Scene I.

Produced by Delphine Lettau, Stephen Hutcheson, and the

Online Distributed Proofreading Team at http://www.pgdp.net

LITTLE WIDE-AWAKE

_A Story Book for Little Children_

BY

MRS. SALE BARKER

[Illustration: Little reader]

_WITH FOUR HUNDRED ILLUSTRATIONS_

LONDON AND NEW YORK

GEORGE ROUTLEDGE AND SONS

1877

[Illustration: Child with snowball]

SOME OF MY LITTLE FRIENDS:

ROSIE.

[Illustration: Decorative T]

Rosie is the name of the little girl whose picture you see on the first

page, with a snowball in her hands. Of course her name is Rosa really,

but somehow we always call her Rosie. Has she not a bright, pretty,

laughing little face, with her blue eyes, and fair hair? She is a fine

strong little maiden into the bargain; a trifle wilful, perhaps, and a

good deal of a romp.

Last Christmas I was staying at Cranley Grange--Rosie's home in the

country,--when one morning at breakfast her mamma said to me--"Charlie

is coming home to-day; I can't go to meet him, my cough is so bad. I

wonder if you would mind driving down to the station, and taking Rosie

and Frank?"

Charlie, who was the eldest son, and a great favourite of mine, was

coming home for his Christmas holidays. He was about fourteen years old,

while Rosie was only ten, and Frank two years younger.

I said I should be delighted to go, thinking what a pleasant drive it

would be with those merry laughing children. Little did I anticipate the

trial to my nerves, and the succession of frights, that were in store

for me.

We were soon seated in the open wagonette, and off we started. Though I

should not say _seated_, for the children scarcely sat down at all: they

kept jumping up, changing places, pushing each other, and playing all

sorts of pranks. I was in an agony of fear lest they should tumble out;

and during the whole drive, I sat with my arms extended, clutching hold,

sometimes of one, sometimes of the other, to save them. This was fright

number one.

At last we arrived at the station;--the children still in uproarious

spirits, though with cherry noses, as well as rosy cheeks, from the

cold. I must tell you that there was snow upon the ground; and as,

unluckily, we had ten minutes to wait for the train, they began to amuse

themselves by snowballing each other. Frank set the example, and they

found it such fun that I scolded, and begged them to be quiet, in vain.

At last I observed Rosie standing quite at the end of the platform,

where the snow was thicker, and she had collected a large snowball,

which she held up in her hands. As I looked at her, and thought what a

pretty picture she made, I noticed, in the landscape behind her, a

little puff of white smoke. It was the approaching train, at a distance

of not more than half a mile. I thought her position, at the extremity

of the platform, and just at the edge too, terribly dangerous. And this

may be called--fright number two.

I had just opened my lips to call out to her that the train was coming,

when a whole handful of snow came dab into my face, filling my mouth and

eyes. It was that little rogue Frank, who had crept close up to me, and

playfully bestowed upon my face the snow he had been collecting.

Recovering from the shock, I looked out again for Rosie. She was no

longer in the same place; but, quite beyond the platform, and close upon

the rails, I saw her kneeling down in the snow. I screamed with all my

might, and a railway porter ran to her, whisked her up in his arms, and

brought her safely on to the platform again. This was fright number

three; and never, I think, before or since, have I been so much

frightened as I was for the moment.

Directly afterwards the train stopped, and Charlie jumped out. When he

heard of Rosie's danger, he scolded her as if he had been a little

grandfather, and his words seemed to have much more weight than mine. I

now observed that Rosie had a tiny white rabbit in her arms, and she

told us that this was what she was picking up out of the snow upon the

rails. She thought it was quite excuse enough for herself when she

said:--"Only think, Charlie dear, haven't I saved the life of this

pretty little rabbit?"

On the way home, Charlie sat in front and drove, with the coachman

beside him; but he contrived now and then to turn his head a little, and

keep up his lecture to his brother and sister about their riotous

behaviour all the way. Meanwhile I sat quiet, rather humbled at

observing how much more respect they showed for the scolding they got

from their big brother than for mine. But of one thing I am certain:

nothing would ever induce me to take charge of those two lively young

people on an expedition of the kind again.

THE ROBIN'S SONG.

[Illustration: Decorative T]

The snow's on the ground,

And the cold's in the air;

There is nothing to eat,

And the branches are bare:

Tweet, tweet, tweet!

Open the window,

Kind lady, we pray;

Bestow a few crumbs

Upon us to-day:

Tweet, tweet, tweet!

You've flannel and furs

To keep yourself warm;

You are not obliged

To be out in the storm:

Tweet, tweet, tweet!

[Illustration: Birds at window]

We've only our feathers

For bonnet and dress;

We're cold and we're hungry,

We freely confess:

Tweet, tweet, tweet!

Then feed us while winter

Spreads snow o'er the plain,

And we'll sing you our songs

When it's summer again:

Tweet, tweet, tweet!

_PUZZLE-PAGE._

[Illustration: Puzzle images]

Now here is a puzzle page for you to find out. One object begins with A,

one with B, one with C, one with G, one with O, and one with P.

A STORY OF A WOODEN HORSE.

CHAPTER I.

IN WHICH WE MAKE THE ACQUAINTANCE OF A NICE LITTLE BOY, AND A PRETTY

WOODEN HORSE.

[Illustration: Decorative T]

There stood once, in the good old time--that is to say some fifteen

years ago, which we may call ages for you, my little readers, who have

not yet lost your pretty first teeth;--there stood, then, once, in a

delightful valley, between Long-Pont and Savigny, in France, a charming

country house, surrounded by a wood, which spread along the bank of a

little winding river.

The house of which I speak was called a chateau--that is, a castle--by

the peasants of the neighbourhood. To tell the truth, however, it was

only a moderate-sized house; but it was kept in excellent order,

although a very old building. In spite of its age, therefore, it wore a

smiling aspect, like the faces of those amiable and good grandmammas,

who smile at your pretty ways, my children.

Let us go in: I wish to make you acquainted with a little companion,

whom I hope you will love very much. There he is with his mamma in the

drawing-room, where the window, opening to the ground, shows us a garden

beyond. At this moment he is repeating a fable to his mother. It is one

which teaches that pride is a great fault; that we ought not to assume

airs of superiority towards the unhappy and humble, nor endeavour to

excite envy in their hearts; and that Providence, moreover, takes upon

itself sometimes to punish those who do so. This fable, as you have

already guessed perhaps, is called--"The Oak and the Reed."

[Illustration: THOSE OF MY READERS WHO ARE ACCUSTOMED TO BE DRESSED

UP AS SOLDIERS--TURCOS OR ZOUAVES.]

My little friend's attention from the first has been about equally

divided between the fable he is repeating and a beautiful wooden horse,

which stands fastened by the bridle to a tree in the garden: but before

the fable is finished, it is evident that his thoughts are altogether

taken up by the horse. It is a pity; because, not attending to the

punishment of the oak, he will lose the moral of the fable. But let us

not be more severe on him than his mamma, who does not seem much

distressed about the matter. Besides, who can keep the thoughts from

wandering sometimes, particularly during study?

This little boy's name is Maurice; a nice soft-sounding name, I think;

and he is five and a half years old. I am not going to say, like some

mammas I know,--"This is the most beautiful child in the world, and has

fair curly hair, great blue eyes, and little rosy lips." No! In our

hearts we--that is, his relations and friends--all considered little

Maurice to be Nature's masterpiece, but I won't describe his beauty in

detail; and only say that he had chestnut hair and an intelligent face.

Those of my young readers who are accustomed to be dressed up as

soldiers--Turcos or Zouaves; or, if they are girls, to be clothed in

silk and velvet, would no doubt like to know how my little friend was

dressed. Well then, his mamma did not let him wear such fine clothes as

would interfere with his exercise or his games. Perhaps some of my

elegantly dressed little readers would not care to play with him when

they hear that he wore neither velvet nor fur, nor even a feather in his

cap; but had simply a jacket and trowsers, made of linen in summer, and

of warm cloth in winter. For all that, however, he was a good little

boy, and well brought up.

Directly he had repeated the last verse of the fable--which he did

without thinking at all of its meaning--Maurice bounded off from the

drawing-room into the garden. In a moment he had unfastened the horse,

and placing his foot in the stirrup, had sprung on its back. Then he

called out: "Gee-up, Cressida! gee-up, my friend!"

Cressida, after shaking its head and flowing mane, started off at a

gallop, putting out its legs in the most graceful way imaginable.

Because I have said that Cressida was a wooden horse, you picture it to

yourselves perhaps as resembling other wooden horses that you have

seen,--pretty toy horses, no doubt: but either they have been only

rocking-horses, or they have just moved a little means of some mechanism

which does not produce the real action of a horse. Cressida was like

none of these; but lifted up its legs one after the other with the grace

and elegance of a thoroughbred English horse.

Yes, certainly, for a horse made of wood, it was very wonderful. It had

a curving neck, a long black tail. The muscles were marked, as you see

in well-bred horses; the chest was powerful, the head small, the ears

delicate, the eyes full of fire, and the skin was soft and glossy. Add

to all this that every time you stroked Cressida on the neck it neighed

joyously, and it obeyed the bridle like the most docile Arab horse.

It had many other precious qualities; but were I to tell you all, this

book would not contain the description: I should be obliged to make a

second volume. I will only add, therefore, that this wonderful horse

could remain without food or drink for any length of time that

circumstances might render convenient.

Unfortunately I can give no precise details concerning the birth,

education, or infantine peculiarities of Cressida. It would even be

impossible to learn them now; for the only person who knew anything

about them--the old man who gave the horse to my little friend--is no

longer alive. We know very little even of this old man himself. He was a

native of Nuremberg, an ancient city of Germany, where it is supposed

that clocks were first invented. It seems that in his own country,

Fritz--for that was the only name we knew him by--had been considered an

extraordinary mechanician; and he was driven away from Nuremberg through

the jealousy and enmity of a rich and powerful Burgomaster of the city,

who had a turn for mechanical inventions himself.

The invention upon which this Burgomaster most prided himself, was an

automaton, or wooden figure, of a woman, which walked, and smirked, and

smiled, like a real lady; but he could not make her speak. Fritz, who

was then young, devoted himself to a similar work; and made a figure

representing a young peasant-girl, who could say, "Good morning," and

inquire after your health; and, if you took her by the hand, would look

down with admirable modesty and grace. The success of Fritz gave great

offence to the Burgomaster; and there grew up between the two, first a

rivalry, then an enmity, which at last caused Fritz to leave the city.

When little Maurice first knew him, Fritz could hardly have been less

than seventy-five years old: he was so old that his hair was quite

white, his head shook a little, and he only walked by the help of a

stick. He lived as if he was very poor, in a small cottage near the

house of Maurice's parents. Whenever Maurice saw him, the little boy

always wished him good morning, and stopped to talk to him. Fritz was

very much pleased with these attentions, and began to feel a strong

affection for the child; who was not slow to return it.

The child's instinct told him that Fritz was good and unfortunate,

deserving to be loved and pitied. And indeed he did deserve pity. In the

decline of his life, not only did he live in poverty, but the peasants

of the village he had chosen for his retreat, hurt perhaps by the

coldness and reserve of his manners, used to laugh at him, and sometimes

insult him. The boys of the place, generally mischievous and badly

brought up, would run after him, and mimicking his German accent,

inquire whether he had a cold in his head that he was obliged to speak

through his nose.

[Illustration: HE SHOWED MAURICE HOW TO SIT THE HORSE FIRMLY AND

GRACEFULLY.]

One summer evening, when Maurice and his parents were in the garden,

enjoying the freshness of the air and the perfume of the flowers, they

heard the bell ring at the gate, and presently Fritz came up to them,

leading by the bridle a pretty little black horse. In few words the old

man explained the motive of his visit. He wished, before leaving the

world, to make Maurice a present of the wooden horse which he had

brought with him.

"A wooden horse!" they all exclaimed, for they had mistaken Cressida for

a real live pony.

"It is not a being created by God," said Fritz, "but only a thing made

of wood. By some mechanism, which I will not explain to you, it is

endowed with the action and movements of a real horse. Cressida is what

I possess most precious in the world, and I have made up my mind to part

with it only because I love your little son, and know he deserves to

possess an object which I care more for than I do for the few days of

life that remain to me."

Then he explained to Maurice how to manage the horse; how to make it

move, and to guide it. He took the little hand of the child and placed

it softly on the pony's neck, which immediately neighed as if with

pleasure. He showed Maurice how to sit the horse firmly and gracefully;

and when the little boy, who was very intelligent, understood all this,

Fritz told him he might start off. The child had only to press his knees

hard against the sides of Cressida, and off it went at a gallop. The

rider's heart beat quickly, but he kept his seat, and guiding the pony

back again, pulled up at the spot he had started from.

Maurice's father and mother were lost in amazement; they did not know

how to show their gratitude, for Fritz was not a man to offer money to.

They begged him to leave his cottage and come and live with them. Fritz

thanked them, but said that he intended in a few days to leave the

village to go to Nuremberg, and that at his age he could hardly

calculate upon returning. He was going to see for the last time his

niece and her three little children, who were the only relations that

remained to him. This niece's husband had gone to America a year ago, to

settle there: he had been successful, and the wife and children would

follow him soon. Fritz said that before he died he was going to see them

once again.

On taking leave, Fritz asked Maurice to give him a promise that he would

never sell, or part with, Cressida. "Unless, indeed," he added, "it

should be for the sake of helping somebody in great distress."

Maurice had a stable arranged for Cressida in the house, and acted as

groom himself. He rose every morning at six o'clock, and went to clean

and rub down his little horse, which always stood quiet the time.

And now it occurs to me, my little readers, that you would probably like

to know the name of Maurice's father and mother, which I have not yet

told you. The father's name was Felix de Roisel, and the mother was

called Julie. She was very pretty and very gentle: as gentle and pretty

a mamma as you have ever seen. Still she could be severe if it was

really necessary: but this was not often with so good a child as my

little friend.

(_To be continued._)

WHAT NEWS?

[Illustration: Neighbors]

"What's the news of the day,

Good neighbour, I pray?"

"They say the balloon

Has gone up to the moon."

"O-oh!"

[Illustration: Infant and parents]

WINTER.

[Illustration: Decorative O]

Outside, the meadows are covered with snow;

Fluffity, fluffity, fluff.

All round the cottage the winds roughly blow;

Puffity, puffity, puff

Inside, the cottagers pleasantly talk:

Chatterty, chatterty, chat.

They talk of the time when baby will walk;

Patterty, patterty, pat.

[Illustration: Cat and kittens]

CATS.

[Illustration: Decorative W]

Well, my little friends, I think I need hardly describe _this_ animal to

you; for there is scarcely a home in England, rich or poor, which is

without a pussy.

How the children all love the little kitten, the nursery pet, with its

pretty playful ways and graceful movements! But kitty grows up too soon

into the sedate old mother-cat, like the one we see in the picture

holding the poor little mouse in her mouth. Ah! that to me is a terrible

drawback to Pussy,--that love of killing.

I am so fond of cats that this year I went to the Crystal Palace Cat

Show, where I saw some beauties: among others a tortoiseshell Tom, which

is said to be a great rarity. Hundreds of cats, large and small,

long-haired and short-haired, long-tailed and tailless, cats of every

colour known to catdom, filled the cages, which were arranged in long

rows. And I must say they bore their imprisonment with wonderful

patience. For three days they had been shut up in those wire houses,

like birds: and some of the cages housed a whole family. One, I

remember, contained a mamma and her six children; the latter small, but

very rampageous. I pitied this poor mother with all my heart: how her

patience must have been tried during those three dreadful days!

Though we may not like to see cats kill small animals, Puss is often

valued in proportion as she can rid the house of rats and mice. So it

is, I suspect, with the cat in the picture. She is evidently owned by a

carpenter, who perhaps found his workshop infested by rats and mice till

he possessed this handsome tabby. She will soon rid him of them, I

think: and see how she is teaching her kittens to follow her example!

But in spite of their natural instinct to destroy mice and birds, cats

may be easily taught to live in friendship with these very creatures;

and I will tell you a story of a pet cat which, I think, will amuse you

better than hearing about the poor little mice being killed.

A lady that I know had a fine tabby cat, and also a very beautiful

canary. The cat's name was Bijou; the canary's--Cherry. Now Bijou had

been brought up from kittenhood with Cherry: that is, he had been

accustomed to sit on the rug beside the fire, while Cherry sang in his

cage on the table, or hanging at the window. Bijou always behaved

perfectly well, and never attempted to molest Cherry.

The mistress of these two pets used to let the canary fly about

sometimes in her bedroom, but she never had quite confidence enough in

Bijou to do this while he was there. One day in summer the window of the

bedroom happened to be open at the top without her noticing it, and the

canary, after flying about the room a little while, passed out of the

window. It flew round and about, from tree to tree, seeming to enjoy its

liberty very much.

The lady feared she had lost it for ever, but she brought out the cage

and placed it upon the lawn, thinking there was just a chance that the

canary might come back to its old home of its own accord. As she stood

at the window watching, she presently saw the bird alight on the lawn. A

moment afterwards she saw Bijou, who had been crouching in a bed of

flowers, spring out, pounce upon the little creature, and seize it in

his mouth.

Then, to the lady's astonishment, who expected to see the bird devoured,

Bijou trotted with it up to the cage, and deposited the truant safely

inside again. Cherry was dreadfully frightened, but not at all hurt, and

after shaking its rumpled feathers into their places, sat on its perch

as happy as ever.

[Illustration: Children putting boots]

PETER'S RAVEN.

[Illustration: Decorative P]

Peter was a little boy who was very fond of birds and animals. He had a

raven which he taught to do all manner of tricks. Trusty Tim--that was

the raven's name--would fetch and carry like a dog, and would call

upstairs to his master when anyone came to the cottage door, like a

housedog barking. He would also help his master to pull off his boots,

by taking the toe in his beak and giving it a tug.

Like other clever people, however, Trusty Tim sometimes made a mistake.

One day Peter's little brother, Johnny, put out his foot to see if the

raven would do the same for him. Unluckily there was a tiny hole at the

toe of the boot, and Trusty Tim could not resist the temptation of

pecking at the hole, and taking a little bit of Johnny's toe. And didn't

Johnny scream!

NURSERY RHYME.

[Illustration: Illustrations of verses]

There was a monkey climbed up a tree;

When he fell down, then down fell he.

There was a crow sat on a stone;

When he was gone, then there was none.

There was an old wife did eat an apple;

When she ate two, she had ate a couple.

There was a horse going to the mill;

When he went on, he didn't stand still.

There was a butcher cut his thumb;

When it did bleed, then blood it did run.

There was a jockey ran a race;

When he ran fast, he ran apace.

There was a cobbler clouting shoon;

When they were mended, then they were done.

There was a navy went into Spain;

When it returned it came back again.

OTTO IN THE WATER-BOTTLE.

A FAIRY STORY.

[Illustration: Decorative I]

It had been such a day! The flakes of snow had been falling, falling

like feathers on the pavement all day long. It was now dark, and little

Otto stood at the dining-room window, watching them still falling in the

light of the lamps outside. Otto is a handsome boy of about seven years

old. It is New Year's Eve; and he is going to a party this evening.

Bertha, his sister, is being dressed for it at the present time, but he

had been so noisy and troublesome, up in the nursery, while the ceremony

of her dressing was going on, that he was sent downstairs to wait till

his turn came.

Otto had been to a good many parties, and to two pantomimes this winter;

still he was not at all tired of either parties or pantomimes; on the

contrary, the more he went to the more he seemed to like them. But it

was only at Christmas Otto was so gay; for did he not do lessons all the

rest of the year with his sister's governess? Miss Wigly was very

strict, and thought children were much better without many

holidays;--"particularly little boys," she said. But perhaps that was

because she was so anxious to get Otto well forward before he went to

school.

For the last ten minutes he had been staring at the snow outside the

dining-room windows, then he turned round and looked at the things in

the room. A bright fire blazed on the hearth, the cloth was already laid

for the dinner of the older members of the family, and by the side of

the fire stood a comfortable easy chair, which papa generally sat in as

soon as he had done his dinner.

[Illustration: Reflections]

Otto seated himself in this chair, and began to look at a bottle of

water, which stood at the corner of the table nearest to him. His

attention was attracted by the odd way in which things were reflected in

the water. How minute the reflections were, and how they all curved, so

as to make the room look round, as if seen in a mirror! He observed,

too, his own little face, sometimes lengthened, sometimes widened,

according to the part of the bottle he saw it in. These observations did

not prevent him from thinking at the same time what a comfortable easy

chair he was sitting in, and what a nice warm fire it was.

How long he had been reflecting upon all these things he never knew,

when he observed, to his surprise, that the bottle was growing bigger;

and, in another moment, instead of looking at it from the outside, he

found himself inside it, looking at the objects beyond. And these were

all changed. There was no water in the bottle now, but the water was

outside, and the bottle itself was floating upon a river. The river

seemed to wind along between mountains, and had beautiful buildings and

trees upon its banks. A boat, rowed by two queer little men, was

fastened by a chain to the bottle; and, as they rowed, the bottle was

towed along. Gold and silver fish were playing about in the water; tiny

children with wings were sporting in the air. The bottle inside was

fitted up like an elegant drawing-room; and--most wonderful of all!--a

beautiful fairy reclined on a sofa in the midst of it.

Otto knew she was a fairy, because she was just like those he had seen

at the play, dressed all in gold and silver tissue, and sparkling with

jewels. Besides, although she looked grown-up, she was not bigger than

Otto himself. She spoke to him also in the beautiful language used in

plays:--

"Mortal child," she said, "thou lovest well to join in the festivities

of other mortals,--what sayest thou now to making one in a fairy revel?"

"A fairy party, do you mean, ma'am?" asked Otto. "It would be awfully

jolly, I should think."

"Come, then, with me," said the fairy, rising from her sofa.

[Illustration: Fairy party]

As she did so, it occurred to Otto that they would wonder what had

become of him at home. He hesitated, and said,--

"Could I go back home for a minute first, if you please, ma'am, to let

them know where I am? And I think my sister, Bertha, would like very

much to come too, if she might."

"Mortal boy, dost fear to trust thyself with us?" exclaimed the fairy,

indignantly.

Otto felt he had offended her, but before he could reply, she had

disappeared. For a moment everything seemed confused: "Just like a

change of scene in a pantomime," thought Otto to himself. Afterwards,

instead of floating along upon the river, he found himself sitting upon

its bank, while a very large moon rose over the water. Bertha was

sitting by his side, and two lovely fairies stood by them, but not the

same fairy as before. In front of him, standing up in the water, was a

very shabby, damp-looking, white-bearded old man. Otto was puzzled to

account for him at first, then he recollected to have seen a picture

somewhere of old Father Thames, and he assumed that this old man must be

the river-god. There were also some little naked fairies hovering about

him, "And those," thought Otto, "must be little streams that run into

the river." Besides all these, there was a large tortoise or turtle

close to Otto, which crept up, and stared him in the face.

The old man, addressing Bertha and Otto, said,--"Tell me, children, what

is your wish?"

Before Otto could put in a word, Bertha exclaimed,--"I want to go to the

fairy revel."

"Why, she seems to know all about it!" thought Otto, very much

surprised. The words--fairy revel--uttered by Bertha, were repeated by

voices in the air, on the earth, among the reeds, in the water,

everywhere. Gradually the sounds died away in the distance, and as they

did so, Otto discovered that he was alone.

[Illustration: Turtle steed]

"Why, they have all gone off to the fairy ball, and left me behind,"

said Otto, aloud to himself. "How shall I ever get there now?"

"Jump on my back," cried a voice from the grass. It was the tortoise:

and Otto observed that it had a kind of side-saddle on its back, and a

bridle in its mouth.

"Can you go fast?" said Otto, doubtingly.

"Try me!" briefly replied Mr. Tortoise.

Otto did so, seating himself as he thought a lady-fairy might do. Rather

to his own surprise, he felt no alarm when the creature rose up from the

earth, and bore him rushing through the air. He seemed to be rapidly

approaching the moon, when suddenly a harsh voice sounded in his

ears:--"Why, you're not dressed." He looked at himself, and perceived,

to his dismay, that he had on his nightgown. "How stupid of me," thought

he; "why, I must have jumped out of bed, and come off, without dressing.

What shall I do at the fairy ball?"

Again the same great voice cried,--"You're not dressed," and the words

were followed by a merry peal of laughter. Otto looked at himself again,

and now all was changed: he had on his usual little jacket, his

nickerbockers, warm stockings, and shoes. He was in his father's easy

chair, and the water-bottle was on the table before him. Bertha stood

there, dressed for her party, laughing with all her might; while Mrs.

Crump the nurse looked very cross.

"Oh, nurse, why did you wake me? I was on my way to the fairies' ball."

"Fairies' fiddlestick!" rejoined Mrs. Crump. "Come and get dressed

directly."

"Oh, Bertha, Bertha, I have had such a wonderful dream; just like being

at the play. I'll tell you all about it."

"Well, never mind now," replied Bertha, snubbing him with all the

importance of a sister three or four years his senior. "Make haste and

dress, or we shan't go to Aunt Julia's ball, which I care more about."

CHRISTMAS-TIME.

[Illustration: Decorative T]

Tis Christmas time!--the joyous time,

When, loud from belfry towers, the chime

Of merry bells, so glad and gay,

Proclaim the holy Christmas-day.

The church is decked with holly bright,

Each face is beaming with delight,

And mourners put their grief away

Upon the joyful Christmas-day.

'Tis Christmas-day, that brings to each

Something to learn, something to teach;

Something to do, if understood:

All have their mission here for good.

Good will to man and peace on earth:

Rejoice with pure and guileless mirth,

And highest praises to Him pay,

Through whom we have our Christmas-day.

Give with free hand, our choicest store

To all who need, to old and poor;

With friends rejoice, with children play,

Make happy all our Christmas-day.

[Illustration: Moonlit cottage]

Nor let the common thought appear,

That Christmas comes but once a year;

And till next year has passed away,

Let it be ever Christmas-day.

[Illustration: Water jars]

MAMMA'S SUNDAY TALK.

MIRACLES OF OUR SAVIOUR.

WATER TURNED INTO WINE.

Now, darling children, come round me while we have a little talk fit for

Sundays. You remember that during the past year I gave you some account

of our Saviour's teaching, and of the principal events of His life. Now

I shall tell you about some of the miracles He performed.

The word "Miracle" signifies simply--wonder: but there may, of course,

be many wonderful events which are not miracles. As the word is used, a

miracle means strictly an act by which the laws of nature are set aside:

and though the wisest of us do not understand all nature's laws, we

should be able, I think, generally to distinguish what was really a

miracle from what was merely wonderful. For instance, if a doctor were

to cure a blind man by anointing his eyes, we might think it wonderful,

but should conclude that he had discovered a cure for that kind of

blindness. If the physician, however, were to give sight to the blind

man by merely commanding him to see, we might then pronounce the cure a

miracle.

The Jews expected that all who claimed to be prophets should perform

some miracle to prove that they were divinely inspired; as did Moses,

Elijah, Elisha, and several of the prophets. When the divine promise was

given to Moses and others, that a great prophet should be raised up for

the people of Israel, it was foretold that this prophet should be known

by the greatness and variety of the miracles which he performed.

By such signs he was to be distinguished from all pretenders, and Isaiah

says:--"Then the eyes of the blind shall be opened; and the ears of the

deaf shall be unstopped. Then shall the lame man leap as a hart, and the

tongue of the dumb sing."

Our Saviour may be said generally to have had two objects in performing

miracles. In most instances, one object was the immediate relief of

suffering. But He always had the greater object by His miracles of

proving that He was the Christ, whose coming had been foretold to the

Jews so long before. The miracles were the _signs_ that He was the

Messiah.

The first miracle performed by our Saviour was that of turning water

into wine.

We are told by St. John that there was a marriage in Cana of Galilee,

and at the feast our Saviour and His mother were present. After a time

the servants found that the supply of wine for the guests was running

short. One of them told this to the mother of Jesus, and she, going to

Him, said:--"They have no wine."

The miracle which followed is thus related in the words of Scripture:--

"Jesus saith unto them: Fill the water-pots with water. And they filled

them to the brim. And He saith unto them: Draw out now, and bear unto

the governor of the feast. And they bare it. When the ruler of the feast

had tasted the water that was made wine, and knew not whence it was:

(but the servants which drew the water knew;) the governor of the feast

called the bridegroom, and saith unto him: Every man at the beginning

doth set forth good wine; and when men have well drunk, then that which

is worse: but thou hast kept the good wine until now."

This was the first miracle that Jesus did: in our next Sunday-talk, my

children, I will tell you more of them.

[Illustration: Flowers]

[Illustration: Dog with envelope]

ST. VALENTINE'S DAY

[Illustration: Decorative I]

It was the thirteenth of February; to-morrow would be St. Valentine's

day; and the children were as busy as bees preparing valentines. They

were as merry, too, as they were busy; all except Annie--little Annie,

the delicate one, the pet of the family. While the others were skipping

and jumping about as they did up their valentines, and eager and noisy,

as it is the nature of children to be, Annie sat on the hearthrug, with

her hands clasped round her little knees, staring into the red fire; and

her pale face looked quite old and wan from trouble.

I was very hard at work directing the envelopes for the children, while

they clamoured and clustered round me; but looking at our dear little

girl's wistful face, I took advantage of a moment's respite from my work

to go and ask her what it was that seemed to trouble her so much.

"Oh, auntie," she said, as she began to cry, "it is because Jack has

taken my darling Tip away from me."

Tip was a nice little Scotch terrier that belonged to Annie's cousin,

Jack, who had been staying for two or three weeks at Annie's home during

his holidays. Tip had come on the visit with his master, and had gone

away with him only that morning. But during those two or three weeks Tip

and Annie had become dear friends and play-fellows.

"I had taught him so many pretty tricks," continued Annie, "and he loved

me so: I am sure, auntie dear, he loved me better than Jack."

"But, darling," I said, "after all Tip is Jack's own doggie, and he is

very fond of the little creature, you know, so of course he took him

away with him. Now, dear, don't fret any more, but try and be cheerful."

Annie is a good little girl, and did try her best to be cheerful, I

could see. She came to the table, and looked over the valentines with

the others; but she had not forgotten her sorrows.

Presently, her little brother Tommy said to her,--"Annie, don't you hope

you'll get a jolly lot of valentines to-morrow?"

"I don't care," sighed Annie, "unless Tip could send me one."

"What stuff!" remarked Tommy: "Tip can't send you a valentine, you

know."

"Well, he might _bring_ me one, at any rate," said Annie, "for I taught

him to carry letters."

Annie's remark gave me an idea, and I formed a little plan, of which you

shall hear the result.

The next morning--St. Valentine's morning--as the children were at

breakfast in the nursery, a scratching was heard at the door; and when

it was opened, there appeared in the doorway--what do you suppose now?

There was a little doggie, the very likeness of Tip, standing on his

hind legs, with a valentine in his mouth. The valentine was addressed to

Annie: and when I followed the little terrier into the room, and told

her that not only the valentine, but the doggie too was for her--that I

gave it to her to be her very own, she was more delighted than I can

describe to you.

When I formed this little plan the day before, I had just remembered

where a doggie, very like Tip, was for sale. I had bought him that very

afternoon, and managed the surprise as you see. Annie very soon grew as

fond of Charlie--that was the name of the little dog--as she had ever

been of Tip.

[Illustration: Children and toy wagon]

THE FAIRY QUEEN.

[Illustration: Decorative S]

See what a pretty Fairy Queen!

Such a one is seldom seen:

A little crown of golden hair,

And little robes so clean and fair.

All behind her trumpets blowing;

All before her banners flowing;

A valiant guard upon her right,

With a sword so keen and bright;

And on her left a dame discreet

To answer her with converse sweet;

And a prancing steed before

Her triumphal car to draw.

Surely such a Fairy Queen

Has been very seldom seen:

For guards and dames and steeds appear

Her brothers and her sisters dear.

And there the kind old nurse the while

Looks on with merry jest and smile.

[Illustration: Sparrow-hawk]

THE SPARROW-HAWK.

