CHAPTER XIX.

A DUAL RENUNCIATION.

Madeline Payne had lingered over her toilet, pondering the

incomprehensible manner of Claire Keith. She now stood before her

mirror, brush in hand, thinking.

"Not ready yet?"

If Madeline could believe her eyes, Claire was actually smiling!

"I thought you would be waiting for me," continued Claire, composedly,

pulling a big chair forward, and sitting down where she could look

full in Madeline's face. "But it is just as well; there is something

that I want to say, before we go down. Why don't you go on with your

hair?"

Madeline's hand, brush and all, had dropped to her side, and she was

silently staring at her friend. Without a word she resumed her

employment, looking more at Claire than at her own reflected image.

"You guessed rightly, when you accused me of having seen Mr. Percy

to-day," pursued Claire.

"Accused, Claire?"

"Well, informed, then. I did see him. He wrote me a letter; it was

posted at Bellair; you see," smiling bitterly; "that I have no reason

for doubting anything you have told me."

A new light broke over Madeline's face. "Do you doubt?" she asked,

quickly.

"Not one word!"

"Oh!" drawing a breath of relief. "You were so composed I thought--"

"That I was hoping to disprove your statements? Not at all. And why

should I not be composed? Do you think my heart could break for such a

man?"

"Hearts don't break so easily," said Madeline, gloomily, "but they

ache sometimes."

"Do they?" placing her hand over her heart and smiling faintly. "Well,

mine don't ache either, yet; but it burns."

Madeline stayed her brush again. "No," she murmured, "it don't ache

_yet_."

Claire made a gesture of impatience. "Oh, I know what you mean,

Madeline! By and by my heart will ache, of course--I know that, having

discovered, quite recently, that I am human. One can't feel outraged

and angry always, and sometimes, I suppose, my day-dreams will come

back and haunt me. Well, that is a part of the price we have to pay

for intruding into dreamland when we are not asleep. But this is not

what I began to say. Edward Percy met me to-day, and this is what he

told me: He said he was going away, upon some geological expedition,

and would most likely be gone a year. He wanted me to promise to hold

myself free until he could return and claim me. He would exact no

other promise now, only pledging himself. At the end of a year, all

obstacles to our open engagement would be removed. I, of course,

supposed, then, that the 'obstacles' referred to, were business and

financial ones. Don't think, Madeline, that we have been in the habit

of meeting clandestinely. He visited me openly in Baltimore, but not

often enough to excite remark; and we frequently met at other places,

as he went in the best society there."

Claire paused, but Madeline went on with her toilet in grave silence.

"Madeline, darling, I can't thank you enough for opening my eyes

before it was too late, while it was no worse--and I can't explain my

feelings. I despise him, and I despise myself for being thus duped. It

is my pride that is suffering now but, of course, I know that, despise

the man as I may, my heart will be heavier and my life darker, because

of what I believed him to be. Now let us go to Olive."

Madeline Payne threw her arms impulsively about her friend and

murmured, brokenly:--"Claire, Claire! you are braver than I, and far,

far more worthy. You have a right to be happy, and you shall be."

And in that moment the girl renounced a resolve she had taken, and a

hope she had cherished.

As they descended the stairs together Claire fancied that she looked

paler, and a thought sadder than before.

They found Olive and dinner waiting. As they took their places about

the luxury-laden board, three lovelier women or three sadder hearts

could not have been found in a day's journey.

Of the three, Claire Keith was the calmest, the most self-possessed.

All that was to be related by Madeline, all that Olive was waiting in

anxious expectation to hear, she knew already. The best and the worst

had been revealed to her; her own course was clear before her. So she

ate her dinner with composure, and bore a large share in the table

talk that, but for her, would have been rather vague and spasmodic.

Dinner was an ordeal for Olive, at least, on that day, for her mind

was filled with thoughts of Philip, and wonderment as to how the

picture of the man who had been his ruin came into the possession of

Madeline, who was making herself more and more of a mystery.

Madeline, too, was restless. She wished the revelation were made and

done with. She wondered if she could control the future so far as

Olive was concerned, for she had made her plans, and did not propose

to let the work be taken out of her hands.

When Madeline had related to Olive the events that had been

transpiring at Oakley, she had narrated faithfully the scenes between

Cora and Percy, but she had withheld the name of the latter, a fact

which was not even noticed by Olive, who had not been especially

interested in this last actor upon the scene.

Now, when dinner was over, and they had grouped themselves about the

grate, its ruddy glow illuminating the twilight that was fast giving

place to evening shadows, Madeline retold the story of Percy's first

interview with Cora on his arrival, and his second, in the

summer-house, the overhearing of which had caused that long absence

from Miss Arthur's dressing-room, which necessitated her ingenious and

highly improbable explanation to the aggrieved spinster, with which

the reader is already acquainted.

During this recital the face of Olive Girard was a study. It changed

from curiosity to wonder; from wonder to a dawning hopefulness of

finding in all this a possible clue, that might help her husband to

his freedom. Then despair took the place of hope, as the clue seemed

to elude her grasp. At the end, astonishment and incredulity fairly

took away her breath. She sank back in her chair without uttering a

word.

