Human sacrifices have been practised by many nations, not excepting the

most polished nations of antiquity;[130] but never by any, on a scale to

be compared with those in Anahuac. The amount of victims immolated on

its accursed altars would stagger the faith of the least scrupulous

believer. Scarcely any author pretends to estimate the yearly sacrifices

throughout the empire at less than twenty thousand, and some carry the

number as high as fifty thousand![131]

On great occasions, as the coronation of a king or the consecration of a

temple, the number becomes still more appalling. At the dedication of

the great temple of Huitzilopochtli, in 1486, the prisoners, who for

some years had been reserved for the purpose, were drawn from all

quarters to the capital. They were ranged in files, forming a procession

nearly two miles long. The ceremony consumed several days, and seventy

thousand captives are said to have perished at the shrine of this

terrible deity! But who can believe that so numerous a body would have

suffered themselves to be led unresistingly like sheep to the slaughter?

Or how could their remains, too great for consumption in

[Illustration: FRA BARTOLOMÉ DE LAS CASAS]

[Illustration: Goupil & Cº. Paris]

the ordinary way, be disposed of, without breeding a pestilence in the

capital? Yet the event was of recent date, and is unequivocally attested

by the best-informed historians.[132] One fact may be considered

certain. It was customary to preserve the skulls of the sacrificed, in

buildings appropriated to the purpose. The companions of Cortés counted

one hundred and thirty-six thousand in one of these edifices![133]

Without attempting a precise calculation, therefore, it is safe to

conclude that thousands were yearly offered up, in the different cities

of Anahuac, on the bloody altars of the Mexican divinities.[134]

Indeed, the great object of war, with the Aztecs, was quite as much to

gather victims for their sacrifices as to extend their empire. Hence it

was that an enemy was never slain in battle, if there were a chance of

taking him alive. To this circumstance the Spaniards repeatedly owed

their preservation. When Montezuma was asked “why he had suffered the

republic of Tlascala to maintain her independence on his borders,” he

replied, “that she might furnish him with victims for his gods”! As the

supply began to fail, the priests, the Dominicans of the New World,

bellowed aloud for more, and urged on their superstitious sovereign by

the denunciations of celestial wrath. Like the militant churchmen of

Christendom in the Middle Ages, they mingled themselves in the ranks,

and were conspicuous in the thickest of the fight, by their hideous

aspect and frantic gestures. Strange, that, in every country, the most

fiendish passions of the human heart have been those kindled in the name

of religion![135]

The influence of these practices on the Aztec character was as

disastrous as might have been expected. Familiarity with the bloody

rites of sacrifice steeled the heart against human sympathy, and begat a

thirst for carnage, like that excited in the Romans by the exhibitions

of the circus. The perpetual recurrence of ceremonies, in which the

people took part, associated religion with their most intimate concerns,

and spread the gloom of superstition over the domestic hearth, until the

character of the nation wore a grave and even melancholy aspect, which

belongs to their descendants at the present day. The influence of the

priesthood, of course, became unbounded. The sovereign thought himself

honored by being permitted to assist in the services of the temple. Far

from limiting the authority of the priests to spiritual matters, he

often surrendered his opinion to theirs, where they were least competent

to give it. It was their opposition that prevented the final

capitulation which would have saved the capital. The whole nation, from

the peasant to the prince, bowed their necks to the worst kind of

tyranny, that of a blind fanaticism.

In reflecting on the revolting usages recorded in the preceding pages,

one finds it difficult to reconcile their existence with anything like a

regular form of government, or an advance in civilization.[136] Yet the

Mexicans had many claims to the character of a civilized community. One

may, perhaps, better understand the anomaly, by reflecting on the

condition of some of the most polished countries in Europe in the

sixteenth century, after the establishment of the modern

Inquisition,--an institution which yearly destroyed its thousands, by a

death more painful than the Aztec sacrifices; which armed the hand of

brother against brother, and, setting its burning seal upon the lip, did

more to stay the march of improvement than any other scheme ever devised

by human cunning.

Human sacrifice, however cruel, has nothing in it degrading to its

victim. It may be rather said to ennoble him by devoting him to the

gods. Although so terrible with the Aztecs, it was sometimes voluntarily

embraced by them, as the most glorious death and one that opened a sure

passage into paradise.[137] The Inquisition, on the other hand, branded

its victims with infamy in this world, and consigned them to everlasting

perdition in the next.

One detestable feature of the Aztec superstition, however, sunk it far

below the Christian. This was its cannibalism,[138] though, in truth,

the Mexicans were not cannibals in the coarsest acceptation of the term.

They did not feed on human flesh merely to gratify a brutish appetite,

but in obedience to their religion. Their repasts were made of the

victims whose blood had been poured out on the altar of sacrifice. This

is a distinction worthy of notice.[139] Still, cannibalism, under any

form or whatever sanction, cannot but have a fatal influence on the

nation addicted to it. It suggests ideas so loathsome, so degrading to

man, to his spiritual and immortal nature, that it is impossible the

people who practise it should make any great progress in moral or

intellectual culture. The Mexicans furnish no exception to this remark.

The civilization which they possessed descended from the Toltecs, a race

who never stained their altars, still less their banquets, with the

blood of man.[140] All that deserved the name of science in Mexico came

from this source; and the crumbling ruins of edifices attributed to

them, still extant in various parts of New Spain, show a decided

superiority in their architecture over that of the later races of

Anahuac. It is true, the Mexicans made great proficiency in many of the

social and mechanic arts, in that material culture,--if I may so call

it,--the natural growth of increasing opulence, which ministers to the

gratification of the senses. In purely intellectual progress they were

behind the Tezcucans, whose wise sovereigns came into the abominable

rites of their neighbors with reluctance and practised them on a much

more moderate scale.[141]

In this state of things, it was beneficently ordered by Providence that

the land should be delivered over to another race, who would rescue it

from the brutish superstitions that daily extended wider and wider with

extent of empire.[142] The debasing institutions of the Aztecs furnish

the best apology for their conquest. It is true, the conquerors brought

along with them the Inquisition. But they also brought Christianity,

whose benign radiance would still survive when the fierce flames of

fanaticism should be extinguished; dispelling those dark forms of horror

which had so long brooded over the fair region of Anahuac.

The most important authority in the preceding chapter, and, indeed,

wherever the Aztec religion is concerned, is Bernardino de Sahagun,

a Franciscan friar, contemporary with the Conquest. His great work,

_Historia universal de Nueva-España_, has been recently printed for

the first time. The circumstances attending its compilation and

subsequent fate form one of the most remarkable passages in

literary history.

Sahagun was born in a place of the same name, in old Spain. He was

educated at Salamanca, and, having taken the vows of St. Francis,

came over as a missionary to Mexico in the year 1529. Here he

distinguished himself by his zeal, the purity of his life, and his

unwearied exertions to spread the great truths of religion among

the natives. He was the guardian of several conventual houses,

successively, until he relinquished these cares, that he might

devote himself more unreservedly to the business of preaching, and

of compiling various works designed to illustrate the antiquities

of the Aztecs. For these literary labors he found some facilities

in the situation which he continued to occupy, of reader, or

lecturer, in the College of Santa Cruz, in the capital.

The “Universal History” was concocted in a singular manner. In

order to secure to it the greatest possible authority, he passed

some years in a Tezcucan town, where he conferred daily with a

number of respectable natives unacquainted with Castilian. He

propounded to them queries, which they, after deliberation,

answered in their usual method of writing, by hieroglyphical

paintings. These he submitted to other natives, who had been

educated under his own eye in the College of Santa Cruz; and the

latter, after a consultation among themselves, gave a written

version, in the Mexican tongue, of the hieroglyphics. This process

he repeated in another place, in some part of Mexico, and subjected

the whole to a still further revision by a third body in another

quarter. He finally arranged the combined results into a regular

history, in the form it now bears; composing it in the Mexican

language, which he could both write and speak with great accuracy

and elegance,--greater, indeed, than any Spaniard of the time.

The work presented a mass of curious information, that attracted

much attention among his brethren. But they feared its influence in

keeping alive in the natives a too vivid reminiscence of the very

superstitions which it was the great object of the Christian clergy

to eradicate. Sahagun had views more liberal than those of his

order, whose blind zeal would willingly have annihilated every

monument of art and human ingenuity which had not been produced

under the influence of Christianity. They refused to allow him the

necessary aid to transcribe his papers, which he had been so many

years in preparing, under the pretext that the expense was too

great for their order to incur. This occasioned a further delay of

several years. What was worse, his provincial got possession of his

manuscripts, which were soon scattered among the different

religious houses in the country.

In this forlorn state of his affairs, Sahagun drew up a brief

statement of the nature and contents of his work, and forwarded it

to Madrid. It fell into the hands of Don Juan de Ovando, president

of the Council for the Indies, who was so much interested in it

that he ordered the manuscripts to be restored to their author,

with the request that he would at once set about translating them

into Castilian. This was accordingly done. His papers were

recovered, though not without the menace of ecclesiastical

censures; and the octogenarian author began the work of translation

from the Mexican, in which they had been originally written by him

thirty years before. He had the satisfaction to complete the task,

arranging the Spanish version in a parallel column with the

original, and adding a vocabulary, explaining the difficult Aztec

terms and phrases; while the text was supported by the numerous

paintings on which it was founded. In this form, making two bulky

volumes in folio, it was sent to Madrid. There seemed now to be no

further reason for postponing its publication, the importance of

which could not be doubted. But from this moment it disappears; and

we hear nothing further of it, for more than two centuries, except

only as a valuable work, which had once existed and was probably

buried in some one of the numerous cemeteries of learning in which

Spain abounds.