[Illustration: Decorative T]

This is a picture of a bird called the Sparrow-hawk. It is rather a

small kind of hawk, and contents itself with swooping down upon poor

little unoffending sparrows, and such small game. Like other birds of

prey, it is becoming more scarce every year in England, and being a very

wild shy bird, it does not come near people or houses if it can help it.

Still, when it is very hungry, or has little hungry bird-children at

home in its nest, it becomes very brave and fierce, as you will see by

the story I am going to tell you of what happened to me when I was a

little girl.

It was, I remember, a very cold morning, and the trees were standing

bleak and bare against the sky; the world looked dreary enough, and

there were heavy clouds hanging over all. I had come out into the garden

to bowl my hoop, when old Tidyman, the gardener, who was sweeping the

snow from the paths, and who dearly loved a little chat, said to me,--

"We'll be having a fine fall, missie, presently: it's rare and cold

surely. The birds is a'most starving: there be a sparrer-hawk a'hoverin

over here as seems precious hungry. It have a nesty, I know, in that

there holler tree in the park, and as soon as ever them pore little

birds you see there trying to peck a bit, comes together, that there

sparrer-hawk he comes after them. Looky there!" exclaimed the old man,

pointing to a hawk high in the air above our heads, "if he ain't

a'hoverin over us now!"

The poor little dickies, who were pecking away at a few crumbs, which

had been thrown out to them in the garden by some kind-hearted maid

belonging to the house, seemed suddenly to become conscious of their

danger, and flew off with a frightened twittering cry. One only--a very

young and very foolhardy little sparrow--remained to take a last peck.

The hawk singled out this poor birdie for his prey, and allowing the

others to fly away in peace, suddenly swooped down upon the little

laggard, fastening his cruel beak in its poor quivering body.

This took place within half-a-dozen yards of the spot where old Tidyman

and I stood talking. I was but a child of seven years old, but I hated

cruelty, and always longed to help the weak against the strong; so I

rushed at the hawk, hoopstick in hand. The little sparrow was already

dead; but what do you think the savage hawk did? It turned upon me, and

flew at my face. I put my hand up just in time, and had a piece pecked

out of one of my fingers instead.

When Tidyman came up, the horrid bird flew off, not forgetting, though,

to pick up and carry off the little dead sparrow in triumph. I have no

doubt the baby-hawks, in their nest in the hollow tree, greeted him with

open mouths, as you see them in the picture, and they were fed not only

with the little dead sparrow, but also with a nice piece out of my poor

little finger.

[Illustration: Sparrow-hawk]

A STORY OF A WOODEN HORSE.

CHAPTER II.

A SPOILT CHILD.--JEANNE.--MAURICE MAKES COMPARISONS.

[Illustration: Decorative A]

A Sister of Mr. de Roisel was married to a gentleman named Hector de

Malassise, and they had an only child, a son, of about the same age as

Maurice. They lived in the neighbourhood of Fontainebleau, where Mr. de

Malassise had an estate. The two families, living so far apart, were

accustomed to pay long visits, which generally lasted some weeks, at

each others' houses.

Soon after Fritz had made a present of the wooden horse to Maurice, it

was arranged that the family of de Roisel should pay a visit to their

relations at Malassise. Now Maurice, to tell the truth, did not look

forward with pleasure to this visit; for Eusèbe--that was the name of

his cousin--had a very bad temper, and my little friend found it very

difficult to get on with him. This boy was thoroughly spoiled, and made

everyone about him miserable by his caprices and his tyranny. His papa

and mamma did not dare to punish, or even to scold him, for they had got

an idea into their heads that, if he was thwarted or contradicted, it

might bring on a nervous illness.

A country doctor being one day at the house of Mr. de Malassise, when

Eusèbe was teasing his father to give him something he ought not to

have, had carelessly said,--"Oh, pray let him have it, or he'll worry

himself into a nervous fever." The doctor afterwards in vain assured the

parents that he had not made the remark at all seriously; he could not

remove the impression his words had produced. The parental hearts had

taken alarm, and from that day the father and mother were always in fear

lest their dear boy should be put out, or anything should make him

angry. His wishes became laws for the whole household: at his slightest

frown every one about him trembled, as it is said the gods on Mount

Olympus trembled at the frown of Jupiter;--and he was a pagan deity who,

I assure you, was not wanting in caprices.

[Illustration: A GOAT-CHAISE IN THE CHAMPS-ELYSEES.]

While his papa and mamma were waiting in trembling anxiety for this

attack of nerves, which never came, Eusèbe, in spite of his bad temper,

enjoyed excellent health; and ate, drank, and slept, as well as

possible. They were in fact the only things he did do well.

Eusèbe always had beautiful toys, and he delighted in showing them to

Maurice with an air of superiority that was humiliating to his little

cousin, whose toys were common and cheap. It was only natural that the

latter should have some wish to retaliate, and hearing that they were

going to Malassise, he thought what a pleasure it would be to take

Cressida with him. Eusèbe could not have a toy-horse like that. Mr. de

Roisel, however, put a stop to this project; because, as he said, if

Eusèbe should take a fancy to the horse, Maurice would be expected to

give it up to him; and that would not do at all. Maurice saw that his

papa was right.

I need hardly say that Eusèbe always got tired of his toys very soon,

and every time Maurice went to stay with him there was a new collection

to be seen. On the occasion of this visit, Maurice found that Eusèbe's

favourite plaything for the moment was a goat. Not a goat of wood or

pasteboard, such as you children have all possessed perhaps, but a real

live one; as much alive as those you may see any day harnessed in

goat-chaises in the Champs-Elysées at Paris; only she was prettier than

any I have seen there.

The goat was called Jeanne, as I daresay some of my little readers are

called, but they need not be ashamed of their namesake. She was a

well-behaved, graceful creature, and her long silky coat, which was

perfectly white, shone in the sunshine like silver. She had no horns, it

is true, but this was scarcely to be regretted, for the most gentle

animals are apt sometimes to use their horns against their friends. So

Eusèbe had nothing to fear on this account. She wore round her neck a

red collar, on which her name was embroidered in letters of gold. Eusèbe

would tie a string through this collar, and lead her three or four times

a day into a meadow near the house, where she nibbled the grass and

flowers.

I cannot describe to you the delight with which Maurice watched Jeanne

jumping about, or playing with her two little kids; and all with an ease

such as nature alone can give. He could not help making a comparison

between her and Cressida. Then he looked into her soft dark eyes, which

appeared to express thoughts: Cressida had fine dark eyes too, but

somehow they were not the same thing. Jeanne liked to climb on to high

banks, and would stand sometimes on the edge of a precipice, stretching

out her neck to eat the leaves of some tree: Cressida was strong upon

the legs too, and its knees had never been marked by a fall; still it

could not have done so much. Out in the fields Jeanne seemed to listen

to distant noises, which you scarcely heard; her little ears kept moving

about in all directions as if to let no sound escape her: Cressida had

also pretty little ears, but somehow the wooden horse never seemed to

listen as Jeanne did.

[Illustration: SOON SHE BECAME FAMILIAR WITH MAURICE, AND LET HIM

CARESS HER.]

Very soon Jeanne became familiar with Maurice, and let him caress her;

while, by way of thanking him, she would lick his hands: Cressida had

never made such advances as this to its young master. Yet another

advantage had Jeanne over the horse: when she had been running, her

sides moved up and down; you could see that a heart was beating in her

breast: but Cressida's sides, beautiful and glossy as they were, never

heaved after a gallop. Maurice was making these comparisons during a

whole day, and in the evening was so occupied with his reflections, that

instead of playing at dominoes with Eusèbe, he sat silent by the side of

his mamma.

The next morning he talked a great deal in praise of Cressida, but did

not cease to caress and play with Jeanne. While he was stroking her,

Eusèbe suddenly said to him:--"I am beginning to get tired of Jeanne; if

you like, we'll make an exchange."

"What do you mean?" asked Maurice.

"You shall give me Cressida; I should like to make his acquaintance very

much; and then in exchange I'll give you this goat, that you think so

pretty."

"No, I cannot give you Cressida."

"Can't give me Cressida! why not?"

"I can never part with Cressida."

"You mean," rejoined Eusèbe, "that you don't think Jeanne is worth so

much as the horse. Then the fact is that you don't think her so pretty

after all; and you've been telling lies in calling her pretty all this

time."

"Telling lies?"

"Yes, you have. She's ugly in reality; she is; I think she's frightful

now. Oh, you ugly beast, I'll kill you! There, there, there's something

for you to punish you for being so ugly."

And he gave the poor goat several cuts on the head with a whip.

"Eusèbe," cried my little friend, "how can you be so cruel?"

Maurice saw the tears trickling from the eyes of Jeanne, and pointed

them out to Eusèbe, who only shrugged his shoulders. He was not in the

least ashamed of himself, and added,--

"If you don't like me to hit her, give me your famous horse in exchange;

that's all I've got to say."

"I cannot, because I've promised not to part with it."

"Oh, you've made a promise, have you? What does that matter? Why, I make

promises every evening, and break them every morning."

"What do you say?" exclaimed Maurice.

"Why, of course, every evening mamma says to me, 'My pretty Eusèbe, my

little treasure, promise me now that you won't put yourself into

passions, nor disobey me any more; promise me that, dear, and here are

some bonbons for you, and some chocolate _à la crème_.' I promise of

course, naturally. Afterwards, in the morning, when I want some more,

she refuses, because, she says, I ought not to eat them before

breakfast; but I put myself into such a terrible passion that she gives

me them directly. That's how it is, you see."

"You are very wrong to behave in that way," said Maurice: "but after

all, your promises are not made quite seriously."

"And what are yours, pray?"

"Mine are serious promises, and I keep them."

"Now, that's just because you've heard that men keep their promises,"

replied Eusèbe, "and you want to be like a man. But the truth is, men

are like me, I can tell you: they make promises to get what they want,

and then they break them again to get what they want. It's all very fine

for them to say to us children--'Don't tell lies, be always just, keep

your promises!' Oh, I'm not to be taken in; I know all about it."

Now, my little readers, I do not say to you that the world is peopled

with only honest men: that would be deceiving you. But be assured that

those who tell falsehoods are everywhere despised; and when anyone

speaks of them, or writes about them, it is in order to show how much

they ought to be hated.

"Yes," added Eusèbe, "you make a fine mistake when you think you are

obliged to keep the horse because you made a promise."

"That's your opinion, but I know the contrary," said Maurice. "Don't let

us talk any more about it."

"Well, you won't have Jeanne, you know."

The next day the vintage began in the vineyards of Mr. de Malassise.

Eusèbe was so much amused with all the bustle, and the coming and going

of so many grape-pickers, that he had no time to think of Jeanne. This

lasted three or four days, and the poor beast began to think she was

free from her tormentor altogether: but no such luck for her! After that

time, Eusèbe, already tired of the vintage, and particularly of the

grape-pickers, who would not let him beat them, came back to make a

victim of her. Maurice reasoned with him, and tried in vain to soften

him.

"Very well then," said Eusèbe, "if you pity her so much, take her and

give me your horse. Unless you do, she belongs to me, and I can do what

I like with her--sell her, beat her, or kill her."

"But your papa wouldn't let you."

"Oh, wouldn't he indeed! He'd be nicely punished if he interfered."

"I should like to know how?"

"Why, I'd have a nervous attack directly."

Maurice was very unhappy. Do what he would to persuade himself to the

contrary, he recognised the superiority of Jeanne over Cressida. He

would willingly have made the exchange, but that he remembered the

solemn way in which Fritz asked him to promise that he would never part

with the little horse; and child though he was, he knew he was bound to

keep his promise. Still, a struggle was going on in his own mind. He

felt drawn towards Jeanne, as it is said little birds are sometimes

fascinated and attracted by the gaze of certain snakes. At last he

adopted a bold resolution: he went to his father, and said:

"My dear papa, I want to go away from here."

"Why, what's the matter?" said his father. "What has happened? Have you

quarrelled with Eusèbe?"

"Not exactly," rejoined Maurice, "I generally give way to him; but now

he wants me to give him Cressida in exchange for Jeanne."

"Who is Jeanne?"

"It is a beautiful white goat, who has two pretty little kids; and

Eusèbe beats her because he wants me to take her and give him Cressida;

but Fritz told me never to part with the wooden horse. You see, papa,

Jeanne is not made of wood; she lives and feels like me, and it's

terrible to see lately how he beats her. You can't imagine how nice she

is; and so grateful to any one who is kind to her. Then to see how she

loves her little children!"

"Well, well, if that's the case we must not leave her with Eusèbe any

longer. Tell him I'll make him--a present of something much more

valuable in exchange for her."

"Oh, but I know he won't give her for anything but Cressida."

"Why, he must be a little monster. Don't be unhappy, my child: tomorrow

morning we will leave Malassise, so you shall see no more of his

cruelty, at all events."

Once more at home, Maurice did not long remain unhappy about Jeanne. Do

not accuse him of caprice, my little readers; but think how quickly your

own impressions pass away or change. It is natural to childhood that it

should be so.

(_To be continued._)

_PUZZLE-PAGE._

[Illustration: Puzzle images]

Here are six objects in this puzzle for you to find out. One object

begins with A, one with B, one with C, one with D, one with F, and one

with P.

[Illustration: Birds on nest]

CHIPPEREE, CHIP.

_Allegretto. mf._

1.

I once knew a couple that lived in a wood,

Chipperee, chip, chip, chip!

And up in a tree-top their dwelling it stood,

Chipperee, chip, chip, chip!

The summer it came and summer it went,

Chipperee, chip, chip, chip!

And there they lived though they never paid rent,

Chipperee, chip, chip, chip.

2.

Their parlour was lined with the softest of wool,

Chipperee, chip, chip, chip!

Their kitchen was warm and their pantry was full,

Chipperee, chip, chip, chip!

And four little babies peeped out at the sky,

Chipperee, chip, chip, chip!

You never saw darlings so pretty and shy,

Chipperee, chip, chip, chip!

3.

When winter came on with its frost and its snow,

Chipperee, chip, chip, chip!

They cared not a bit when they heard the wind blow,

Chipperee, chip, chip, chip!

For wrapped in their furs they all lay down to sleep,

Chipperee, chip, chip, chip!

But oh! in the spring how their bright eyes will peep!

Chipperee, chip, chip, chip!

[Illustration: Chicks in nest]

SOME OF MY LITTLE FRIENDS:

STEPHEN.

[Illustration: Decorative I]

I was staying down in Kent with some friends of mine, when I made the

acquaintance of the little boy whom you see lying on the ground in the

picture.

One early spring morning, towards the end of February, I went out for a

constitutional--that is, as I daresay you know, a walk for the sake of

one's health. I wandered off down the park into a little wood, or

shrubbery, which had a green path winding through it, with arbours or

summer-houses placed here and there under the overhanging trees. The

wind was very keen, and patches of snow were still upon the ground,

though the days were beginning to lengthen, and there were many signs of

warmer weather at hand. As I walked along, I noticed now and then a

young leaf showing itself above the ground, which told me of the coming

primroses; and I could see green shoots, from which bluebells would soon

be springing to nod their graceful heads to the passers by.

Walking along briskly, I had nearly reached one of the little arbours,

when I observed several children standing in front of it. I knew them

well by sight and name: they were the children of the lodge-keeper of

the park, and lived close by. There were four of them, and they were all

standing staring away, as hard as their eight young eyes could stare, at

something inside the arbour. Reaching the spot, I discovered that the

object of their curiosity was a poor little lad of about ten years of

age, who was lying on the ground with his eyes closed, and his head

resting against the seat. He was a fair, curly-headed, pretty boy, but

his clothes were very poor and ragged, and his little face was pinched

and wan. I soon discovered that he was not asleep, but either benumbed

by the cold, or insensible from exhaustion.

[Illustration: Child and dog]

A little black and tan terrier, of no great value or beauty, was sitting

by his side, seeming to watch him with great anxiety; and I was

surprised to see also some toys lying on the ground, but these I found

belonged to the lodge-keeper's children, who had left them in the arbour

the day before, and had in fact come that morning to fetch them.

I sent off one of the children to their father to come and carry the boy

to the house. The family were just collecting at the breakfast table

when I returned from my early walk, bringing this poor little waif in

with me. My friends took an interest in him at once, and after he had

been well warmed and fed, he recovered sufficiently to tell us his

story.

He was a London boy, and had lived there with his mother, who earned a

scanty subsistence for them both by needlework. At her death, two or

three weeks before, he was left alone in the world. Then he heard the

neighbours talk of the workhouse; and having a vague dread of being sent

there, he had resolved to go right away into the country. His only

companion was this little terrier, which had attached itself to him in

the odd way in which stray dogs will sometimes adopt a master. Begging

now and then for food at farmhouses and cottage doors, and sleeping at

night in sheds or outhouses, he had managed in three days to come about

thirty miles from London; but he would have died from exhaustion or cold

if I had not found him that morning.

This happened about two years ago, and I call him one of "my little

friends," because I still take the greatest interest in him. The family

with whom I was then staying have looked after him ever since. He was

sent to lodge at the cottage of a labourer, and goes to the village

school, where he is such a good boy and so quick at his lessons, that I

have no doubt he will get on well in the world.

[Illustration: Crying boy]

THE CRYING BOY.

[Illustration: Decorative T]

This was a disagreeable boy,

Who always fell a-crying;

No one could ever please the child,

And so 'twas no use trying.

His great mouth opened very wide,

The tears were ever flowing;

At last he cried himself away,--

And this is well worth knowing.

In case you ever feel inclined

To cry like him, my dears,

Think on this naughty foolish boy

Who melted into tears.

[Illustration: Monkey]

AUNT TOTTY'S PETS:

MOKO.

[Illustration: Decorative A]

Aunt Totty is an old maid--I need not say how old,--and very fond of

birds and animals, which she professes to think are sometimes very

superior to men. At her own home, which is at Paris, she has quite a

collection of pets. She often comes to England, however, to visit her

relations, and then her little nephews and nieces--for she likes

children too--always get round her, and make her tell them stories about

her animals or birds. One evening, when the children were gathered round

her, she began in this way:--

"You want to hear about my pets, my dears? Very well: I shall have

pleasure in telling you all about them; for although I have had some

bites and scratches and pecks from them now and then, on the whole they

are very estimable. In fact, they possess some qualities which I should

be very glad to see oftener than I do in men and women: yes, and in

little children too.

"The first pet animal I can remember was a monkey. I was then quite

little, not more than five or six years old; and Moko--that was the

monkey's name--was almost as big as I was. I really think he considered

that he and I were of the same species: at all events he used to treat

me as a companion and an equal. But before Moko joined our family

circle, we were very near having another monkey, who was not so amiable;

and I think I will begin by telling you about him.

"In those days--that is, when your mamma and I and your two uncles were

all children--you know that we used generally to live in France, and one

summer your grandpapa took a country house a few miles out of Paris.

Well, on a beautiful warm morning, when we children were all playing in

the large garden, we heard the sound of an organ; and soon we saw,

coming through the white gates and playing as he came, an organ-man,

with a monkey sitting on the organ. A shout of delight resounded through

the garden. When the new-comers approached we were even more delighted,

for the monkey was dressed up in the funniest way possible. He looked

like a tiny old man, with a cocked hat, long red coat, blue breeches,

and a little pair of boots upon his feet, laced up with red laces.

[Illustration: Monkey on banister]

"The monkey performed all manner of tricks: he danced, he fired off a

little musket, went through the sword exercise, put on spectacles and

pretended to read the newspaper, and did a great deal more besides.

After witnessing these wonderful performances, we conducted both monkey

and man into the drawing-room, where our mamma was sitting at the open

window, and we all began in chorus:--'Oh, mamma dear, pray, _pray_ buy

this monkey for us; he is such a darling!'

"Now, we were all, as children, very fond of animals,--though I am the

only one, I think, who has the same liking still--and our mamma used

rather to encourage us in it. In fact, we had almost a menagerie

already, and this was not the first time we had teazed mamma to let us

have a monkey. She seemed inclined to give way, and asked the organ-man

if he would sell it. He hesitated: apparently a little struggle was

going on in his own conscience, but his honesty prevailed, and he

confessed that, except in his presence, and under his control, the

monkey was both mischievous and savage.

"All this time the creature stood in front of a large looking-glass,

bowing and scraping to his own reflection; and mamma appearing to doubt

this bad character of the seemingly amiable monkey, the man at last

said:--'Let me leave him, madam, for a moment, and you shall judge.'

"The man immediately hid himself behind a sofa. When the monkey looked

round, and no longer saw his master, the very expression of his

withered, wrinkled little face began to change,--from an expression of

good-temper it changed to one of fury. He at once jumped upon the

mantelpiece, and before anyone had time to prevent it, he dashed the

clock against the looking-glass, smashing both. My mother seizing him to

prevent more mischief, he scratched and bit her cruelly, till he heard

his master's voice, and saw his stern face and uplifted arm. Then in a

second he became the amiable tractable creature he had been before; but

you may be sure we were glad to get rid of the horrid little animal.

"However, we still wanted a monkey; and great was our joy when papa

brought us Moko. He bought him of a sailor, who declared he was as

gentle and obedient as any dog, and had been the pet of the whole crew

of the ship he had come over in. And I must say Moko was as nearly

perfect as anyone I know, for he had but one fault: he was very greedy.

I remember one day a box full of fine pears had been left in the hall

near the foot of the staircase, and we found Moko hanging by his tail to

the balusters, and helping himself to the pears. He was eating them in

that uncomfortable position: his cheek stuck out from the quantity he

had stuffed into his mouth; and we found afterwards that he had besides

stowed away a good many under the staircase as a future provision.

"I have a painful recollection of Moko stealing bread and jam away from

me. He used to come behind me quite quietly when I was sitting at the

table at breakfast or tea, and climbing on to the back of my little

chair, he would stretch his long hairy arm over my shoulder, and snatch

the bread and jam away before I knew he was there. He always selected me

to attack, I suppose because I was the smallest.

"In spite of this fault, we all loved Moko very much. He was petted by

the whole household. He used to join us children in our games, and

always appeared to take pains not to hurt us. He was allowed to play

about the garden just as he pleased, for he would always come back when

he was called; and it was pretty to see him climbing from tree to tree,

or hanging on to a branch by his tail, and swinging backwards and

forwards."

[Illustration: Monkey in tree]

[Illustration: Insects]

TO THE LADY-BIRD.

[Illustration: Decorative L]

Lady-bird! lady-bird! fly away home--

The field-mouse is gone to her nest;

The daisies have shut up their sleepy red eyes,

And the bees and the birds are at rest.

Lady-bird! lady-bird! fly away home--

The glow-worm is lighting her lamp;

The dew's falling fast, and your fine speckled wings

Will flag with the close-clinging damp.

Lady-bird! lady-bird! fly away home,

The fairy-bells tinkle afar;

Make haste, or they'll catch you, and harness you fast,

With a cobweb, to Oberon's car.

[Illustration: Funeral procession]

MAMMA'S SUNDAY TALK.

MIRACLES OF OUR SAVIOUR:

THE NOBLEMAN'S SON HEALED.

[Illustration: Decorative I]

I have already told you, my little ones, how our Lord Jesus Christ

turned the water into wine at the marriage feast. That was His first

miracle, and one of the few He performed which were not works of

healing; for He went about curing the sick, and in some instances

restoring to life those who were already dead.

We are told in the Bible that after this first miracle, our Saviour left

Cana and went to Jerusalem to keep the Passover, and it is stated that

while there He performed several miracles in the way of healing, which

were so wonderful that His fame spread throughout the land. After the

Passover, Christ left Jerusalem, and turned His steps towards Galilee.

Now in a city of Galilee, called Capernaum, there lived a nobleman, who

had an only child, a son, that he loved with his whole heart. The child

was very ill--so ill that there was no hope of recovery. The little face

that the poor father loved so much grew pale and wan, and the pretty

bright eyes lost their brightness. Everything that human skill could do

had been tried in vain; but the father had heard of the miracles done by

Jesus in Jerusalem, and knowing that He was then passing through that

part of the country, he left the bedside of his dying child, and came

himself to Christ.

St. John tells us--"He besought Christ that He would come down and heal

his son; for he was at the point of death. Then said Jesus unto him,

Except ye see signs and wonders ye will not believe. The nobleman saith

unto Him, Sir, come down ere my child die. Jesus saith unto him, Go thy

way: thy son liveth. And the man believed the word that Jesus had spoken

unto him, and he went his way."

From this account it appears as if the nobleman went to our Saviour only

as a last resource, and scarcely believing in His power. This was why

Christ said as a sort of reproof, "Except ye see signs and wonders ye

will not believe." Then the poor father prayed again to Him to _come_ to

his son, thinking that to save the boy our Saviour must see and touch

him. But Christ showed him that He could heal the boy as well at a

distance as near, and said, "Go thy way: thy son liveth."

This man's faith, you see, had grown suddenly, and became perfect; for

he believed without hesitation our Saviour's word, and returned home at

once. He did not stay to question, but he went home, taking it for

granted that he would find the miracle performed, and that his son was

living as Jesus had declared, although this was the first instance in

which Christ had healed at a distance.

He believed so firmly that all would be well when he got home, that he

does not appear even to have hurried on his journey; and he met some of

his servants the next day before he reached his house. The servants had

come out to meet him, and they were the bearers of the happy tidings of

his son's recovery. Then he anxiously inquired when the child began to

get better, and they told him: "Yesterday at the seventh hour the fever

left him." And the father knew it was at that hour Christ had said to

him, "Thy son liveth." From that time, St. John tells us the nobleman

and all his household were believers.

We learn, my dear children, from this miracle that sorrow and trouble

often lead to good. They brought the anxious and sorrowing father to

Christ, and caused not only the father but all the household to become

believers. Let us trust and pray that through such suffering and such

trials as may be in store for us we too may be brought nearer to God.

[Illustration: Flowers]

[Illustration: Boy and donkey]

SOME OF MY LITTLE FRIENDS:

JACK AND JERRY.

[Illustration: Decorative F]

From the heading of this page you would scarcely know which I call my

little friend--Jack the boy, or Jerry the donkey. Friends of mine indeed

they both are; but I think I am fond of Jerry chiefly on account of the

love he bears his little master.

Jack is the oldest of a large family of boys and girls; he is only ten

years of age, but there are six other children, all younger than he is.

On his fifth birthday he had a rocking-horse given him: it came down

from London, for Jack's home is far away in the country. How delighted

the little boy was when the horse stood in the hall, covered up with

thick brown paper! He knew it was addressed to him, for he could already

read writing when it was large. Then, as the brown paper was taken off,

what a jumping and shouting there was: for the other little ones had

come down from the nursery to see the gee-gee.

You all know what a large handsome rocking-horse is like, so I need not

describe it; and you can imagine what a deal of amusement and pleasure

it afforded Jack for a while. However, as time went on, fresh little

brothers and sisters arrived quickly; and each in turn, as he or she

grew old enough, began to take delight in the gee-gee; until at last my

friend Jack scarcely ever had the chance of a ride. And I must say the

poor horse looked old and battered, and very different from what it had

looked when only used by my little friend.

One day he said to me sadly:--"You see I am getting big for it now, and

there are so many of the little ones to ride, so I give it up: the poor

gee-gee is worked hard enough as it is."

Jack was always willing to let the children ride his horse, but, worn

and damaged though it was, he could not bear to see them ill-use it. I

have noticed the child wince as if with pain, when his sturdy brother

Maurice made a great piece of paint drop off with a heavy crack from his

whip. "If the boy is so sensitive about a rocking-horse," thought I,

"how careful and kind he would be, if he had a real pony or donkey."

When I proposed to give Jack a pony, his mamma said she thought he was

not old enough to ride one yet, and seemed nervous about it, so I made

up my mind that a donkey it should be. I made inquiries, and soon found

a dear little creature, which I thought so pretty that I bought it at

once. It was very young, and had never before left its mother. Jack

named it Jerry: he took such care of it, and made such a pet of the

little animal, that it would come at his call, and follow him about, and

obey him, just like a large dog.

I remember one day, when we were all sitting at lunch, we heard, patter,

patter, patter on the floorcloth of the hall. Presently the door, which

was not closed, opened a little way. A soft mouse-coloured nose

presented itself, followed by a rough hairy face, with a pair of soft

full bright eyes, and after these came two long ears; then the whole of

Master Jerry's head looked round the corner at us. We all burst out

laughing, as you may easily suppose; when the donkey, thinking to join

in the merriment, put up his head, and raised such a "Heehaw! heehaw!"

that we were obliged to clap our hands over our ears, and the whole

house, I may almost say the neighbourhood, rang with the sound.

As soon as Jerry was big and strong enough to be ridden, I made Jack a

present of a bridle and saddle. He used to ride about in the park and

lanes; but when they came home, Jack never forgot to give Jerry a few

fresh carrots, or something nice, as you see him doing in the picture.

[Illustration: Seated by the fireside]

COME, ROSY, MY POSY.

_Allegretto. mf._

1.

Come, Rosy, my posy,

You're weary, you're dozy,

Sit upon grandmother's knee;

Songs I will sing,

Sweet sleep to bring,

So nestle up cosy with me,

So nestle up cosy with me.

2.

And I will sing ditties

Of birds and of kitties,

That of the Well to begin:

How Johnny Stout

Pulled the cat out,

While Johnny Green let her fall in,

While Johnny Green let her fall in.

3.

Of little Miss Muffit,

Who fled from a tuffit:

Bobby that sailed on the sea;

Jack and his Jill;

Mouse at the mill;

And Baby that rocked on the tree,

And Baby that rocked on the tree.

[Illustration: Squirrels]

SQUIRRELS.

[Illustration: Decorative H]

How pretty little squirrels look perched in the branches of a tree! I

like to watch them as they nimbly run up the trunk, or spring from bough

to bough. One or two are generally to be seen in a clump of great old

beeches near a house in the country, where I usually spend some happy

weeks in summer; and I will tell you a story of a little squirrel whose

acquaintance I made there last summer.

I happened to be up very early one morning, long before breakfast was

ready, or any of the family were down, and I went out into the garden to

enjoy the fresh sweet smell of the early day. The cows were grazing in

the field beyond, and now and then lowing a friendly "good-morning" to

each other. Some ducks were waddling in procession down to the pond,

quacking out their wise remarks as they went. The little birds were

singing lustily their welcome to the new-born day. Even the old

watch-dog came yawning, stretching, blinking, and wagging his tail in

kindly dog-fashion, to bid me "good-day" in the summer sunshine.

As I stood under the great beech trees, taking in with greedy eye and

ear the sights and sounds of country life so refreshing to a Londoner, I

heard something fall from one of the trees, then a scuffle, and

immediately afterwards a white Persian cat, belonging to the house,

bounded towards me in hot pursuit of a dear little squirrel. I was just

in time to save the poor little animal by stepping between it and the

cat. The squirrel passed under the edge of my dress, and made off again

up another tree; so pussy lost her prey.

Soon afterwards, when we were at breakfast, the butler told us that one

of the little boys of the village, who had lost a pet squirrel, had

asked if he might look for it in the garden of the house. It had first

escaped into some trees in the park, and he had traced it from them into

the garden. It at once occurred to me that this must be the little

creature I had saved from the cat. I remembered how it made straight

towards me, as if asking me for protection from its enemy, which only a

tame squirrel would do; and I proposed, when breakfast was over, that we

should go out and help in the search.

Little Jack Tompkins stood under the beech trees, looking with

tear-stained face up into the branches. Suddenly I saw his face

brighten, and he called out: "I see un, ma'am; I see un! If so be no one

warn't by, I be sure he'd come to I."

I need not say we retreated to a distance; then Jack called up the tree

in a loud whisper: "Billee, Billee!" and in a minute down came the

little creature on to his shoulder. I can tell you Jack was a happier

child than he had been when he came into the garden. And when I told him

what a narrow escape "Billee" had had from the cat, he said: "It would

be hard if a cat eat he, for our old puss brought he up with her own

kits." Then he told us how the squirrel, when a tiny thing, had dropped

out of its nest, and been found by him lying almost dead at the foot of

a tree, and how he had carried it home, and tried whether pussy would

adopt it as one of her own kittens. The cat was kind; the squirrel

throve under her motherly care, and became Jack's pet and companion.