Madeline waited for comments, but Claire was the first to speak.

During the recital she had been able to think, and to some purpose. As

the disjointed fragments were joined together by Madeline, Claire was

drawing shrewd and close inferences. Now she lifted her head and

asked:

"Madeline, have you formed any sort of a theory, as to how all this

might affect Olive and Philip?"

Madeline looked up in surprise at the question, and answered it by

asking another: "Have you?"

"Yes, but I think Olive would rather hear yours; and mine is, as yet,

but half formed."

Olive had regained a measure of her composure, and now she sat erect,

and said, eagerly:

"Madeline, I have been too much surprised and shocked to think

clearly. Think for me, child, and for mercy's sake, tell me at once

all that you suspect."

"I suspect much," replied the girl, gravely; "but what we want is

_proof_. First we want to find out who is the party who accompanied

Madame Cora, or Alice, as Percy called her, to Europe, for to Europe

she went. Did she know Lucian Davlin ten years ago? Did they go

together to Europe?"

"You want to know, first of all," said Claire, interrupting her, "when

the intimacy of those two did begin. The woman may not have known him

ten years ago. It would be easier to find out if they have been allies

during the past five years."

Madeline turned a look of surprised admiration upon the speaker as she

replied:

"You are right, Claire, and keener than I. Yet, my theory is, that

they were friends before the woman fled from her cottage in the

suburbs. I think the stealing of the marriage certificate has a strong

savor of a man's thoughtful cunning. The woman could not have been so

deep a schemer in those days. Now, Olive, let us suppose that these

two were plotting in unison. Edward Percy's first wife dies, and no

one the wiser about the marriage. Then he inherits his uncle's wealth.

If Edward Percy were to die then, the woman, Cora, could come forward

as his widow, display the proofs of their marriage, and inherit his

fortune. He seems to have no living relatives, but, even should other

heirs appear, she would claim her widow's portion."

"Good heavens!" gasped Olive.

"Wait," pursued Madeline; "now, don't you see, supposing all the rest

true, that if Lucian Davlin attempted the life of this man, with the

view of getting his money, and if he failed in some manner

unknown,--don't you see that, holding over Percy's head the fear of

the law, and the proofs of his having committed bigamy, he might thus

silence him? Then, that the two disliking Philip Girard, and finding

the opportunity to throw suspicion upon him by circumstantial

evidence, would naturally do so."

Olive Girard was fearfully agitated, but, after a few moments, had in

a measure recovered her self-possession. Then the three seemed seized

with a desire to talk all at once. And talk they did,--fast,

earnestly, excitedly at times.

At last, out of many words, they evolved a plan of action, and having

arrived at a definite conclusion, they settled down into partial calm

once more; a calm that was broken by a most agreeable ripple.

Doctor Clarence Vaughan was announced, and ushered into their

presence, all in the same moment.

Doctor Vaughan was glad to see Madeline; that was evident. But while

he expressed his pleasure in frank, brotherly fashion, his eyes

wandered from her face to that of Claire Keith.

It was only a look, but Madeline Payne would have exchanged all the

smiles, hand clasps, and brotherly words she could ever hope to

receive from him, for one such glance from his eyes. But the tender

wistfulness was all for Claire--blind Claire, who saw nothing of it.

Madeline withdrew her hand from his clasp, uttering, as she did so, a

flippant commonplace in response to his hearty greeting, but Claire

had caught the look in his eyes, and the false gayety in Madeline's

voice, and it caused her to wonder.

Heretofore she had lived in a dream of her own, and had been careless

of the varying expressions of those about her. Her dream had been

dispelled, and she seemed now to have a keener eye for the emotion of

others. Troubles of our own, sometimes, open our eyes to the fact that

our friends are not all supremely happy. Then we naturally fall to

speculating as to the cause. This was the case with Claire. She

speculated a little as to why the eyes of Dr. Vaughan rested upon her,

with that half-sad expression in them. Then she wondered why the

spirit of perversity had possessed Madeline, and induced her to extend

to Doctor Vaughan so shabby a welcome. Then, without realizing it, she

fell to observing the manner of these two more closely.

"Well, Miss Payne, what report do you bring from the enemy's country?"

he asked, after a few commonplaces between himself and the mistress of

the house.

"I have not been in the enemy's country, Doctor Vaughan; the enemies

are infesting mine."

"As you please, little warrior," smiled he. "Then may I ask, how goes

the battle?"

"Oh, yes! you may ask," crossing over and seating herself beside

Olive, "but your curiosity must wait. It's a ridiculous, tiresome

story, and wouldn't amuse you much, or interest you, either. I am

going to let Mrs. Girard inflict it upon you, when she thinks you need

a penance."

"I think _you_ need a penance now, Miss Payne, for accusing me of too

much curiosity, and too little interest."

"Oh, I didn't mean that, exactly," shrugging her shoulders carelessly.

"I suppose, of course, a physician is interested to a certain extent

in all his subjects, living or dead; but I can't let you dissect my

mind to-night. Besides," laughing maliciously, "I know you would

recommend leeches and blisters, and maybe a straight jacket, and I

can't be stopped in my charming career just yet."