At length, towards the close of the last century, the indefatigable

Muñoz succeeded in disinterring the long-lost manuscript from the

place tradition had assigned to it,--the library of a convent at

Tolosa, in Navarre, the northern extremity of Spain. With his usual

ardor, he transcribed the whole work with his own hands, and added

it to the inestimable collection, of which, alas! he was destined

not to reap the full benefit himself. From this transcript Lord

Kingsborough was enabled to procure the copy which was published in

1830, in the sixth volume of his magnificent compilation. In it he

expresses an honest satisfaction at being the first to give

Sahagun’s works to the world. But in this supposition he was

mistaken. The very year preceding, an edition of it, with

annotations, appeared in Mexico, in three volumes octavo. It was

prepared by Bustamante,--a scholar to whose editorial activity his

country is largely indebted,--from a copy of the Muñoz manuscript

which came into his possession. Thus this remarkable work, which

was denied the honors of the press during the author’s lifetime,

after passing into oblivion, reappeared, at the distance of nearly

three centuries, not in his own country, but in foreign lands

widely remote from each other, and that almost simultaneously. The

story is extraordinary, though unhappily not so extraordinary in

Spain as it would be elsewhere.

Sahagun divided his history into twelve books. The first eleven are

occupied with the social institutions of Mexico, and the last with

the Conquest. On the religion of the country he is particularly

full. His great object evidently was, to give a clear view of its

mythology, and of the burdensome ritual which belonged to it.

Religion entered so intimately into the most private concerns and

usages of the Aztecs, that Sahagun’s work must be a text-book for

every student of their antiquities. Torquemada availed himself of a

manuscript copy, which fell into his hands before it was sent to

Spain, to enrich his own pages,--a circumstance more fortunate for

his readers than for Sahagun’s reputation, whose work, now that it

is published, loses much of the originality and interest which

would otherwise attach to it. In one respect it is invaluable; as

presenting a complete collection of the various forms of prayer,

accommodated to every possible emergency, in use by the Mexicans.

They are often clothed in dignified and beautiful language, showing

that sublime speculative tenets are quite compatible with the most

degrading practices of superstition. It is much to be regretted

that we have not the eighteen hymns inserted by the author in his

book, which would have particular interest, as the only specimen of

devotional poetry preserved of the Aztecs. The hieroglyphical

paintings, which accompanied the text, are also missing. If they

have escaped the hands of fanaticism, both may reappear at some

future day.

Sahagun produced several other works, of a religious or

philological character. Some of these were voluminous, but none

have been printed. He lived to a very advanced age, closing a life

of activity and usefulness, in 1590, in the capital of Mexico. His

remains were followed to the tomb by a numerous concourse of his

own countrymen, and of the natives, who lamented in him the loss of

unaffected piety, benevolence, and learning.

CHAPTER IV

MEXICAN HIEROGLYPHICS--MANUSCRIPTS--ARITHMETIC--CHRONOLOGY--ASTRONOMY

It is a relief to turn from the gloomy pages of the preceding chapter to

a brighter side of the picture, and to contemplate the same nation in

its generous struggle to raise itself from a state of barbarism and to

take a positive rank in the scale of civilization. It is not the less

interesting, that these efforts were made on an entirely new theatre of

action, apart from those influences that operate in the Old World; the

inhabitants of which, forming one great brotherhood of nations, are knit

together by sympathies that make the faintest spark of knowledge, struck

out in one quarter, spread gradually wider and wider, until it has

diffused a cheering light over the remotest. It is curious to observe

the human mind, in this new position, conforming to the same laws as on

the ancient continent, and taking a similar direction in its first

inquiries after truth,--so similar, indeed, as, although not warranting,

perhaps, the idea of imitation, to suggest at least that of a common

origin.

In the Eastern hemisphere we find some nations, as the Greeks, for

instance, early smitten with such a love of the beautiful as to be

unwilling to dispense with it even in the graver productions of

science; and other nations, again, proposing a severer end to

themselves, to which even imagination and elegant art were made

subservient. The productions of such a people must be criticised, not by

the ordinary rules of taste, but by their adaptation to the peculiar end

for which they were designed. Such were the Egyptians in the Old

World,[143] and the Mexicans in the New. We have already had occasion to

notice the resemblance borne by the latter nation to the former in their

religious economy. We shall be more struck with it in their scientific

culture, especially their hieroglyphical writing and their astronomy.

To describe actions and events by delineating visible objects seems to

be a natural suggestion, and is practised, after a certain fashion, by

the rudest savages. The North American Indian carves an arrow on the

bark of trees to show his followers the direction of his march, and some

other sign to show the success of his expeditions. But to paint

intelligibly a consecutive series of these actions--forming what

Warburton has happily called _picture-writing_[144]--requires a

combination of ideas that amounts to a positively intellectual effort.

Yet further, when the object of the painter, instead of being limited to

the present, is to penetrate the past, and to gather from its dark

recesses lessons of instruction for coming generations, we see the

dawnings of a literary culture, and recognize the proof of a decided

civilization in the attempt itself, however imperfectly it may be

executed. The literal imitation of objects will not answer for this more

complex and extended plan. It would occupy too much space, as well as

time in the execution. It then becomes necessary to abridge the

pictures, to confine the drawing to outlines, or to such prominent parts

of the bodies delineated as may readily suggest the whole. This is the

_representative_ or _figurative_ writing, which forms the lowest stage

of hieroglyphics.

But there are things which have no type in the material world; abstract

ideas, which can only be represented by visible objects supposed to have

some quality analogous to the idea intended. This constitutes

_symbolical_ writing, the most difficult of all to the interpreter,

since the analogy between the material and immaterial object is often

purely fanciful, or local in its application. Who, for instance, could

suspect the association which made a beetle represent the universe, as

with the Egyptians, or a serpent typify time, as with the Aztecs?

The third and last division is the _phonetic_, in which signs are made

to represent sounds, either entire words, or parts of them. This is the

nearest approach of the hieroglyphical series to that beautiful

invention, the alphabet, by which language is resolved into its

elementary sounds, and an apparatus supplied for easily and accurately

expressing the most delicate shades of thought.

The Egyptians were well skilled in all three kinds of hieroglyphics.

But, although their public monuments display the first class, in their

ordinary intercourse and written records it is now certain that they

almost wholly relied on the phonetic character. Strange that, having

thus broken down the thin partition which divided them from an alphabet,

their latest monuments should exhibit no nearer approach to it than

their earliest.[145] The Aztecs, also, were acquainted with the several

varieties of hieroglyphics. But they relied on the figurative infinitely

more than on the others. The Egyptians were at the top of the scale, the

Aztecs at the bottom.

In casting the eye over a Mexican manuscript, or map, as it is called,

one is struck with the grotesque caricatures it exhibits of the human

figure; monstrous, overgrown heads, on puny, misshapen bodies, which are

themselves hard and angular in their outlines, and without the least

skill in composition. On closer inspection, however, it is obvious that

it is not so much a rude attempt to delineate nature, as a conventional

symbol, to express the idea in the most clear and forcible manner; in

the same way as the pieces of similar value on a chess-board, while they

correspond with one another in form, bear little resemblance, usually,

to the objects they represent. Those parts of the figure are most

distinctly traced which are the most important. So, also, the coloring,

instead of the delicate gradations of nature, exhibits only gaudy and

violent contrasts, such as may produce the most vivid impression. “For

even colors,” as Gama observes, “speak in the Aztec hieroglyphics.”[146]

But in the execution of all this the Mexicans were much inferior to the

Egyptians. The drawings of the latter, indeed, are exceedingly

defective, when criticised by the rules of art; for they were as

ignorant of perspective as the Chinese, and only exhibited the head in

profile, with the eye in the centre, and with total absence of

expression. But they handled the pencil more gracefully than the Aztecs,

were more true to the natural forms of objects, and, above all, showed

great superiority in abridging the original figure by giving only the

outline, or some characteristic or essential feature. This simplified

the process, and facilitated the communication of thought. An Egyptian

text has almost the appearance of alphabetical writing in its regular

lines of minute figures. A Mexican text looks usually like a collection

of pictures, each one forming the subject of a separate study. This is

particularly the case with the delineations of mythology; in which the

story is told by a conglomeration of symbols, that may remind one more

of the mysterious anaglyphs sculptured on the temples of the Egyptians,

than of their written records.

The Aztecs had various emblems for expressing such things as, from their

nature, could not be directly represented by the painter; as, for

example, the years, months, days, the seasons, the elements, the

heavens, and the like. A “tongue” denoted speaking; a “footprint,”

travelling; a “man sitting on the ground,” an earthquake. These symbols

were often very arbitrary, varying with the caprice of the writer; and

it requires a nice discrimination to interpret them, as a slight change

in the form or position of the figure intimated a very different

meaning.[147] An ingenious writer asserts that the priests devised

secret symbolic characters for the record of their religious mysteries.