Now, children, in this instance it was all very well to keep a tame

squirrel. "Billee" seemed happy, leading the life he was accustomed to:

he had been fed and cared for by human beings from his infancy, and

might be as incapable of finding food, and managing for himself, in a

wild state, as a poor canary would be if let loose from its cage. But

generally it is cruel to imprison little wild birds and animals who have

known the enjoyment of liberty.

Squirrels are interesting little creatures. Besides being so pretty,

bright-eyed, and active, they are remarkably intelligent. They make

their nests in trees as birds do, but with even more ingenuity than most

birds. The materials of the nest are moss, leaves, grass, and fibres of

the bark of trees, all neatly woven together. The nest is waterproof,

and secure from the roughest gale of wind; it is, besides, carefully

hidden from the view of any passer-by beneath. The food of squirrels

consists of vegetables, nuts, acorns, and other fruits and seeds. These

little animals have the forethought to lay up provisions for the winter;

and not only do they keep a little store in their nests, but in any hole

they may chance to find in the surrounding trees. Sometimes they have a

dozen secret storehouses within a few leaps of their nest.

[Illustration: Squirrel]

[Illustration: Pumpkinhead]

PUMPKIN-HEAD.

[Illustration: Decorative O]

Of all the things to make you stare,--

A Pumpkin-Head, I do declare!

That such a thing could come about

One almost feels inclined to doubt.

The story's sad, if true it be:

I'll tell it as 'twas told to me.

A man once lived whose name was Nocket,

Who dearly loved to fill his pocket,

And for the poor he had small pity.

By trade a hatter in the city,

He from his shop went up and down

To his cottage out of town;

And in his garden took delight,

And worked in it with all his might.

A treatise he had written too

On kitchen-gardening. So you

May well suppose he heard with glee

A garden-show there was to be;

And that a prize among the rest

Would be awarded for the best

And largest pumpkin at the show.

"Ha! ha!" thought Nocket, "now I'll grow

A pumpkin shall be such a size

It will be sure to gain the prize."

In hothouse, where the heat was greater

Almost than in Mount Etna's crater,

The pumpkin grew, and grew so fine

That Nocket asked his friends to dine.

And showed it to them all with pride.

"Magnificent!" the friends replied;

Excepting one, who looked quite sly,

And said, "You'll see mine, by-and-by."

'Twas Nocket's next door neighbour, Wright,

Who spoke those words: and all that night

Nocket slept not; spiteful and sad,

At length he formed a purpose bad:

At early dawn, without a fall

He clambered o'er the garden wall,

And of Wright's greenhouse ope'd the door,

Laid his own pumpkin on the floor;

There found the biggest ever seen,

Compared to which his own look'd mean.

Upon his head with might and main

He hoisted, it; and once again

He climbed the wall. Then found--worse luck!--

The pumpkin on his shoulders stuck.

In vain he wriggled, struggled, fought,

His head was in the pumpkin caught;

And from that day the thing stuck fast

On Nocket's neck. 'Tis sometime past;

Still, if the story be but true,

We yet may see it--I or you.

[Illustration: Flowers]

A STORY OF A WOODEN HORSE.

CHAPTER III.

JOURNEY TO PARIS.--CRESSIDA IN THE GARDEN OF THE LUXEMBOURG.--MAURICE'S

UNCLE.--A GREAT TEMPTATION.--MAURICE KEEPS HIS WORD.

[Illustration: Decorative M]

Mr. and Mrs. de Roisel were accustomed to spend the winter in Paris; and

when November came on, and the time for their departure arrived, it was

not without anxiety that Maurice thought of taking Cressida to live on

the first floor of a Paris house. The rooms were large and handsome, it

is true, but not suitable for a horse: it was necessary, however, to

make the best of circumstances.

They drove to the railway station at Savigny, where Mr. de Roisel

arranged for them to have a carriage to themselves, and Cressida was

lifted into it, for Maurice wanted to make the journey to Paris mounted,

on the back of his horse. Off they started: my little friend, firmly

seated on his saddle, went along at the rate of forty miles an hour. In

less than an hour, however, they reached Paris, and then Maurice

confessed that he felt tired: it was the first time he had made so long

a journey on horseback.

Arrived at their own house, Maurice at once set about making the pony as

comfortable as he could. The first night Cressida had to rough it a

little; but in the course of two or three days Maurice had fitted up in

his own bedroom a stable, which corresponded with the general comfort

and elegance of the rooms occupied by the family.

[Illustration: THE WORKMAN, AFTER HIS DAY'S TOIL IS OVER, WALKS

THERE WITH HIS CHILDREN.]

Picture to yourselves a white tent embroidered in blue, supported

against the wall of the room. The entrance to it is shut up by curtains;

but when open, these curtains are held back on each side by broad blue

ribbons. Inside the tent, at the end against the wall of the room, are a

rack and a manger of ebony. At one side stands a large chest, also of

ebony: it is divided into two compartments--one for corn, the other

containing everything required for grooming a horse. Also at the end of

the tent, hanging against the wall, are a saddle and bridle of Russia

leather, and two or three whips. I must add that a beautiful sheepskin

rug, white and soft as the down of a swan, takes the place of the straw

put down for litter in a common stable. Such was the new abode of the

pretty pony.

When it became known that Maurice possessed a wonderful horse, which,

though made of wood, could gallop, and neigh, and shake his head like a

real horse, he received numerous visits; and his little friends envied

him his happiness. Several of them proposed to him that he should give

them Cressida in exchange for some of their own beautiful toys; such as,

for instance, a mule with bells, like the mules in Spain; a pretty

sailing boat, intended to sail on the basin in the Tuileries; a box

containing everything required for performing the astonishing tricks of

the famous conjuror Robert Houdin; a whole flock of sheep with their

shepherd; and one little girl offered him her most beautiful doll--a

doll that had the air of a queen, and whose clothes were made of fine

cambric and lace.

But what were the most beautiful toys in the world compared to Cressida?

Maurice, who had so bravely resisted the temptation of giving his horse

in exchange for Jeanne, found no difficulty in refusing these offers.

For some days after Maurice arrived in Paris, the weather continued mild

and fine, although it was so late in the autumn; and he was able to go

out several times with Cressida into the gardens of the Luxembourg.

These gardens may not be particularly fashionable, but they are very

beautiful all the same. You may see there elegantly dressed ladies and

gentlemen, and children with clean and tidy nurses; but you also see

there, in the evening, the workman, after his day's toil is over,

walking with his children; perhaps carrying one in his arms: and though

he may carry it awkwardly, it is still touching to see what care he

takes of it.

[Illustration: ONE OF THE KEEPERS OF THE GARDENS MAKES A MISTAKE.]

My little friend, whose parents had no prejudice against the gardens for

reasons of this kind, went there often, and delighted in riding up and

down the great avenue upon Cressida. They made a sensation together, I

assure you. Not only the children, but the mammas and even the gentlemen

expressed their surprise and admiration. Many people thought at first

that Cressida was a real pony. I have been told, though I do not vouch

for the fact, that one of the keepers of the gardens, going up to

Maurice, summoned him to leave, because it was not permitted to ride

there on horseback. This caused great amusement, as you may suppose,

among the lookers-on. It has been said also that this mistake of the

keeper was reported in the _Journal des Enfants_--(The Child's

Journal)--a day or two after it occurred, but I cannot say I recollect

reading it. Maurice used to take his horse into the Luxembourg gardens

every day that it was fine, and enjoyed his rides very much.

Maurice had an uncle--his mother's brother--a lieutenant in the navy,

who returned about this time from a distant expedition. He came to rest

from his fatigues at Paris, and took up his abode with his sister, of

whom he was very fond. He was a young man of about twenty-eight or

thirty years of age, intelligent, and of very agreeable manners. But

beneath this amiable and gentle surface, he possessed a strong will, and

a resolute devotion to whatever he might consider to be a duty.

The uncle and nephew soon became great friends, and were almost

inseparable. They used to go out walking together, and sometimes the

uncle would teach Maurice his lessons. In the evening they often went

together to the circus or to an exhibition of some sort. But when they

passed the evening at home, Maurice was almost more amused; for he never

tired of looking over books of sketches, which his uncle had made during

his voyages.

There were sketches representing the Red Indians of America; the natives

of Australia; the inhabitants of the islands in the Southern Pacific,

and of the coasts of Africa. Maurice was astonished to see faces painted

in all the colours of the rainbow; and he wondered at the singular ideas

savages have of making themselves look more beautiful. He saw some with

pieces of wood fixed into their under lips, to make them hang down; some

with their teeth blackened; others with their eyelids painted red. There

were also sketches of Laplanders, who were certainly not handsome,--not

figures that a sculptor would choose for models. Maurice's uncle gave

him an account also of the manners and customs of all these people, and

my little friend learnt with horror that among savages, there are those

who roast and devour their fellow-creatures with the same relish with

which we eat good roast beef and mutton.

Then his uncle showed him landscapes of strange countries, all drawn by

himself, and sketches of the principal cities he had visited;

afterwards, drawings of foreign birds and flowers, such as are not to be

found in Europe. All this interested Maurice, and while it amused him,

gave him lessons in natural history and geography. You will easily

understand how fond he was likely to become of such a kind companion and

teacher.

The uncle always showed a great interest in Cressida, admired its

mechanism, and was fond of watching the little horse and its rider as

they went along together. One day, when he had been looking at them for

some time with a very thoughtful air, he said suddenly:--

"I wish I had a horse like Cressida."

"Why not buy one then?" replied Maurice.

"Ah, you know very well that is impossible. There is no such horse to be

had anywhere."

"That's true," rejoined Maurice; "but why do you want a wooden

horse--you who are so big, and can ride a real horse, if you wish?"

"No real horse--not the most beautiful in the world--could be the same

to me as Cressida," rejoined the uncle. "It may seem like a caprice, but

it is not. I am going to sea again very soon, and I confess I should

like to take Cressida with me. I could amuse myself with him on board

ship. He would be a great resource during the long tedious hours when

there is nothing to do. Besides, if I had the horse I should feel myself

less separated from you all; and it would remind me of you particularly,

Maurice, whom I shall be so sorry to leave."

"Ah, my dear uncle, what you desire is impossible. I cannot give you

Cressida."

"I don't expect you to give it me for nothing, of course."

"Indeed I wish I could give it you for nothing."

"Listen, now, to what I intend to do: I will leave you in exchange all

my books of sketches."

"Oh, pray stop, uncle," cried Maurice, feeling more and more unhappy;

"what you are saying makes me so miserable. You know I promised Fritz

never to part with Cressida."

"But every day people make promises which they do not keep: besides,

Fritz did not know that I should ever wish to have the horse, when he

asked you to make that promise."

"Still, I gave my word."

"Yes, the word of a child: what does that signify?"

"Does age make a difference? Are not children expected to keep their

promises?"

"Oh, I don't mean to say exactly that," replied the uncle. "Your own

conscience must teach you how that ought to be. But I think it strange

that you should prefer that old Fritz to me."

Now you must not suppose, my little readers, that Maurice resisted his

uncle's persuasion with the calm steadfastness of a grown-up man, whose

mind is quite clear as to his duty, and who is quite decided to keep to

it. No: poor little Maurice found his heart drawing him one way and his

conscience another. At last he wisely determined that he would take an

opportunity, when alone with his father, to ask his advice: but the

young lieutenant did not give him a chance of doing this, for he began

again upon the subject the same evening.

"I have been reflecting," he said to Maurice, "and I think my books of

sketches are not sufficient to give you for your horse. Listen now:

besides the books, I will give you a real pony. Perhaps he will be

rather bigger than Cressida; but I will buy one as much like Cressida as

possible."

[Illustration: "YOUR SON IS A HERO!"]

"Well, but," said Maurice, "why not keep the live one for yourself? You

can even call it Cressida if you like."

The young officer was a little put out by this suggestion, but after a

minute he replied:--"I could not take a real horse with me on board

ship; but a wooden horse is different. Now look here: not only will I

give you the pony, but you shall have a groom expressly to take care of

it; and both groom and pony shall be kept at my expense while I am away.

I will pay, besides, for you to have some lessons in riding, so that

when your papa goes out on horseback to the Bois de Boulogne you will be

able to ride by his side."

"You will do all that?"

"Yes, really, I will do all that."

"Ah, no, no! I cannot give you Cressida. If that poor Fritz should ever

come back, I will tell him all; and perhaps he will let me give you the

horse."

"You behave to me like a selfish and ungrateful child."

"Oh, uncle, uncle," exclaimed poor little Maurice, and he began to weep

bitterly, "is it possible that you say this to me seriously? Ah, well!

then you shall have----" He was going to say,--"you shall have

Cressida;" but as he spoke his mother entered the room. Her presence

seemed to remind him that he was going to break his promise after all;

and he went on:--"You may think what you please, uncle, but I will not

give you Cressida."

"Really!" exclaimed the young man with an appearance of delight which

astonished Maurice.

"And now go away from me, pray," said Maurice, still crying bitterly. "I

am ill; I think I am going to faint:" and he ran into the arms of his

mother.

"Your son is a hero!" cried the young officer, joyfully, addressing his

sister. "He is a hero, I say."

"And you--you are cruel," replied the mother, caressing her son, who was

sobbing convulsively.

"But did you not hear," said the young man, "how he kept to his

word,--how he refused to give me Cressida?"

"It is not right," said the mother, "to torture a child by such a trial.

Suppose out of love for you he had given way; you would have reproached

him for listening to the dictates of his heart rather than obeying his

sense of duty. Let me tell you that what is a virtue in grown-up people,

is not always so in a child. It is through their affections that we

govern children, and you would teach him to combat his tenderest

feelings. Besides, you set a bad example: you were practising a

deception in pretending that you wanted the horse."

"What! uncle," cried my little friend, who began to recover, "was it

only make-believe when you asked me for Cressida? You only wanted to see

if I should keep my promise? You would not have loved me any longer,

perhaps, if I had given it to you; and yet I should have given it

because I love you."

"You hear that," said Mrs. de Roisel.

"What a great man this little fellow will make some day!" exclaimed the

uncle.

I daresay my little readers can see, though the uncle did not, how near

Maurice was to yielding and giving up Cressida at last. We will allow

the young officer to remain in ignorance upon this point, but let us

tell him that it is always better to prevent faults than to provoke

them.

(_To be continued._)

[Illustration: Flowers]

_PUZZLE-PAGE._

[Illustration: Puzzle images]

Now, children, try to find out this puzzle page. The names of two of

these objects begin with C, one with E, one with G, one with I, and one

with M.

[Illustration: Birds]

THE SEASONS.

[Illustration: Decorative B]

Birds are in the woodland, buds are on the tree,

Merry spring is coming, ope the pane and see.

Then come sportive breezes, fields with flowers are gay,

In the woods we're singing through the summer day.

Fruits are ripe in autumn, leaves are sear and red,

Then we glean the cornfield, thanking God for bread.

Then at last comes winter, fields are cold and lorn,

But there's happy Christmas, when our Lord was born.

Thus as years roll onward, merrily we sing,

Thankful for the blessings all the seasons bring.

[Illustration: Little reader]

MY LILY.

[Illustration: Decorative D]

Darling little Lily! This is just how I found her one day after somebody

had given her a picture book of Cinderella.

"What is my little woman thinking about that she looks so sad and

solemn?" asked I.

"I so sorry for Umbrella," answered Lily, quite sharp and pat, thinking

she had hit upon the name finely; "but I not be sorry any more, for my

mamma come, and mamma love me."

I finished the story to her, when her pity changed into joy at

"Umbrella's" happy marriage with the young prince.

[Illustration: Chamois and little ones]

THE MOTHER CHAMOIS AND HER LITTLE ONES.

[Illustration: Decorative A]

A hunter in the Tyrol, while engaged in his dangerous employment, spied

a chamois with two little ones on the top of a rock. The little chamois

were leaping and sporting by the side of their mother, and she, while

watching their gambols, was on the alert to see that no enemy came near

to hurt them. The hunter peeped over a rock at the happy family, and

determined, if possible, to take one of the young ones alive. When the

old chamois caught sight of him, she was in a sad state of alarm: she

ran up to her little ones, and tried to lead them on to leap from one

rock to another; but they were too young to leap far. In the meantime

the hunter was clambering nearer and nearer, and would soon reach them.

Presently they came to a chasm, not very wide across, but of immense

depth. One of the little chamois was big and strong enough to leap

across it, the other was not. At last the mother hit upon a plan: she

made her body into a bridge across the chasm, placing her forefeet upon

the further rock. The young chamois, understanding her intention, sprang

upon her as lightly as a kitten, and reached the other side; when they

all scampered off. The hunter did not dare to follow them over this

dreadful chasm, and they were soon safe beyond the range of his gun.

[Illustration: Family]

CHILDREN.

What could we without them,

Those flowers of life?

How bear all the sorrows

With which it is rife?

As long as they blossom,

Whilst brightly they bloom,

Our own griefs are nothing,

Forgotten our gloom.

We joy in the sunshine,--

It sheds on them light;

We welcome the shower,--

It makes them more bright;

On our pathway of thorns

They are thrown from above,

And they twine round about us,

And bless us with love.

Bright, beautiful flowers,

So fresh and so pure!

How could we, without them,

Life's troubles endure?

So guileless and holy,

Such soothers of strife;

What could we without them,

Sweet flowers of life?

[Illustration: Flowers]

[Illustration: Fishermen]

MAMMA'S SUNDAY TALK.

MIRACLES OF OUR SAVIOUR:

THE MIRACULOUS DRAUGHT OF FISHES.

[Illustration: Decorative I]

I must tell you to-day, my dear children, about one of the miracles of

our Saviour of which I daresay you have already heard. Perhaps, too, you

have seen engravings of the picture from which the woodcut above is

taken. It is a large painting by Raphael, a great Italian artist of

former days, whom you will know more about when you are older.

After our Saviour had healed the nobleman's son--the miracle I described

to you in our last Sunday-talk--we are told in the Bible that He left

Cana and went to Capernaum, a town on the shore of the lake, or sea, of

Galilee. The country surrounding this beautiful lake is now desolate and

barren; but at the time when our Saviour lived upon earth, it was

fertile and thickly populated. On the banks of the lake were towns and

villages; on its waters boats plied, engaged in pleasure or trade; and

many fishermen carried on their calling.

One evening our Lord walked on the shore of the lake, teaching His

disciples, when He found Himself surrounded by a multitude of people.

They pressed about Him, eager to hear Him preach; and in order to let

them hear and see Him better, He entered into one of the fishing-boats

which belonged to Simon Peter. And Christ prayed Simon Peter to thrust

out the boat a little from the land: then He sat down, and taught the

people from the boat.

We are not told what was the particular purport of His teaching on this

occasion, but when He had done, He resolved to render what He had said

more impressive by performing a miracle before the eyes of all the

people. He turned to Simon, and told him to cast forth his nets to catch

fish; upon which, St. Luke tells us, Simon answered: "Master, we have

toiled all the night and have taken nothing; nevertheless at thy word I

will let down the net."

This is the language of obedience and faith. The net was at once cast

into the sea, and it enclosed such a quantity of fish that it began to

break. In the boat with Christ, besides Simon Peter, was another

fisherman, named Andrew; and they beckoned to their partners, James and

John, the sons of Zebedee, who were in another boat, to come to their

assistance. Both boats were filled so full of fish that they were almost

sinking.

Scripture does not give us any account of the impression this miraculous

draught of fishes made upon the multitude that were looking on from the

shore; but the first thought of Simon Peter seems to have been a sense

of his own unworthiness. Falling down at our Saviour's feet, he cried:

"Depart from me; for I am a sinful man, O Lord."

With mingled feelings of humility, gratitude, and awe, he entreated

Jesus to depart from one who was so guilty and undeserving. But he did

not know the love of Christ towards him, or the gracious design of this

miracle. His fears were soon calmed. "Fear not," said Jesus to His

trembling disciple: "from henceforth thou shalt catch men." From that

time Simon Peter, and his companions, Andrew, James, and John, were to

be employed in preaching the gospel. These poor, ignorant fishermen

became endowed with wisdom and eloquence; and in the wonderful draught

of fishes they might foresee their future success. They were to be

"fishers of men"; the world the sea in which they were to labour.

St. Luke says of them: "When they had brought their ships to land, they

forsook all and followed Him."

[Illustration: Fairy with book]

[Illustration: Girl standing on chair]

SOME OF MY LITTLE FRIENDS:

RUBY.

[Illustration: Decorative T]

The little girl you see in the picture is one of the very nicest of my

little friends. She looked just as you see her there on the day of her

party, which was given in honour of her fourth birthday. I remember

going into the nursery while she was being dressed. Nurse was just

arranging her sash, while she stood on a chair in front of the

looking-glass, admiring her little self generally; but most admiring her

pretty blue shoes, which just matched her sash.

When she saw me at the door, she cried out: "I ready now; wait for me."

And jumping off the chair and seizing my hand, she tripped away

downstairs, chattering merrily as she went. The time of the year was the

end of April, and Ruby's home being in the country, and the weather very

fine and warm, some of the festivities took place out of doors in the

garden. There were dances, and all sorts of games, on the dry sunny

lawn, a soft westerly wind blowing on the happy children the while,

bringing health and enjoyment with its sweet balmy breath.

While their fun was at its height, a curious figure appeared upon the

lawn. It was a queer-looking old woman with a nutcracker face, carrying

a large basket under her arm. She went hobbling along here and there, in

and out, among the children. From the basket came balls, tops, dolls,

and all sorts of toys, for the younger ones; useful presents for the

bigger children. Was there ever such a curious old woman, or ever a

basket that held so much? How they all laughed when presently she threw

off her mask, bonnet, and cloak; and behold! Ruby's papa stood before

them.

Now it was tea-time, and the little people trooped into the house. After

tea they were requested to walk into the drawing-room to be introduced

to Count Shuffalongofriski, the Polish dwarf, and his friend Captain

Sovveritall, the wonderful giant. Going into the room, they beheld a

little man standing on a table placed in the recess of a large window,

the curtain being partly drawn round the table. The dwarf wore a turban

and large beard: he had a long pipe in his mouth, and was dressed up in

shawls. He seemed very affable and pleasant, jabbering away continually

in some unknown language, while now and then he threw a handful of

crackers among the children to be scrambled for.

Presently an enormous figure appeared stooping to come through the door

of the room. He was covered up with a long cloak, and was an oddly made

giant too, for his shoulders seemed to stick out little more than

half-way up him, and he had a tiny little face, with a voice much weaker

than the dwarf's. He stalked up to the dwarf's table and stood beside

him. At last a little boy of the party, being very curious, lifted up

the giant's cloak to peep beneath, but happening to pull it at the same

time, down it fell, and there stood Ruby's papa again, with her little

brother Johnnie on his shoulders.

And now the boys were becoming uproarious, and tried to peep behind the

curtain to find out how the dwarf was made, when their attention was

attracted by the sound of a fiddle playing outside. They saw, in the

fading light of evening, a poor blind man being led up the carriage

drive by a barefooted little girl about the size of Ruby. As the blind

fiddler and his little girl turned the corner of the drive towards the

hall-door, they passed out of sight from the drawing-room windows, and I

observed that Ruby and three or four other children ran into the hall to

meet them. The boys, however, turned once more to pursue their

investigations concerning the dwarf, and were becoming quite riotous,

when I thought I might as well see what was going on in the hall, for I

heard the fiddler playing lustily.

Entering the hall, what do you suppose I saw? I saw Ruby and four or

five other little girls, including the fiddler's child among them,

dancing away with all their might to the inspiriting music of the

fiddle, fiddler and children seeming as happy as possible together. But

the strangest sight of all was to see Ruby's pretty blue shoes upon the

dirty stockingless feet of the fiddler's child, while Ruby herself had

only her white silk socks to dance in.

Dear little Ruby! hers was the true spirit of charity, though certainly

not well directed.

[Illustration: Child's face]

[Illustration: Sowing]

SPRING-VOICES.

_Allegretto._

1.

"Caw! caw!" says the crow,

"Spring has come again, I know:

For, as sure as I am born,

There's a farmer planting corn;

I shall breakfast there I trow,

Long before his corn can grow."

2.

"Quack, quack!" says the duck,

"Was there ever such good luck!

Spring has cleared the pond of ice,

And the day is warm and nice,

Just as I and Goodman Drake

Thought we'd like a swim to take."

3.

"Croak, croak!" says the frog,

As he leaps out from the bog;

"Spring is near, I do declare,

For the earth is warm and fair;

Croak! croak! croak! I love the spring,

When the little birdies sing."

[Illustration: Flowers]

A STORY OF A WOODEN HORSE.

CHAPTER IV.

MAURICE'S FATHER IS ILL.--A RICH LITTLE GIRL.--A FAMILY IN

DISTRESS.--WHAT OUGHT MAURICE TO DO?

[Illustration: Decorative S]

Some months later, when the Spring had come on, and the sun was

beginning to give warmth, while the air was already perfumed with

violets, Maurice was walking, one beautiful morning, in the Luxembourg

gardens. He had Cressida with him, whom he sometimes rode and sometimes

led, and Jacques the old servant was also there. A number of children

were in the gardens, playing at different games, and enjoying themselves

in the bright sunshine. They were chattering away too as gaily as the

little wild birds overhead were singing in the soft air.

Maurice alone was not amusing himself, and old Jacques the servant

walked after him in silence, looking as sad as his young master. Alas!

my kind-hearted little readers, you will be grieved, I know, when you

hear the cause of my little friend's sadness: Maurice's father was

seriously ill.

That very morning Maurice had been present, without any one knowing it,

at a consultation between two famous doctors, who were attending his

father. He happened to be in the drawing-room, standing at a window and

half hidden behind the curtain, when they came in, and they had not

observed him. Although he did not understand all they said, he heard

enough to cause him great unhappiness and alarm. He had now come into

the Luxembourg gardens--not because he thought of amusing or enjoying

himself, but because his mamma had wished him to go out.

[Illustration: MAURICE WAS PRESENT AT A CONSULTATION.]

While he was sitting on Cressida's back, with the reins thrown

carelessly on its neck, and moving at a slow walk to suit his thoughtful

and sad mood, he noticed that a little girl, rather older than himself,

was coming towards him as if she wished to say something. She was

accompanied by a lady, too young to be her mother, of a graceful figure

though simply dressed. The little girl, whose face expressed a bold and

decided character, called out to Maurice,--

"Young gentleman, sell me your horse."

"Sell Cressida!" cried Maurice, with astonishment. "Oh, no, certainly

not."

"I will pay you with ten pieces of gold money that I have here in my

purse."

"What! you've got ten pieces of gold money of your own?"

"My very own."

"Do just let me look at them," begged Maurice.

"Look!" said she, opening a pretty little purse with an air of triumph.

"What a lot of gold!" exclaimed my little friend, and he put out his

hand to touch it. Then drawing his hand quickly back, he added: "No, no,

I cannot sell Cressida. But tell me, who has given you all this gold?"

"It was my papa. Yesterday was his birthday, and I repeated to him a bit

of poetry--such pretty poetry!--wishing him many happy returns of the

day. Miss Henriette--she's my English governess, the young lady you see

there--she had written it out for me. When I repeated the lines to papa,

he gave me these ten napoleons, and he told me to buy something handsome

with them for myself,--anything I liked."

"But I have no idea of selling Cressida," repeated Maurice.

"You've not had him long then, I suppose--not got tired of him yet?"

"I don't remember exactly how long; eight or nine months perhaps."

"Nine months! It's an age; I never kept a plaything for nine months."

"What do you do then?"

[Illustration: "NO, NO, I CANNOT SELL YOU CRESSIDA."]

"I give them away or I break them. Don't you get tired of having the

same toys always?"

"Cressida is not a common toy to me."

"Oh, he's very handsome, no doubt; I thought at first he was a real

pony. But with ten napoleons you can buy another,--you can buy a white

one, and that would be a change, you know. Come, you'll alter your mind,

won't you?"

"No, certainly not."

"Oh, yes."

"Indeed, I'm sure I shall not."

"You are not like me then," replied the little girl, "I am always

changing my mind. Yesterday, what I wished for most in the world was a

set of cups and saucers of Sèvres china for my doll; this morning I

wanted most a coral necklace for myself; then I wanted an ermine muff;

and now I want to buy your horse. Don't I change my mind often? But your

horse I really wish for very much: the fact is I never saw one like it

at any toy-shop."

"I should think not," said Maurice.

"But I shall only care for it, you know, till I have a real pony. My

papa has promised to buy me a real pony in a year."

"Your papa is rich then?"

"Is my papa rich! I should think so indeed. My papa is a wine-merchant,

and he has made thousands upon thousands and millions upon millions in

his business: he's going to make a great deal more yet too, I can tell

you."

This heaping up of millions upon millions caused Maurice to open his

eyes very wide.

"What is your name?" he asked of the young girl.

"I am called Adrienne," she replied.

"Adrienne what?"

"Adrienne Fallachon, since you wish to know. But that will not be my

name always, for my papa intends me to marry a duke or a prince when I

am old enough. Some little girls I know turn up their noses at me

because my papa is a wine-merchant, and I told him of it one day. Oh, he

was in such a passion! What names he did call them! He took me up on his

knee, and said he loved me doubly since my mamma died; and he declared

he would make such a deal of money to give me when I marry that I should

be a princess, or a duchess at the least. That's what he said: isn't he

a good papa?"

"Oh, yes, indeed he is. But those little girls were very ill-natured, I

think."

"Yes, were they not? Suppose now we become great friends. I shall be

here every day, and sometimes we'll play together: do you agree?"

Maurice said he should be very glad.

"But I've told you my name," went on Adrienne; "tell me now in return,

what's your name?"

"Maurice de Roisel."

"Maurice de Roisel! that's a pretty name. Have you a title? If you have,

I'll marry you when you're grown up."

"Oh, as for a title, I really don't know, but I'll ask mamma if I have

one."

"Do; you need only be a duke, you understand."

Saying this she went off to play with her hoop, and Maurice continued

his ride, with Jacques walking by his side.

As Maurice approached the gate of the garden, he beheld a sight which

filled his kind young heart with pity. Seated on the pavement outside

the garden, and leaning against the iron railing, was a young woman with

three pretty children. They appeared to be in the deepest despair, but

there was a certain dignity in their grief; they wept silently, and

seemed anxious to avoid the notice of the passers-by. As he watched

them, he thought to himself--his mind dwelling upon his own anxiety--"I

wonder if their father's dead that they cry so bitterly?" He did not

like to speak to them, however, but only looked at them from a little

distance through the railings. Presently one of the children--a charming

little girl--looked up at Maurice, and then he ventured to approach and

ask her what made them so miserable.

[Illustration: THEY APPEARED TO BE IN THE DEEPEST DESPAIR.]

"Alas!" she replied, speaking bad French with a German accent, "it is

the greatest misfortune that could befall us: we are separated for ever

from our father. Our poor dear papa is expecting us at New York, where

he has some land, and where we could be rich and happy; and now it is

impossible for us to go to him. Alas! there is nothing for us but to

die."

"To die! Oh, don't say that--it's dreadful," rejoined Maurice.

"Yes, it is dreadful," continued the girl. "And my poor father--Ah, what

grief for him too!"

"But how does it happen that you cannot go out to join him?"

"We have not the means; we are without money."

"Money? I've got some money." And Maurice hastened to offer the contents

of his little purse--about five or six francs.

The little girl did not take them, but turned to her mother, who was

pressing to her heart her other two children, handsome boys of three and

four years old. The mother and her daughter spoke together for a minute

in German.

"Why do you not take what I offer?" said Maurice.

"Because," replied the girl,--for her mother could not speak

French,--"because, though it is a good deal for you to give, it would be

of no use to us. To save us we want two hundred francs--that is, ten

gold napoleons. Who would give them to us?"

"Ten pieces of gold money," cried my little friend. "Wait a minute; I

know somebody who has them."

He gave Cressida into the care of Jacques, and running after Adrienne,

took her by the hand, and led her up to this poor family.

"Give your money to these good people," said he.

"No, indeed!" replied Adrienne, astonished; "my papa told me to buy

something with the money for myself, and I'm not going to give it to

beggars."