Clarence Vaughan seemed not in the least offended by the girl's cool

insolence. He smiled indulgently, and when Olive ventured a gentle

remonstrance, he murmured to Claire, with a half laugh: "Miss Madeline

is incomprehensible to me; do you understand her, Miss Keith?"

[Illustration: "Dr. Vaughan was ushered into their presence."--page

209.]

And Claire, looking across at her friend, replied, oddly: "I love

her, Doctor Vaughan, and I begin to understand her, I think."

"Do you?" smiling down upon her. "Then some day will you not interpret

her to me?"

Claire's answer was again given oddly, as, lifting her eyes to his

face, she said, quite gravely: "If it is necessary to do so, perhaps I

will."

Then conversation became general; rather Dr. Vaughan talked, and they

all listened.

Claire found herself thinking that Doctor Vaughan was a noble-looking

man; not alluringly handsome, as was Edward Percy; not possessing the

magnetic fascination that Madeline had described as belonging to

Lucian Davlin. But he had a fine face, nay, a grand face, full of

strength and sweetness; not devoid of beauty, but having in it

something infinitely better, truer, and more godlike than mere

physical beauty can impart to any face.

Then she thought of Madeline, of her loneliness, her sorrow, and her

need of just such a strong, gentle nature to lean upon, to look up to,

and to obey. "She would obey _him_," quoth Claire to herself.

Next she fell to watching Madeline, through half-closed eyelashes. She

saw how the girl listened to his every word; how, when his eyes were

not upon her, she seemed to devour him with a hungry, longing,

sorrowful gaze.

"As if she were taking leave of him forever," thought Claire.

And that is what Madeline was doing. When she came to the city, it was

with the determination to win the love of this man, if it could be

won; to let nothing stand between herself and the fulfillment of that

purpose. But all this had been changed, and seeing how bravely Claire

bore the shock of her lover's baseness, how proudly, how nobly, she

commanded herself, Madeline had abandoned her purpose.

"I am not worthy of him, and she is," she told herself.

When she declared that Claire should be happy, she bade farewell to

her own hope of future happiness. She would help him to win the girl

he loved, and then she would be content to die; aye, more than

content.

To-night, therefore, she was saying in her heart a farewell to this

man, who was so dear to her. She had almost hoped that she should not

meet him again for the present, and yet she was so glad to have seen

him once more. She was glad of his presence, yet fearful lest her good

resolution might be shaken. She would not let him be too kind to her,

rather let him think her ungrateful, anything--what could it matter

now?

"Shall you not come back to the city soon, Miss Payne? Surely your old

home can not be the most charming place, in your eyes," questioned

Clarence, after a time.

"I don't intend returning to the city--at least, not for some time,

Doctor Vaughan."

Clarence looked perplexed.

To break the silence that ensued, Claire crossed to the piano and

began playing soft, dreamy fragments of melody.

Presently Olive took up the conversation, and when Madeline again

turned her face toward him, he was listening to Olive and looking at

Claire. It was the same look, yearning, tender.

Claire, all unconscious of his gaze, was looking at Madeline, as she

played softly on.

As Olive and Clarence talked, Claire saw the face of the girl grow

dark; she saw her eyes full of a hungry, despairing light, and

gradually there crept upon her the remembrance that she had seen that

same look, only not so woful, in the eyes of Clarence Vaughan; that

same look fixed upon herself. Involuntarily her fingers slipped from

the keys, and she turned from the instrument to encounter the same

gaze fastened upon her now; ardent, tender, longing eyes they were,

and her own fell before them.

Claire Keith was troubled. She wanted to be alone, to think. She

murmured an excuse; her head ached; she would retire.

Clarence had noted an unusual brightness in her eye, and a feverish

flush upon her cheek. Now, however, she was quite pale, and as she

extended her hand to him with a strange, new sensation of diffidence

and consciousness, he clasped it for a moment in his own, and said,

earnestly: "You do not look at all well, Miss Keith; you are sure it

is only a headache?"

"Quite sure," smiling faintly.

"Then good-night. I shall enquire after your head to-morrow."

"Thank you," she murmured.

Then nodding to her sister and Madeline, she glided from the room.

It had _all_ come upon her at once. Edward Percy was an impostor;

Edward Percy, as she had believed in him, had never existed. The love

that she had believed hers was hers no longer, or, if it were, she no

longer desired it. Almost simultaneously with this knowledge, came the

unspoken assurance that she was the possessor of a worthier love, a

manlier heart.

She could not feel glad to know this, yet she was not sorry. Somehow

it soothed her to know that she was not a forsaken, loveless maiden.

It was something to possess the love of so good a man, even if she

could make it no return.

But Madeline. Poor Madeline; she loved this man; she needed his love,

she must have it.

Claire pulled back the curtains from her window, and gazed out into

the starlit night. "She needs this love," the girl murmured. "Clarence

Vaughan shall learn to love her, if I can bring it about. Yes, _even

if I loved him_, I would give him up to her."

Madeline Payne, the Detective's Daughter · 第 19 / 50 章