It is possible. But the researches of Champollion lead to the conclusion

that the similar opinion formerly entertained respecting the Egyptian

hieroglyphics is without foundation.[148]

Lastly, they employed, as above stated, phonetic signs, though these

were chiefly confined to the names of persons and places; which, being

derived from some circumstance or characteristic quality, were

accommodated to the hieroglyphical system. Thus, the town _Cimatlan_ was

compounded of _cimatl_, a “root,” which grew near it, and _tlan_,

signifying “near;” _Tlaxcallan_ meant “the place of bread,” from its

rich fields of corn; _Huexotzinco_, “a place surrounded by willows.” The

names of persons were often significant of their adventures and

achievements. That of the great Tezcucan prince Nezahualcoyotl signified

“hungry fox,” intimating his sagacity, and his distresses in early

life.[149] The emblems of such names were no sooner seen, than they

suggested to every Mexican the person and place intended, and, when

painted on their shields or embroidered on their banners, became the

armorial bearings by which city and chieftain were distinguished, as in

Europe in the age of chivalry.[150]

But, although the Aztecs were instructed in all the varieties of

hieroglyphical painting, they chiefly resorted to the clumsy method of

direct representation. Had their empire lasted, like the Egyptian,

several thousand years, instead of the brief space of two hundred, they

would doubtless, like them, have advanced to the more frequent use of

the phonetic writing. But, before they could be made acquainted with the

capabilities of their own system, the Spanish Conquest, by introducing

the European alphabet, supplied their scholars with a more perfect

contrivance for expressing thought, which soon supplanted the ancient

pictorial character.[151]

Clumsy as it was, however, the Aztec picture-writing seems to have been

adequate to the demands of the nation, in their imperfect state of

civilization. By means of it were recorded all their laws, and even

their regulations for domestic economy; their tribute-rolls, specifying

the imposts of the various towns; their mythology, calendars, and

rituals; their political annals, carried back to a period long before

the foundation of the city. They digested a complete system of

chronology, and could specify with accuracy the dates of the most

important events in their history; the year being inscribed on the

margin, against the particular circumstance recorded. It is true,

history, thus executed, must necessarily be vague and fragmentary. Only

a few leading incidents could be presented. But in this it did not

differ much from the monkish chronicles of the dark ages, which often

dispose of years in a few brief sentences,--quite long enough for the

annals of barbarians.[152]

In order to estimate aright the picture-writing of the Aztecs, one must

regard it in connection with oral tradition, to which it was auxiliary.

In the colleges of the priests the youth were instructed in astronomy,

history, mythology, etc.; and those who were to follow the profession of

hieroglyphical painting were taught the application of the characters

appropriated to each of these branches. In an historical work, one had

charge of the chronology, another of the events. Every part of the labor

was thus mechanically distributed.[153] The pupils, instructed in all

that was before known in their several departments, were prepared to

extend still further the boundaries of their imperfect science. The

hieroglyphics served as a sort of stenography, a collection of notes,

suggesting to the initiated much more than could be conveyed by a

literal interpretation. This combination of the written and the oral

comprehended what may be called the literature of the Aztecs.[154]

Their manuscripts were made of different materials,--of cotton cloth, or

skins nicely prepared; of a composition of silk and gum; but, for the

most part, of a fine fabric from the leaves of the aloe, _agave

Americana_, called by the natives _maguey_, which grows luxuriantly over

the table-lands of Mexico. A sort of paper was made from it, resembling

somewhat the Egyptian _papyrus_,[155] which, when properly dressed and

polished, is said to have been more soft and beautiful than parchment.

Some of the specimens, still existing, exhibit their original freshness,

and the paintings on them retain their brilliancy of colors. They were

sometimes done up into rolls, but more frequently into volumes, of

moderate size, in which the paper was shut up, like a folding screen,

with a leaf or tablet of wood at each extremity, that gave the whole,

when closed, the appearance of a book. The length of the strips was

determined only by convenience. As the pages might be read and referred

to separately, this form had obvious advantages over the rolls of the

ancients.[156]

At the time of the arrival of the Spaniards, great quantities of these

manuscripts were treasured up in the country. Numerous persons were

employed in painting, and the dexterity of their operations excited the

astonishment of the Conquerors. Unfortunately, this was mingled with

other and unworthy feelings. The strange, unknown characters inscribed

on them excited suspicion. They were looked on as magic scrolls, and

were regarded in the same light with the idols and temples, as the

symbols of a pestilent superstition, that must be extirpated. The first

archbishop of Mexico, Don Juan de Zumárraga,--a name that should be as

immortal as that of Omar,--collected these paintings from every quarter,

especially from Tezcuco, the most cultivated capital in Anahuac, and

the great depository of the national archives. He then caused them to

be piled up in a “mountain-heap”--as it is called by the Spanish writers

themselves--in the market-place of Tlatelolco, and reduced them all to

ashes![157] His greater countryman, Archbishop Ximenes, had celebrated a

similar _auto-da-fé_ of Arabic manuscripts, in Granada, some twenty

years before. Never did fanaticism achieve two more signal triumphs than

by the annihilation of so many curious monuments of human ingenuity and

learning![158]

The unlettered soldiers were not slow in imitating the example of their

prelate. Every chart and volume which fell into their hands was wantonly

destroyed; so that, when the scholars of a later and more enlightened

age anxiously sought to recover some of these memorials of civilization,

nearly all had perished, and the few surviving were jealously hidden by

the natives.[159] Through the indefatigable labors of a private

individual, however, a considerable collection was eventually deposited

in the archives of Mexico,[160] but was so little heeded there that some

were plundered, others decayed piecemeal from the damps and mildews, and

others, again, were used up as waste paper![161] We contemplate with

indignation the cruelties inflicted by the early conquerors. But

indignation is qualified with contempt when we see them thus ruthlessly

trampling out the spark of knowledge, the common boon and property of

all mankind. We may well doubt which has the stronger claim to

civilization, the victor or the vanquished.

A few of the Mexican manuscripts have found their way, from time to

time, to Europe, and are carefully preserved in the public libraries of

its capitals. They are brought together in the magnificent work of Lord

Kingsborough; but not one is there from Spain. The most important of

them, for the light it throws on the Aztec institutions, is the Mendoza

Codex; which, after its mysterious disappearance for more than a

century, has at length reappeared in the Bodleian Library at Oxford. It

has been several times engraved.[162] The most brilliant in coloring,

probably, is the Borgian collection, in Rome.[163] The most curious,

however, is the Dresden Codex, which has excited less attention than it

deserves. Although usually classed among Mexican manuscripts, it bears

little resemblance to them in its execution; the figures of objects are

more delicately drawn, and the characters, unlike the Mexican, appear to

be purely arbitrary, and are possibly phonetic.[164] Their regular

arrangement is quite equal to the Egyptian. The whole infers a much

higher civilization than the Aztec, and offers abundant food for curious

speculation.[165]

Some few of these maps have interpretations annexed to them, which were

obtained from the natives after the Conquest.[166] The greater part are

without any, and cannot now be unriddled. Had the Mexicans made free use

of a phonetic alphabet, it might have been originally easy, by mastering

the comparatively few signs employed in this kind of communication, to

have got a permanent key to the whole.[167] A brief inscription has

furnished a clue to the vast labyrinth of Egyptian hieroglyphics. But

the Aztec characters, representing individuals, or, at most, species,

require to be made out separately; a hopeless task, for which little aid

is to be expected from the vague and general tenor of the few

interpretations now existing. There was, as already mentioned, until

late in the last century, a professor in the University of Mexico,

especially devoted to the study of the national picture-writing. But, as

this was with a view to legal proceedings, his information, probably,

was limited to deciphering titles. In less than a hundred years after

the Conquest, the knowledge of the hieroglyphics had so far declined

that a diligent Tezcucan writer complains he could find in the country

only two persons, both very aged, at all competent to interpret

them.[168]

It is not probable, therefore, that the art of reading these

picture-writings will ever be recovered; a circumstance certainly to be

regretted. Not that the records of a semi-civilized people would be

likely to contain any new truth or discovery important to human comfort

or progress; but they could scarcely fail to throw some additional light

on the previous history of the nation, and that of the more polished

people who before occupied the country.[169] This would be still more

probable, if any literary relics of their Toltec predecessors were

preserved; and, if report be true, an important compilation from this

source was extant at the time of the invasion, and may have perhaps

contributed to swell the holocaust of Zumárraga.[170] It is no great

stretch of fancy to suppose that such records might reveal the

successive links in the mighty chain of migration of the primitive

races, and, by carrying us back to the seat of their possessions in the

Old World, have solved the mystery which has so long perplexed the

learned, in regard to the settlement and civilization of the New.[171]

Besides the hieroglyphical maps, the traditions of the country were

embodied in the songs and hymns, which, as already mentioned, were

carefully taught in the public schools. These were various, embracing

the mythic legends of a heroic age, the warlike achievements of their

own, or the softer tales of love and pleasure.[172] Many of them were

composed by scholars and persons of rank, and are cited as affording the

most authentic record of events.[173] The Mexican dialect was rich and

expressive, though inferior to the Tezcucan, the most polished of the

idioms of Anahuac. None of the Aztec compositions have survived, but we

can form some estimate of the general state of poetic culture from the

odes which have come down to us from the royal house of Tezcuco.[174]

Sahagun has furnished us with translations of their more elaborate

prose, consisting of prayers and public discourses, which give a

favorable idea of their eloquence, and show that they paid much

attention to rhetorical effect. They are said to have had, also,

something like theatrical exhibitions, of a pantomimic sort, in which

the faces of the performers were covered with masks, and the figures of

birds or animals were frequently represented; an imitation to which they

may have been led by the familiar delineation of such objects in their

hieroglyphics.[175] In all this we see the dawning of a literary

culture, surpassed, however, by their attainments in the severer walks

of mathematical science.