"But just consider, Adrienne," said her English governess, who had

followed her, "whether you would not do well to give some help to this

unhappy woman and her little children: such a kind action would be all

the kinder if you do it by the sacrifice of something you intended to

buy for yourself."

"But my papa does not wish me to make sacrifices," said Adrienne. And

nothing that her governess or Maurice could say would induce her to part

with her money.

Maurice thought for a moment of going home to his mother to ask her for

the two hundred francs; but remembering that she would certainly be in

his father's sick-room nursing him, he felt that it would not do to

disturb or trouble her now. Then he turned to Jacques.

"Can you lend me two hundred francs, Jacques?"

"Two hundred francs!" cried Jacques; "why you would not surely give so

much to people you know nothing about. But at all events I don't possess

two hundred francs."

"Is it so large a sum then?" inquired Maurice.

"It is more than my wages for half a year come to."

"My dear young gentleman," said the governess, addressing Maurice, "I

see you have a good heart, but perhaps it would be wise, before you

think any more about helping this poor woman, to inquire what has

happened to throw them suddenly into such a state of destitution. You

see they are quite nicely dressed, and do not look at all as if they

were accustomed to ask for charity."

In answer to the questions of the governess and Maurice, the little

girl, who was the only one that could speak French, explained that they

were Germans from Nuremburg: that they had arrived only that morning in

Paris by railway from that city, intending to go on from Paris to

Nantes, where they were to embark for New York. Their father had gone

out to New York about two years before to settle there: he had been

prosperous, and they were going to join him. Their baggage had been

already seat on from Nuremburg to Nantes, and put on board the vessel in

which their passage had been engaged and paid for by their father at New

York, the captain being a friend of his.

She said that when they got out of the train at Paris that morning, they

missed a little portmanteau, the only luggage they carried with them,

which contained, besides some change of linen, all the money they had.

It had either been stolen or lost in the confusion of getting out of the

train. So they found themselves now in this great city without friends

and without money, and--worst of all--the vessel would sail to-morrow

evening, and unless they could go on at once their passage would be

lost.

She told her story with such earnestness and simplicity that no one

could doubt its truth; and the governess made one more effort to excite

the compassion of her pupil. But Adrienne was quite insensible to the

suffering of others, and ran off, bowling her hoop.

"Still," said Maurice, looking after her, "I know one way of finding the

money, if I could but make up my mind to do it: I could sell my horse to

Adrienne."

"What do you say, Master Maurice?" exclaimed Jacques. "It is impossible.

Sell Cressida, that you refused so bravely to part with to your uncle!

Think of your promise to Fritz."

"When I made that promise, Fritz told me expressly that I might sell it

only in order to help any one who was in great distress. Would not he

have wished to help this poor woman and these children? That I am sure

he would. Still it breaks my heart to part with Cressida: I can hardly

bear to think about it: but I will do it."

Adrienne ran up with her hoop at this moment, and her joy was unbounded

when she heard that Maurice consented at last to sell Cressida to her

for the ten pieces of gold. She kissed Maurice and she kissed the little

horse. She clapped her hands and danced about with delight.

As soon as her expressions of joy had begun to subside Maurice said to

her very seriously:--"I have one favour to ask of you."

"What is it?"

"That when you get tired of Cressida you will not throw it aside, or

give it to the first person who comes in the way, without knowing

whether it is taken care of or not. The favour I ask is that you will

just think of it, and care for it a little sometimes, even after it no

longer amuses you."

"Oh, yes, that I certainly will," said Adrienne. "I'll keep it myself as

long as it's in good condition; that is, till I break it, I mean; and

when I have quite done with it, I won't be so cruel as to throw it away,

or give it to the first who asks me. No, you may be quite easy about

that: I'll tell you what I'll do. When it's broken, I'll make it a

present to the children of my nurse. They are great fat country

children, with cheeks like rosy apples; but oh, so stupid! and not

difficult to please, I assure you. If Cressida has lost two or three of

its legs they will admire it all the same, and it will amuse them

immensely."

This picture of the probable future in store for the little horse was

not calculated to comfort Maurice, whatever it was meant to do. Indeed

he felt very much inclined to be off the bargain, and tears began to

trickle down his cheeks.

If the actors in this scene had not been so engrossed with the matter

they were discussing, they would certainly have noticed a rather old

gentleman, who was walking up and down, with his hands behind him, at a

few paces from where they stood, and who was evidently listening to all

they said. At this moment, when Maurice was looking very unhappy--for

his delight at helping this poor family did not prevent his feeling a

sort of horror to think that Fritz's wonderful mechanical work should

pass into such bad hands,--just at this moment, the old gentleman came

straight up to them, and spoke to Maurice.

What he said to Maurice, and what he did, are too important to the

course of this story to come in at the end of a chapter; and I will

reserve them for the beginning of the next. But I do not mind letting my

little readers know at once that Adrienne did not have the horse after

all.

_PUZZLE-PAGE._

[Illustration: Puzzle images]

Here are six objects for you to find out, children; one begins with D,

one with G, one with L, one with N, one with P, and one with Y.

[Illustration: Children sitting on the grass]

THE SUMMER SHOWER.

It's raining, it's raining, so heavily, heavily,

The only dry place is just under the tree;

There let us scamper, so merrily, merrily,

Keeping together as close as can be.

Look at the rainbow, so glorious and wonderful,

Stretching its great arch far up in the sky,

While all around the clouds heavy and thunder-full,

Tinge fields and trees with their stormy red dye.

Look, how the hills are all purple behind us;

See, how the sky is all gloomy and black,

Francis and Willy, indeed you must mind us,

Rain is still falling--this moment come back.

Yes, on that side the bright sun is now shining,

Tinting the tops of the trees with its glow:

Raindrops and sunbeams, their splendours combining,

Colour the beautiful rainbow, you know.

Do you not hear how the heavy drops clatter

On the broad branches that cover us now?

We are not shorn, like the sheep, so no matter;--

See, how they shelter themselves near the cow.

Old Nurse, perhaps, is afraid of the thunder,

Guessing in vain where her children can be;

After such torrents of rain, she will wonder

To find us all dry 'neath the broad chestnut-tree.

[Illustration: Flowers]

[Illustration: Children around the table]

TEASING TOM.

[Illustration: Decorative A]

A little boy called Tom was very fond of teasing. He used to call--"Bo!"

in the baby's ear, and startle the poor little thing. One Sunday he

pinned a pocket-handkerchief on to nurse's back as she was going to

church, and she thought people were admiring her when they looked back.

Another day he put some bran into her teapot, and nurse wondered why her

tea was not so good as usual. Then he got a frightful mask, and jumping

out of a dark corner, with a howl, nearly frightened the nursery-maid

into a fit.

One day there was a child's party. It was sister Mary's birthday. When

the children were taking their seats at supper, naughty Tom went behind

Mary just as she was sitting down, and pulled her chair away. Mary fell,

and hit her head against the fender.

Poor Mary was seriously hurt, and for a minute or two she lay

insensible. Then Tom was really sorry, and repented what he had done.

For all that, though, he was well whipped, and sent off to school next

day. I daresay you will agree with me that he deserved his punishment.

[Illustration: Herons]

HERONS.

[Illustration: Decorative T]

To-day our natural history picture shows three very funny long-legged

birds; they look at first sight very like storks, but these birds are

herons.

The heron, though much less common than in former days, still holds its

place among familiar British birds, being occasionally seen on the banks

of almost every river or lake. This bird is about three feet in length,

the bill being longer than the head, and the wings when spread measure

five feet across; with these large strong wings it can fly to a great

height. The heron lives on fish, which it swallows whole, and in great

numbers; it can neither swim nor dive, but it wades into the water as

far as its long legs will carry it with safety, and stands there as

still as if carved out of wood, with its long neck drawn in, and its

head resting between the shoulders. It will watch with patience for

hours till a fish or a frog comes within its reach, when it stretches

out its long neck suddenly, and snatches up its prey with its sharp

bill. It mostly prefers to stand under the shadow of a tree, bush, or

bank; and from its perfect stillness, and the sober colour of its

plumage, it seems often to escape the observation even of the fish

themselves.

In old times in England, the sport called hawking, which consisted in

the chase of herons by hawks or falcons trained for the purpose, was a

very favourite one among both gentlemen and ladies. Young hawks procured

from their nests in Iceland or Norway, and carefully trained, were of

great value. The sport was generally enjoyed on horseback, and both

ladies and gentlemen usually carried the hawks perched upon their

wrists, the birds' heads being covered with a hood till the moment came

for letting them fly.

When the heron was discovered, he would soon become aware of the

approach of the hawking party; and spreading his broad wings, and

stretching out his long neck in front, and his long legs behind, would

rise majestically in the air. Then the hawk's hood was removed, and as

soon as he caught sight of the heron, he was let fly in pursuit.

Now a hawk cannot strike unless it is above its prey, and the heron

seems instinctively to be aware of this. It used to be thought a fine

sight to see these two birds striving to rise each above the other.

Round and round they went, wheeling in a succession of circles, always

higher and higher. At length the hawk rose high enough to shoot down

upon the heron. Sometimes he was received upon the long sharp bill of

the latter, and simply spitted himself; but generally he would break the

wing of the heron, or clutch him with beak and claws, when the two came

fluttering down together.

This sport has now fallen into disuse, and English herons lead a

peaceful life enough. There are some at the Zoological gardens, and I

think you will laugh to see them standing there at the edge of their

pond, with heads sunk between their shoulders, looking like long-nosed

old gentlemen in pointed tail-coats.

[Illustration: Heron]

[Illustration: Mule]

AUNT TOTTY'S PETS:

COCO AND MARQUIS.

[Illustration: Decorative T]

The next of her pets that Aunt Totty told us about were a mule and a

dog.

"Yes, my dears," said Aunt Totty, "Marquis was certainly a splendid

animal; as large as a fine horse, as strong as a bull, and wonderfully

fleet. We used to drive him about in a light two-wheeled carriage, a

kind of cabriolet, which was the carriage most used in that part of

France in those days. I must tell you that what I am going to relate

happened when I was quite a little child, which of course is a long time

ago, and we were living at the time in a chateau, or large

country-house, in the south of France. There were large forests in that

part of the country, and the house was a long way off from any town.

[Illustration: Dog and mule]

"Now, handsome and strong Marquis certainly was, but that was about all

you could say in his favour, for he had a detestable temper. I hardly

know why I call Marquis one of my pets, for we children were never

allowed to drive him, hardly even to stroke him, lest he should kick or

bite; and he was addicted to both these bad habits. Whenever he thought

he had hurt anyone, or done mischief of any kind, you might see him

shake all over, as if he was having a good quiet laugh all to himself.

Once he succeeded in breaking the traces and getting free from the

carriage: then he indulged in something more than a quiet chuckle, and

fell to neighing or braying--for I hardly know which to call it--with

all his might, till we were nearly deafened by the horrid noise. I

remember another occasion, when he succeeded in upsetting the little

carriage and breaking the shafts. My mother and I and the coachman were

all thrown out. Luckily we were not much hurt; and while we were picking

ourselves up, Marquis stood looking at us with an air of triumph, and

amused himself by kicking up the dust with his hoofs till we were almost

smothered.

"Marquis had, however, one tender place in his heart, and that was

occupied by our dog Coco. Coco was a spaniel; no great beauty perhaps;

but he was as good and amiable as Marquis was the reverse. How two

creatures so unlike in disposition--one so good-hearted, the other so

vicious--could have struck up such a friendship, I never could make out.

If Coco went into the field where Marquis was grazing, the mule would

run up to him directly, and I have even seen the two rub their noses

together as if they were kissing. Coco had a comfortable bed in the

kitchen, but he preferred at night going to sleep upon the straw in the

little out-house which served as a stable for Marquis.

"The winter we were at the chateau happened to be unusually severe, and

snow was on the ground for many days. It was always known that there

were wolves in the forest, though they were rarely seen; but during the

cold weather it was said that one or two had approached the village. One

evening we were all sitting round the fire, Coco being in the midst of

us, when he suddenly pricked up his ears, as if he heard a sound

outside, and immediately rushed out of the room. Directly afterwards we

heard a dreadful howling, and papa and the boys ran out to see what it

was. They found Coco and a wolf waging a dreadful combat just outside

the door of the shed where Marquis was kept. This was not the regular

stable for the horses, and was rather separated from the other buildings

of the chateau. On the approach of human beings the wolf ran off, but he

had inflicted a mortal wound upon poor Coco, who was just expiring when

his rescuers arrived. He died to defend his friend Marquis."

[Illustration: In the woods]

COWSLIP GATHERING.

[Illustration: Decorative M]

Merry time, when cowslips bloom;

Merry time, when thrushes sing;

Merry time, when wild rose sprays

Far abroad their branches fling.

Merry time for girls and boys,

When the cowslips first appear,

Gilding meadows with their cups,--

Happiest time of all the year!

When the bees, with busy hum,

Play amongst their golden bells,

And the butterflies are come--

All of joy and pleasure tells.

Happy children! roaming far,

Gather cowslips at your will;

Fill your baskets--fill them full--

Thousands will be left there still.

Oh! the joyous time of youth,

Like the spring-tide of the year;

Could it but, like cowslip-bells,

Come again each coming year!

[Illustration: Flowers]

[Illustration: Healing]

MAMMA'S SUNDAY TALK.

MIRACLES OF OUR SAVIOUR:

THE MAN WITH THE WITHERED HAND HEALED.

[Illustration: Decorative O]

Our Saviour's next miracle, after the miraculous draught of fishes which

I described in our last Sunday talk, took place also at Capernaum, and

consisted in healing the mother of the wife of Simon Peter the

fisherman. Peter had become a disciple of Jesus, and indeed was soon

afterwards created one of the twelve apostles. The Master often visited

the house of His disciple; and one day on entering it, He was told that

Peter's wife's mother lay seriously ill. Christ immediately went into

the room of the sick woman; stood over her, and holding her hand, bade

the fever leave her. She arose at once from her bed, perfectly well; not

merely better; not weak, as people usually are on first recovering from

a fever, but quite well. St. Matthew says of her:--"And she arose and

ministered to them:" meaning that she was able to get up and attend to

her household duties as usual.

Our Saviour now went down to Nazareth, where, as you know, my dear

children, He was brought up, and where He had lived for many years

unknown and in poverty. He there performed many wonderful miracles,

healing the sick, and doing good to the poor or afflicted who came to

Him. But you must not expect me to describe to you all His wonderful

works of this kind; I shall tell you only of the most important, that

you may learn the loving kindness and mercy of Him who "bore our sins

and carried our sorrows."

It often happened on the Sabbath, in the cool of the evening, that the

sick were brought out on their beds or couches to Jesus to be healed.

They were not brought till the sun was setting, for fear of breaking the

commandment which forbids all manner of work on the Sabbath: but the

Jewish Sabbath ending at the setting of the sun, people did not scruple

to bring their sick to be healed by Jesus after that hour. And He healed

all that were brought to Him.

But once on a Sabbath day, before the hour of sunset, a man came to Him

for help. The hand of this man was withered and helpless, and he came to

Christ hoping that He would heal it. We are told in the Bible that the

Scribes and Pharisees watched Jesus to see whether He would heal on the

Sabbath day, that they might find an accusation against Him for breaking

the commandment. But Jesus knew their thoughts, and said to the man

which had the withered hand: "Rise up and stand forth in the midst." And

he arose and stood forth. Then said Jesus unto them: "I will ask you one

thing: Is it lawful on the Sabbath day to do good or to do evil; to save

life or to destroy it?" And looking round upon them all, He said unto

the man: "Stretch forth thy hand!" And he did so, and his hand was

restored whole as the other.

Now our Saviour did not mean by performing this miracle to teach that

the observance of the Sabbath should be lightly thought of. The teaching

of our Lord and His example do not tend to lessen our reverence for this

holy-day. But what He intended to show was that works of mercy are quite

consistent with the holiness of the Sabbath, and that the Sabbath was

intended for the advantage and happiness of mankind.

You would think that the gentle reproof of our Lord would have made

these Scribes and Pharisees repent: but it was not so. They felt that

they were put to shame before the people, and their rage and hatred

against our Saviour increased. They felt that they could not stand

before His teaching, even had this teaching not been sustained as it was

by such signs and wonders. They were losing influence, and if Christ was

allowed to go on, their own power would be gone.

Then the Pharisees and Scribes went and held council together against

Jesus, consulting how they should destroy Him.

[Illustration: Cluster of grapes]

[Illustration: Family at the table]

SOME OF MY LITTLE FRIENDS:

FRANK.

[Illustration: Decorative I]

I think you would like to hear about a little friend of mine called

Frank. That is, he _was_ a little friend of mine, for he is grown into a

man now; and though a friend still, he is by no means little, being

above six feet high. However, what I am going to tell you of him

occurred years ago.

Frank's father died when he was quite young, and his mother, marrying

again, went out to India; so it happened that he lived in London with

his grandfather and grandmother. They, of course, were quite old people,

and he was always very glad to spend a part of his holidays with some

cousins at their house in the country, which was very near to where I

lived. I was not quite grown up at that time, but I was so much older

than Frank that he looked upon me as a very wise person, and one quite

fitted to give him advice.

Now Frank had a great talent for drawing, and I think that was what drew

us together, for I had a turn that way also. He used to sketch the

beautiful scenery in the neighbourhood; and, although he only sketched

in pencil, he obtained good effects of distance, gave correctly the

foliage of the different trees, and, above all, he seemed by natural

genius always to choose just the subjects which formed a nice

composition as a picture.

He was at this time about twelve or thirteen years of age, and whenever

he talked to me about his own future, which he very often did, I could

not help encouraging him to become an artist. His grandfather, I knew,

had other views, and intended him to be a merchant, there being some

advantageous opening for him in that way. Still I advised Frank at least

to let his grandfather know how much he wished to be an artist, and to

show him some of his sketches; "because," as I said, "if he consents, it

is time you should be put in the way of studying art properly."

Well, Frank followed my advice. After spending his holidays in the

country, he went to pass one day in town at his grandfather's before

going to school. In the evening after dinner, when he was sitting with

his grandfather and grandmother, he suddenly broke out with:--

"Grandpapa dear, I want to be an artist."

"An artist!" said grandpapa; "why, what fancy is this? I didn't know you

had a taste that way. Here, let me see if you can draw this."

He placed before his grandson a small ancient vase, which he took from a

glass case; for Frank's grandfather, I must tell you, was a great

collector of ancient things--relics, and curiosities.

Frank took his place at the opposite side of the table, and set to work.

At last he brought the paper round to grandpapa. There was the vase,

very fairly and correctly copied:--But I think I had better give you an

account of what happened in grandpapa's own words, as he told it all to

me some time afterwards.

"The vase was well drawn, no doubt," said grandpapa, "but after all it

was nothing extraordinary; and I was giving the paper back to Frank,

when I noticed that there was some drawing on the other side. Looking at

it again, I saw two heads--mere sketches, but better likenesses I never

saw. One was his grandmamma; there she was to the very life. The

other--well, the other was a caricature, rather than a portrait, of me.

I was made to appear ugly and ridiculous, instead of the good-looking

old gentleman I am;" (He said this laughing) "still, it was a likeness,

I confess. I tried to be angry, but laughed instead, and exclaimed: 'Ah,

Frank, Frank! you shall be an artist if you like; you certainly have

talent, but you must turn it to better account than by making

caricatures of your old grandfather.'"

Frank is now grown up, and has already obtained some fame as an artist.

I saw two pictures of his at the Royal Academy exhibition the other day,

which were admired and praised by everybody.

[Illustration: Flowers]

[Illustration: Spring showers]

SPRING SHOWERS.

_Moderato legato._

1.

While it patters, while it pours,

Little folks are kept indoors:

Little birds sing through the rain,

"Dreaming flowers, awake again!

From the damp mould lift your bloom;

Scent the earth with rich perfume."

2.

See the flow'rets, one and all,

Answer to the cheery call;

Crocuses begin to thrill,

Violets thicken on the hill,

And the fields look sparkling bright,

With the clover, red and white.

3.

When it patters, when it pours,

Little folks are kept in-doors,

Looking through the window pane,

Covered o'er by drops of rain;

While its tinkling sound repeats,

"Blossoms crown the earth with sweets."

[Illustration: Bird]

[Illustration: Deer]

DEER.

[Illustration: Decorative L]

Look at that fine stag in the picture, keeping guard while the does and

fawns are feeding! How watchful he looks, with his head erect; and how

grandly his antlers spread out, as we see them against the soft twilight

sky! Deer in their wild state are timid creatures; at least, they are

very much afraid of human beings; and it is difficult to approach them.

Shooting the wild deer in the Highlands of Scotland is considered

excellent sport: it is called Deer-stalking. Large herds are to be found

there among the mountains, but the greatest caution and skill are needed

to get near enough to have a shot at them without being observed. Of

course the deer we see in parks are comparatively tame: they are

generally fallow deer; while those of the Highlands are a larger and

stronger species, called red deer.

I daresay many of you little people who read this have been to Richmond

park, and seen the herds of graceful fallow deer there. If you go up

very gently to them perhaps they will come and eat bread out of your

hand. At least I remember when I was a little girl, and passed a summer

at Richmond, I succeeded once in making two young fawns come and share

my biscuit with me. Shall I tell you how it happened?

One morning I had not learnt my lessons as well as usual; perhaps I had

been watching the butterflies from the window flitting about in the

sunshine instead of looking at my book; at any rate Miss Dobson, my

governess, thought it necessary to punish me. Now I was too big to be

put into the corner, being nine years old; and the mode of punishment

she always adopted was to avoid speaking to me for an hour or so, and at

the same time to put on an expression of face at once severe and

sorrowful.

After school hours we went out for our walk in the park as usual, and,

as I was an affectionate and very talkative child, you may suppose that

Miss Dobson's gloomy face and freezing silence made me very miserable.

If I ventured upon a remark the answer never extended beyond "yes" or

"no"; sometimes not even that. We had two great dogs, which generally

went out with us on our walk; but when I was under punishment, even

their companionship was not allowed.

At last Miss Dobson seated herself under a great oak, and began to read

a book she had brought out with her. Then I wandered a little way off,

picking the pretty wild flowers that grew amongst the fern. The birds

were singing in the sunshine, the bees were humming, everything with

life seemed to enjoy that life but me. Some deer were lying under the

shadow of the trees not far away, and I observed that two pretty little

fawns, standing nearer to me than the rest, were watching me. I had some

biscuit in my pocket, intended for the dogs; and taking a piece in my

hand, I walked up very softly to the little creatures. They looked at

me, as I approached, with a frightened glance from their great dark

eyes; but I fancy there must have been a sad and subdued expression in

my childish face which took away from my appearance what might have

terrified them, and on consideration they decided to remain.

Holding out the biscuit, I dropped it near them; then up jumped Mrs.

Doe, and came forward to see what it was I offered to her children. I

threw her a piece also, which she took and munched gladly, and the

little ones followed her example. I cannot describe to you what a

comfort it was to me in my trouble to find that these pretty creatures

were not afraid of me, and did not shun me. I no longer felt solitary;

no longer without friends or companions. Presently they took the biscuit

from my fingers, and when I had no more to give them, they still thrust

their soft noses into my little hand, and let me stroke them.

But my pleasure did not last long. A fine stag, the leader of the herd,

who was lying in the midst of them, and who, I suppose, had been half

asleep, seemed suddenly to become conscious of my presence, and took

alarm. Jumping up, he bounded away, followed by the rest of the herd,

and my two little friends went after the others.

Looking at them as they fled away from me, I felt more forlorn and

solitary than ever, and tears came into my eyes. Presently Miss Dobson

came up to me; she had been watching me from a distance, and now finding

that I was crying, her manner changed, and she was very kind. In fact,

my punishment was over for the time, and I think she began to find that

it was a kind of punishment which I felt more than she intended.

Two legs sat upon three legs,

With one leg in his lap;

In comes four legs,

And runs away with one leg;

Up jumps two legs,

Catches up three legs,

Throws it after four legs,

And makes him bring one leg back.

[Illustration: Legs]

[Illustration: Duck family]

DAME DUCK'S LECTURE.

[Illustration: Decorative O]

Old Mother Duck has hatched a brood

Of ducklings small and callow;

Their little wings are short, their down

Is mottled grey and yellow.

One peeped out from beneath her wing,

One scrambled on her back:

"That's very rude," said old Dame Duck;

"Get off! quack, quack, quack, quack!"

"'Tis close," said Dame Duck, shoving out

The egg-shells with her bill;

"Besides, it never suits young ducks

To keep them sitting still."

So rising from her nest, she said,

"Now, children, look at me:

A well-bred duck should waddle so,

From side to side--d'ye see?"

"Yes," said the little ones; and then

She went on to explain:

"A well-bred duck turns in its toes

As I do--try again."

"Yes," said the ducklings, waddling on:

"That's better," said their mother;

"But well-bred ducks walk in a row,

Straight--one behind another."

"Yes," said the little ducks again,

All waddling in a row:

"Now to the pond," said old Dame Duck--

Splash, splash, and in they go.

"Let me swim first," said old Dame Duck,

"To this side, now to that;

There, snap at those great brown-winged flies,

They make young ducklings fat.

"Now when you reach the poultry-yard,

The hen-wife, Molly Head,

Will feed you with the other fowls,

On bran and mashed-up bread;

"The hens will peck and fight, but mind,

I hope that all of you

Will gobble up the food as fast

As well-bred ducks should do.

"You'd better get into the dish,

Unless it is too small;

In that case I should use my foot,

And overturn it all."

The ducklings did as they were bid,

And found the plan so good,

That, from that day, the other fowls

Got hardly any food.

_PUZZLE-PAGE._

[Illustration: Puzzle images]

Here is a puzzle page for you. The names of two of these objects begin

with C, one with L, one with P, one with R, and one with S. Now try if

you can find them out.

A STORY OF A WOODEN HORSE.

CHAPTER V.

A MAN OF SCIENCE.--MAURICE PARTS WITH THE HORSE.--JOURNEY TO

NICE.--RETURN HOME.--AN UNEXPECTED VISIT.

[Illustration: Decorative A]

At the close of the last chapter I told you that an old gentleman had

been looking on from a little distance, while Maurice and Adrienne were

discussing the sale of the horse. At last the old gentleman came up to

Maurice, and said,--

"Are you going to sell that little wooden horse, whose mechanism is so

ingenious?"

"Yes, sir," replied Maurice, crying while he spoke.

"You seem very sorry to part with it. Tell me exactly why you sell it."

Maurice pointed to the poor family, sitting there against the railing of

the garden; and related all that had passed.

"You are a good boy," said the gentleman; "listen now: I also wish to

help this poor woman. Will you let me join you in the good work? That

will not make your merit the less."

"Oh, I don't think about my own merit," said Maurice.

"You are right," replied the gentleman; "charity does not think of self.

I mean to say, if you would practise charity in a true and holy spirit,

you must forget yourself completely. You are too young, perhaps, to

understand all that; but if you remember my words, they will grow up in

your mind as a young tree grows in a good soil. Now, as to helping this

poor woman and her children: she wants two hundred francs, you say. I

will give her half that sum from myself; and I will lend you another

hundred francs, that you may give them to her on your own part. Then

instead of selling your clever little horse to this young lady, you

shall leave it with me for a time as security for the repayment of the

hundred francs. Your mamma gives you money sometimes, I daresay?"

"Yes, sir."

"Very well; put aside all the money she gives you till you have got

together a hundred francs. It won't take you long. You must do without

sugar-plums, and cakes, and many a toy that you would otherwise buy. In

less than six months I have no doubt you will have the money. Let me

see; this is the twelfth of February: we will fix the twelfth of August

as the day when you will bring me the hundred francs and take back your

horse."

"But suppose I have not the money by that time?" urged Maurice.

"Oh, you'll have it. All I fear is that your father or mother may give

it you on purpose to pay me, and not let you save it out of your usual

pocket-money. But I will see them or write to them about that. Remember,

my dear boy, that an action is only really noble when it requires

self-sacrifice of some sort."

My little readers may imagine with what eagerness Maurice accepted this

proposition. Adrienne at first was very angry, and sulked and pouted for

a few minutes; then seeing some young friends come into the gardens, she

ran off to play with them, and seemed to forget the horse very soon.

The gentleman tore out a leaf from his pocket-book, and wrote on it in

pencil a formal acknowledgment of his having received the wooden horse

in pledge for a loan of one hundred francs; the horse to be restored

within six months on repayment of the money. He signed his name to the

paper, and handed it to Maurice.

[Illustration: HE WENT AWAY, LEADING CRESSIDA BY THE BRIDLE.]

On reading it, Maurice was surprised to see the name of Duberger. He

recognised it as the name of one of the most distinguished members of

the Academy of sciences; a name of European celebrity. The little boy

looked up at his new friend with an expression of curiosity and

admiration, at which the latter seemed both amused and pleased.

Mr. Duberger at that time was not really old--at least not old for a

philosopher and man of science. He looked old because his long hair was

grey, his figure was stooping, and his dress neglected. But, for all

that, his appearance was calculated to inspire respect and sympathy,

while his face wore an expression at once of goodness and intelligence.

He embraced Maurice, bidding him tell his father and mother all that had

happened; he went away leading Cressida by the bridle, and leaving

Maurice to give the two hundred francs to the poor woman himself.

Thus at last Maurice and his horse were parted, though after all he was

not breaking his promise to Fritz. He had resisted the temptation of

exchanging Cressida for Eusèbe's pretty goat--the gentle, graceful

Jeanne. He had resisted persuasions, entreaties, and the offer of many a

beautiful toy. Even when his uncle, by way of trying him, pretended that

he wished to have the little mechanical horse to amuse him on board

ship, Maurice had remembered, and still kept, his promise. Now, he

parted with Cressida for the sake of helping a poor family in distress;

and Fritz had expressly said that for such an object only Maurice might

sell the horse. Besides, was he not to have the horse again in six

months?

When he presented the money to the poor woman, she showed some confusion

at receiving so large a sum from the hands of a child. Maurice explained

to the little girl, who acted as interpreter, that he was not their only

benefactor.

"Duberger! Maurice de Roisel!" the poor little girl repeated several

times; then continued, "I will teach my brothers to say those two names;

we will never forget them; they will be as dear to us as the names of

our own father and mother. Our name is Kirchner: our father is Leopold

Kirchner, formerly of Nuremburg, where he was a blacksmith well known

throughout the city for his skill. Now he is rich, and a proprietor of

land in the United States of America, a country beyond the seas a long

way from here."

The mother took Maurice's two hands in hers, and said some words in

German.

"My mother says," explained the little daughter, "that you are born with

divine charity in your heart, and she prays God to lead you by the hand

through your life, on the path that leads to heaven. She prays, besides,

that happiness may fall on you and all who are dear to you."

"Pray, above all," replied my little friend, deeply touched, "that my

dear father may be restored to health."

With these words he took leave of the poor family to whom he had proved

such a benefactor, and hastened home, anxious to learn how his father

was going on.

"My father!--how is he?" he asked of the servant, as the door was

opened.

"My master has been asking for you, sir," replied the servant; then,

seeing the tears in Maurice's eyes, he added: "but you must not let him

see you cry, or he will think he is worse than he really is."

"The tears come to my eyes in spite of me," replied my little friend,

drying his eyes and checking his tears as well as he could.

Maurice went into his father's room, which appeared almost dark to him.

The poor invalid's eyes were weak and could not support the light.

Maurice, impressed by the silence and darkness of the room, walked as

quietly as possible on tiptoe up to his mother, whom he could

distinguish sitting by the side of the bed. She was praying silently to

herself, but on seeing her little boy, she took him in her arms, and

leant with him over his father's bed, who pressed him to his heart.

"My child, my dear child!"

Maurice could restrain his tears no longer, and his father observed it.

"Why do you cry, my darling boy?" said he; "you think me very ill? But

don't be alarmed; God is all powerful, and may save me yet. Take

courage; it will all pass away. I shall be cured before long; and, when

the weather gets fine, I will take walks in the Luxembourg gardens with

you and Cressida. Do not cry like that, my child, you will make yourself

ill."

My little friend's emotion was uncontrollable, and he was led out of the

room by his mother, while the poor father sank back upon his pillow

exhausted with the few words he had spoken.

