I.

It was at Governor Alvarado's house in Monterey that Chonita first

knew of Diego Estenega. I had told him much of her, but had never

cared to mention the name of Estenega in the presence of an Iturbi y

Moncada.

Chonita came to Monterey to stand godmother to the child of Alvarado

and of her friend Doña Martina, his wife. She arrived the morning

before the christening, and no one thought to tell her that Estenega

was to be godfather. The house was full of girls, relatives of

the young mother, gathered for the ceremony and subsequent week of

festivities. Benicia, my little one, was at the rancho with Ysabel

Herrera, and I was staying with the Alvarados. So many were the guests

that Chonita and I slept together. We had not seen each other for a

year, and had so much to say that we did not sleep at all. She was

ten years younger than I, but we were as close friends as she with her

alternate frankness and reserve would permit. But I had spent several

months of each year since childhood at her home in Santa Barbara,

and I knew her better than she knew herself; when, later, I read her

journal, I found little in it to surprise me, but much to fill and

cover with shapely form the skeleton of the story which passed in

greater part before my eyes.

We were discussing the frivolous mysteries of dress, if I remember

aright, when she laid her hand on my mouth suddenly.

"Hush!" she said.

A caballero serenaded his lady at midnight in Monterey.

The tinkle of a guitar, the jingling of spurs, fell among the strong

tones of a man's voice.

Chonita had been serenaded until she had fled to the mountains for

sleep, but she crept to the foot of the bed and knelt there, her

hand at her throat. A door opened, and, one by one, out of the black

beyond, five white-robed forms flitted into the room. They looked like

puffs of smoke from a burning moon. The heavy wooden shutters were

open, and the room was filled with cold light.

The girls waltzed on the bare floor, grouped themselves in

mock-dramatic postures, then, overcome by the strange magnetism of the

singer, fell into motionless attitudes, listening intently. How well

I remember that picture, although I have almost forgotten the names of

the girls!

In the middle of the room two slender figures embraced each other,

their black hair falling loosely over their white gowns. On the

window-step knelt a tall girl, her head pensively supported by her

hand, a black shawl draped gracefully about her; at her feet sat

a girl with head bowed to her knees. Between the two groups was a

solitary figure, kneeling with hand pressed to the wall and face

uplifted.

When the voice ceased I struck a match, and five pairs of little hands

applauded enthusiastically. He sang them another song, then galloped

away.

"It is Don Diego Estenega," said one of the girls. "He rarely sings,

but I have heard him before."

"An Estenega!" exclaimed Chonita.

"Yes; of the North, thou knowest. His Excellency thinks there is

no man in the Californias like him,--so bold and so smart. Thou

rememberest the books that were burned by the priests when the

governor was a boy, because he had dared to read them, no? Well, when

Diego Estenega heard of that, he made his father send to Boston and

Mexico for those books and many more, and took them up to his redwood

forests in the north, far away from the priests. And they say he had

read other books before, although such a lad; his father had brought

them from Spain, and never cared much for the priests. And he has been

to Mexico and America and Europe! God of my soul! it is said that he

knows more than his Excellency himself,--that his mind works faster.

Ay! but there was a time when he was wild,--when the mescal burnt

his throat like hornets and the aguardiente was like scorpions in

his brain; but that was long ago, before he was twenty; now he is

thirty-four. He amuses himself sometimes with the girls,--_valgame

Dios!_ he has made hot tears flow,--but I suppose we do not know

enough for him, for he marries none. Ay! but he has a charm."

"Like what does he look? A beautiful caballero, I suppose, with eyes

that melt and a mouth that trembles like a woman in the palsy."

"Ay, no, my Chonita; thou art wrong. He is not beautiful at all. He is

rather haggard, and wears no mustache, and he has the profile of the

great man, fine and aquiline and severe, excepting when he smiles, and

then sometimes he looks kind and sometimes he looks like a devil. He

has not the beauty of color; his hair is brown, I think, and his eyes

are gray, and set far back; but how they flash! I think they could

burn if they looked too long. He is tall and straight and very strong,

not so indolent as most of our men. They call him The American because

he moves so quickly and gets so cross when people do not think fast

enough. _He_ thinks like lightning strikes. Ay! they all say that he

will be governor in his time; that he would have been long ago, but he

has been away so much. It must be that he has seen and admired thee,

my Chonita, and discovered thy grating. Thou art happy that thou too

hast read the books. Thou and he will be great friends, I know!"

"Yes!" exclaimed Chonita, scornfully. "It is likely. Thou hast

forgotten--perhaps--the enmity between the Capulets and the Montagues

was a sallow flame to the bitter hatred, born of jealousy in love,

politics, and social precedence, which exists between the Estenegas

and the Iturbi y Moncadas?"

The Doomswoman: An Historical Romance of Old California · 第 8 / 45 题