They devised a system of notation in their arithmetic sufficiently

simple. The first twenty numbers were expressed by a corresponding

number of dots. The first five had specific names; after which they were

represented by combining the fifth with one of the four preceding; as

five and one for six, five and two for seven, and so on. Ten and fifteen

had each a separate name, which was also combined with the first four,

to express a higher quantity. These four, therefore, were the radical

characters of their oral arithmetic, in the same manner as they were of

the written with the ancient Romans; a more simple arrangement,

probably, than any existing among Europeans.[176] Twenty was expressed

by a separate hieroglyphic,--a flag. Larger sums were reckoned by

twenties, and, in writing, by repeating the number of flags. The square

of twenty, four hundred, had a separate sign, that of a plume, and so

had the cube of twenty, or eight thousand, which was denoted by a purse,

or sack. This was the whole arithmetical apparatus of the Mexicans, by

the combination of which they were enabled to indicate any quantity. For

greater expedition, they used to denote fractions of the larger sums by

drawing only a part of the object. Thus, half or three-fourths of a

plume, or of a purse, represented that proportion of their respective

sums, and so on.[177] With all this, the machinery will appear very

awkward to us, who perform our operations with so much ease by means of

the Arabic or, rather, Indian ciphers. It is not much more awkward,

however, than the system pursued by the great mathematicians of

antiquity, unacquainted with the brilliant invention, which has given a

new aspect to mathematical science, of determining the value, in a great

measure, by the relative position of the figures.

In the measurement of time, the Aztecs adjusted their civil year by the

solar. They divided it into eighteen months of twenty days each. Both

months and days were expressed by peculiar hieroglyphics,--those of the

former often intimating the season of the year, like the French months

at the period of the Revolution. Five complementary days, as in

Egypt,[178] were added, to make up the full number of three hundred and

sixty-five. They belonged to no month, and were regarded as peculiarly

unlucky. A month was divided into four weeks, of five days each, on the

last of which was the public fair, or market-day.[179] This arrangement,

differing from that of the nations of the Old Continent, whether of

Europe or Asia,[180] has the advantage of giving an equal number of days

to each month, and of comprehending entire weeks, without a fraction,

both in the months and in the year.[181]

As the year is composed of nearly six hours more than three hundred and

sixty-five days, there still remained an excess, which, like other

nations who have framed a calendar, they provided for by intercalation;

not, indeed, every fourth year, as the Europeans,[182] but at longer

intervals, like some of the Asiatics.[183] They waited till the

expiration of fifty-two vague years, when they interposed thirteen days,

or rather twelve and a half, this being the number which had fallen in

arrear. Had they inserted thirteen, it would have been too much, since

the annual excess over three hundred and sixty-five is about eleven

minutes less than six hours. But, as their calendar at the time of the

Conquest was found to correspond with the European (making allowance for

the subsequent Gregorian reform), they would seem to have adopted the

shorter period of twelve days and a half,[184] which brought them,

within an almost inappreciable fraction, to the exact length of the

tropical year, as established by the most accurate observations.[185]

Indeed, the intercalation of twenty-five days in every hundred and four

years shows a nicer adjustment of civil to solar time than is presented

by any European calendar; since more than five centuries must elapse

before the loss of an entire day.[186] Such was the astonishing

precision displayed by the Aztecs, or, perhaps, by their more polished

Toltec predecessors, in these computations, so difficult as to have

baffled, till a comparatively recent period, the most enlightened

nations of Christendom![187]

The chronological system of the Mexicans, by which they determined the

date of any particular event, was also very remarkable. The epoch from

which they reckoned corresponded with the year 1091 of the Christian

era. It was the period of the reform of their calendar, soon after their

migration from Aztlan. They threw the years, as already noticed, into

great cycles, of fifty-two each, which they called “sheafs,” or

“bundles,” and represented by a quantity of reeds bound together by a

string. As often as this hieroglyphic occurs in their maps, it shows the

number of half-centuries. To enable them to specify any particular year,

they divided the great cycle into four smaller cycles, or indictions,

of thirteen years each. They then adopted two periodical series of

signs, one consisting of their numerical dots, up to thirteen, the

other, of four hieroglyphics of the years.[188] These latter they

repeated in regular succession, setting against each one a number of the

corresponding series of dots, continued also in regular succession up to

thirteen. The same system was pursued through the four indictions, which

thus, it will be observed, began always with a different hieroglyphic of

the year from the preceding; and in this way each of the hieroglyphics

was made to combine successively with each of the numerical signs, but

never twice with the same; since four, and thirteen, the factors of

fifty-two,--the number of years in the cycle,--must admit of just as

many combinations as are equal to their product. Thus every year had its

appropriate symbol, by which it was at once recognized. And this symbol,

preceded by the proper number of “bundles” indicating the

half-centuries, showed the precise time which had elapsed since the

national epoch of 1091.[189] The ingenious contrivance of a periodical

series, in place of the cumbrous system of hieroglyphical notation, is

not peculiar to the Aztecs, and is to be found among various nations on

the Asiatic continent,--the same in principle, though varying

materially in arrangement.[190]

The solar calendar above described might have answered all the purposes

of the people; but the priests chose to construct another for

themselves. This was called a “lunar reckoning,” though nowise

accommodated to the revolutions of the moon.[191] It was formed, also,

of two periodical series, one of them consisting of thirteen numerical

signs, or dots, the other, of the twenty hieroglyphics of the days.

But, as the product of these combinations would be only 260, and as some

confusion might arise from the repetition of the same terms for the

remaining 105 days of the year, they invented a third series, consisting

of nine additional hieroglyphics, which, alternating with the two

preceding series, rendered it impossible that the three should coincide

twice in the same year, or indeed in less than 2340 days; since 20 × 13

× 9 = 2340.[192] Thirteen was a mystic number, of frequent use in their

tables.[193] Why they resorted to that of nine, on this occasion, is not

so clear.[194]

This second calendar rouses a holy indignation in the early Spanish

missionaries, and Father Sahagun loudly condemns it, as “most

unhallowed, since it is founded neither on natural reason, nor on the

influence of the planets, nor on the true course of the year; but is

plainly the work of necromancy, and the fruit of a compact with the

Devil!”[195] One may doubt whether the superstition of those who

invented the scheme was greater than that of those who thus impugned it.

At all events, we may, without having recourse to supernatural agency,

find in the human heart a sufficient explanation of its origin; in that

love of power, that has led the priesthood of many a faith to affect a

mystery the key to which was in their own keeping.

By means of this calendar, the Aztec priests kept their own records,

regulated the festivals and seasons of sacrifice, and made all their

astrological calculations.[196] The false science of astrology is

natural to a state of society partially civilized, where the mind,

impatient of the slow and cautious examination by which alone it can

arrive at truth, launches at once into the regions of speculation, and

rashly attempts to lift the veil--the impenetrable veil--which is drawn

around the mysteries of nature. It is the characteristic of true science

to discern the impassable, but not very obvious, limits which divide the

province of reason from that of speculation. Such knowledge comes

tardily. How many ages have rolled away, in which powers that, rightly

directed, might have revealed the great laws of nature, have been wasted

in brilliant but barren reveries on alchemy and astrology!

The latter is more particularly the study of a primitive age; when the

mind, incapable of arriving at the stupendous fact that the myriads of

minute lights glowing in the firmament are the centres of systems as

glorious as our own, is naturally led to speculate on their probable

uses, and to connect them in some way or other with man, for whose

convenience every other object in the universe seems to have been

created. As the eye of the simple child of nature watches, through the

long nights, the stately march of the heavenly bodies, and sees the

bright hosts coming up, one after another, and changing with the

changing seasons of the year, he naturally associates them with those

seasons, as the periods over which they hold a mysterious influence. In

the same manner, he connects their appearance with any interesting

event of the time, and explores, in their flaming characters, the

destinies of the new-born infant.[197] Such is the origin of astrology,

the false lights of which have continued from the earliest ages to

dazzle and bewilder mankind, till they have faded away in the superior

illumination of a comparatively recent period.

The astrological scheme of the Aztecs was founded less on the planetary

influences than on those of the arbitrary signs they had adopted for the

months and days. The character of the leading sign in each lunar cycle

of thirteen days gave a complexion to the whole; though this was

qualified in some degree by the signs of the succeeding days, as well as

by those of the hours. It was in adjusting these conflicting forces that

the great art of the diviner was shown. In no country, not even in

ancient Egypt, were the dreams of the astrologer more implicitly

deferred to. On the birth of a child, he was instantly summoned. The

time of the event was accurately ascertained; and the family hung in

trembling suspense, as the minister of Heaven cast the horoscope of the

infant and unrolled the dark volume of destiny. The influence of the

priest was confessed by the Mexican in the very first breath which he

inhaled.[198]

We know little further of the astronomical attainments of the Aztecs.

That they were acquainted with the cause of eclipses is evident from the

representation, on their maps, of the disk of the moon projected on that

of the sun.[199] Whether they had arranged a system of constellations is

uncertain; though that they recognized some of the most obvious, as the

Pleiades, for example, is evident from the fact that they regulated

their festivals by them. We know of no astronomical instruments used by

them, except the dial.[200] An immense circular block of carved stone,

disinterred in 1790, in the great square of Mexico, has supplied an

acute and learned scholar with the means of establishing some

interesting facts in regard to Mexican science.[201] This colossal

fragment, on which the calendar[202] is engraved, shows that they had

the means of settling the hours of the day with precision, the periods

of the solstices and of the equinoxes, and that of the transit of the

sun across the zenith of Mexico.[203]

We cannot contemplate the astronomical science of the Mexicans, so

disproportioned to their progress in other walks of civilization,

without astonishment. An acquaintance with some of the more obvious

principles of astronomy is within the reach of the rudest people. With a

little care, they may learn to connect the regular changes of the

seasons with those of the place of the sun at his rising and setting.