The next morning, when Jacques came into Maurice's room to wake him, the

first words spoken by the little boy were to inquire after his father.

Jacques replied that the doctor, who had been there late the evening

before, had declared that his patient was better, and had told Mrs. de

Roisel that he had great hope now of his recovery. Maurice felt happier

than he had done since he was present at the consultation of the doctors

the morning before. Then, as he looked round the room, he saw Cressida's

empty stable, and occupied as his thoughts were by his father, he still

felt inclined to shed a tear at the sight.

"Do you know, Jacques," he said, "I had a dream about Fritz in the

night. I thought that I saw him, and I was afraid he would ask me what I

had done with Cressida; but instead of that, he took me in his arms, and

embraced me, and called me his dear good boy."

The hope expressed by the doctor that Mr. de Roisel would yet recover

proved to be well founded, and when the month of April came on he had

regained his strength sufficiently to bear a journey to Nice, so as to

escape the sudden changes of temperature to which Paris is subject in

the spring. He made the journey, accompanied by his wife and son.

Arriving at Nice, they took a pretty villa, having a view of the sea on

one side, and, on the other, delicious garden, in which my little friend

was surprised to find rose-trees, lilacs, and other plants in full

bloom, which at Paris had scarcely begun to bud.

[Illustration: THEY HEARD A GREAT NOISE OF CRACKING OF WHIPS.]

The climate of Nice agreed with Mr. de Roisel so well that they stayed

there nearly four months, and it was already the beginning of August

when the family returned once more to their own home--the pretty

comfortable old house where I first introduced Maurice to my little

readers. Maurice was heartily glad to be back again at his own

country-home, where he had his own little garden, where he knew

everybody in the village, and where even the trees in the wood, and the

little winding river with its pretty water-lilies, seemed like old

friends to him.

The very first day of his arrival at home, the little boy ran off to the

cottage of Fritz, to see if he had returned. He found it shut up, and no

one in the village had heard anything about him since his departure.

Although Maurice felt rather anxious at Fritz's prolonged absence, it

yet afforded him a sort of satisfaction; for he would have been sorry

that Fritz, on their first meeting, should find him without the horse. A

few days more, and he hoped to be in possession of it again.

In fact he had already collected together, out of the savings of his

pocket-money, the sum of a hundred francs; and the day after their

arrival at home, his father wrote to Mr. Duberger to say that he should

have the pleasure of bringing his little boy, on the twelfth of the

month, to pay him a visit and to redeem the horse.

On the morning of the twelfth, my little friend and his father were just

preparing to start, when they heard a sound of carriage wheels and

horses' hoofs, accompanied by a great noise of cracking of whips, on the

drive leading to the house. A minute afterwards a carriage with four

horses and postillions drew up at the door.

From this carriage descended Eusèbe and his father. They were not

expected, and never were visitors less wished for. Mr. de Malassise

began by making their excuses for arriving so unexpectedly, and

explained the reason. He said that Eusèbe had heard only the day before

of Maurice's return, and a violent fancy had seized him suddenly to come

and pay a visit to his cousin. It had been impossible to persuade Eusèbe

to delay the visit till they could write and give notice of their

intention. Eusèbe, he said, had insisted upon starting early that

morning; and had he been thwarted, that terrible attack of nervous

fever, so much dreaded by his parents, might have come on at last. So

they had made the journey with post-horses, and there they were!

It was a sad disappointment to Maurice that his visit to Mr. Duberger

should be put off, but there was no alternative; and after all it was

only a delay of perhaps a couple of days. Cressida could remain without

inconvenience for another forty-eight hours at Mr. Duberger's.

So thought our little Maurice; but we shall see presently what serious

consequences arose from that delay of only a couple of days.

THE BUTTERFLY.

[Illustration: Decorative L]

Little pretty butterfly,

Fluttering 'mid the flowers,

Thou must live so happily

Through thy life's short hours.

Little pretty butterfly,

Where the flowers are blowing,

Where the pretty song-birds sing,

Where the trees are growing;

There we see thy bright wings burn,

Fluttering free from sorrow:

Ne'er a task hast thou to learn,

To be said tomorrow.

Through the glad warm summer,

Fluttering on thy way,

With no thought or trouble

For a future day.

But when comes the autumn,

Thy short life is o'er,

In the wintry gardens

Thou art seen no more.

Fluttering on in lightness,

Soon thy life is past,

Vanished in its brightness--

Bright things do not last.

[Illustration: Flower]

[Illustration: Cooking]

DO AS YOU ARE BID.

[Illustration: Decorative O]

Once upon a time there lived a poor woman who had five children. The

eldest, Tom, went to school, but the others stayed at home with Jane,

the eldest girl, to take care of them; Jane was seven years old.

One day Jane's mother went out, telling Jane to be quiet, and careful

with the little ones, and on no account to touch anything that could

hurt them or herself. For some time after their mother went out the

children were good and played with some old dolls. But presently Jane

thought she would light a fire;--was she not naughty? She got on a chair

to reach the matches from the mantel-piece, and in doing so, she knocked

down an iron candlestick upon her brother Willy's head. Willy screamed,

and no wonder, for he had a great cut on his forehead. As soon as Willy

stopped crying, Jane lighted the fire, and then she thought she would

boil some potatoes; she found a saucepan, and popped them in.

The children crowded round her; she raised her arm to drive them off,

over went the pan with the boiling water all over them. Jane's ankle was

terribly scalded, as well as Willy's arm and Peter's leg; and baby was

scalded all over.

Just then in came mother. The doctor had to be sent for, and it was

weeks before the children were well. So much for disobedience.

[Illustration: Pond flowers]

[Illustration: Child and wolf-cubs]

THE CHILD AMONG THE WOLF-CUBS.

[Illustration: Decorative I]

In a cottage that stood on a great range of mountains in Germany, there

once lived a poor woman who had a little child and a flock of sheep.

Now, one day she sat with her little child in the forest, and gave the

child some porridge out of a pipkin, and the sheep were nibbling the

grass in the glades around. But in the thick parts of the forest there

were wicked wolves, and when the sheep went further away under the

trees, the woman thought, "Perhaps the wolves may attack them." So she

gave the child the bowl with porridge in it, and a wooden spoon, and

bade her eat it; saying, "Be sure not fill the spoon too full," and off

she went after the sheep.

And as the child sat alone, and ate and ate, there came a big she-wolf

out of the forest; and she ran straight to the child and took hold of

her by the jacket at the back, and carried her into the forest. So when

the mother came back the child was gone; the bowl was there, but the

spoon was not with it, for the child had held the spoon fast in her

little hand. Directly the poor mother saw the child was gone, she

thought the wolf must have taken it, so she ran back to the village, and

called the people to come and help her to find her child.

Meantime a man who had lost his way in the wood, and was wandering about

among the bushes, heard a sound of talking near him, and thought at

once, "There must be some people here;" and a little voice kept saying,

"Go, or I'll give you something!" And when he looked through the bushes,

to see what this might be, behold! there sat a little child on the

ground, and six little wolf-cubs round her, which kept snapping at her

hands; but the old she-wolf was gone. Each time that a little wolf-cub

snapped at her hands, the child hit it on the nose with the wooden

spoon, and said, "Go, or I'll give you something!"

The man ran up quickly, and beat off the wolf-cubs with his stick, so

they all ran away. Then he took up the child in his arms, for he feared

the old wolf might come back. In a short time he met the villagers

coming out to kill the wolf, and with them was the child's mother. How

rejoiced she was! How she thanked the man, and still more God, that her

child was saved!

[Illustration: Children and lambs]

LITTLE LAMBS.

[Illustration: Decorative I]

I walk'd in a field of fresh clover this morn,

Where lambs play'd so merrily under the trees,

Or rub'd their soft coats on a naked old thorn,

Or nibbled the clover, or rested at ease.

And under the hedge ran a clear water-brook,

To drink from when thirsty or weary with play;

So gay did the daisies and buttercups look,

That I thought little lambs must be happy all day.

And when I remember the beautiful psalm,

That tells about Christ and His pastures so green,

I know He is willing to make me His lamb,

And happier far than the lambs I have seen.

If I drink of the waters so peaceful and still,

That flow in His field, I for ever shall live;

If I love Him, and seek His commands to fulfil,

A place in His sheepfold to me will He give.

The lambs are at peace in the fields when they play,

The long summer's day in contentment they spend;

But happier I, if in God's holy way

I try to walk always, with Christ for my Friend.

[Illustration: Lambs]

[Illustration: Boat in a storm]

MAMMA'S SUNDAY TALK.

MIRACLES OF OUR SAVIOUR:

STILLING THE TEMPEST.

[Illustration: Decorative I]

In our last Sunday talk I told you how our Saviour healed the man with

the withered hand: and how angry the Pharisees were at His doing so on

the Sabbath. You understand, my children, that Christ was not teaching

us to regard the Sabbath with less reverence, but He showed us by His

example that works of mercy and kindness are consistent with the

holiness of Sunday. Christ said, "It is lawful to do well on the Sabbath

day." To attend the sick, comfort the afflicted, teach the young and

ignorant,--these are all good works; and to do these is "to do well."

The Pharisees and Scribes were always on the watch for something, either

in the doctrines that Christ taught, or in His acts, which might serve

as a ground for arresting Him and bringing Him to trial. But besides the

open enmity of these men, our Saviour had a difficulty to contend with

in the want of thorough and perfect faith even in those who dearly loved

Him--His own disciples; and some of the miracles He performed had for

their object chiefly to confirm and strengthen the faith of His

followers. The miracle I am going to tell you of--the stilling of the

tempest--was one of these, and was witnessed only by the disciples who

were with Him in the ship.

Not only was faith necessary for the disciples in order to give them

confidence in the protection of God while they helped our Saviour in His

work, or when they should have to continue it after Him, but perfect

faith was needed before they could acquire the power of performing

miracles. On one occasion, when some of them had attempted the

miraculous cure of a boy, and failed, they asked Christ the reason of

their failure. He replied: "Because of your unbelief. If ye have faith

as a grain of mustard seed, ye shall say unto this mountain, Remove

hence to yonder place; and it shall remove, and nothing shall be

impossible to you."

The apostles--that is, the chosen few, who continued the mission of our

Saviour after His crucifixion--had the power of working miracles

conferred upon them. We may assume therefore that their faith was

perfect. But let us come to the miracle I have to tell you of today.

Our Saviour had been teaching the people all day from a boat on the lake

of Galilee; the people being ranged along the shore, so that they could

all hear without crowding in upon Him. When evening came on, He desired

the people to return to their homes, and bade His disciples put their

boat from the land, and depart to the other side of the lake. As they

left the shore, the water was smooth and calm, and the cool air blew

gently from the mountains. Christ, tired out with the exertion of the

day, lay down to rest and fell asleep.

The boat bore them over the rippling waves, and the disciples conversed

most likely about the teaching of our Saviour which they had heard that

day. They thought very probably that their faith in Him was quite

strong: but it was soon to be tried. A terrible storm arose suddenly;

the wind blew furiously; the great waves arose around the little vessel,

and broke over its sides; the sail was torn, the mast broken. Then the

disciples, in terror, rushed to our Saviour to wake Him, saying, "Lord,

save us! we perish."

Christ said unto them: "Why are ye fearful? oh, ye of little faith!" and

He rebuked the winds and the sea, and there was a great calm.

But even after this the disciples did not seem thoroughly to understand

our Saviour; for the scripture tells us that "they marvelled, saying,

What manner of man is this that even the winds and the sea obey Him?"

[Illustration: Boat]

[Illustration: Child with bird]

SOME OF MY LITTLE FRIENDS:

LENA.

[Illustration: Decorative L]

Lena is the name of the little friend of mine I am going to tell you

about. You may see by the picture that she is not an English child, nor

does she belong to the class which we call gentlefolk. Lena is German,

and the daughter of a fisherman; nevertheless she is one of my dearest

little friends. She lives in a cottage on the banks of the river Rhine,

a short distance from the city of Coblenz. Her father earns his living

as a boatman and fisherman upon the river; her mother takes care of the

cottage, of their only child, and of the poultry: she finds plenty of

time for making lace besides. I will tell you how I came to make little

Lena's acquaintance.

I passed one summer not long ago at Coblenz, at a villa on the banks of

the river just outside the city. One evening, after a very hot day, I

wandered a little way along the road by the side of the great beautiful

river. I watched the lights gradually appearing, like fireflies in the

distance, in the windows of the old castle or fortress of

Ehrenbreitstein, which crowns a rocky hill on the opposite bank; and I

watched, too, the lights and shadows borne on the breast of the swift

river beneath. I stood looking at the restless ever-flowing water,

comparing the river in its course to my own life, or to the lives of

others; and thinking many thoughts which you, my little readers, would

hardly understand.

At length my meditations were disturbed by a woman who came out of a

cottage close by, and who, walking to the edge of the bank, there sat

down, threw her apron over her head, and began to cry bitterly. It

seemed as if she had come out of the cottage on purpose to have a good

cry without disturbing some one within. After a moment's hesitation, I

went up and begged her to tell me what was the matter. She replied that

her little girl was very ill with low fever, and the doctor had told her

that very evening that he had scarcely any hope.

This woman was Lena's mother. I asked her to let me see the child, whom

I found flushed and restless, tossing from side to side in her bed. Poor

little Lena! The cottage was near my own house, and I went every day

after that to see her. Often did I watch part of the night by her sick

bed while her mother rested. At length our little patient began to

recover; and while she was still too weak to walk, she delighted to sit

at the cottage door, and listen while I told her stories.

Now, besides the poultry about the cottage, Lena had a pair of white

doves, and in one of my stories I had told her of a letter being sent by

a carrier-pigeon. Lena took it into her head that one of her white doves

should carry letters from her to me after I returned to England. One

day, when she was almost well, I found her standing at the door of the

cottage, with the dove perched upon her hand, and a letter tied round

its neck. She had been trying if it would carry a letter to me to my

house close by; but it had only wheeled round and round and come back

again to her. She said sadly: "If it does not know how to take a letter

that little distance, how will it ever take one to England?"

Dear simple Lena! she did not understand that pigeons will only return

to places where they have lived; but we have managed to correspond

without the help of carrier-pigeons. I have seldom seen a prettier

picture than she presented that day, standing at the cottage door with

the white dove upon her hand.

[Illustration: Flowers]

FLOWER-BELLS.

_Allegretto._

1.

The flower-bells are ringing! come one, and come all;

Come plain and come pretty, come great and come small.

The flower-bells are ringing! come quick, and you'll say,

Some queer little people have joined in our play.

2.

They'll do us no harm, and may do us some good;

They'd make us all happy and wise, if they could.

In cups of the flowers they love dearly to dwell;

Now listen, and hear them each ringing a bell!

3.

"Come, boys and girls, come to our flower-school and learn

The lessons we find in each lily and fern;

We'll teach you to seek for the fair and the good,

In city and village, in field and in wood."

[Illustration: Flowers]

[Illustration: Woodpeckers]

WOODPECKERS.

[Illustration: Decorative H]

Here we have a picture of Woodpeckers. See how they cling to the bark of

the tree with their claws, and how eager the two little ones seem for

the prize their mother has just captured. The woodpecker is a bird of

very singular habits. It lives upon the insects which exist in the bark

of trees, and is remarkably adapted by nature for obtaining this kind of

food. Its bill is long and sharp and powerful; and with its hooked claws

it clings to the tree while it sways its body to and fro to give force

to the strokes of its bill. The object of these strokes is to shake the

insects out of the tree, and they are given with wonderful force and in

rapid succession. Then the bird thrusts its long tongue into the

crevices, and the tongue being barbed at the end and covered with a sort

of gum, it secures a vast number of insects as well as their eggs.

In the quiet of the woods the sound of the woodpecker tapping may be

heard at a great distance. I remember once, when I was a little girl,

being very much frightened by the noise: I will tell you how it

happened.

The house where I lived in the country not only had a large garden, but

beyond that was a little wood, which we called the shrubbery. This wood

had a broad walk winding through it, with seats placed here and there.

One beautiful summer morning I and my brother, who was some years older

than I was, were sitting together upon one of these seats under the

shade of the trees. He was on his way to go out fishing, and was only

stopping to do something to his fishing tackle. Wanting a pair of

scissors, he sent me into the house to fetch them, ordering me about in

the sort of way in which big boys are apt to order their little brothers

and sisters.

I soon returned with the scissors, but no longer found my brother where

I had left him. The truth is he had gone off on his fishing expedition

without waiting for my return. However, I looked about for him, and

presently I heard a sound like somebody hitting a tree with a stick.

"Ah, ah, so you are hiding, are you, Master Maurice?" thought I; and I

looked behind different trees, one after another, thinking every moment

to discover him. Then I began to fancy that the sound, although so clear

and distinct, was some distance off; so I wandered on, still following

it, and looking about as I went. Now and then the tapping ceased, but

always went on again after a minute.

At last I began to be frightened, and called out:--"Maurice, dear

Maurice, where are you? You are frightening me." The tapping ceased from

that moment, but my alarm did not. That such a noise should have been

made without anybody to make it seemed to me very like something

supernatural. I began to cry, and at the same time set off running

towards home. I dared not look behind me as I ran, and when I reached

the house, was at first too frightened and excited even to explain what

was the matter. I must tell you that I was only seven years old at that

time.

I remember the old gardener said, when he heard the story, that he

suspected that it was only a woodpecker tapping; but I refused to

believe that a bird could make so loud a noise. It was not till long

afterwards, when I happened to both hear and see one, that I became

convinced the old gardener was right.

The woodpecker is a handsome bird, about the size of a pigeon, of a

greenish colour, with black and white marks upon the wings, and a

crimson stain upon the head. It is heard much oftener than seen, for,

being very timid, it is ingenious in hiding itself. It does not build a

nest like other birds, but seeks for a decayed place in the trunk of

some tree, where it scoops out a hole. There Mr. and Mrs. Woodpecker

establish their little home: there the eggs are laid, and the young ones

are reared.

_PUZZLE-PAGE._

[Illustration: Puzzle images]

Now see if you can find out the names of all these objects. One of them

begins with C, two with D, one with F, one with H, and one with T.

A STORY OF A WOODEN HORSE.

CHAPTER VI.

A PHILOSOPHER AT HOME.--THE HORSE IS STOLEN.

[Illustration: Decorative T]

The visit of Mr. de Malassise and Eusèbe only lasted two days. Eusèbe

went away very well satisfied with himself, for in those two days he had

contrived to alarm his father several times by putting himself in a

passion, and had teazed his cousin so ingeniously that he more than once

brought tears into his eyes.

The morning after the departure of these unwelcome visitors, Mr. de

Roisel and Maurice started off on their expedition to see Mr. Duberger,

and to bring back the horse. They were going two days later than was

intended, but a letter had been already sent to Mr. Duberger, explaining

why they were obliged to postpone their visit from the twelfth of August

to the fourteenth. That gentleman did not live habitually at Paris, but

at a place called Palaiseau, which was not more than two or three hours'

drive from Maurice's home. Mr. de Roisel drove Maurice in a light chaise

with one horse; and they started very early, in order to avoid the heat

of the day.

Palaiseau is a large straggling village situated in a pleasant valley;

and on the hills around are many pretty country houses, one of which was

inhabited by Mr. Duberger. Neither Maurice nor his father had been there

before, so, on arriving in the village, they had to inquire which was

the house. Just in front of the little inn of the village stood three or

four men, conversing earnestly, and Mr. de Roisel inquired of them for

the house he wanted. One of them replied:--

"It is a good half mile beyond the village, sir; and stands quite alone

on the right hand side of the road. We were just talking about a report

there is in the village this morning, that Mr. Duberger's house was

broken into by thieves last night; but the accounts are so different I

hardly know if any of them are true."

Mr. de Roisel touched his horse with the whip and hastened on, feeling

very anxious and alarmed. After driving about half a mile along the

road, he pulled up again to ask his way of a woman who was standing at

the door of a cottage.

"Do you want to see Mr. Duberger?" exclaimed the good woman. "Ah, poor

dear man! Only to think there are wretches in the world who would do him

an injury! But they do not belong to these parts, I'm certain. He does

so much good, that no one here would hurt a hair of his head."

"Good heavens! Has he been murdered?"

"Murdered! No, no: but he was robbed last night of a great many valuable

things. That's bad enough, I hope. If you want to see him, sir, that's

his house, yonder among the trees. The turning there on the right leads

directly up to it." Saying this she pointed to a house, which, seen from

a distance, had a good appearance.

They turned up what might once have been a handsome avenue of trees, but

many had died or been cut down, and never been replaced. A number of

sheep were grazing beneath the trees of the avenue, and there reigned

over the place that air of quiet and peace which brings repose both to

the eyes and heart.

[Illustration: SHE SAID, "I WAS SURE YOU WOULD NOT BE READY."]

Reaching the iron gate of the courtyard, Mr. de Roisel got down to ring

the bell, but finding that the gate was not fastened he opened it, and

the chaise drew up at the stone steps of the entrance door. The house

appeared large, but very much out of repair. The walls were crumbling in

parts, and broken shutters hung at the windows; but this appearance of

decay or disorder seemed rather the effect of negligence than of

poverty.

They soon heard the sound of slow footsteps approaching from the inside,

and an old woman, having the look of a housekeeper, appeared at the

door. Glancing at our travellers, she turned back into the house, and

they could hear her call out to some one within:--"It's the gentleman

who wrote to you the day before yesterday. I was sure you would not be

ready to receive him."

"Well, well, Marianne," replied a man's voice, "I'm making all the haste

I can."

"Sir," said the old woman, coming forward again, and addressing Mr. de

Roisel, making at the same time a curtsey after the manner of a peasant,

"you are welcome. If you will trouble yourself to walk into the

drawing-room, my master will join you there in an instant. Michel will

take the horse to the stable, sir. See, he's coming as quickly as he

can. He doesn't run very fast; his legs are like mine--a little stiff.

In truth, he's no longer young. He has been our gardener, sir, for more

than fifty years."

Michel was a little withered old man, bent from age, and from the habit

of stooping at his work.

"Sir," said he, in a shaking voice, "excuse my slowness; I have no

longer the activity of a youth. Besides, I had a good walk this morning

to go after the police."

"It is true then, this robbery I have heard of? What has been stolen?

Any money?"

"No, unfortunately," replied the old woman; "if it were only money my

master would not care so much. He thinks little about money--not enough,

indeed. But the thieves have carried away some precious and curious

things that never can be replaced. Still we ought to thank Providence

that we all remained fast asleep while the robbers were in the house. If

we had wakened up, perhaps they would have cut our throats. But come in,

I beg, sir."

As they entered the room, Marianne went on:--"It must be confessed that

my master himself is partly to blame for what has happened. He never

would have the doors fastened or the windows barred up. He trusts

everybody. But won't you sit down, sir?" (Here she put forward some

chairs) "You see we might all have been murdered, sir. That would have

mattered very little for Michel and me; we are so old; but for him!--I

tremble to think of it."

While the old woman chattered away, Mr. de Roisel looked round the room,

but he saw nothing there to justify the character which Mr. Duberger

bore of being an enlightened collector of curiosities and works of art,

as well as a man of science. The furniture was extremely old, and of the

fashion of fifty years ago. Some badly executed drawings hung on the

walls; and an old-fashioned clock stood on the mantelpiece.

"What!" said Mr. de Roisel, observing it, "can it be past eleven?"

"Oh, no, sir," replied Marianne; "pardon me, it is not yet ten. That

clock is an excellent one, only if you do not understand its ways, it is

apt to mislead. The thieves did not take anything from this room last

night: they seemed to know where the valuable things were to be found.

The furniture of this room, sir, my master sometimes says would not sell

for fifty francs altogether: still it is of value to him--and to me

also,--for it belonged to his grandmother, my first mistress. This old

furniture is associated with the recollection of one we loved. These

drawings were made by her, and her husband had them framed as you see.

My master adored his grandmother, and these old things are precious to

him for her sake."

Mr. de Roisel felt a strong sympathy for the man who united such

tenderness of heart with the rare intellect which had made him

celebrated. Maurice also was touched, and took the withered hand of

Marianne in his own.

"You are very good, my little gentleman; you remind me of my master in

his childhood." Then she went on: "After the death of my first mistress,

I served the mother of Mr. Duberger. She died too young to see the

success and honours of her son: I have never quitted my master since."

At this moment Mr. Duberger entered.

"Leave us now, my good Marianne," said he. Then embracing Maurice, he

exclaimed: "Why, how you have grown! I think the good God watches over

children that have kind hearts. You have been growing up in happiness

and health, as a flower blossoms in the spring-time." Then turning to

Mr. de Roisel, he added: "I received your letter, sir, and regret very

much indeed that the day of your coming was postponed."

"I fear we have come at a very inconvenient time."

"Oh, it is not that; but you are one day too late." Then taking Maurice

on his knee, he went on: "You are a brave boy, and no doubt have

deprived yourself of a good deal in collecting these hundred francs; but

they are useless after all. When we met in the Luxembourg gardens, I

thought it better for you that your charity to the poor woman should

cost you some real sacrifice; but I was wrong to take your horse in

pledge for the money. Now I am your debtor, and a debtor who cannot

pay."

"I understand," said Maurice, as he burst into tears; "the thieves

carried off Cressida last night. But it is not your fault."

"Yes, yes, it is my fault. I was wanting in prudence; I kept neither

doors nor windows fastened. I am much to blame."

"Not so, indeed, sir," said Mr. de Roisel; "it has been a chance which

nobody could foresee. But do you not think the thieves may yet be

discovered?"

"Probably. I think they will betray themselves in trying to sell the

things they have stolen."

"Let us hope so," rejoined Mr. de Roisel.

With this hope, and the chance it afforded of the recovery of the horse,

Maurice tried to console himself.

[Illustration: Children in village]

BABY'S RIDE.

[Illustration: Decorative B]

Baby, do you like your ride?

Baby on the baa-lamb!

Baby's mother is beside

Baby riding baa-lamb.

Sisters too are dancing near

Baby,--near her baa-lamb;

On the ground is brother dear,

Almost touching baa-lamb.

Little birdies even stop,

Perching close to baa-lamb,

Now they chirp, and now they hop,--

They have no fear of baa-lamb.

Yet another sister there,

Comes to look at baa-lamb:

Her clothes and shoes are left,--oh, where?

Through haste to see poor baa-lamb.

The summer's day too soon is past

For children and for baa-lamb;

You see our pleasure cannot last--

Not even rides on baa-lamb.

[Illustration: Sitting in front of the fireplace]

THE GIANT HANDS.

Scene I.

[Illustration: Decorative L]

Little Willie sits by the fire thinking. He lives in this cottage alone

with his mother, who is out just now, and I will tell you what Willie is

thinking about so earnestly. He is a clever good boy, and is making up

his mind that he ought to go out into the world and seek for work, and

try to earn his own living, instead of being dependent on his mother,

who is very poor. He determines he will tell her so directly she comes

in, and ask her leave to go.

[Illustration: Child and giant hands]

Scene II.

Here is Willie, with his little bundle at his back, on his first day's

journey to seek his fortune. As he walks along he is startled to observe

a white cloud resting on the ground, directly in his path. From this

cloud come forth two enormous hands, and a voice from the cloud

says:--"Don't be afraid, Willie; I come to be your friend. No eyes but

yours will be able to see me, but only persevere in your wish to work,

and I will be ever near to help you."

Willie, somehow, does not feel frightened, but says:--"Thank you, good

hands." And then they vanish.

[Illustration: Child and giant hands]

Scene III.

The help promised to Willie by the hands makes him so happy that he runs

and leaps with joy; but as evening draws on he feels very tired. He lies

down under some trees, and eats some bread and cheese brought with him

in his wallet. He is in a forest now, and thinks he hears the howling of

wolves in the distance; still he is so tired that he must go to sleep.

Presently he sees the giant hands spread themselves over him, forming a

sort of tent. His heart is full of gratitude as he says his prayers, and

falls asleep, feeling how safe he is beneath those giant hands.

[Illustration: Child and giant hands]

Scene IV.

The next day Willie obtains employment in the service of a farmer. Here

we see him in the corn-field reaping, and doing as much work as two

strong men could do. But under the shelter of the high corn are the

giant hands at work helping him. Willie whistles and cuts away: his

sickle glistens as the corn falls under its long sweeps.

In the evening the farmer comes into the field, and stares to see the

long rows of well-tied sheaves. He looks at Willie with astonishment,

and promises himself that he will do his best to keep so good a servant.

[Illustration: Child and giant hands]

Scene V.

"If he can reap so well, perhaps he can plough," says the farmer to

himself, as he leaves the cornfield; and the next morning sees Willie

employed as a ploughman. The giant hands guide the plough, unseen by any

but Willie; and the land is ploughed in furrows as straight as the

flight of an arrow. The farmer watches from his window, and again

blesses his good fortune. As time goes on, he feels grateful to the

industrious lad, who seems to take pleasure in working for him; and

gradually Willie is placed over the other labourers and trusted with

everything.

[Illustration: Child and giant hands]

Scene VI.

One day, while the sheep are out on the hills, a heavy storm comes on,

and the low ground between the hills is quickly flooded. Willie goes out

to bring in his master's sheep, but by the time he has collected them,

the water is pouring on like a river in a narrow valley which separates

them from the farm. "How I wish the hands would help me now!" thinks

Willie. In a moment the giant hands spread themselves over the turbid

water, forming a bridge. He drives the sheep across, and reaches the

farm in safety, to the joy of all, for they have given him up for lost.

[Illustration: Child and giant hands]

Scene VII.

One night Willie is wakened up by a cry of "Fire! Fire!" He dresses in a

moment, and rushes out into the farmyard. Here he finds his master and

the farm-servants running about, frantic with terror; pigs are

squealing, geese cackling, everybody is shouting, but there is no water

handy. The flames are making their way from room to room, and now reach

the chamber of the farmer's pretty daughter. She is still there; what is

to be done? The staircase is burnt; no ladder will reach the window; and

there stands the girl, in the midst of the smoke, screaming, and

stretching out her arms for help. Willie looks on in despair. Suddenly

the giant hands appear to him, and placing themselves against the side

of the house, form a ladder with their fingers, up which he quickly

springs. He catches the girl in his arms, and in a moment brings her

down, safe and sound, to her weeping father.

Now I daresay my little readers have been sufficiently interested in

these seven scenes in the life of Willie to wish to know what became of

him. Well then, Willie had such good wages that he was able to send

money to his mother, and as soon as he grew to be quite a man, he

married the farmer's pretty daughter, whose life he had saved. Everybody

liked him, and he soon took the entire management of the farm.

But now do you know the meaning of these giant hands? They signify the

strength and power arising from industry, talent, and perseverance. The

giant hands will come to help all those who, in the right way, try to

help themselves.

When Willie was a rich farmer and had a large family, he used to say to

his children: "Be honest, kind, industrious, and persevering; then the

giant hands will come to help you."

Multiplication is vexation,

Division is as bad,

The Rule of Three doth puzzle me,

And Practice drives me mad.

[Illustration: Child doing sums]

[Illustration: Horse]

OLD TOM.

[Illustration: Decorative T]

I am sure you would like to hear about an old horse that belonged to my

papa when I was a little girl.

Tom had been so handsome when he was young, and thought so much of, that

my father kept him long after he was past work. Tom used to lead a very

happy life of it in a nice large field, where he had plenty to eat all

the summer-day, and no work to do. But there was no pond in this field,

only a pump, with a large tub to hold the water; and one of the men used

to fill it every day for old Tom.

However, one day, when hay-making was going on, there was a great deal

to do for all hands about the place, and Bob the odd man, whose work it

was to give old Tom water, was busy helping cart the hay. So when the

old horse felt thirsty, and went to his tub for water, he found it

empty. He gave a great neigh, and a stamp with his foot; but finding

that nobody came, he thought he would help himself, and fell to pumping

water into the tub for himself, as you see him in the picture.

[Illustration: Riverside with trees]

IDLE WORDS.

[Illustration: Decorative I]

I walked by the side of a tranquil stream,

That the sun had tinged with its parting beam;

The water was still, and so crystal clear

That every spray had its image there.

