which brought the angry color to her face. Her

hesitation aroused the eagerness of the other men, and they cried

loudly--

"El Son! El Son! señorita."

She could no longer refuse, and, passing Estenega with head erect,

she bent it slightly to the caballeros and passed to the middle of the

room, the other guests retreating to the wall. She stood for a moment,

swaying her body slightly; then, raising her gown high enough for

the lace to sweep the instep of her small arched feet, she tapped

the floor in exact time to the music for a few moments, then glided

dreamily along the sala, her willowy body falling in lovely lines,

unfolding every detail of El Son, unheeding the low ripple of

approval. Then, dropping her gown, she spun the length of the room

like a white cloud caught in a cyclone; her garments whirred,

her heels clicked, her motion grew faster and swifter, until the

spectators panted for breath. Then, unmindful of the lively melody,

she drifted slowly down, swaying languidly, her long round arms now

lolling in the lace of her gown, now lifted to graceful sweep and

curve. The caballeros shouted their appreciation, flinging gold and

silver at her feet; never had El Son been given with such variations

before. Never did I see greater enthusiasm until the night which

culminated the tragedy of Ysabel Herrera. Estenega stood enraptured,

watching every motion of her body, every expression of her face.

The blood blazed in her cheeks, her eyes were like green stars and

sparkled wickedly. The cold curves of her statuesque mouth were warm

and soft, her chin was saucily uplifted, her heavy waving hair fell

over her shoulders to her knees, a glittering veil. Where had The

Doomswoman, the proud daughter of the Iturbi y Moncadas, gone?

The girls were a little frightened: this was not the Son to which they

were accustomed. The young matrons frowned. The old people exclaimed,

"Caramba!" "Mother of God!" "Holy Mary!" I was aghast; well as I knew

her, this was a piece of audacity for which I was unprepared.

As the dance went on and she grew more and more like an untamed

wood-nymph, even the caballeros became vaguely uneasy, hotly as they

admired the beautiful wild thing enchaining their gaze. I looked again

at Estenega and knew that his heart beat in passionate sympathy.

"I have found _her_," he murmured, exultantly. "She is California,

magnificent, audacious, incomprehensible, a creature of storms and

convulsions and impregnable calm; the germs of all good and all bad in

her; a woman sublimated. Every husk of tradition has fallen from her."

Once, as she passed Estenega, her eyes met his. They lit with a glance

of recognition, then the lids drooped and she floated on. He left the

room; and when he returned she sat on a window-seat, surrounded by

caballeros, as calm and as pale as when he had commanded her to dance.

He did not approach her, but, joined me at the upper end of the sala,

where I stood with Alvarado, the Castros, Don Thomas Larkin, the

United States Consul, and a half-dozen others. We were discussing

Chonita's interpretation of El Son.

"That was a strange outbreak for a Spanish girl," said Señor Larkin.

"She is Chonita Iturbi y Moncada," said Castro, severely. "She is like

no other woman, and what she does is right."

The consul bowed. "True, coronel. I have seen no one here like Doña

Chonita. There is a delicious uniformity about the Californian women:

so reserved, shrinking yet dignified, ever on their guard. Doña

Chonita changed so swiftly from the typical woman of her race to an

houri, almost a bacchante,--only an extraordinary refinement of nature

kept her this side of the line,--that an American would be tempted to

call her eccentric."

Alvarado lifted his hand and pointed through the window to the stars.

"The golden coals in the blue fire of heaven are not higher above

censure," he said.

Doña Modeste raised her eyebrows. "Coals are safest when burned on

the domestic hearth and carefully watched; safer still when they have

fallen to ashes."

"What is this rumor of pirates on the coast?" demanded Alvarado,

abruptly.

I put my hand through Estenega's arm and drew him aside. The music of

the contradanza was playing, and we stood against the wall.

"Well, you know Chonita better since that dance," I said to him.

"Polar stars are not unlikely to have volcanoes. Better let the deeps

alone, my friend; the lava might scorch you badly. Women of complex

natures are interesting studies, but dangerous to love. They wear the

nerves to a point, and the tired brain and heart turn gratefully to

the crystalline, idle-minded woman. She is too much like yourself,

Diego. And you,--how long could you love anybody? Love with you means

curiosity."

His face looked like chalk for a moment, an indication with him of

suppressed and violent emotion. Then he turned his head and regarded

me with a slight smile. "Not altogether. You forget that the most

faithless men have been the most faithful when they have found the

one woman. Curiosity and fickleness are merely parts of a restless

seeking,--nothing more."

"I was sure you would acquit yourself with credit! But you have an

unholy charm, and you never hesitate to exert it."

He laughed outright. "One would think I was a rattlesnake. My unholy

charm consists of a reasonable amount of address born of a great

weakness for women and some personal magnetism,--the latter the

offspring of the habit of mental concentration--"

"And an inexorable will--"

"Perhaps. As to the exercise of it--why not? _Vive la bagatelle!_"

"It is useless to argue with you. Are you going to let that girl

alone?"

"She is the only girl in the Californias whom I shall not let alone."

I could have shaken him. "To what end? And her brother? I have

often wondered which would rule you in a crisis, your head or your

passions."

"It would depend upon the crisis. I am afraid you are right,--that

altiloquent Reinaldo will give trouble."

"Is it true that he has been conspiring with Carillo, and that an

extraordinary and secret session of the Departmental Junta has been

called?"

He looked down upon me with his grimmest smile. "You curious little

woman! You must not put your white fingers into the Departmental pie.

If you had been a man, with as good a brain as you have for a woman,

you would have been an ornament to our politics. But as it is--pardon

me--the better for our balancing country the less you have to do with

it."

I could feel my eyes snap. "You respect no woman's mind," I said,

savagely; "nothing but the woman in her. But I will not quarrel with

you. Tell that baby over there to come and waltz with me."

At dawn, as we entered our room, I seized Chonita by the shoulders and

shook her. "What did you mean by such a performance?" I demanded. "It

was unprecedented!"

She threw back her head and laughed. "I could not help it," she said.

"First I felt an irresistible desire to show Monterey that I dared

do anything I chose. And then I have a wild something in me which has

often threatened to break loose before; and to-night it did. It was

that man. He made me."

"_Ay, Dios!"_ I thought, "it has begun already."

The Doomswoman: An Historical Romance of Old California · 第 13 / 45 题