They may follow the march of the great luminary through the heavens, by

watching the stars that first brighten on his evening track or fade in

his morning beams. They may measure a revolution of the moon, by marking

her phases, and may even form a general idea of the number of such

revolutions in a solar year. But that they should be capable of

accurately adjusting their festivals by the movements of the heavenly

bodies, and should fix the true length of the tropical year, with a

precision unknown to the great philosophers of antiquity, could be the

result only of a long series of nice and patient observations, evincing

no slight progress in civilization.[204] But whence could the rude

inhabitants of these mountain-regions have derived this curious

erudition? Not from the barbarous hordes who roamed over the higher

latitudes of the North; nor from the more polished races on the Southern

continent, with whom, it is apparent, they had no intercourse. If we are

driven, in our embarrassment, like the greatest astronomer of our age,

to seek the solution among the civilized communities of Asia, we shall

still be perplexed by finding, amidst general resemblance of outline,

sufficient discrepancy in the details to vindicate, in the judgments of

many, the Aztec claim to originality.[205]

I shall conclude the account of Mexican science with that of a

remarkable festival, celebrated by the natives at the termination of the

great cycle of fifty-two years. We have seen, in the preceding chapter,

their tradition of the destruction of the world at four successive

epochs. They looked forward confidently to another such catastrophe, to

take place, like the preceding, at the close of a cycle, when the sun

was to be effaced from the heavens, the human race from the earth, and

when the darkness of chaos was to settle on the habitable globe. The

cycle would end in the latter part of December, and as the dreary season

of the winter solstice approached, and the diminished light of day gave

melancholy presage of its speedy extinction, their apprehensions

increased; and on the arrival of the five “unlucky” days which closed

the year they abandoned themselves to despair.[206] They broke in pieces

the little images of their household gods, in whom they no longer

trusted. The holy fires were suffered to go out in the temples, and none

were lighted in their own dwellings. Their furniture and domestic

utensils were destroyed; their garments torn in pieces; and every thing

was thrown into disorder, for the coming of the evil genii who were to

descend on the desolate earth.

On the evening of the last day, a procession of priests, assuming the

dress and ornaments of their gods, moved from the capital towards a

lofty mountain, about two leagues distant. They carried with them a

noble victim, the flower of their captives, and an apparatus for

kindling the _new fire_, the success of which was an augury of the

renewal of the cycle. On reaching the summit of the mountain, the

procession paused till midnight; when, as the constellation of the

Pleiades approached the zenith,[207] the _new fire_ was kindled by the

friction of the sticks placed on the wounded breast of the victim.[208]

The flame was soon communicated to a funeral pile, on which the body of

the slaughtered captive was thrown. As the light streamed up towards

heaven, shouts of joy and triumph burst forth from the countless

multitudes who covered the hills, the terraces of the temples, and the

house-tops, with eyes anxiously bent on the mount of sacrifice.

Couriers, with torches lighted at the blazing beacon, rapidly bore them

over every part of the country; and the cheering element was seen

brightening on altar and hearthstone, for the circuit of many a league,

long before the sun, rising on his accustomed track, gave assurance that

a new cycle had commenced its march, and that the laws of nature were

not to be reversed for the Aztecs.

The following thirteen days were given up to festivity. The houses were

cleansed and whitened. The broken vessels were replaced by new ones. The

people, dressed in their gayest apparel, and crowned with garlands and

chaplets of flowers, thronged in joyous procession to offer up their

oblations and thanksgivings in the temples. Dances and games were

instituted, emblematical of the regeneration of the world. It was the

carnival of the Aztecs; or rather the national jubilee, the great

secular festival, like that of the Romans, or ancient Etruscans, which

few alive had witnessed before, or could expect to see again.[209]

M. de Humboldt remarked, many years ago, “It were to be wished that

some government would publish at its own expense the remains of the

ancient American civilization; for it is only by the comparison of

several monuments that we can succeed in discovering the meaning of

these allegories, which are partly astronomical and partly mystic.”

This enlightened wish has now been realized, not by any

government, but by a private individual, Lord Kingsborough. The

great work published under his auspices, and so often cited in this

Introduction, appeared in London in 1830. When completed it will

reach to nine volumes, seven of which are now before the public.

Some idea of its magnificence may be formed by those who have not

seen it, from the fact that copies of it, with colored plates, sold

originally at £175, and, with uncolored, at £120. The price has

been since much reduced. It is designed to exhibit a complete view

of the ancient Aztec MSS., with such few interpretations as exist;

the beautiful drawings of Castañeda relating to Central America,

with the commentary of Dupaix; the unpublished history of Father

Sahagun; and, last, not least, the copious annotations of his

lordship.

Too much cannot be said of the mechanical execution of the

book,--its splendid typography, the apparent accuracy and the

delicacy of the drawings, and the sumptuous quality of the

materials. Yet the purchaser would have been saved some superfluous

expense, and the reader much inconvenience, if the letter-press had

been in volumes of an ordinary size. But it is not uncommon, in

works on this magnificent plan, to find utility in some measure

sacrificed to show.

The collection of Aztec MSS., if not perfectly complete, is very

extensive, and reflects great credit on the diligence and research

of the compiler. It strikes one as strange, however, that not a

single document should have been drawn from Spain. Peter Martyr

speaks of a number having been brought thither in his time. (De

Insulis nuper Inventis, p. 368.) The Marquis Spineto examined one

in the Escorial, being the same with the Mendoza Codex, and perhaps

the original, since that at Oxford is but a copy. (Lectures, Lect.

7.) Mr. Waddilove, chaplain of the British embassy to Spain, gave a

particular account of one to Dr. Robertson, which he saw in the

same library and considered an Aztec calendar. Indeed, it is

scarcely possible that the frequent voyagers to the New World

should not have furnished the mother-country with abundant

specimens of this most interesting feature of Aztec civilization.

Nor should we fear that the present liberal government would

seclude these treasures from the inspection of the scholar.

Much cannot be said in favor of the arrangement of these codices.

In some of them, as the Mendoza Codex, for example, the plates are

not even numbered; and one who would study them by the

corresponding interpretation must often bewilder himself in the

maze of hieroglyphics, without a clue to guide him. Neither is

there any attempt to enlighten us as to the positive value and

authenticity of the respective documents, or even their previous

history, beyond a barren reference to the particular library from

which they have been borrowed. Little light, indeed, can be

expected on these matters; but we have not that little. The defect

of arrangement is chargeable on other parts of the work. Thus, for

instance, the sixth book of Sahagun is transferred from the body of

the history to which it belongs, to a preceding volume; while the

grand hypothesis of his lordship, for which the work was

concocted, is huddled into notes, hitched on random passages of the

text, with a good deal less connection than the stories of Queen

Scheherezade, in the “Arabian Nights,” and not quite so

entertaining.

The drift of Lord Kingsborough’s speculations is, to establish the

colonization of Mexico by the Israelites. To this the whole battery

of his logic and learning is directed. For this, hieroglyphics are

unriddled, manuscripts compared, monuments delineated. His theory,

however, whatever be its merits, will scarcely become popular;

since, instead of being exhibited in a clear and comprehensive

form, readily embraced by the mind, it is spread over an infinite

number of notes, thickly sprinkled with quotations from languages

ancient and modern, till the weary reader, floundering about in the

ocean of fragments, with no light to guide him, feels like Milton’s

Devil, working his way through chaos,--

“neither sea,

Nor good dry land; nigh foundered, on he fares.”

It would be unjust, however, not to admit that the noble author, if

his logic is not always convincing, shows much acuteness in

detecting analogies; that he displays familiarity with his subject,

and a fund of erudition, though it often runs to waste; that,

whatever be the defects of arrangement, he has brought together a

most rich collection of unpublished materials to illustrate the

Aztec and, in a wider sense, American antiquities; and that by this

munificent undertaking, which no government, probably, would have,

and few individuals could have, executed, he has entitled himself

to the lasting gratitude of every friend of science.

Another writer whose works must be diligently consulted by every

student of Mexican antiquities is Antonio Gama. His life contains

as few incidents as those of most scholars. He was born at Mexico,

in 1735, of a respectable family, and was bred to the law. He early

showed a preference for mathematical studies, conscious that in

this career lay his strength. In 1771 he communicated his

observations on the eclipse of that year to the French astronomer

M. de Lalande, who published them in Paris, with high commendations

of the author. Gama’s increasing reputation attracted the attention

of government; and he was employed by it in various scientific

labors of importance. His great passion, however, was the study of

Indian antiquities. He made himself acquainted with the history of

the native races, their traditions, their languages, and, as far as

possible, their hieroglyphics. He had an opportunity of showing the

fruits of this preparatory training, and his skill as an antiquary,

on the discovery of the great calendar stone, in 1790. He produced

a masterly treatise on this, and another Aztec monument, explaining

the objects to which they were devoted, and pouring a flood of

light on the astronomical science of the aborigines, their

mythology, and their astrological system. He afterwards continued

his investigations in the same path, and wrote treatises on the

dial, hieroglyphics, and arithmetic of the Indians. These, however,

were not given to the world till a few years since, when they were

published, together with a reprint of the former work, under the

auspices of the industrious Bustamante. Gama died in 1802, leaving

behind him a reputation for great worth in private life,--one in

which the bigotry that seems to enter too frequently into the

character of the Spanish-Mexican was tempered by the liberal

feelings of a man of science. His reputation as a writer stands

high for patient acquisition, accuracy, and acuteness. His

conclusions are neither warped by the love of theory so common in

the philosopher, nor by the easy credulity so natural to the

antiquary. He feels his way with the caution of a mathematician,

whose steps are demonstrations. M. de Humboldt was largely indebted

to his first work, as he has emphatically acknowledged. But,

notwithstanding the eulogiums of this popular writer, and his own

merits, Gama’s treatises are rarely met with out of New Spain, and

his name can hardly be said to have a transatlantic reputation.