And every reed that o'er it bowed,

And the crimson streak and the silvery cloud,

And all that was bright, and all that was fair,

And all that was gay was reflected there.

But I took a stone that lay beside,

And I cast it far on the glassy tide;

And gone was the charm of the pictured scene,

And the sky so bright and the landscape green.

And I bade them mark how an idle word,

Too lightly said, or too deeply heard,

Or a harsh reproof, or a look unkind,

May spoil the peace of a heavenly mind.

Though sweet be the peace, and holy the calm,

And the heavenly beam be bright and warm,

The heart that it gilds is all as weak

As the wave that reflects the crimson streak.

You cannot impede the celestial ray

That gilds the dawn of eternal day,

But you may so trouble the bosom it cheers,

'Twill cease to be true to the image it bears.

[Illustration: Stream]

[Illustration: Invalid]

MAMMA'S SUNDAY TALK.

MIRACLES OF OUR SAVIOUR:

RAISING OF THE DAUGHTER OF JAIRUS.

[Illustration: Decorative T]

The next miracle I have to tell you of, my dear children, is one which

shows particularly our Lord's divine quality of mercy. It is called "the

raising of the daughter of Jairus," which means--restoring her to life.

Our Saviour was one day at the house of His disciple Matthew at

Capernaum, when a man of importance in the city, a ruler in the

synagogue, named Jairus, came to Him. This man had an only child, a

daughter about twelve years old, who was lying at the point of death;

and he came to Jesus in the hope that He would cure her.

Generally, the poor and lowly were the first to believe in our Saviour.

The rich were slow to accept the self-denying doctrines which He taught;

the learned were too wise in their own esteem to listen to His

instruction. But when they were in affliction both the rich and the

learned sometimes came to Jesus to seek His aid. So it was in this

instance.

We may imagine what the unhappy father suffered at the prospect of

losing his darling child,--at the thought of her fading away from him,

and sinking into the grave. As he was rich, we may suppose that all had

been done by the doctors that could be done; so now in an agony of

despair he turned to seek our Saviour. No doubt he thought of all the

miraculous cures Jesus had effected, as he went towards Matthew's house,

where he found our Saviour at the door teaching a crowd of people.

Jairus immediately fell at His feet, and with heart-felt earnestness

"besought him greatly" that He would come and see his child.

Jesus rose, and went forth, followed by a number of people, while Jairus

led the way to his own house. The poor father would have walked quickly,

every moment seeming an age till he reached his sick child's bedside,

but the crowd pressing round, interfered with their speed, and soon

there arose another cause of delay.

In the crowd was a poor woman who had been very ill for a long time. She

had consulted many doctors, but none could cure her; and at last she had

spent all her money in trying to regain her health. Hearing that Jesus

was near, she approached Him in great fear and trembling. She was almost

crushed by the crowd, as she struggled to come near Him; but at length

succeeded so far as to be able to stretch forth her hand, and touch the

border of His mantle. In a moment she felt that she was recovering from

her illness. Our Saviour stopped, and turned towards her, when she cast

herself at His feet, fearing for her presumption. But He looked

graciously upon her, for He knew why she had touched His garment; then

speaking to her, He said:--"Daughter, be of good comfort; thy faith hath

made thee whole." And from that hour she was cured.

After this incident, Jairus was again hurrying on, leading the way to

his house, when messengers met him with the agonizing intelligence that

the child was already dead--gone beyond the reach of human help.

Thereupon Christ turned to Jairus, saying:--"Be not afraid; only

believe, and she shall be made whole." For it was as easy to Him to

bring back the dead, as to restore the living.

He went into the house with three of His disciples and the parents of

the child. Then He addressed words of comfort to the father and mother,

saying,--"The damsel is not dead but sleepeth;"--meaning that her death

would only be like a short sleep, because He was going to bring her back

to life.

Then taking hold of the little girl's hand, as though He were about to

waken her from a pleasant sleep, He said: "Talitha cumi!"--that is,

"Damsel, arise!" The words were no sooner spoken, than the colour

returned to her cheeks, her eyes opened, and she arose as if just

awakened from a refreshing sleep.

We are told that "the parents and all present were astonished with a

great astonishment." We may also suppose how great was their delight,

and how unbounded was their gratitude to our blessed Lord.

[Illustration: Flowers]

[Illustration: Dog begging]

SOME OF MY LITTLE FRIENDS:

ALEC AND ELFIE.

[Illustration: Decorative I]

In giving you an account of Alec, one of my little boy friends, I must

give you at the same time an account of Elfie, one of my little dog

friends, for the two are inseparable. Both these friends of mine are

Scotch; and I met them first when the little boy was yet in petticoats,

and the doggie a tiny little puppy that had just left its mother.

The two young things grew up together, Elfie, the dog, becoming every

day more of a companion for Alec, the boy. But the dog grew old the

fastest, and when the event I am going to tell you of occurred, Alec was

about nine years old and Elfie about seven; which is in fact quite old

for a dog, and an age at which he is likely to be as wise as ever he

will be.

Alec had no brother, but he had a cousin at whose house he used to spend

a good deal of his time. Little Arthur was about four years younger than

Alec, and would follow him about like his shadow, looking up to his big

cousin as an authority on all matters. He learnt from Alec to consider

Elfie the most wonderful dog in the world, with more sense than most

people. He thought Elfie understood everything that was said to him, and

could do almost everything he was told to do. Many an hour the three

would spend together; and Alec and Arthur never appeared tired of seeing

Elfie go through the common dog's trick with a piece of sugar on his

nose. When the word "Trust" was said to him, he let the sugar remain on

the tip of his nose, while he only squinted at it with all his might.

Directly he heard the words "Paid for" he would jerk it into the air,

and snap it up as it fell. This is how the three are amusing themselves,

you see, in the picture.

One morning when it was very hot, Arthur's mamma and I were sitting

under the shade of some trees in the garden, working and reading. We

knew that little Arthur was about somewhere in the garden or the grounds

with his cousin Alec, who, we thought, was old enough to keep the little

one out of harm's way. Suddenly we heard a sound of panting and puffing,

and saw Elfie tearing across the garden towards us. With his short legs

and long hair he appeared as if he was rolling over the ground: his

little red tongue was hanging out of his mouth, and we could see his

bright eyes gleaming with excitement through the overhanging locks of

hair.

"What can be the matter with the dog?" exclaimed Arthur's mamma, jumping

up. "Has he gone mad?"

As she spoke, Elfie began barking furiously, and seizing her dress in

his mouth, tried to drag her away. A thought struck me, and I cried

out,--"Something is wrong with the boys, and Elfie has come to let us

know!"

In the direction Elfie had come from, but hidden from our view by trees,

was a large piece of water: towards this we hastened. Fortunately

Arthur's papa was sitting in the library, of which the window was open:

we called to him as we ran, and he followed as fast as he could. Coming

in sight of the water, our worst fears were realized. Only a few yards

from the bank, but in quite deep water, we beheld the canoe floating

bottom upwards, and the two boys clinging to it; or rather, Alec

clinging to the canoe with one arm, and with the other supporting

Arthur, who had fainted.

The father plunged in instantly, and in a moment brought Arthur to

shore, and placed him in his mother's arms. Alec, left alone, easily

supported himself by the canoe till his uncle returned, and brought him

also on to the bank. The fault was Alec's, who had taken out the canoe

from the boat-house without permission; but what praise could be too

great for Elfie, who had probably saved two lives by his intelligence?

We all agreed he was the most wonderful doggie in the world.

[Illustration: Child in bed]

MORNING.

1.

Wake up, little Maud, 'tis a sunshiny day,

The kitten is up, and already at play;

And Maud like the merriest kitten can run,

And scamper, and frolic, and laugh at the fun.

2.

Wake up, little Maud, for on thicket and tree

The birdies are singing as gay as can be.

As sweet and as clear can my little Maud sing

As ever the merriest bird on the wing.

3.

Wake up, little Maud, for the flowers are awake,

The sweet breezes are blowing on mountain and lake;

The world is all beauty and brightness to-day,

Then wake, little Maud, with the roses to play.

[Illustration: Morning in the country]

A STORY OF A WOODEN HORSE.

CHAPTER VII.

EUSÈBE AT PARIS.--HOW HE BECOMES THE OWNER OF CRESSIDA.

[Illustration: Decorative T]

The course of my story obliges me now to follow the doings of Maurice's

cousin Eusèbe through one chapter. His goat Jeanne had died some time

ago; to her had succeeded a monkey, then a dog; afterwards some birds,

and last of all a lamb. With his usual caprice these had all been

discarded in turn, and he had at this moment no animal to pet or to

torment. It was a hot day towards the end of August, and Eusèbe lounged

about in one easy chair after another, trying in vain to occupy or amuse

himself. Suddenly, the idea occurred to him that he would like to pass a

few days in Paris.

Now Mr. and Mrs. de Malassise were just thinking of going to stay for a

few weeks at Dieppe, which was a place more suitable certainly for the

hot weather than Paris. But Eusèbe had taken a fancy to Paris; and to

gain his point, he acted the little comedy which always succeeded so

well with his parents: he screamed, and rolled over and over on the

ground like a mad child. They were frightened, and started off with him

the very next morning, leaving the shady woods of Malassise for the dust

of the Boulevard des Italiens, where they usually lodged when they came

to Paris.

On the afternoon of their arrival, Eusèbe asked his father to take him

for a walk as far as the square of the Bastille. He had heard that

street-jugglers often performed their tricks there: and, hot as it was,

he insisted that his mamma, a delicate weak little woman, should walk

with them.

They had walked as far as the gate of St. Denis, when a man approached

them, who had some little watches for sale fit for children. He went up

to Eusèbe, who, although such a big boy, was not above stopping to look

at the glittering watches with their bright chains attached. Then the

man said in a low voice,--

"Would you like to buy a beautiful horse, my prince?"

This title of prince was pleasant to the ears of Eusèbe, and with an air

of kind protection, he replied,--

"What is it you ask, my good fellow?"

"I ask if your lordship feels disposed to make the purchase of an

extraordinary and beautiful wooden horse."

"I have rocking-horses of all sorts and sizes," rejoined Eusèbe.

"I doubt it not, your Highness."

This title of highness completed the work of turning the little boy's

head; and putting on the air of being a very great person, he said,--

"Why, you seem to know who I am."

"Indeed, who does not know your lordship?"

Now of course this cunning fellow did not really suppose that Eusèbe was

either a prince or a lord, but saw very well that he was a spoilt child,

and thought it would be a good opportunity for selling Cressida--for

Cressida it was that he was offering,--and he dared not sell it

publicly.

Mr. and Mrs. de Malassise, who had walked on a little in front, now

stopped, and the former called out, "What's the matter?"

"Sir," replied the man, when he came up to them, "I have a beautiful

wooden horse to sell, which walks and moves about like a real horse."

"Be off!" said Mr. de Malassise, who did not like the look of the man;

"we don't want to buy it."

"Would you just come and see it, noble sir? it is at my house, only two

steps from here. It has the movements of a live horse."

"No, No!"

"But you need not buy it, sir, if you would only come to see it. It is

an extraordinary horse."

"Papa, I want to see it," said Eusèbe.

"No, no, my dear," urged his father.

"Papa, I _will_ go to see the horse," and Eusèbe began to cry.

"Why oppose him, my dear?" said Mrs. de Malassise, "as he is so anxious

to see the horse. Suppose he should have an attack of the nerves out

here! what should we do?"

"There, you hear, papa; why do you oppose me? I'm going to have an

attack of the nerves, I feel I am."

"Oh, let us go and see the horse then, pray," said Mr. de Malassise,

resigning himself with rather a bad grace.

They had followed their guide for about a quarter of a mile, when an

empty hackney-coach passed. The man stopped it, saying, "Perhaps, sir,

the lady will be tired if she walks all the way; had you not better take

this hackney-coach? I will get up on the box, and direct the driver."

"Why, you said it was only two steps," urged Mr. de Malassise.

"Oh, it is not far," replied the man.

"Yes, yes, let us have the coach; I can't walk any more," exclaimed

Eusèbe.

So of course they got into the hackney-coach, while the man who had the

horse to sell seated himself beside the coachman. On they went, right

out of Paris, into the narrow streets of a suburb inhabited by very poor

people. On they went still, while the houses became more scattered, and

the roads were so bad that the horses could hardly get along.

At last the coachman pulled up, and taking out his pipe, he began to

light it, as he said, "I won't go no further; the patience of a

hackney-coachman has its limits, these roads ain't fit for any carriage,

and the sun's hot enough to kill a camel of the desert, much more horses

like mine."

[Illustration: "THE HORSES COULD HARDLY GET ALONG."]

Mr. de Malassise had lost patience also, and called out to their guide

in an angry voice, "Now, my man, tell me at once, where are you leading

us to?"

"My noble gentleman," the man replied, "do not be angry; I did not think

it was so far, but you can see the house now; and, if the lady will get

down from the carriage, we can reach it on foot in two minutes."

Mr. de Malassise looked out of the carriage window on one side, and his

wife on the other. They saw a few scattered houses of the meanest

description, and began to view their position with dismay; but Eusèbe

found it an amusing adventure.

"I wish, now," he said, "we were in Sicily, and then we might be

attacked by brigands in such an out-of-the-way place as this. I read

about them in that little book you gave me yesterday, you know, mamma."

At this remark Eusèbe's mother began to laugh as if it were very funny

and brilliant; even his father was almost restored to good humour by it.

And when Eusèbe added--"only, neither that man nor the coachman are as

handsome as brigands"--the father and mother exchanged looks of

congratulation at the wit and humour of their son.

They walked a short distance along the dirty, badly-paved street, and

entered a small low house almost in ruins. You may imagine how well it

was furnished, when I tell you that Mrs. de Malassise was obliged to

stand, because the master of the house--that is, the man who conducted

them--had but one chair to offer her, and that was lame of two of its

legs. He opened a large closet, the door of which was concealed,

appearing only like a panel in the wall, and he led forth a pretty

little black horse, scarcely bigger than a large dog;--but I need not

describe Cressida a second time to my young readers.

[Illustration: "HOW DID YOU COME BY THIS HORSE?"]

Now although Eusèbe had often had Cressida described to him by Maurice,

he had never happened to see the little horse; consequently he did not

recognise it on the present occasion; nor had he ever imagined Cressida

to be so wonderful as he found this horse to be. He had no sooner seated

himself in the saddle than the pressure of his knees against the sides

of the horse caused the legs to move, and it walked round the room.

Then, when Eusèbe in his delight very naturally began to pat it on the

neck, this had the effect of causing the little horse to neigh joyfully,

just like a real pony. Eusèbe's father and mother were as much

astonished and delighted as he was.

"How did you come by this horse?" inquired Mr. de Malassise, in a voice

which sufficiently showed the suspicions he entertained.

"It was given to me by a friend of mine," replied the man.

"That was a generous friend. And how much do you ask for it?"

"Eighty francs, though I know it is worth a great deal more." Then

seeing that the small price he asked had only made his customer more

suspicious, he went on:--

"My noble gentleman, I will tell you the truth. Formerly I was rich, and

sold toys in a shop on the Boulevard; but misfortunes came upon me, I

had to give up my business, and of all the beautiful things I had, this

wooden horse is the only one I kept. I kept it for my children to play

with; but, alas! noble sir, it has pleased heaven to take them away from

me. Ah, my children! my children! they resembled your beautiful son. I

would have kept this horse always in remembrance of them, but hunger,

sir--hunger compels me to sell it."

He dried his eyes with the back of his hand.

"Poor man!" said Mrs. de Malassise, much touched. Then she whispered to

her husband, "My dear, I would give him twenty francs, and leave him the

horse he is so fond of."

"I see no reason for giving him twenty francs, and _I_ think we should

be wise to have nothing to do with the horse either. I suspect it's a

matter which the police will have something to do with sooner or later."

"Oh, what a hard heart you have! and how suspicious you are!" rejoined

the wife. "I am sure the poor man is truthful. Just look at his

despair."

The man was sitting on the ground, hiding his face with his hands. He

seemed to have partly heard the whispered conversation, and said, "Her

ladyship is an angel of charity, but I should not regret parting with

the horse when I knew it would be in the hands of such a good young

gentleman."

Eusèbe at last put an end to the hesitation of his parents in a very

simple way.

"Now, then," he said, "why don't you buy the horse?"

"No, no," said his father, "let us go away."

"Papa," cried Eusèbe, "I won't go away from here till you buy the

horse." And he began to tear his hair, and stamp on the ground, uttering

piercing shrieks.

"I want the horse! I want the horse!" he cried.

"My noble gentleman," urged the man, "what are eighty francs to you?

When I was rich I would have given more to spare my children's tears."

"Oh dear! oh dear! I feel that I am going to fall," cried Eusèbe,

turning round and round.

"Oh, calm yourself, my child," cried his mother.

"Eusèbe, my dear boy," said his father kindly, "I will give you another

horse. You shall have the most expensive that can be found."

"No, I want this one; I want this one."

"Well, well, you shall have it--there; only don't cry."

"But I want it directly."

"You shall have it directly. We will take it away with us."

Eusèbe became calm as if by enchantment. He had not really shed a tear,

but his eyes were red from being rubbed, and his hair was pushed up in

indescribable disorder.

"Come, kiss me," said his father.

"Yes, papa; but do you know that twice to-day I have very nearly had an

attack of nerves through your fault."

Matters being thus comfortably arranged at last, the eighty francs were

paid, the horse was put into the coach, and they all returned to the

Boulevard des Italiens. Here Eusèbe amused himself the whole evening by

riding his pretty little horse round and round the drawing-room.

BIRDS, BEASTS, AND FISHES.

[Illustration: Dog]

The Dog will come when he is called,

The Cat will run away;

The Monkey's cheek is very bald,

The Goat is fond of play.

The Parrot is a prate-apace,

Yet knows not what he says;

The noble Horse will win the race,

Or draw you in a chaise.

[Illustration: Pig]

The Pig is not a feeder nice,

The Squirrel loves a nut;

The Wolf would eat you in a trice,

The Buzzard's eyes are shut.

The Lark sings high up in the air,

The Linnet in the tree;

The Swan he has a bosom fair,

And who so proud as he?

[Illustration: Peacock]

Oh, yes, the Peacock is more proud

Because his tail has eyes;

The Lion roars so very loud,

He'd fill you with surprise.

The Raven's coat is shining black,

Or, rather, raven grey;

The Camel's hunch is on his back,

The Owl abhors the day.

[Illustration: Pelican]

The Pelican she loves her young,

The Stork its parent loves;

The Woodcock's bill is very long,

And innocent are Doves.

The little Wren is very small,

The Humming-bird is less;

The Lady-bird is least of all,

And beautiful in dress.

[Illustration: Turtle]

The Turtle--citizens' delight!--

Doth wear a coat of mail;

The Glow-worm shines the darkest night

With lantern in its tail.

The streakèd Tiger's fond of blood,

The Pigeon feeds on peas;

The Duck will gobble in the mud,

The Mice will eat your cheese.

[Illustration: Boar]

In Germany they hunt the Boar,

The Bee brings honey home;

The Ant lays up a winter store,

The Bear loves honey-comb.

The Hen guards well her little chicks,

The Cow, her hoof is slit;

The Beaver builds with mud and sticks,

The Lapwing cries "Pee-wit!"

The child that does not these things know

Might well be called a dunce;

But you in knowledge quick must grow,

For youth can come but once.

[Illustration: Hunting scene]

SCENES IN THE LIFE OF MR. LOVESPORT.

Scene I.

Mr. Lovesport has left his native land in search of larger game, and

more adventurous and dangerous sport than he can find in England. One

day in southern Africa he has cautiously approached a herd of antelopes,

and is just within the distance for a shot, when he observes a sudden

commotion among them, some bounding one way, some another, as if in

terror. Looking round to discover the cause, he finds himself face to

face with an enormous lion. The lion pauses to consider whether he will

have an antelope for dinner or Mr. Lovesport. Our intrepid hunter takes

advantage of the pause to shoot him through the heart.

[Illustration: Riding a quagga]

Scene II.

This is the way Mr. Lovesport once rode a Quagga. It is a kind of zebra,

or wild ass, and is considered untameable. A friend of Mr. Lovesport--a

colonist in southern Africa--had caught one, and had tried in vain to

tame it. Our hunter offered to ride it, if they could put on saddle and

bridle. This was at length accomplished: he mounted, and the quagga

galloped away, away till he reached a herd of his own species, who all

came round, curious to know what thing he had upon his back. Our hero

became anxious to return, and, taking off his jacket, contrived to wrap

it over the eyes of the beast; then once getting its head in the right

direction, spurred it on, till it stopped exhausted at his friend's

door.

[Illustration: Elephant escaping]

Scene III.

In one of his hunting expeditions, Mr. Lovesport finds an elephant

asleep under some trees. He has only one attendant with him, a negro,

named Jumbo; and this man takes it into his head that he will tie the

elephant's leg to a tree with some strong rope he has, while it sleeps:

and see what it will do when it wakes up. He had just finished his work

when the huge creature awoke. In a moment the rope was snapped, but

unluckily Jumbo was entangled in it, and remained for a moment attached

to the elephant's leg, which he had to cling to that it might not step

on him. In this way he was carried some distance, though without being

seriously hurt. Our hunter did not fire at the elephant, lest, becoming

furious, it might crush the little creature clinging to it.

[Illustration: Elephant and rhinoceros]

Scene IV.

This is a scene where our hunter was a looker-on, not an actor. He was

on one of his expeditions with Jumbo, when they heard the trumpeting

sound made by an elephant when angry. Looking through the trees, they

saw a huge creature stamping with his feet, and tearing up the grass

with his trunk. Presently a rhinoceros approached, as if the two had

appointed to meet and fight upon that spot. The battle did not last

long. The poor elephant could not guard the under part of its body from

its enemy's horn; and it fled away, perhaps mortally wounded, leaving a

stream of blood upon its path. This is the last scene for to-day of Mr.

Lovesport's adventures, but perhaps he will send some more another time.

[Illustration: Pets]

MOTHER'S PETS.

[Illustration: Decorative L]

Little kid is bleating, bleating,

"Pray, give me some cake;"

Little baby's crying, crying,

"Mine it mustn't take."

Goosey-gander, waddling, waddling,

Wants to have some too;

Cock-a-doodle, strutting, strutting,

Crows out, "How d'ye do?"

Henny-penny's pecking, pecking

Up the husks and grain;

Mother's petting, spoiling, spoiling

Everyone, 'tis plain.

Summer air is blowing, blowing

Fragrance all around.

See the blossoms, falling, falling

Softly to the ground.

All the world is shining, shining

Radiant with the sun.

Summer glory shedding, shedding

Light on every one.

[Illustration: Hares]

HARES.

[Illustration: Decorative H]

The picture on the opposite page shows us a family of hares enjoying

themselves in a field of cabbages. How pretty, and yet how queer-looking

they are! I think that one standing up in the middle, with his ears so

straight up, must be Mr. Hare, while the others are Mrs. Hare and the

children. They are eating away as fast as they can, while the good papa

looks on, and listens with those long ears of his for the sound of any

approaching footsteps. If he hears any noise of a kind which he

considers alarming, he will give notice to his wife and little ones;

then they will all scurry off so fast that they will soon be miles away

from the spot where they have been frightened.

A hare never walks or trots, because the hind legs are so much longer

than the front ones, but it goes along in a succession of bounds. Hares

can take great leaps, too, in height as well as in distance: they have

been known, when pursued, to jump over very high hedges, and even walls

of moderate size. One curious quality in a hare is that it never becomes

fat, however rich the pasture may be on which it feeds; consequently it

can go very long distances without fatigue.

Though rabbits are easily domesticated, it is very unusual to see a

really tame hare; and you will be surprised to hear that the only one I

ever met with was in a house in London. I went one day to call upon a

gentleman--an artist--who was very fond of animals: indeed, among other

things, he often painted animals. I found him in his studio, working

away at his picture, with three dogs and a cat and her kittens all in

the room with him. I sat for some time talking and admiring his picture,

when presently I heard an odd sort of knocking or rubbing at the door.

"I hear some one at the door," said I, after the noise had been going on

for some time, thinking my friend did not hear it.

"Oh, that's only stupid old Tommy; he is such a bother; he never seems

able to settle anywhere now he's so old."

"Who is he?" I asked, thinking he was speaking of some stupid old

person.

"Would you like to see him?" said the artist; "he is not particularly

handsome now, and he is dreadfully impudent."

Walking to the door he opened it, and who should come hopping and

leaping into the room but a gigantic hare. He hopped past me first, and

then turning round, came quite close, and stood up on his hind legs. He

made one long ear stick forward and the other backward, looking more

comical than I can tell you; and he twisted his curious, sensitive,

moveable nose round and round, while he stared at me with his immense

prominent eyes till I thought they were going to drop out.

"That isn't manners, Tommy," said my friend; "it's very rude to stare

so: lie down." Whereupon good obedient Tommy crouched down, with his

nose between his two front paws; laid his ears back flat on his neck,

and did his best, I am sure, not to stare--but that he could not help,

by reason of the peculiar nature of his eyes.

I caressed him, and found him as tame and gentle as a little dog. Indeed

my friend had had him from the time he was a very tiny creature.

[Illustration: Hare]

_PUZZLE-PAGE._

[Illustration: Puzzle images]

Now here is a puzzle-page for you. Of these six objects that you see,

two begin with the letter B; one begins with G; one with H, and two with

P. Can you tell what they all are?

[Illustration: Fox and goat]

THE FOX AND GOAT.--A FABLE.

[Illustration: Decorative A]

A Fox once fell into a deep well, and could not get out again. A Goat,

wishing to drink, came to the well, and seeing the Fox, asked him if the

water was good. The Fox did not say he had fallen into the well, but

pretended he stayed in the well from choice; and saying the water was

the best he had ever tasted, begged the Goat to jump down and try it.

The Goat jumped down, and drank; and then sly Fox told him that they

were imprisoned in the well. "But," said he, "we may still get out if

you will place your fore-feet upon the wall; I will then run up your

back and escape, and help you out afterwards." The Goat did as the Fox

asked, and Mr. Fox, running up his back, soon got out of the well, and

then ran off. The Goat called after him, when the Fox, turning round,

cried out these words:--"You foolish old fellow! If you had as many

brains in your head as you have hairs in your beard you would have

looked before you leaped."

[Illustration: Flowers]

[Illustration: Angels]

ANGELS.

[Illustration: Decorative M]

Mother, what are angels made of?

Have they feet and hands like ours?

Are they things to be afraid of?

Do they hide among the flowers?

Mary says they are not creatures

Made of flesh, and bones, and blood,

Though they have the sweetest features,

And are glad when we are good.

Fanny thinks they're always roving

Here and there on wings of light;

Gentle things, all kind and loving,

Guarding us by day and night;

Made by God to keep from danger

Little ones at school or play;

Just like those that watched the manger

Where the infant Jesus lay.

Tell me, mother--dearest mother!

Oh, I do _so_ want to know.

Susan says that "little brother

Is an angel." Is it so?

Darling, this is all that's told us

In the word of Him above,

That those beings who behold us,

In their unseen arms enfold us,

Creatures are of Light and Love.

[Illustration: Angels]

[Illustration: Healing blind men]

MAMMA'S SUNDAY TALK.

MIRACLES OF OUR SAVIOUR:

THE TWO BLIND MEN RESTORED TO SIGHT.

[Illustration: Decorative T]

The next miracle that I shall tell you about, my dear children, is one

which is represented in the picture above; it is our Saviour giving

sight to two blind men.

When He left the house of Jairus, the ruler, whose daughter He had

raised from the dead, the scripture tells us that two blind men followed

Him. As they followed, they kept crying out, "Thou son of David, have

mercy upon us!" They meant by this entreaty to implore Christ to have

pity upon their darkness and misery; to consider how helpless and

useless they were; and, as He had just restored to life a child already

dead, to have mercy upon them, and give them back their sight.

It is evident that these men thoroughly believed our Saviour to be the

true Messiah, whose coming had been foretold by the prophets; for one of

the signs by which the true Messiah was to be known, according to the

prophecies, was His giving sight to the blind.

Our Saviour at first, as though to try the faith of these two poor men,

appeared not to regard them. But they followed Him into the house where

He was going, groping their way as they best could, and repeated their

prayer, "Oh, son of David, have mercy on us!" Then Jesus, as St. Matthew

tells, said unto them, "Believe ye that I am able to do this?" and they

replied, "Yea, Lord." Then He touched their eyes, saying, "According to

your faith be it done unto you." And their eyes were opened.

We may observe that Christ appeared to make faith a condition upon which

the success of the miracle was to depend, and it is evident that these

poor men had perfect faith. What unspeakable joy and gratitude they must

have felt on finding their dark night suddenly changed into bright day.

Without pain, without any operation, simply by the touch of Christ upon

their sightless eyes, had one of the greatest of earthly blessings been

given to these two men.

There is another miracle I shall have time to tell you about to-day, my

children, which was performed soon after the last. It consisted in the

feeding of a multitude of people--five thousand--upon five barley loaves

and two small fishes. It took place on the shore of the sea of Galilee.

A great multitude of people had followed our Saviour to listen to His

teaching, and He had led them some distance away from any town. He

preached to them a long time, and was still continuing His instructions

when the shades of evening began to gather round. Then the disciples

reminded Him that the day was declining, one of them saying, "This is a

desert place, and now the time is far passed: send them away that they

may go into the country round about and buy themselves bread, for they

have nothing to eat."

But our Saviour was too compassionate to send the people away hungry,

and He intended Himself to give them food. He said to His disciples,

"How many loaves have ye? go and see." And when they knew, they said,

"Five loaves and two fishes." Christ then commanded them to make all the

people sit down upon the grass; He took the five loaves and the two

fishes, and brake the loaves, and gave the pieces to His disciples to

give among the people: He also divided the two fishes, and gave them in

the same way. Then the multitude, as the Bible tells us, ate and were

filled: and, what is more, the disciples afterwards gathered up several

basketsful of the fragments that were left.

Thus, by our Lord's power, those five loaves and two fishes were made

sufficient to feed and satisfy that great multitude of five thousand

people.

[Illustration: Sharing food]

[Illustration: Unhappy child]

SOME OF MY LITTLE FRIENDS:

DORA.

[Illustration: Decorative I]

I am sorry to say I have to tell you to-day of one of my little friends,

whom I cannot hold up as an example to any of my little readers. Dora is

an only child, and a very spoilt one too,--though I ought to mention

that I think she is improving of late; and her improvement dates from

the event I am going to describe. It was a severe lesson for her, but I

hope and believe it will prove a useful one.

Dora had a very naughty and stupid habit, whenever she was found fault

with, of saying she would run away. One day, when the family were

staying at Hastings, nurse scolded her for drawing upon her books, and

threatened to tell mamma.

"I like to draw upon my books, and I will!" replied Dora; "and if mamma

scolds me I shall run away."

"Well," rejoined nurse, losing patience for once, as she afterwards

confessed, "and it would be real kindness to us all, miss Dora, if you

did."

Whereupon Dora walked out of the nursery, highly offended.

A little while afterwards mamma asked for Dora to go out with her on to

the sands. The child was nowhere to be found. Nurse supposed her to have

gone into the drawing-room: mamma thought her still in the nursery. The

house was searched in vain. Then nurse remembered the conversation which

had taken place:--Dora had really run away!

The alarm and distress of the father and mother were beyond description.

The child was only seven years old: what could have become of her?

Servants were sent out in all directions--on to the sands; to the pier;

into the streets: but she was nowhere to be found. Then nurse had a

happy idea. You must know that in many country towns like Hastings, an

old custom is kept up of having a Town-crier. When people lose anything,

like a watch, a purse, or a dog, they employ this man. He goes about the

town ringing a bell to attract attention, and then reads from a piece of

paper, in a loud voice, a description of the thing lost; offering a

reward for its discovery.

Nurse very sensibly thought a lost child might be cried about the town

as well as anything else; and a handsome reward was offered for the

recovery of this naughty little girl.

But what had become of Dora in the meantime? She had run out of the

house suddenly in her fit of anger, carrying her doll in her arms, but

without hat or jacket. At first she was delighted to find herself alone

and free in the streets, and laughed as she thought how frightened nurse

would be. But after walking for a little while, she discovered that she

had lost herself: for she had only been at Hastings two or three days,

and did not even know the name of the street she lived in. She had hoped

to frighten nurse, but never thought of being frightened herself; yet

that was what it had come to.

She sat upon a doorstep and began to cry. Presently somebody spoke to

her. Then Dora thought of stories she had heard of children being

stolen, and started up and ran away. So she wandered about for two or

three hours, till at last the Town-crier came close to where she stood

in a doorway. She heard him read the description of herself, and the

people standing by recognised it also. The crier had a kind face; she

let him take her by the hand, and thus was led home again, followed by a

crowd of children.

[Illustration: Hen and ducklings]

THE HEN AND DUCKLINGS.

_Allegretto. mf._

1.

From the old barn floor

to the cottage door,

Struts forth the old white hen;

Very proud she feels,

for at her heels

She has a brood of ten.

She's glad to get out

and roam about,

Quite tired of sitting still;

And now they will go,

For she tells them all so,

To the meadow down by the old mill.

2.

For we there shall meet

Many worms to eat,

And beetles green and brown;

But, she says, "D'ye hear,

Don't go too near

The mill-pond, or you'll drown."

They waddle along

The weeds among,

And learn to scratch and pick;

But each little fellow

Is covered with yellow,

And has a queer bill for a chick.

3.

Very soon the hen,

With her brood of ten,

A beetle sees beyond;

As she runs to pin it,

In a minute

All jump into the pond.

She opens her eyes

In great surprise

To see them swim with ease,

And says, "Well, I never!

Now, pray, did you ever

See any such chickens as these?"

[Illustration: Grouse]

GROUSE.

[Illustration: Decorative F]

For the subject of our natural history picture to-day we have some

Grouse. There is a nice little family of grouse, consisting of papa,

mamma, and four children, all taking a pleasant walk among the heath and

fern. At the same time the old birds are searching for the wild berries,

the buds of the heath, and the seeds which form their principal food.

Look how eager the young ones are to have their share of some nice

berries, which mamma grouse has just found!

These birds are only met with on moors or wild heaths, and chiefly in

mountainous countries; indeed Scotland is the country where they are now

principally found, and people often go there on purpose for the

grouse-shooting. I daresay some of my little readers already know that

grouse-shooting begins on the 12th of August, a great day for sportsmen.

From the way in which game is now preserved in England,

partridge-shooting has come to be a tamer sport than it used to be. Many

brace of partridges may sometimes be brought down during a short walk

over cultivated fields, and such sport seems less manly than taking long

fatiguing walks over breezy moors, as sportsmen have to do in search of

grouse.

The grouse is a very wild and shy bird, and both skill and caution are

required in approaching them; they live in flocks, called "packs," and

form their nests, as partridges do, upon the ground. Their plumage is a

rich brown, mottled with paler spots; the tail is black, with the

exception of four of the feathers, which have red marks on them: over

the eye also is a rough bare red spot. The bill of the grouse is short,

arched, and very strong; and the legs of this bird, as the winter

approaches, become feathered. As an article of food, the grouse is very

delicate, and has an excellent flavour.

The bird I have been describing is the red grouse; that is in fact the

common grouse. But there is also found in Scotland, though less

frequently, the black grouse, which is a much larger bird. The red

grouse is rather bigger than a partridge.

I once made the acquaintance of a tame grouse--one at least that had

been domesticated. The gentleman it belonged to had picked it up out of

its nest when a tiny thing on the moors in Scotland; and being a great

bird-fancier, and having a collection, he had brought it in a cage to

his house in Kent. When I saw Peter--that was the name given the

grouse,--he was quite tame, but very ill-tempered. You might take him up

if you pleased, but he always pecked the hand that did so. Peter was

supposed to live habitually in a wicker cage, but in truth he had pretty

well the run of the house. More than once he had taken flight beyond the

premises, but had returned for his food. One day however he was missed,

and never came back. His fate may be surmised from the fact that about

the same time a party of gentlemen in the neighbourhood, being out

shooting--it was September--were surprised to find a grouse among the

game they had killed.

[Illustration: Grouse]

A STORY OF A WOODEN HORSE.

CHAPTER VIII.

HOW EUSÈBE TREATS THE HORSE AT DIEPPE.--MAURICE RECOVERS IT.--THE

THIEVES ARE ARRESTED.--RETURN OF FRITZ.--HIS GRATITUDE TO MAURICE.--HE

MENDS THE HORSE.

[Illustration: Decorative A]

A few days after Eusèbe came into possession of the horse, in the way

described in the last chapter, he went off with his father and mother to

Dieppe for sea-bathing. He took Cressida with him, for he wished to show

it to some little friends whom he expected to meet there.

His fondness for the wooden horse did not last long. Instead of being

reasonable and gentle with it, like Maurice, he was continually wanting

this ingenious automaton to do more than it was intended to do. When it

failed, he would grow impatient, call it obstinate, and beat it with all

his might; sometimes he would spitefully pull the hair from its mane,

and try to tear out its eyes. The best that could happen for the poor

little horse now would be for its master to get tired of it, and cast it

aside entirely.

[Illustration: THE RECOIL OF THE PISTOL THREW HIM ON HIS BACK.]

The garden of the house occupied by Mr. and Mrs. de Malassise at Dieppe

was ornamented with grottoes, rocks, cascades, rivulets, all in

miniature, as if intended to amuse children. Eusèbe was fond of jumping

about among the rocks and rivulets, and one day he took it into his head

that Cressida should do the same. He took the horse at a gallop up to a

little stream, only two or three feet wide, intending it to leap across;

but it galloped into the water instead, leaping not being one of the

movements it was constructed to make. Eusèbe took it up to the water two

or three times, not sparing threats or blows while he did so, but in

vain. Then he began to scream, as usual when he was in a rage, and

looking about for some means of satisfying his anger, he remembered that

his father kept a loaded pistol on the upper shelf of a closet in his

dressing-room. He ran upstairs, and by mounting on a chair, contrived to

reach the pistol, which was a double-barrelled one. Returning again into

the garden, and still as furious as ever against the poor little horse,

he went close up to it and fired off both barrels at once.

The horse was not so much damaged as Eusèbe himself. The child held the

pistol in both hands, the left hand being close to the muzzle, and the

result of his exploit was that not only did the recoil of the pistol

throw him down on his back, but his hand was wounded and burnt by the

explosion. He fainted from the pain, and in this state was picked up by

his father, who ran into the garden at the sound of the shot.

Mr. and Mrs. de Malassise, instead of being angry with their son, laid

the blame of the accident on the unfortunate horse; and a servant was at

once ordered to break it in pieces, and throw it upon the fire.

In consequence of this accident Eusèbe had an attack of fever, and was

obliged to keep his bed for some days. Most children in his place would

have been taught a useful lesson by the suffering he thus brought upon

himself. Not so Eusèbe: he only took advantage of the anxiety his

parents felt about him, to be more tyrannical and capricious than

before.

About this time Mr. and Mrs. de Roisel came also with their son to pass

a few weeks at Dieppe, and Eusèbe was not yet quite restored to health

when my little friend went to see him. With tears in their eyes Eusèbe's

parents related the accident which had happened to their dear child; and

it did not seem to occur to them that there was anything in the affair

for which he could be found fault with. But Maurice felt indignant at

what he considered cruelty even towards a wooden horse. He was thinking

of Cressida while he listened to the story; but as Eusèbe's horse was

not particularly described by his parents, it never occurred to Maurice

that it could be his own lost Cressida.

A few mornings later Maurice was taking a country walk with his father

and mother a little way out of Dieppe, when, as they approached a small

village, they heard the loud and angry voices of children.

"Gee-up, gee-up! Get on, lazy beast!" said one voice.

"He can't carry so many," said another.

"He can't move!" exclaimed a third.

"I tell you he can."

"Tell you he can't."

"You shall see. Hi! Gee-up, gee-up! Go along!" and immediately the sound

of a shower of blows, rained upon the back of some poor animal, reached

the ears of Maurice, who, without stopping to reflect, ran as fast as

legs of eight years old can run, in the direction of the noise.

He stopped at the entrance to a farm, where, in the courtyard, he saw

five or six boys, and as many little girls, all clustered round a small

pony. Two boys and a girl had contrived to seat themselves upon its

back; two or three more were dragging it along by the bridle, while

another beat it with a stick behind. The pony hung down its head in a

way that was pitiful to see; it appeared to have a shoulder dislocated,

and a leg was broken above the knee, and bandaged up. Its difficulty in

"going along" seemed quite accounted for.

"Are you not ashamed," cried my little friend, "to ride, three of you at

once, upon a little pony who is lame and ill?"

At first the boys were inclined to answer by some impertinence, but

seeing Mr. and Mrs. de Roisel coming up behind Maurice, they rather

sulkily got down from the pony. Then the poor animal, relieved from

their weight, raised its drooping head, and a sudden suspicion flashed

across the mind of Maurice. He cried out,--

"Oh! it is Cressida!"

Maurice ran back to his parents to tell them of his discovery; but

instead of explaining himself, he could only say,--"Come, come quickly!"

[Illustration: TWO BOYS AND A GIRL HAD SEATED THEMSELVES UPON ITS

BACK.]

He took his mother's arm, for he was so agitated he could scarcely

stand.

Mr. de Roisel at once asked who was the owner of the unfortunate

Cressida. It was one of the boys present: but the mother of this boy,

being at work in the next field, observed that something was going on,

and she now came up out of curiosity to see what was the matter. When

Mr. de Roisel said he wished to buy the horse, she replied that she

would sell it willingly.

"How much do you ask for it?" said he.

"You can give me whatever you please, sir."

"A napoleon--is that enough?"

"Indeed, sir, it is too much," she replied, "for the horse cost me only

the trouble of asking for it. But if you like to give so much, sir----"

"Where did you get it?" asked Mr. de Roisel.

"Well, I got it in this way, sir. You must know I go twice every day

into the town to take milk to different houses. One afternoon I was at

the house of a rich gentleman, when I heard him call out to the servant

to throw this little horse into the fire. It was in much better

condition then than it is now, and though it might not be good enough

for that rich gentleman's children to play with, it was quite good

enough for mine. So I begged the servant to give it me rather than burn

it, and he let me have it. There you see, sir, how I got it without

paying anything. We poor people do not buy wooden horses for our

children."

Mr. de Roisel gave the napoleon to the good woman, and some money also

to her little boy.

"May God for ever bless you, my good gentleman," said she, astonished at

his generosity; and she almost suspected that he must know of some

hidden treasure inside the little horse.

When Eusèbe heard how Maurice had recovered Cressida, he was furious,

and wanted the servant to be immediately sent away who had spared the

little horse from burning. That evening Mr. de Malassise gave an account

of the circumstances under which he had bought the horse, and spoke of

the suspicion he had felt from the first of the man who sold it. The

next day information was given to the police, and it was not long before

the seller of the horse was arrested. He proved to be one of the thieves

who had broken into Mr. Duberger's house. His accomplice was a man who

went about the country as a pedlar, selling ribbons, silk-handkerchiefs,

and toys. In this way he used to obtain access to houses, learning where

valuable things were kept, and what were the habits of the family. The

two together had committed the robbery: both were tried and convicted.

Mr. Duberger recovered only a small portion of the objects of art that

had been stolen, but he was much rejoiced to hear that Maurice had got

back his horse.

It was the month of October, and Maurice had returned to his own country

home, where Cressida was installed once more in its old stable. But the

poor pony had lost its former activity; it could not go faster than a

walk, and even that with difficulty.

One morning Maurice was in the garden, when he saw Fritz approaching

him, walking as fast as his old legs would carry him, and having an open

letter in his hand. My little friend ran to meet him, when the old man

embraced the child with tears in his eyes, and called him his

benefactor. Seeing that Maurice did not understand why he used the word,

Fritz tried to explain, but for some time he was too much affected to

say anything intelligible.

"Ah, my poor niece!" he exclaimed, "she owes her life to you! Is it

possible, so young a child! But I never thought you like other children.

You have saved the life of a poor woman and her three little children.

Nobody would believe it; yet it is true; it is all told here." And he

pointed to the letter in his hand.

At this moment Mrs. de Roisel came up, and welcomed Fritz back again.

Then he soon became sufficiently calm to explain himself clearly. It

appeared that the young woman, with her three children, whom Maurice had

met in the Luxembourg gardens, and had been so kind to, was the niece of

Fritz. No sooner had she arrived in America than, overflowing with

gratitude, she wrote her uncle a long account of what had happened to

them, telling him how they had been saved by a young child named Maurice

de Roisel. It was this letter that Fritz held in his hand. He had

returned from Nuremberg to his cottage in the village only the evening

before, and had come the first thing this morning to express his

gratitude to Maurice.

"But how," asked Fritz, "came you to have so large a sum of money by you

to give?"

"Oh, I did not give it all myself: besides, I was obliged to part with

Cressida."

"Is it possible?" cried Fritz, starting back and turning pale. "You

didn't sell it?"

"Alas!" replied Maurice, "it was only by parting with Cressida that I

could procure the money."

"You were right: I must not complain. If it was the only way, you did

right."

"But, oh Fritz! you cannot imagine in what a state I found my poor

Cressida again."

"What!" cried the old man, with the joy of a child, "you _have_ Cressida

again then? You should have told me so at first; it would have saved me

pain. But you did well to sell it, else how could my poor niece have

joined her husband?--my niece who is almost my daughter!"

Then Maurice related Cressida's adventures, and the wooden horse was

brought out for Fritz to look at.

"It is not seriously damaged," said he, after examining it. "In a few

days I will restore it to what it was a year ago: but bear in mind, I am

the only doctor that can effect a cure. If, when I am no longer alive,

it should be damaged in the same way, there is no one who could mend it.

Watch then carefully over it in future."

[Illustration: Horse]

_PUZZLE-PAGE._

[Illustration: Puzzle images]

Now, children, see if you can find out the names of these different

objects. Three of them begin with A, one with C, one with H, and one

with S.

[Illustration: Children and puppy]

EARLY LESSONS.

[Illustration: Decorative N]

Now, Master Puppy,

Sit up, if you please;

This is for your good,

Not in order to teaze.

When a nice little doggie

Seems anxious to learn,

A kind little master

Will not from him turn.

Now you must not be snappish,

But just do your best;

A five minutes' lesson,

And then you shall rest.

Little Katie and Baby

Are anxious to see

If you try, like a good pup,

To imitate me.

Old Boxer, your friend too,

Is curling his tail,

And pricking his ears,

For fear you should fail.

But if you are careful,

I plainly can tell,

You will grow quite accomplished,

And do very well.

[Illustration: JACK AND DOBBIN.]

JACK AND DOBBIN.

[Illustration: Decorative T]

There were two horses that belonged to my grandpapa when I was a little

girl, that I think you will like to hear about; for although they were

only common carthorses, employed to do farm work, they set a good

example to children. They never quarrelled, but were always good

friends; they worked together, and rested in the field together, and

always kept together.

I will tell you what happened one day. It was a winter's morning,

bitterly cold, and when Jack went to drink at the pond he found it was

frozen over. He struck the ice two or three times with his foot to break

it, but it was too hard, so off he trotted to Dobbin, who was standing a

little way off, and neighed his trouble to him. Dobbin returned to the

pond with Jack, and they both struck the ice together with their great

heavy feet, and broke it; so that Jack could have his drink. Were they

not clever?

We may often learn a lesson from animals; and I hope, my children, you

will imitate these sensible nice horses, and always help each other.

[Illustration: Children at play]

UNCLE JOHN'S SCHOOL-DAYS.

[Illustration: Decorative T]

This picture reminds me, children, of some funny stories that I have

heard your Uncle John tell, when he and I were boy and girl together, of

his exploits as a schoolboy. According to his account, not only he, but

most of his schoolfellows, used to lead merry lives enough at school.

They had a great deal of what he called excellent fun, though I am

afraid it sometimes bordered upon mischief or naughtiness. I used to

consider that he and his schoolfellows were regular heroes, as I

listened to his stories when he came home for the holidays; and even now

I must confess I cannot help laughing when I think of some of his

naughty pranks.

Uncle John first went to a large school when he was eleven years old,

and I remember now the tremendous hamper of good things he took with

him. The boys who slept in his bedroom were so pleased with the contents

of his hamper that they determined to make a great feast. To add to

their enjoyment they imagined themselves to be settlers in the back

woods of America or Australia. They built a log-hut with bolsters, and

had a sort of pic-nic. One of them mounted on the top of the log-hut to

look out with his telescope for any approaching savages, while the

others enjoyed their suppers in and about the hut. When their fun was at

its height, the door softly opened, and in walked Dr. Birchall,

spectacles on nose, and cane in hand. What followed may be imagined.

You would not recognize Uncle John himself, whom you know only as a man

six feet high, in that little lad on the right hand side of the picture,

half hiding under the bedclothes. As a new boy he had no share either in

the riot or its punishment; except indeed in so far as his hamper had

supplied the means of riot. Still, what he saw made a deep impression on

his mind; and particularly he thought a great deal of the inconvenience

arising from the sudden appearance of the master.

You know that Uncle John is an engineer now, and even as a little boy he

had a great turn for mechanical inventions. Well, he pondered over some

means by which such a sudden interruption to the enjoyment of his

schoolfellows might be prevented in future; and I will tell you what he

did.

It happened that the large room in which he slept formed the upper floor

of a wing of the house, which had been added to it when it became a

school; and there was no access to this room from the principal

staircase of the house. You had to pass through the room below, and go

up a little separate staircase to reach to floor above. The lower room

was also a bedroom for the boys, and Uncle John's little scheme was

this:--

He made a hole with a gimlet in the frame of one of the windows of his

bedroom, passed a piece of string through the hole, and carried it

outside the wall of the house down to a similar hole in a window-frame

of the room below. To the end of the string in the upper room was

fastened a small rattle, while the other end of the string--that in the

room below--was taken into the bed of a boy who slept near the window.

This admirable little invention once in order, there was more rioting in

the upper room than ever; and the master, disturbed by the noise, soon

went, cane in hand, to stop it. The instant he set foot in the lower

room, the boy there who held the string in bed gave it a little pull;

the rattle sounded--ting! ting!--in the room above, and in an instant

every boy was in bed and snoring. Perhaps they had been playing at

leap-frog the moment before, but as Dr. Birchall entered the room--and

he crept up the staircase very quietly that he might catch them

unawares--he found some twenty boys lying in bed, seemingly sound

asleep, though snoring unnaturally loud.

The doctor was so disconcerted by this unexpected state of things that

he retired at once, fancying perhaps that his ears had deceived him when

he thought he had heard a noise in the room. The same thing happened two

or three times: the doctor was puzzled, and the invention appeared a

complete success; but at last all was discovered.

[Illustration: Tossing in the blanket]

The boys one evening began imprudently to play at "Tossing in the

blanket" before they were undressed. The rattle sounded, and they had

just time to hide away the blanket. But the doctor coming in, and

finding they were only then beginning to undress, knew they must have

been at some mischief, and began questioning one after another.

Unluckily, while he was in the room the rattle sounded again by

accident: perhaps the boy in the room below had pulled the string by

moving in bed. The doctor looked about, found the rattle hanging just

below the window, saw the string, opened the window, and traced its

course outside, went down into the room below and understood the whole

arrangement. Then he put the rattle in his pocket, and went away without

saying a word. The boys declared he had such difficulty in keeping

himself from laughing, that he was afraid to speak lest he should burst

out.

However, next day every boy in that room had a slight punishment, and so

the matter ended.

Now I will tell you another of Uncle John's pranks at school. There was

a large tree in the playground, the upper branches of which spread out

very near to the windows of the bedroom I have been describing. One

evening Uncle John got hold of a large hand-bell, which was used for

ringing the boys up in the morning, and climbing up the tree, he

fastened it by a piece of string to a branch near the top. Then another

boy threw him the end of a long string from a window of the bedroom into

the tree, and he fastened it to the bell in such a way that, when it was

pulled in the bedroom, it made the bell ring in the tree. Having

accomplished this arrangement, he came down from the tree and went to

bed.

At ten o'clock at night the household was disturbed by the loud ringing

of this bell. The master, in his dressing-gown, came out into the

playground and soon discovered where the sound came from; but of course

supposed that some boy had climbed up into the tree, and was ringing the

bell there. It was the middle of summer, and a beautiful moonlight

night, so the boys could see from the windows all that took place. Dr.

Birchall stood at the foot of the tree, looking up, and exclaimed

angrily,--

"Come down, you naughty boy! Come down, I say, directly. Oh, I'll give

you such a flogging! Stop that horrible noise, I tell you, and come

down!"

The bell still went on ringing. At last the string--being pulled too

hard, I suppose, in the excitement of the fun--broke; and the bell

tumbled down from the top of the tree, falling very near the old

schoolmaster. This was worse than all.

"What!" he exclaimed, "you throw the bell at me? Why, if it had hit me

on the head, it might have killed me. Oh, you wicked boy! I'll expel

you, sir. I'll find out who you are if I stop here till morning."

At last, however, his patience was exhausted, and he went away, but left

an old butler to watch the tree all night. The boys from the windows

could see this man settle himself comfortably on a seat which was at the

foot of the tree. He lighted his pipe, and prepared to carry out his

master's orders, and watch till daylight. By three o'clock in the

morning the dawn broke; then the man began to look up occasionally into

the tree. Now and then he walked a little distance away, first in one

direction, and then in another, to look into parts of the tree that he

could not see from underneath. He kept this up till the sun had risen,

and it was broad daylight; then at last he became convinced that it was

impossible there could be a boy in the tree. He walked slowly into the

house, still smoking his pipe, with a puzzled expression on his face.

And I suspect he was not the only person who felt puzzled. The next day

the boys were going home for the holidays, so that no further inquiry

could be made. I wonder if Dr. Birchall ever found out how it had been

managed!

[Illustration: Bell]

[Illustration: Sitting at a desk]

TREASURES.

[Illustration: Decorative O]

Only a common room,

Old, carpetless, and bare!

Only a poor old home!

A poor old woman there!

She sits with her eyes downcast,

And thinks of the bygone years;

Looks at the treasures gathered there

When her heart held hopes and fears.

Hopes that lived but to die,

Like the sweet one that gave them birth;

Fears which changed to despair,

When she sat by her lonely hearth.

Despair is now dulled by time,

But it quickens and lives again,

As she opens the old bureau

To see treasures that still remain.

Only a broken toy--

An old mis-shapen thing!

Yet endowed with cruel strength

To inflict a sharp heart-sting.

A few old withered flowers

Have fallen to the floor,--

Where, where are the little hands

That gathered them long before?

Oh terrible, cruel power!

That lies in inanimate things,

To open the old deep wounds

Time had touched with his healing wings.

[Illustration: Walking on the sea]

MAMMA'S SUNDAY TALK.

MIRACLES OF OUR SAVIOUR:

CHRIST WALKING ON THE SEA.

[Illustration: Decorative T]

The miracle I have to tell you of to-day, my children, is called--Christ

walking on the waters. It followed closely upon that I described in our

last Sunday talk; I mean, that of our Saviour feeding a multitude of

people with five barley loaves and three small fishes.

As evening came on, the multitude that had been fed, dispersed; and

Christ desired His disciples to enter into their boat, and go before Him

to the town of Bethsaida, where they might pass the night, while He went

up into a mountain alone, intending seemingly to spend the night in

prayer.

The disciples had not gone far upon their voyage, when the light breeze

which was bearing them on their way, changed into a strong adverse wind.

It had become dark, "and the sea arose by reason of a great wind that

blew, and the ship was tossed with the waves." They were overtaken in

fact by one of those sudden squalls to which the lake, or sea of Galilee

is liable. In vain they rowed with all their strength; the contrary wind

drove them out of their course into the middle of the lake.

In such an hour of danger they must have thought of the time, not long

before, when they were caught in another storm on the same sea. But then

their Master was with them in the boat; at His command the sea became

calm, and the wind ceased. How they must have wished that He were with

them now, or that they could call Him to them, that His voice might once

more hush the tempest into peace, and control the winds and waves! They

had entered the fourth watch of the night, which, as the night was

divided into only four watches, means that the morning was approaching,

and the storm was still raging fiercely, when they beheld a human figure

approaching, walking on the surface of the water as if upon firm ground.

Sailors and fishermen have been in all ages superstitious, and those of

that day generally held the belief that storms were raised by spirits,

who delighted in the turmoil of the elements, and in the terror and

destruction that were caused. Some superstitious thought of this kind

seems to have been the first that entered the minds of the disciples, as

they saw the figure approaching on the water. What followed is thus

described by St. Matthew:--

"And when the disciples saw Him walking on the sea, they were troubled,

saying, It is a spirit; and they cried out for fear. But straightway

Jesus spake unto them, saying, Be of good cheer; it is I; be not afraid.

And Peter answered Him, and said, Lord, if it be thou, bid me come unto

thee on the water. And Jesus said, Come. And when Peter was come down

out of the ship, he walked on the water to go to Jesus. But when he saw

the wind boisterous, he was afraid; and beginning to sink, he cried,

saying, Lord, save me! And immediately Jesus stretched forth His hand,

and caught him, and said unto him, O thou of little faith, wherefore

didst thou doubt?"

The want of a thorough, unbounded faith and confidence in the power and

divinity of our Saviour, was a fault which He had to contend against

even in the disciples, who beheld His miracles almost daily. Peter and

others who were in the boat became afterwards apostles of Christianity,

and performed miracles themselves, when their faith must have become

perfect; but it seems to have grown up gradually; and the words of

Christ signify that Peter failed to walk on the water himself on this

occasion only through his want of faith.

St. Matthew goes on to tell us that when our Saviour came into the ship,

the wind ceased. Then the disciples came round Him, worshipping Him,

saying,--"Of a truth thou art the Son of God."

[Illustration: Angel with trumpet]

[Illustration: Friends]

SOME OF MY LITTLE FRIENDS:

Sammy.

[Illustration: Decorative S]

Sammy is a great friend of mine, and a brave boy too, I can tell you: he

is only seven years old, but quite a little man. Sammy's grandmamma was

my nurse when I was a child, and through her I came to know him. She

married a fisherman at Hastings one summer when we were staying there,

and has lived from that time to this in a cottage on the beach just out

of the town. Her husband no longer follows the calling of a fisherman,

for he is very old; but he lets out rowing boats, of which two or three

are generally to be seen drawn up on the beach close to the cottage.

The daughter of this old couple married a shipwright, and has four

children, of whom Sammy is the eldest. She, her husband, and all the

children, live with her father and mother in the cottage on the beach.

How they all squeeze in, I do not pretend to know: it is a puzzle to me,

but they manage somehow.

I had not seen my old nurse for some years--indeed not since her

daughter's marriage--when, being at Hastings not long ago, I went one

afternoon to pay her a visit. I approached the cottage from the beach,

and entered at the door of a sort of kitchen which I found open. The

proper entrance to the cottage, it appears, is from the road at the

other side, where there is a little garden. However, I went in, and

finding the kitchen empty, went through it to another open door leading

into a sitting-room. Through this door, without being observed myself, I

beheld one of the pleasantest sights that has ever met my eyes.

The children had evidently been out to meet their father on his way home

from work, and they were all coming through the garden and just entering

the opposite door together, as you see them in the picture. Sammy

marched in front, carrying his father's basket of tools upon his

shoulder as proudly as if he bore a treasure. Father himself was

carrying little Topsey, the youngest child, upon _his_ shoulder, who

pulled his hair and crowed and laughed all the time; while the other two

children, Mary Jane and Florence Bessy, walked, or rather jumped and

danced, on either side of him. The old man in the cottage was smiling a

welcome to them as they came in: in short every face, from the youngest

to the eldest there, looked bright and happy.

As I stood there observing, I mentally thanked heaven for the happiness

which love and good temper can bring to the poorest cottage. My presence

was soon noticed: my old nurse appeared heartily glad to see me, and

showed me her grandchildren with great pride; but I did not remain long,

for I saw that their tea was ready, and I was disturbing them.

Afterwards I was often at the cottage; but I must hasten on to describe

what first made me rank Sammy among my little friends.

One morning I was rambling along the shore, sometimes walking on the

sand, sometimes on the slippery green rocks, reading occasionally a few

lines of a book I had in my hand, but more frequently looking out to sea

and watching the fishing boats riding bravely on the waves, when I

suddenly became aware that the tide had risen quickly, and that I was

hemmed in on a sort of island. I found water in front and on each side

of me, while behind me was a ridge of rocks too rugged and slippery to

climb.

Now my life was in no danger I daresay, but the prospect of having to

walk through the water up to my knees was disagreeable. Very near me,

but separated by some impassable rocks, stood the cottage of my old

nurse, looking tranquil and pretty in the sunshine; while close by it,

in a little cove formed by a wooden breakwater, a small boat was moored.

I approached as near as I could and called for help. Presently little

Sammy made his appearance in answer to my cries; but instead of

returning into the cottage to obtain help from some grown-up person, he

set to work at once to unmoor the boat, jumped into it, and began

paddling along with a single oar round the breakwater and the rocks to

where I stood.

I was in an agony of fear lest he should be carried out to sea, for he

was certainly too little and too weak to have made head against any

current or wind that there might be. However, the boat soon touched the

sand close to me. I scrambled in, getting very wet the while, and then

by our united efforts we got her off again and paddled her round to her

own little harbour.

Once in safety, I exclaimed: "Oh, Sammy, how dangerous for you to come

alone! why didn't you call somebody?"

"I thought you'd drown furst," said Sammy, with a grin; "but

grandfather's ill and father's out, so I wor the only man at home, yer

see."

"And a true little man you are," said I to my friend Sammy; and I am

sure my little readers think so too.

[Illustration: Beached boat]

_PUZZLE-PAGE._

[Illustration: Puzzle images]

Now, dear children, see if you can find out this puzzle page. One of

these objects begins with a B, one with C, one with F, one with K, one

with M, and one with P.

[Illustration: Rabbits]

THE RABBITS.

_Cheerfully. mf._

1.

Come out, little rabbits here's something to eat:

The birds are all singing their music is sweet.

The morning is lovely with sunshine and shade;

Come out, little rabbits, and be not afraid.

2.

Some nice water-cresses we have for you here,

Some bran and some clover, so come, do not fear;

The dog will not harm you, the cat is away,

Come Bunnie, come Minnie, for food and for play.

A STORY OF A WOODEN HORSE.

CHAPTER IX.

A FRIENDLY PARTY.--WHAT ADRIENNE DID WITH HER TEN PIECES OF

GOLD.--UNEXPECTED VISITORS.--A HAPPY MEETING.

[Illustration: Decorative W]

We must suppose that an interval of a year and a half has passed since

the events happened which I related in the last chapter. The family of

de Roisel are staying at Paris, as usual during the winter; and this

chapter opens on a certain day, soon after Christmas, when they had

guests to dinner. Eusèbe, and his father and mother, were there; also

Adrienne Fallachon, accompanied by her father and her English governess.

Maurice had met Adrienne again in the Luxembourg gardens, and at length

the two families had become acquainted.

The dinner was in the middle of the day on account of the children, and

afterwards, to amuse them as they sat round the fire, a singular sort of

game was introduced. All were to confess in turn such faults or follies

as they were conscious of in themselves, and to relate what bad, or

silly, or ridiculous actions these faults had led them into,--it being

understood that the grown-up people were only to speak of the faults and

follies of their childhood.

They had just settled down to the game when Mr. Duberger came in. He

joined in it at once, and related, with great goodnature and perfect

candour and simplicity, a multitude of absurdities and mistakes which he

had committed in complete innocence, but through negligence and absence

of mind. He made every one laugh heartily at his stories.

Eusèbe was the only one of the party who had nothing to relate, for he

knew of no imperfection in himself. Some of those present tried to help

his memory a little; but no! he could remember no fault he had ever

committed. He recollected, and related, only deeds of heroism, which did

not fail to cause a slight astonishment in his hearers.

Adrienne, who, under the watchful care of her governess, had much

improved in character since we knew her before, spoke of her own caprice

and selfishness; and said she always should consider she had caused the

misfortunes which befell Cressida, through refusing to give her ten

pieces of gold to the poor woman.