CHAPTER V

AZTEC AGRICULTURE--MECHANICAL ARTS--MERCHANTS--DOMESTIC MANNERS

It is hardly possible that a nation so far advanced as the Aztecs in

mathematical science should not have made considerable progress in the

mechanical arts, which are so nearly connected with it. Indeed,

intellectual progress of any kind implies a degree of refinement that

requires a certain cultivation of both useful and elegant art. The

savage wandering through the wide forest, without shelter for his head

or raiment for his back, knows no other wants than those of animal

appetites, and, when they are satisfied, seems to himself to have

answered the only ends of existence. But man, in society, feels numerous

desires, and artificial tastes spring up, accommodated to the various

relations in which he is placed, and perpetually stimulating his

invention to devise new expedients to gratify them.

There is a wide difference in the mechanical skill of different nations;

but the difference is still greater in the inventive power which directs

this skill and makes it available. Some nations seem to have no power

beyond that of imitation, or, if they possess invention, have it in so

low a degree that they are constantly repeating the same idea, without

a shadow of alteration or improvement; as the bird builds precisely the

same kind of nest which those of its own species built at the beginning

of the world. Such, for example, are the Chinese, who have probably been

familiar for ages with the germs of some discoveries,[210] of little

practical benefit to themselves, but which, under the influence of

European genius, have reached a degree of excellence that has wrought an

important change in the constitution of society.

Far from looking back and forming itself slavishly on the past, it is

characteristic of the European intellect to be ever on the advance. Old

discoveries become the basis of new ones. It passes onward from truth to

truth, connecting the whole by a succession of links, as it were, into

the great chain of science which is to encircle and bind together the

universe. The light of learning is shed over the labors of art. New

avenues are opened for the communication both of person and of thought.

New facilities are devised for subsistence. Personal comforts, of every

kind, are inconceivably multiplied, and brought within the reach of the

poorest. Secure of these, the thoughts travel into a nobler region than

that of the senses; and the appliances of art are made to minister to

the demands of an elegant taste and a higher moral culture.

The same enlightened spirit, applied to agriculture, raises it from a

mere mechanical drudgery, or the barren formula of traditional precepts,

to the dignity of a science. As the composition of the earth is

analyzed, man learns the capacity of the soil that he cultivates; and,

as his empire is gradually extended over the elements of nature, he

gains the power to stimulate her to her most bountiful and various

production. It is with satisfaction that we can turn to the land of our

fathers, as the one in which the experiment has been conducted on the

broadest scale and attended with results that the world has never before

witnessed. With equal truth, we may point to the Anglo-Saxon race in

both hemispheres, as that whose enterprising genius has contributed most

essentially to the great interests of humanity, by the application of

science to the useful arts.

Husbandry, to a very limited extent, indeed, was practised by most of

the rude tribes of North America. Wherever a natural opening in the

forest, or a rich strip of _interval_, met their eyes, or a green slope

was found along the rivers, they planted it with beans and Indian

corn.[211] The cultivation was slovenly in the extreme, and could not

secure the improvident natives from the frequent recurrence of

desolating famines. Still, that they tilled the soil at all was a

peculiarity which honorably distinguished them from other tribes of

hunters, and raised them one degree higher in the scale of

civilization.

Agriculture in Mexico was in the same advanced state as the other arts

of social life. In few countries, indeed, has it been more respected. It

was closely interwoven with the civil and religious institutions of the

nation. There were peculiar deities to preside over it; the names of the

months and of the religious festivals had more or less reference to it.

The public taxes, as we have seen, were often paid in agricultural

produce. All except the soldiers and great nobles, even the inhabitants

of the cities, cultivated the soil. The work was chiefly done by the

men; the women scattering the seed, husking the corn, and taking part

only in the lighter labors of the field.[212] In this they presented an

honorable contrast to the other tribes of the continent, who imposed the

burden of agriculture, severe as it is in the North, on their

women.[213] Indeed, the sex was as tenderly regarded by the Aztecs in

this matter, as it is, in most parts of Europe, at the present day.

There was no want of judgment in the management of their ground. When

somewhat exhausted, it was permitted to recover by lying fallow. Its

extreme dryness was relieved by canals, with which the land was

partially irrigated; and the same end was promoted by severe penalties

against the destruction of the woods, with which the country, as already

noticed, was well covered before the Conquest. Lastly, they provided for

their harvests ample granaries, which were admitted by the Conquerors to

be of admirable construction. In this provision we see the forecast of

civilized man.[214]

Among the most important articles of husbandry, we may notice the

banana, whose facility of cultivation and exuberant returns are so fatal

to habits of systematic and hardy industry.[215] Another celebrated

plant was the cacao, the fruit of which furnished the chocolate,--from

the Mexican _chocolatl_,--now so common a beverage throughout

Europe.[216] The vanilla, confined to a small district of the sea-coast,

was used for the same purposes, of flavoring their food and drink, as

with us.[217] The great staple of the country, as, indeed, of the

American continent, was maize, or Indian corn,[218] which grew freely

along the valleys, and up the steep sides of the Cordilleras to the high

level of the table-land. The Aztecs were as curious in its preparation,

and as well instructed in its manifold uses, as the most expert New

England housewife. Its gigantic stalks, in these equinoctial regions,

afford a saccharine matter, not found to the same extent in northern

latitudes, and supplied the natives with sugar little inferior to that

of the cane itself, which was not introduced among them till after the

Conquest.[219] But the miracle of nature was the great Mexican aloe, or

_maguey_, whose clustering pyramids of flowers, towering above their

dark coronals of leaves, were seen sprinkled over many a broad acre of

the table-land. As we have already noticed, its bruised leaves afforded

a paste from which paper was manufactured;[220] its juice was fermented

into an intoxicating beverage, _pulque_, of which the natives, to this

day, are excessively fond;[221] its leaves further supplied an

impenetrable thatch for the more humble dwellings; thread, of which

coarse stuffs were made, and strong cords, were drawn from its tough and

twisted fibres; pins and needles were made of the thorns at the

extremity of its leaves; and the root, when properly cooked, was

converted into a palatable and nutritious food. The _agave_,[222] in

short, was meat, drink, clothing, and writing-materials, for the Aztec!

Surely, never did Nature enclose in so compact a form so many of the

elements of human comfort and civilization![223]

It would be obviously out of place to enumerate in these pages all the

varieties of plants, many of them of medicinal virtue, which have been

introduced from Mexico into Europe. Still less can I attempt a catalogue

of its flowers, which, with their variegated and gaudy colors, form the

greatest attraction of our greenhouses. The opposite climates embraced

within the narrow latitudes of New Spain have given to it, probably, the

richest and most diversified flora to be found in any country on the

globe. These different products were systematically arranged by the

Aztecs, who understood their properties, and collected them into

nurseries, more extensive than any then existing in the Old World. It is

not improbable that they suggested the idea of those “gardens of plants”

which were introduced into Europe not many years after the

Conquest.[224]

The Mexicans were as well acquainted with the mineral as with the

vegetable treasures of their kingdom. Silver, lead, and tin they drew

from the mines of Tasco; copper from the mountains of Zacotollan. These

were taken not only from the crude masses on the surface, but from veins

wrought in the solid rock, into which they opened extensive galleries.

In fact, the traces of their labors furnished the best indications for

the early Spanish miners.[225] Gold, found on the surface, or gleaned

from the beds of rivers, was cast into bars, or, in the form of dust,

made part of the regular tribute of the southern provinces of the

empire. The use of iron, with which the soil was impregnated, was

unknown to them. Notwithstanding its abundance, it demands so many

processes to prepare it for use that it has commonly been one of the

last metals pressed into the service of man. The age of iron has

followed that of brass, in fact as well as in fiction.[226]

They found a substitute in an alloy of tin and copper, and, with tools

made of this bronze, could cut not only metals, but, with the aid of a

silicious dust, the hardest substances, as basalt, porphyry, amethysts,

and emeralds.[227] They fashioned these last, which were found very

large, into many curious and fantastic forms. They cast, also, vessels

of gold and silver, carving them with their metallic chisels in a very

delicate manner. Some of the silver vases were so large that a man could

not encircle them with his arms. They imitated very nicely the figures

of animals, and, what was extraordinary, could mix the metals in such a

manner that the feathers of a bird, or the scales of a fish, should be

alternately of gold and silver. The Spanish goldsmiths admitted their

superiority over themselves in these ingenious works.[228]

They employed another tool, made of _itztli_, or obsidian, a dark

transparent mineral, exceedingly hard, found in abundance in their

hills. They made it into knives, razors, and their serrated swords. It

took a keen edge, though soon blunted. With this they wrought the

various stones and alabasters employed in the construction of their

public works and principal dwellings. I shall defer a more particular

account of these to the body of the narrative, and will only add here

that the entrances and angles of the buildings were profusely ornamented

with images, sometimes of their fantastic deities, and frequently of

animals.[229] The latter were executed with great accuracy. “The

former,” according to Torquemada, “were the hideous reflection of their

own souls. And it was not till after they had been converted to

Christianity that they could model the true figure of a man.”[230] The

old chronicler’s facts are well founded, whatever we may think of his

reasons. The allegorical phantasms of his religion, no doubt, gave a

direction to the Aztec artist, in his delineation of the human figure;

supplying him with an imaginary beauty in the personification of

divinity itself. As these superstitions lost their hold on his mind, it

opened to the influences of a purer taste; and, after the Conquest, the

Mexicans furnished many examples of correct, and some of beautiful,

portraiture.