"And what did you do at last with those ten napoleons?" asked Mr.

Duberger.

Miss Henriette, the English governess, replied for Adrienne: "To tell

you that, sir," she said, "would not be keeping to our game."

"But I can tell you what she did with them," said Maurice. "When she

went home that day, she had such a scolding from Miss Henriette for her

hardness of heart, that she was very sorry indeed, and I have heard she

cried a good deal. Well, a day or two afterwards a poor workman was

killed, in falling from the scaffolding of a house, that was being built

close by. Adrienne heard that he had left a widow and children in the

greatest distress; and what do you think she did? She asked Miss

Henriette to take her to see this poor woman, and gave her the ten

napoleons. I know too that she has often been kind to poor people since,

and given away her pocket-money."

"It is all quite true," said Adrienne's father. "I should have told you

of it long ago, but Adrienne made me promise that I would not."

The little girl blushed, and her governess, who was sitting by her, took

her hand; but at this moment the general attention was drawn in another

direction. A servant came into the room, and spoke in a low voice to

Mrs. de Roisel, who replied aloud: "Ask them to come in here, of

course."

The next moment the servant announced Mr. and Mrs. Leopold Kirchner; and

a lady and gentleman with three children entered the room.

The name of Fritz's niece--the poor woman whom Maurice had helped--was

known to every one present; it was known also that her husband, having

already made a good fortune in America, was about to return to Europe

with his family, but their arrival at this time was unexpected. Their

dress showed that they had but just come off a journey, and it was

evident that, on arriving in Paris, their first thought had been to pay

a visit to Maurice.

Finding so many persons in the room, the new-comers stood for a moment

confused; and Mrs. de Roisel hastened forward to welcome them.

"Oh, father," exclaimed the little girl, "here is Maurice. I know him,

though he is grown much bigger in two years."

Maurice was immediately embraced and kissed by every member of the

family in turn.

"It rests with God," said Leopold Kirchner, with deep emotion,--"it

rests with God to reward such actions as yours; but if ever it should

happen that we can be of any service to you, remember that all we

possess, and all we can do, is at your command. But we had another

benefactor at the same time."

"Yes, that was Mr. Duberger," Maurice hastened to say, glad to turn

attention away from himself. "Here he is!"

"Sir," said Leopold Kirchner to him, "I am not surprised to see you

here. My wife's uncle, Fritz Keller, who wrote to us very often about

Maurice de Roisel, told us how you had become his friend and that of his

parents. It is natural that those who have good hearts should come

together, and esteem and love each other. I find no words, sir, in which

I can express my gratitude to you."

[Illustration: MAURICE WAS EMBRACED BY ALL THE FAMILY.]

There was an evident sincerity, and a certain dignity too, in this

language that went to the hearts of all. Then they talked of Fritz, who

had died at a great age towards the beginning of the winter; and Maurice

brought in Cressida to show the horse to his new friends. He had learnt

from Mr. Duberger how to value it, and no longer used it as a plaything.

Mr. Duberger always declared it to be the most remarkable and ingenious

automaton that had ever been made.

When Cressida was brought in Eusèbe informed his parents that he must go

away. He had not amused himself at all, and the sight of Cressida always

put him out of temper. He regretted so much that when the little horse

belonged to him, he had not destroyed it.

CHAPTER X.

CONCLUSION.

Something tells me that among my little readers there may be a

few--perhaps the oldest or most clever--who wish to ask me certain

questions. They may say to me:--

"Now what moral lesson do you draw from your story? That boy, Eusèbe,

who is about the naughtiest and most disagreeable boy that ever lived,

is left just as well off, and as happy as the dear good little Maurice.

An author can make shadow or sunshine fall upon his paper as he pleases:

then he should punish the bad, and make the good happy."

In reply, I say to you: My dear little gentlemen and my pretty young

ladies, you must know that Providence, which watches over us from above,

does not institute special rewards for virtue, as men may do; nor has

any system like ours for punishing the bad. Yet Providence is always

just. To those who do good no other reward is sometimes accorded than

that of being good: but, in truth, that is the best reward of all. If a

man bestow charity in the hope that God will, as a reward, render him

prosperous, he is not really charitable, but only a speculator who risks

a little in the hope that he may gain much. Nor can we always see how

Providence punishes the bad. They may be rich and prosperous, yet they

may suffer from the hatred that is in their hearts, and from the envy

they feel towards those who appear happy.

But to satisfy my little readers I will leap over the fifteen years

which separate the present time from that at which my story began, and

see what has become of the principal characters.

To begin with Eusèbe. You may meet him everywhere; at the theatres, in

the park, at races, always with his glass in his eye, generally with a

cigar in his mouth, and dressed in a conspicuous and ridiculous fashion.

But you may ask perhaps what he does? Nothing: that is the only thing he

is capable of doing. With a cold heart and an empty head he has no

friendships, nor has he intellect enough even to enjoy his amusements.

That attack of the nerves which his parents always dreaded, but which

never came, was an excuse for not working at college; and when his

education was supposed to be finished, it was discovered one fine day

that he knew nothing and was fit for nothing. But I am forgetting: he

has one occupation, which is the misery of his life. His occupation is

to envy. When any of his old college companions or his schoolfellows are

successful in literature, science, or art, he is miserable. It is

torture to him to hear them praised. He does what he can to detract from

their merit and renown; and finds a certain satisfaction--perhaps a

slight consolation--in laughing at them for their application and

industry.

"How a fellow can be such a fool as to work hard in that way!" he will

say with an air of superiority.

In short, Eusèbe would like to sweep away all genius, talent, and wit

from the face of the earth, and when there remained only fools upon it,

he might be king among them. And now, my little readers, what do you

think of Eusèbe? Is he happy, do you suppose?

[Illustration: WITH HIS GLASS IN HIS EYE, AND DRESSED IN A

RIDICULOUS FASHION.]

You ask now if Adrienne Fallachon became a duchess after all?

No; far from it. She grew up wiser and less ambitious than her father.

She has lately married a young lawyer, a cousin of her own, whom she

loved. So she has not even changed her name, which is still Fallachon.

And Maurice?

Maurice has lately left college, where he has greatly distinguished

himself. As a young man, he is still as kind, gentle, and brave, as he

used to be when a boy; and is as generally loved as his cousin Eusèbe is

disliked. His talent and his inclination both seem to point to a

literary career, as the one he will take to; nor can any be more

honourable or useful when the writer teaches what is true, and good, and

noble. I am sure we all wish him success and happiness.

[Illustration: Child playing a flute]

[Illustration: Doll-house]

LITTLE-DOLL HALL.

[Illustration: Decorative A]

A wonderful house is Little-doll Hall,

With toys, and dollies, and sweetmeats, and all;

Up in the attic, a goodly show,

There are three lady-dolls all in a row.

Old Mother Hubbard and Old Dame Trot

Are busy a-washing the linen;

And Princess Prettypet, down below,

Sits in the garden spinning.

Behind, the maid, a very old maid,

Is carrying out the clothes:

I don't know if there's a blackbird near,

Prepared to snap off her nose.

And there stands the little maid by the well,

And a little doll sits on the brink:

Her name is Belinda Dorothy Ann,

And that's a fine name, I think!

A little bird sits on the garden pale,

And his voice is clear and good,--

He's one of the robins who covered up,

With leaves of the berries on which they did sup,

The children in the wood.

Jack Sprat lives there also, and Hop-o'-my-Thumb,

And Jack the Giant-Killer;

And Humpty-Dumpty, and Puss in Boots,

Likewise the Jolly Miller.

And the nice little man who had a small gun,

Whose bullets were made of lead,

_He_ used to live there, but is not there now,

Because, poor fellow, he's dead.

All these might you see, as plain as could be,

And many a fairy wight;

But this cannot be, because--don't you see?--

They're every one out of sight.

And all that you find there, children and mother,

Have been in some fairy tale or other;

And therefore the good little children all

Are fond of going to Little-doll Hall;

And if _you're_ a good child, I and you

On some fine day will go there too.

[Illustration: Goats]

GOATS.

[Illustration: Decorative T]

This, you see, is a picture of goats, enjoying a feast of nice fresh

young leaves from that tree which hangs over the paling. How greedily

the little kid there, standing on his hind legs, reaches up to eat,

while the other little fellow stands with pricked-up ears and wide-open

eyes, holding a sprig of some tree in his mouth. He has heard a noise,

and is on the watch, fearful lest some enemy should come, and ready to

spring away in a moment.

This picture just represents a family of common European goats. They are

fleet, active creatures. In their wild state they delight in climbing

rocks, and bounding about at the edge of precipices, as sure-footed as

the chamois. Even our tame goats here at home are so fond of climbing

that they always get on to some high place, even on to the tops of

houses or outbuildings, when they have a chance.

You know, children, how tame and gentle these creatures can be made, for

I am sure there is scarcely one of the readers of "Wide-Awake" but has

ridden in a goat-chaise at some time of his or her life; yes, and has

sat up in state, and held the reins, and driven the poor little willing

goat too. But I trust that the little hands have been merciful the

while, and that the poor goat's mouth has not been jerked and dragged

till every tooth in its head ached. And how about the whips? Goats'

skins are not very sensitive perhaps, but I am terribly afraid that some

little children whip their goats till they must smart again. Now if your

consciences accuse you--and I address myself to any of my little

readers--make up your minds never to be cruel to goats, or any other

living creature, again. Few things are more horrid to me than a cruel

child.

When I was in India I had a number of goats: they were kept to give

milk. I grew quite fond of them, and they knew me so well that they

would come trotting after me, baaing at me for bread or sugar, whenever

I walked out in the compound. There was only one disagreeable quality

about my goats: they were not sweet-smelling, and on that account were

not very pleasant pets.

I have been told that at the Cape of Good Hope large flocks of these

animals are kept, and they are very sagacious, requiring no goat-herd to

look after them. In this respect they are very different from sheep:

they start off in an orderly flock of their own accord to find their

food in the morning, and they return in the same orderly fashion in the

evening.

Goats are almost the only animals that will face fire. On some occasions

when stables have caught fire, they have been known to save the lives of

horses by setting them a good example, and boldly leading the way

through smoke and flame out of the burning stables.

[Illustration: Goat]

[Illustration: Dog]

AUNT TOTTY'S PETS.--TIGER.

[Illustration: Decorative T]

The next of her pets that Aunt Totty told us about was a dog called

"Tiger." This was what she told us.

"Tiger," said Aunt Totty, "flourished about the same time as Moko, the

monkey I described to you the other day. He was a very big dog,

something between a Newfoundland and a Mount St. Bernard. He belonged to

my old nurse and foster-mother, who lived on a little farm not very far

from Marseilles. Her husband, who was now a farmer, had once been a

soldier, and was a brave and worthy man.

"Once, after I had had the measles, I was sent for change of air to stay

a week or two with my old nurse. The chateau, where we then lived, was

not many leagues away; still for some reason the change of air was

considered necessary for my complete cure. How I enjoyed the visit I can

scarcely tell you. I had everything entirely my own way, and of course

had a holiday from all lessons. From the moment I entered the house,

Tiger adopted me as his playfellow and friend. I loved him dearly, and

had a great respect for him at the same time, for never was dog at once

so gentle and so terrible. He would jump upon me to caress me, and knock

me down flat under the weight of his great paws, while I in turn used to

sit upon his back, roll on the top of him when he was resting, and

unmercifully pull his ears and his tail.

"He was mine to do as I liked with, for my nurse would deny me nothing,

and I chose to adopt Tiger for my own. Everyone loved the brave big dog

who knew him: but now I must come to the point of my story.

"One evening, at twilight, I was out playing with my little

foster-brother a short distance from the cottage, on the outskirts of a

large wood. We were sitting on a bank talking, and he was telling me of

a ghost which, he said, had been frightening everybody in the

neighbourhood of late.

"'Ah,' cried little Pierrette, shuddering, 'this frightful ghost makes

the grown-up people run away: what should we do if we saw it now?'

"'Nonsense,' I answered, 'a boy ought never to be frightened----.' I got

so far when, to my horror, I saw, coming out of the dark wood, a tall

white figure, which came walking slowly towards us. As it approached

slowly, slowly, a cold shiver ran down my back, my eyes seemed starting

from my head, and shrieking out, 'The ghost, the ghost!' I ran back

towards the cottage. Pierrette--in consequence perhaps of what I had

just said--stood his ground boldly; at least for the moment.

"For my part I thought of nothing but myself, and rushed screaming into

the house. Pierrette's father, Pierre, ran to the door, hearing my

cries, and could himself see the terrible ghost at a distance. He at

once took down an old gun from above the chimney-piece--one which, I

believe, had figured in Napoleon's campaigns--and hastily loading it

with deer-shot, marched out in the direction of the phantom. Walking a

few steps, he called out in a voice which he strove in vain to make

firm,--

"'Who goes there?'

"The ghost made no answer, but waved his arms about in the air.

"'Who goes there?' again cried Pierre. 'If you do not answer, I shall

fire.'

"Again the ghost only waved his long arms--arms which appeared to me to

reach the sky. Pierre put the gun to his shoulder, he pulled the

trigger, but it did not go off; it was old and out of order. Then a

shout of diabolical laughter broke the quiet night, echoing all around.

And I regret to say my nurse's husband fled--positively fled; caught his

foot against a stone, tumbled on his nose, picked himself up again, and

ran into the cottage--though I must do him the justice to say that he

caught me by the hand, and dragged me in along with him.

"Once safe inside, we both thought of Pierrette,--where was he? And I

told how he had stood still when I ran away. Then a happy thought

occurred to me: I called Tiger from his kennel; and as, on looking out,

we could no longer see the ghost, we all--father, mother, I, and

Tiger--went out to look about for the boy.

[Illustration: Dog and child asleep]

"After searching a little while in vain, we returned to the cottage,

where, at the door, we found Tiger and Pierrette lying down together

waiting for our return--the little boy having fallen asleep with his

head comfortably resting on the dog's body, just as you see them in the

picture.

"The next evening, as soon as it began to grow dark, we watched for the

ghost, and saw it appear again almost at the same hour in the same

place. But this time the brave Tiger was let loose upon him at once.

"The phantom had only advanced a little way from the wood, and was

beginning to wave his long arms, when Tiger, without the least

hesitation, sprang upon him, howling with rage. The ghost showed no

fight at all, but at once turned and fled. In running, he got his feet

entangled in the sheets which he was wrapped up in, and fell to the

ground. Tiger was upon him in an instant, and the ghost cried for mercy.

"Pierre and some other peasants came to the rescue, when they found that

they had been so frightened only by one of themselves--a drunken, idle

fellow, who, rather than work, played this trick. And why? Well, partly

for fun, no doubt, but also in order to steal his neighbours' fowls and

vegetables; for he thought that no one would venture to come out at

night to interfere with the ghost.

"The fame of Tiger's exploit was so great, that he was soon afterwards

purchased at a high price by the owner of some flocks of sheep, which

pastured in the mountains; and who said very reasonably:--'The dog who

dare attack a ghost will never be afraid of wolves.'"

When I go walking along, long, long,

I always keep singing a song, song, song.

It shortens the way,

By night or by day,

If you keep singing a song, song, song.

[Illustration: Tramp]

[Illustration: Cooking dinner]

LITTLE PETER PRYOR.

[Illustration: Decorative L]

Little Peter Pryor must needs pry into everything. Here you see him in

the kitchen, taking a look into the saucepan to see what there is for

dinner. Cookey looks very kind, and not at all angry. But Peter's mamma

just comes in and says: "Now, Peter, I will not have you prying; you

have no business here; go out of the kitchen directly."

Peter drops the lid of the saucepan, scalds his fingers, slips from the

stool, and scrapes his chin. I am afraid nothing will cure Peter of

prying, except some really bad hurt.

One day this silly little boy got into the fireplace, (luckily there was

no fire,) and began climbing up the chimney to see where the soot came

from. A quantity fell on him, and he soon came back--not a bit

frightened, only laughing,--and said to his Nurse,--

"Look'ee, Nana, Peter hab turned into back boy!"

He thought it great fun, but Nurse did not.

[Illustration: Flowers]

[Illustration: Flowers]

FLOWERS.

[Illustration: Decorative H]

How stilly, yet how sweetly,

The little while they bloom,

They teach us quiet trustfulness,

Allure our hearts from selfishness,

And smile away our gloom:

So do they prove that heavenly love

Doth every path illume.

How stilly, yet how sadly,

When summer fleeteth by,

And their sweet work of life is done,

They fall and wither, one by one,

And undistinguished lie:

So warning all that pride must fall,

And fairest forms must die.

How stilly, yet how surely,

They all will come again

In life and glory multiplied,

To bless the ground wherein they died,

And long have darkly lain:

So we may know, e'en here below,

Death has no lasting reign.

[Illustration: Healing]

MAMMA'S SUNDAY TALK.

MIRACLES OF OUR SAVIOUR:

CURE OF A DEAF AND DUMB MAN.

[Illustration: Decorative A]

Among the miracles which our Lord next performed was that of giving

speech and hearing to a deaf and dumb man. This man was brought by his

friends, who placed him before the Saviour, with the earnest request

that He would put His hand on him. St. Mark thus describes the

miracle:--

"And they brought unto Him one that was deaf, and had an impediment in

his speech; and they besought Him to put His hand upon him. And He took

him aside from the multitude, and put His fingers into his ears, and He

spat, and touched his tongue. And looking up to heaven, He sighed, and

saith unto him, 'Ephphatha,' that is, 'Be opened.' And straightway his

ears were opened, and the string of his tongue was loosed, and he spake

plain."

We cannot always determine the reasons that influenced the actions of

our Lord; nor indeed is it necessary we should. We cannot doubt, judging

by other miracles, but He could have cured the man by a word, or the

mere exercise of His will; yet on this occasion He chose to touch the

man's eyes and his tongue, and to sigh a mental prayer to His Father.

His reasons for taking the man aside from the multitude we can more

easily surmise. It may have been as a lesson to His disciples, to teach

them that they should not make a vain display of their works of mercy;

or it may have been that, not wishing to excite still further at the

moment the enmity of the Pharisees, He desired that the fame of His

miracles should not be further spread. But whatever our Saviour's motive

in taking the man aside, it is evident that the multitude crowded about

Him, and beheld the miracle; for St. Mark goes on to say:--

"And He charged them that they should tell no man; but the more He

charged them, so much the more a great deal they published it; and were

beyond measure astonished, saying, 'He hath done all things well: He

maketh the deaf to hear, and the dumb to speak.'"

The Scripture tells us that, after Jesus had performed this miracle,

great multitudes came unto Him, bringing with them those that were lame,

blind, dumb, or maimed. These poor suffering creatures were cast down at

Jesus' feet, and He healed them. "And the people wondered when they saw

the dumb to speak, the maimed to be whole, the lame to walk, and the

blind to see; and they glorified the God of Israel."

Christ performed a great many more miracles, my children, than I shall

be able to tell you about, and you must read of them for yourselves in

the Bible when you grow a little older. Most of our Saviour's miracles

were, as I have before told you, miracles of healing, and works of

mercy; but, on one occasion about this time, He performed a miracle to

pay what was called the tribute money.

This tribute was a tax levied for the support of the temple at

Jerusalem. It consisted in the annual payment of a coin called a

dedrachma--two drachmas--by every person over twenty years of age. It

was devoted chiefly to the purchase of such things as were used for the

sacrifices in the Jewish sanctuary. This tax was sometimes called "The

ransom money, or atonement for the soul," and was paid equally by rich

and poor, to show that the souls of all were considered to be equal in

the sight of God. It was an acknowledgment that all were sinners, and

all alike needed to be ransomed.

We are told by St. Matthew that when Jesus and His disciples came to

Capernaum, "They that received tribute money, came to Peter, and said,

Doth not your master pay tribute?"

Peter, who had heard our Lord teach His followers to give to all their

dues, answered promptly to the inquiry, "Yes," and then went into the

house where Jesus was. Our Saviour, although not present at the

conversation with the collector of tribute, knew perfectly well what had

taken place, and He anticipated what Peter was about to tell Him by

saying,--

"What thinkest thou, Simon? of whom do the kings of the earth take

custom or tribute? of their own children or of strangers?"

Peter, you must know, was sometimes addressed by his first name of

Simon. Now Christ, in putting this question to him, meant to ask whether

He, as the Son of God, to whom the temple was dedicated, ought to pay

tribute for its support, as kings do not tax their children.

Nevertheless, He added words signifying that lest the Pharisees should

charge Him with despising the temple and its services, the tribute

should be paid. And He went on: "Go thou to the sea, and cast an hook,

and take up the fish that first cometh up; and when thou hast opened his

mouth, thou shalt find a piece of money: that take, and give unto them

for me and thee."

Peter obeyed. He went and caught the fish, found in its mouth a

shekel--equal to four drachmas--and with it paid the tribute.

[Illustration: Seated by a cliff]

[Illustration: Child at bedside]

SOME OF MY LITTLE FRIENDS:

MARGARET.

[Illustration: Decorative T]

The little friend that you see in the picture is a little girl that I

knew long ago. As you can judge from the picture, her father and mother

were not what we call gentlefolk. But simple country people as

Margaret's parents were, they had as warm hearts--yes, and as good

manners too--as you would meet with anywhere.

Margaret's father was just an honest English farmer, and her mother a

worthy active farmer's wife, while little Margaret herself was the

perfection of a merry country girl. She was up early to help her mother

in the morning. She would rise at cock-crow, wash and dress herself,

make her own bed, and then kneel down, as we see her in the picture, and

say her prayers. And if it was summer, the sun, in rising would cast his

slanting rays in at the window, and gild her pretty head the while with

his soft light.

I had been very ill, and went down to stay at the farm to get strong and

well again. In fact I took a lodging there for a short time. But I

already knew the people, for I had once lived in the neighbourhood. It

was the month of October when I went down, after having been long

confined to my sick room in London; and I can remember now how beautiful

the woods looked, as I drove from the station up the hill to the

farm-house. The leaves of the oak were already mellowing into bronze;

the beeches were changing to a deep orange; and here and there the pale

yellow of the chestnut showed in relief against the dark green of the

unchanging fir. The whole landscape glowed in the warm lights and

shadows of autumn colouring.

The old farm-house was perfect in point of cleanliness and comfort. I

soon regained my health and strength, and was beginning to think of

returning home again, when the sad event happened which I am going to

tell you of.

Little Margaret used to wander in and out, and round about, near her

father's farm, just as she pleased. She was known and loved by everyone,

great and small; by the young children particularly, who would run out

of their cottages as she passed to see and speak to her. One evening she

was returning home across a plot of open ground near the farm, when she

saw, drawn up out of the road, one of those houses on wheels which

gipsies travel about in. A woman stood outside with a little brown baby

in her arms; and Margaret could not pass without saying a word to the

baby.

"But it doesn't look well," said Margaret to the mother.

"No, missie, nor 'tain't well neither," replied the woman; "and I have

one inside a deal worser. I don't know what ails 'em. Would yer like to

step inside and see the child?"

Margaret ran up the steps without a moment's hesitation, and found a

poor sick boy about seven years old stretched upon a hard mattress,

tossing from side to side in what was evidently a bad fever. The

good-hearted child said to the woman,--"I am sure your little boy is

very ill; I will run home and ask mother what you had better do for

him."

She hurried home full of the subject, and I was sitting in the garden

when she came running in. I asked the reason of her haste, when she told

me of the sick children. From her description, the idea at once occurred

to me that they were sick with scarlet fever; and the parish doctor,

whom we asked to go to see them, afterwards confirmed my opinion.

Those children, however, struggled through the terrible illness; but,

alas! our little Margaret--I say _our_ because a strong love had grown

up in my heart for the good and pretty child--sickened with the fever,

which she had caught during those few minutes spent in the

fever-stricken cart. Days of wearing anxiety and nights of watching

followed. It was heart-breaking to see the little head rolling from side

to side upon the pillow, while the pretty eyes looked with unmeaning

gaze upon us all: the voice too, that we had so loved to hear, sounded

strange as it talked in the wild delirium of fever.

After a time the fever abated, and the child became more tranquil,

though weaker. One day some sad words fell from the little parched lips:

"Mother dear," she said, "set me up a little; I want to see out of the

window, and say good-bye to everything."

The poor mother raised her up, and Margaret could see the soft evening

sky, and the outside world just melting into twilight under the warm

smile of the setting sun.

"Is it, as they say, mother, more beautiful there?" she whispered,

pointing to the sky.

"Where, darling?" asked her mother.

"In heaven," said the child, "which I shall see so soon."

"Not soon! Oh, my darling, not soon! don't say it!" cried the poor

farmer's wife.

"Yes, very soon. Don't cry, mother dear."

And Margaret was right. Only a few days more, and the setting sun shed

its warm light upon her grave.

This is a very, very sad story; and perhaps has brought tears into the

eyes of some of my dear little readers. I hardly know why I have told

it, except that my stories would not be like reality, if they were

always happy. The world has shadows as well as sunshine.

[Illustration: Child in bed]

_PUZZLE-PAGE._

[Illustration: Puzzle images]

Now here are six objects for you to find out. One begins with B, one

with C, one with D, one with F, one with G, and one with J. My little

boy found them all out in less than five minutes.

[Illustration: Wooded lane]

SONG OF THE SQUIRREL.

1.

Overhead on the boughs you may see me,

I'm off in a flash if you tease;

And I swing on the green twig above you,

As it gracefully bends to the breeze.

All the sweet summer time I am playing,

And cutting up capers so queer;

'Tis the happiest season for squirrels,

The holiday time of the year.

2.

And when Autumn is dressing the wild wood

In raiment of scarlet and brown;

When Jack Frost comes to shake all the treetops,

Till the nuts and the acorns come down;

Then the squirrel's rich harvest is welcome:

I gather a plentiful store.

You may know where my snug little house is,

By nuts that you see at my door.

3.

All the winter, secure from the weather,

I live in my streets underground,

So concealed you can't see my snug dwelling,

Where I sleep from the cold safe and sound.

Don't you think I am clever and skilful,

And all my contrivances good;

Don't you think that we gay little squirrels

Are the happiest folk of the wood?

[Illustration: Squirrel]

[Illustration: Bird feeding nestlings]

THE SHRIKE, OR BUTCHER BIRD.

[Illustration: Decorative M]

My little readers have, none of them perhaps, ever seen this bird: it is

not very common in England, though found in most parts of the globe.

This one we see in the picture is feeding its young with an insect, or

beetle; but the Shrike is a very voracious and cruel bird. It not only

eats insects, reptiles, little mice and such things, but attacks the

young unfledged nestlings of smaller birds than itself, and devours

them. This is why it is called by the ugly name of Butcher Bird. Fancy

the horrid thing devouring the tender, weak, and helpless young of its

own species! Poor little baby-birds settled comfortably in their nests,

waiting for the return of papa or mamma with food, are pounced upon by

these cruel creatures, carried off, torn limb from limb, and used to

feed a nestful of little butcher birds!

I never saw a Shrike but once, and that was many years ago. I was

driving with a relation of mine, the wife of a country clergyman, to

visit a sick child, the daughter of one of the parishioners. As we drove

up to the farmhouse, we met the child's father, who was a small farmer,

coming out at the door with a gun in his hand. After inquiring about the

child, we naturally asked what he was going to shoot, for it was not the

shooting season. He told us in reply that he had just seen a grey shrike

up in an apple tree in the orchard, and he was going to have a shot at

it.

"For it be a rare bird, that it be," added he; "this be the furst as

I've seen since I wor a boy, and loike enough I mayn't never see

another, so I be a'going to shoot un."

Although the bird is so cruel itself, I did not feel inclined to see it

killed, so I wished the farmer good morning. But he did "shoot un," I

afterwards learnt; in fact, he butchered the butcher bird, and had it

stuffed too, and put into a glass case. In this condition I saw it. It

was a handsome bird; the general colour of it was grey, but it had a

white breast, and some strong black marks upon the head, wings, and

tail. Its size was about that of a pigeon.

There is another kind of Shrike, which is found in South America, and is

called the Bush Shrike. This bird is rather larger, and more powerful

than the European Shrike, and has a handsome tuft of feathers on its

head. It is found in forests and thick brushwood, where it passes its

time in a constant search for insects, reptiles, and the young of other

birds, which it devours like the European Shrike. It possesses a strong

and rather hooked beak, and is a formidable enemy to any creature it may

attack.

But the country in which the Shrike lives on the best terms with man is

New South Wales. There it is very common, and in appearance resembles

the Shrike of Europe. It is called by the colonists the Piping Crow, on

account of the rich and varied strain of song it pours forth in early

morning and towards evening. In this gift of song it seems to differ

from the European bird, or at least, if the latter possesses such a

merit, it has not been observed. In New South Wales the Shrike prefers

the open localities to the wooded districts, and in particular shows a

preference for those parts which have been cleared by the settlers. In

fact, in that country, the Piping Crow is looked upon as being a

particularly trustful bird,--trustful, I mean, of man. It will build its

nest in the plantations or gardens of the colonists, who, particularly

in the back settlements, do all they can to encourage it for the sake of

its pleasant morning and evening song.

A FABLE.

[Illustration: Wolf outside a window]

A famished Wolf was prowling about in search of food one morning. As he

passed the door of a cottage built in a forest, he heard a mother say to

her child,--

"Be quiet, or I will throw you out of the window, and the Wolf shall eat

you."

The Wolf sat all day waiting at the door. In the evening he heard the

same woman fondling and petting her child, and saying,--

"He's a good boy now, and if the Wolf should come, we will kill him."

The Wolf, hearing these words, went home, gaping with cold and hunger.

On his reaching his den, Mistress Wolf inquired of him why he returned

tired and supperless, so contrary to his wont. He replied, "Why,

forsooth! because I believed what a woman said!"

[Illustration: See-saw]

SEE-SAW!

See-saw! up in the air we go,

High, high up; and down, down low.

That boy in the cap's such a regular lump,

No wonder he comes to the ground with a bump.

The little man tossed up so high in the air

Has the best of the fun; it is really not fair.

His sisters and brothers look on with delight,

While the kitten and fowls think it quite a grand sight.

The chickens go, "Cluck, cluck!" the boys shout with glee;

And all seem to say: "Who so happy as we?"

[Illustration: Flowers]

TINY AND THE FAIRY.

IN EIGHT SCENES.

Scene I.

[Illustration: Decorative A]

A pretty little girl is Tiny, and she is also _now_ a very nice one, but

she used to have one great fault--she was very conceited. She fancied

herself the prettiest and cleverest child in the world, and when she was

with other little girls of the village where she lived, she was in the

habit of telling them very plainly what she thought of herself; which,

you may imagine, was not the way to make them like her. One day she had

a lesson, however, which, I am glad to say, quite cured her; and I am

going to tell you how the happy change was brought about.

That little girl you see in the picture, standing on the other side of

the brook, is Tiny. This brook is in a little wood close to her mother's

cottage, and she has just been looking at the reflection of her own

pretty face in the water, and thinking how much prettier it is than any

other faces she ever sees. While she is occupied in this way, she hears

somebody laugh, and looking up, sees a beautiful lady and an ugly little

dwarf standing on the other side of the brook. The lady has bright wings

upon her shoulders, and both she and the dwarf are laughing at poor

little Tiny.

Tiny does not quite like being laughed at, but has no doubt they are

admiring her all the same. She is very much astonished, though; when she

hears the lady say:--

[Illustration: Child, lady, and dwarf]

"Well, Tiny, I suppose you think yourself quite perfect. You are a vain

little creature; and if you remain through life the same, nobody will

love you, and you will never be happy: I will help you to become wiser.

I am going to give you a pair of wings, with which you will be able to

fly about, and see and hear a great deal which will serve as a useful

lesson to you. The wings will only last till sunset, but you will have

time to find out that there is vanity in others as well as yourself, and

to judge how silly it is."

After saying this, the fairy with her attendant dwarf disappear. But

Tiny feels a strange pricking at her shoulders, and presently finds

herself raised up from the ground by a pair of wings, which have grown

out suddenly. She was always small for her age; and that is the reason

she is called Tiny; but now she discovers that she has become no bigger

than a little bird.

[Illustration: Child and giant owl]