Sculptured images were so numerous that the foundations of the cathedral

in the _plaza mayor_, the great square of Mexico, are said to be

entirely composed of them.[231] This spot may, indeed, be regarded as

the Aztec forum,--the great depository of the treasures of ancient

sculpture, which now lie hid in its bosom. Such monuments are spread all

over the capital, however, and a new cellar can hardly be dug, or

foundation laid, without turning up some of the mouldering relics of

barbaric art. But they are little heeded, and, if not wantonly broken in

pieces at once, are usually worked into the rising wall or supports of

the new edifice.[232] Two celebrated bas-reliefs of the last Montezuma

and his father, cut in the solid rock, in the beautiful groves of

Chapoltepec, were deliberately destroyed, as late as the eighteenth

century, by order of the government![233] The monuments of the barbarian

meet with as little respect from civilized man as those of the civilized

man from the barbarian.[234]

The most remarkable piece of sculpture yet disinterred is the great

calendar stone, noticed in the preceding chapter. It consists of dark

porphyry, and in its original dimensions, as taken from the quarry, is

computed to have weighed nearly fifty tons. It was transported from the

mountains beyond Lake Chalco, a distance of many leagues, over a broken

country intersected by watercourses and canals. In crossing a bridge

which traversed one of these latter, in the capital, the supports gave

way, and the huge mass was precipitated into the water, whence it was

with difficulty recovered. The fact that so enormous a fragment of

porphyry could be thus safely carried for leagues, in the face of such

obstacles, and without the aid of cattle,--for the Aztecs, as already

mentioned, had no animals of draught,--suggests to us no mean ideas of

their mechanical skill, and of their machinery, and implies a degree of

cultivation little inferior to that demanded for the geometrical and

astronomical science displayed in the inscriptions on this very

stone.[235][236]

The ancient Mexicans made utensils of earthenware for the ordinary

purposes of domestic life, numerous specimens of which still

exist.[237] They made cups and vases of a lackered or painted wood,

impervious to wet and gaudily colored. Their dyes were obtained from

both mineral and vegetable substances. Among them was the rich crimson

of the cochineal, the modern rival of the famed Tyrian purple. It was

introduced into Europe from Mexico, where the curious little insect was

nourished with great care on plantations of cactus, since fallen into

neglect.[238] The natives were thus enabled to give a brilliant coloring

to the webs which were manufactured, of every degree of fineness, from

the cotton raised in abundance throughout the warmer regions of the

country. They had the art, also, of interweaving with these the delicate

hair of rabbits and other animals, which made a cloth of great warmth as

well as beauty, of a kind altogether original; and on this they often

laid a rich embroidery, of birds, flowers, or some other fanciful

device.[239]

But the art in which they most delighted was their _plumaje_, or

feather-work. With this they could produce all the effect of a beautiful

mosaic. The gorgeous plumage of the tropical birds, especially of the

parrot tribe, afforded every variety of color; and the fine down of the

humming-bird, which revelled in swarms among the honeysuckle bowers of

Mexico, supplied them with soft aerial tints that gave an exquisite

finish to the picture. The feathers, pasted on a fine cotton web, were

wrought into dresses for the wealthy, hangings for apartments, and

ornaments for the temples. No one of the American fabrics excited such

admiration in Europe, whither numerous specimens were sent by the

Conquerors. It is to be regretted that so graceful an art should have

been suffered to fall into decay.[240]

There were no shops in Mexico, but the various manufactures and

agricultural products were brought together for sale in the great

marketplaces of the principal cities. Fairs were held there every fifth

day, and were thronged by a numerous concourse of persons, who came to

buy or sell from all the neighboring country. A particular quarter was

allotted to each kind of article. The numerous transactions were

conducted without confusion, and with entire regard to justice, under

the inspection of magistrates appointed for the purpose. The traffic was

carried on partly by barter, and partly by means of a regulated

currency, of different values. This consisted of transparent quills of

gold dust; of bits of tin, cut in the form of a [Illustration: bold

letter, sans-serif T]; and of bags of cacao, containing a specified

number of grains. “Blessed money,” exclaims Peter Martyr, “which exempts

its possessors from avarice, since it cannot be long hoarded, nor hidden

under ground!”[241]

There did not exist in Mexico that distinction of castes found among the

Egyptian and Asiatic nations. It was usual, however, for the son to

follow the occupation of his father. The different trades were arranged

into something like guilds; each having a particular district of the

city appropriated to it, with its own chief, its own tutelar deity, its

peculiar festivals, and the like. Trade was held in avowed estimation by

the Aztecs. “Apply thyself, my son,” was the advice of an aged chief,

“to agriculture, or to feather-work, or some other honorable calling.

Thus did your ancestors before you. Else how would they have provided

for themselves and their families? Never was it heard that nobility

alone was able to maintain its possessor.”[242] Shrewd maxims, that must

have sounded somewhat strange in the ear of a Spanish _hidalgo_![243]

But the occupation peculiarly respected was that of the merchant. It

formed so important and singular a feature of their social economy as to

merit a much more particular notice than it has received from

historians. The Aztec merchant was a sort of itinerant trader, who made

his journeys to the remotest borders of Anahuac, and to the countries

beyond, carrying with him merchandise of rich stuffs, jewelry, slaves,

and other valuable commodities. The slaves were obtained at the great

market of Azcapozalco, not many leagues from the capital, where fairs

were regularly held for the sale of these unfortunate beings. They were

brought thither by their masters, dressed in their gayest apparel, and

instructed to sing, dance, and display their little stock of personal

accomplishments, so as to recommend themselves to the purchaser.

Slave-dealing was an honorable calling among the Aztecs.[244]

With this rich freight, the merchant visited the different provinces,

always bearing some present of value from his own sovereign to their

chiefs, and usually receiving others in return, with a permission to

trade. Should this be denied him, or should he meet with indignity or

violence, he had the means of resistance in his power. He performed his

journeys with a number of companions of his own rank, and a large body

of inferior attendants who were employed to transport the goods. Fifty

or sixty pounds were the usual load for a man. The whole caravan went

armed, and so well provided against sudden hostilities that they could

make good their defence, if necessary, till reinforced from home. In one

instance, a body of these militant traders stood a siege of four years

in the town of Ayotlan, which they finally took from the enemy.[245]

Their own government, however, was always prompt to embark in a war on

this ground, finding it a very convenient pretext for extending the

Mexican empire. It was not unusual to allow the merchants to raise

levies themselves, which were placed under their command. It was,

moreover, very common for the prince to employ the merchants as a sort

of spies, to furnish him information of the state of the countries

through which they passed, and the dispositions of the inhabitants

towards himself.[246]

Thus their sphere of action was much enlarged beyond that of a humble

trader, and they acquired a high consideration in the body politic. They

were allowed to assume insignia and devices of their own. Some of their

number composed what is called by the Spanish writers a council of

finance; at least, this was the case in Tezcuco.[247] They were much

consulted by the monarch, who had some of them constantly near his

person, addressing them by the title of “uncle,” which may remind one of

that of _primo_, or “cousin,” by which a grandee of Spain is saluted by

his sovereign. They were allowed to have their own courts, in which

civil and criminal cases, not excepting capital, were determined; so

that they formed an independent community, as it were, of themselves.

And, as their various traffic supplied them with abundant stores of

wealth, they enjoyed many of the most essential advantages of an

hereditary aristocracy.[248]

That trade should prove the path to eminent political preferment in a

nation but partially civilized, where the names of soldier and priest

are usually the only titles to respect, is certainly an anomaly in

history. It forms some contrast to the standard of the more polished

monarchies of the Old World, in which rank is supposed to be less

dishonored by a life of idle ease or frivolous pleasure than by those

active pursuits which promote equally the prosperity of the state and of

the individual. If civilization corrects many prejudices, it must be

allowed that it creates others.

We shall be able to form a better idea of the actual refinement of the

natives by penetrating into their domestic life and observing the

intercourse between the sexes. We have, fortunately, the means of doing

this. We shall there find the ferocious Aztec frequently displaying all

the sensibility of a cultivated nature; consoling his friends under

affliction, or congratulating them on their good fortune, as on occasion

of a marriage, or of the birth or the baptism of a child, when he was

punctilious in his visits, bringing presents of costly dresses and

ornaments, or the more simple offering of flowers, equally indicative of

his sympathy. The visits at these times, though regulated with all the

precision of Oriental courtesy, were accompanied by expressions of the

most cordial and affectionate regard.[249]

The discipline of children, especially at the public schools, as stated

in a previous chapter, was exceedingly severe.[250] But after she had

come to a mature age the Aztec maiden was treated by her parents with a

tenderness from which all reserve seemed banished. In the counsels to a

daughter about to enter into life, they conjured her to preserve

simplicity in her manners and conversation, uniform neatness in her

attire, with strict attention to personal cleanliness. They inculcated

modesty, as the great ornament of a woman, and implicit reverence for

her husband; softening their admonitions by such endearing epithets as

showed the fulness of a parent’s love.[251]

Polygamy was permitted among the Mexicans, though chiefly confined,

probably, to the wealthiest classes.[252] And the obligations of the

marriage vow, which was made with all the formality of a religious

ceremony, were fully recognized, and impressed on both parties. The

women are described by the Spaniards as pretty, unlike their unfortunate

descendants of the present day, though with the same serious and rather

melancholy cast of countenance. Their long black hair, covered, in some

parts of the country, by a veil made of the fine web of the _pita_,

might generally be seen wreathed with flowers, or, among the richer

people, with strings of precious stones, and pearls from the Gulf of

California. They appear to have been treated with much consideration by

their husbands, and passed their time in indolent tranquillity, or in

such feminine occupations as spinning, embroidery, and the like, while

their maidens beguiled the hours by the rehearsal of traditionary tales

and ballads.[253]

The women partook equally with the men of social festivities and

entertainments. These were often conducted on a large scale, both as

regards the number of guests and the costliness of the preparations.

Numerous attendants, of both sexes, waited at the banquet. The halls

were scented with perfumes, and the courts strewed with odoriferous

herbs and flowers, which were distributed in profusion among the guests,

as they arrived. Cotton napkins and ewers of water were placed before

them, as they took their seats at the board; for the venerable ceremony

of ablution[254] before and after eating was punctiliously observed by

the Aztecs.[255] Tobacco was then offered to the company, in pipes,

mixed up with aromatic substances, or in the form of cigars, inserted in

tubes of tortoise-shell or silver. They compressed the nostrils with the

fingers, while they inhaled the smoke, which they frequently swallowed.

Whether the women, who sat apart from the men at table, were allowed the

indulgence of the fragrant weed, as in the most polished circles of

modern Mexico, is not told us. It is a curious fact that the Aztecs also

took the dried leaf in the pulverized form of snuff.[256]

The table was well provided with substantial meats, especially game;

among which the most conspicuous was the turkey, erroneously supposed,

as its name imports, to have come originally from the East.[257] These

more solid dishes were flanked by others of vegetables and fruits, of

every delicious variety found on the North American continent. The

different viands were prepared in various ways, with delicate sauces and

seasoning, of which the Mexicans were very fond. Their palate was still

further regaled by confections and pastry, for which their maize-flour

and sugar supplied ample materials. One other dish, of a disgusting

nature, was sometimes added to the feast, especially when the

celebration partook of a religious character. On such occasions a slave

was sacrificed, and his flesh, elaborately dressed, formed one of the

chief ornaments of the banquet. Cannibalism, in the guise of an

Epicurean science, becomes even the more revolting.[258]

The meats were kept warm by chafing-dishes. The table was ornamented

with vases of silver, and sometimes gold, of delicate workmanship. The

drinking-cups and spoons were of the same costly materials, and likewise

of tortoise-shell. The favorite beverage was the _chocolatl_, flavored

with vanilla and different spices. They had a way of preparing the froth

of it, so as to make it almost solid enough to be eaten, and took it

cold.[259] The fermented juice of the maguey, with a mixture of sweets

and acids, supplied, also, various agreeable drinks, of different

degrees of strength, and formed the chief beverage of the elder part of

the company.[260]

As soon as they had finished their repast, the young people rose from

the table, to close the festivities of the day with dancing. They danced

gracefully, to the sound of various instruments, accompanying their

movements with chants of a pleasing though somewhat plaintive

character.[261] The older guests continued at table, sipping _pulque_,

and gossiping about other times, till the virtues of the exhilarating

beverage put them in good humor with their own. Intoxication was not

rare in this part of the company, and, what is singular, was excused in

them, though severely punished in the younger. The entertainment was

concluded by a liberal distribution of rich dresses and ornaments among

the guests, when they withdrew, after midnight, “some commending the

feast, and others condemning the bad taste or extravagance of their

host; in the same manner,” says an old Spanish writer, “as with

us.”[262] Human nature is, indeed, much the same all the world over.

In this remarkable picture of manners, which I have copied faithfully

from the records of earliest date after the Conquest, we find no

resemblance to the other races of North American Indians. Some

resemblance we may trace to the general style of Asiatic pomp and

luxury. But in Asia, woman, far from being admitted to unreserved

intercourse with the other sex, is too often jealously immured within

the walls of the harem. European civilization, which accords to this

loveliest portion of creation her proper rank in the social scale, is

still more removed from some of the brutish usages of the Aztecs. That

such usages should have existed with the degree of refinement they

showed in other things is almost inconceivable. It can only be explained

as the result of religious superstition; superstition which clouds the

moral perception, and perverts even the natural senses, till man,

civilized

[Illustration: OUR LADY OF GUADALOUPE]

[Illustration: _Goupil & Cº. Paris_]

man, is reconciled to the very things which are most revolting to

humanity. Habits and opinions founded on religion must not be taken as

conclusive evidence of the actual refinement of a people.

The Aztec character was perfectly original and unique. It was made up of

incongruities apparently irreconcilable. It blended into one the marked

peculiarities of different nations, not only of the same phase of

civilization, but as far removed from each other as the extremes of

barbarism and refinement. It may find a fitting parallel in their own

wonderful climate, capable of producing, on a few square leagues of

surface, the boundless variety of vegetable forms which belong to the

frozen regions of the North, the temperate zone of Europe, and the

burning skies of Arabia and Hindostan.

One of the works repeatedly consulted and referred to in this

Introduction is Boturini’s _Idea de una nueva Historia general de

la América Septentrional_. The singular persecutions sustained by

its author, even more than the merits of his book, have associated

his name inseparably with the literary history of Mexico. The

Chevalier Lorenzo Boturini Benaduci was a Milanese by birth, of an

ancient family, and possessed of much learning. From Madrid, where

he was residing, he passed over to New Spain, in 1735, on some

business of the Countess of Santibañez, a lineal descendant of

Montezuma. While employed on this, he visited the celebrated shrine

of Our Lady of Guadaloupe, and, being a person of devout and

enthusiastic temper, was filled with the desire of collecting

testimony to establish the marvellous fact of her apparition. In

the course of his excursions, made with this view, he fell in with

many relics of Aztec antiquity, and conceived--what to a

Protestant, at least, would seem much more rational--the idea of

gathering together all the memorials he could meet with of the

primitive civilization of the land.

In pursuit of this double object, he penetrated into the remotest

parts of the country, living much with the natives, passing his

nights sometimes in their huts, sometimes in caves and the depths

of the lonely forests. Frequently months would elapse without his

being able to add anything to his collection; for the Indians had

suffered too much not to be very shy of Europeans. His long

intercourse with them, however, gave him ample opportunity to learn

their language and popular traditions, and, in the end, to amass a

large stock of materials, consisting of hieroglyphical charts on

cotton, skins, and the fibre of the maguey; besides a considerable

body of Indian manuscripts, written after the Conquest. To all

these must be added the precious documents for placing beyond

controversy the miraculous apparition of the Virgin. With this

treasure he returned, after a pilgrimage of eight years, to the

capital.

His zeal, in the mean while, had induced him to procure from Rome a

bull authorizing the coronation of the sacred image at Guadaloupe.

The bull, however, though sanctioned by the Audience of New Spain,

had never been approved by the Council of the Indies. In

consequence of this informality, Boturini was arrested in the midst

of his proceedings, his papers were taken from him, and, as he

declined to give an inventory of them, he was thrown into prison,

and confined in the same apartment with two criminals! Not long

afterward he was sent to Spain. He there presented a memorial to

the Council of the Indies, setting forth his manifold grievances,

and soliciting redress. At the same time, he drew up his “Idea,”

above noticed, in which he displayed the catalogue of his _museum_

in New Spain, declaring, with affecting earnestness, that “he would

not exchange these treasures for all the gold and silver, diamonds

and pearls, in the New World.”

After some delay, the Council gave an award in his favor;

acquitting him of any intentional violation of the law, and

pronouncing a high encomium on his deserts. His papers, however,

were not restored. But his Majesty was graciously pleased to

appoint him Historiographer-General of the Indies, with a salary of

one thousand dollars per annum. The stipend was too small to allow

him to return to Mexico. He remained in Madrid, and completed there

the first volume of a “General History of North America,” in 1749.

Not long after this event, and before the publication of the work,

he died. The same injustice was continued to his heirs; and,

notwithstanding repeated applications in their behalf, they were

neither put in possession of their unfortunate kinsman’s

collection, nor received a remuneration for it. What was worse,--as

far as the public was concerned,--the collection itself was

deposited in apartments of the vice-regal palace at Mexico, so damp

that they gradually fell to pieces, and the few remaining were

still further diminished by the pilfering of _the curious_. When

Baron Humboldt visited Mexico, not one-eighth of this inestimable

treasure was in existence!

I have been thus particular in the account of the unfortunate

Boturini, as affording, on the whole, the most remarkable example

of the serious obstacles and persecutions which literary

enterprise, directed in the path of the national antiquities, has,

from some cause or other, been exposed to in New Spain.

Boturini’s manuscript volume was never printed, and probably never

will be, if indeed it is in existence. This will scarcely prove a

great detriment to science or to his own reputation. He was a man

of a zealous temper, strongly inclined to the marvellous, with

little of that acuteness requisite for penetrating the tangled

mazes of antiquity, or of the philosophic spirit fitted for calmly

weighing its doubts and difficulties. His “Idea” affords a sample

of his peculiar mind. With abundant learning, ill assorted and ill

digested, it is a jumble of fact and puerile fiction, interesting

details, crazy dreams, and fantastic theories. But it is hardly

fair to judge by the strict rules of criticism a work which, put

together hastily, as a catalogue of literary treasures, was

designed by the author rather to show what might be done, than that

he could do it himself. It is rare that talents for action and

contemplation are united in the same individual. Boturini was

eminently qualified, by his enthusiasm and perseverance, for

collecting the materials necessary to illustrate the antiquities of

the country. It requires a more highly gifted mind to avail itself

of them.

CHAPTER VI[263]

THE TEZCUCANS--THEIR GOLDEN AGE--ACCOMPLISHED PRINCES--DECLINE OF

THEIR MONARCHY

The reader would gather but an imperfect notion of the civilization of

Anahuac, without some account of the Acolhuans, or Tezcucans, as they

are usually called; a nation of the same great family with the Aztecs,

whom they rivalled in power and surpassed in intellectual culture and

the arts of social refinement. Fortunately, we have ample materials for

this in the records left by Ixtlilxochitl, a lineal descendant of the

royal line of Tezcuco, who flourished in the century of the Conquest.

With every opportunity for information he combined much industry and

talent, and, if his narrative bears the high coloring of one who would

revive the faded glories of an ancient but dilapidated house, he has

been uniformly commended for his fairness and integrity, and has been

followed without misgiving by such Spanish writers as could have access

to his manuscripts.[264] I shall confine myself to the prominent

features of the two reigns which may be said to embrace the golden age

of Tezcuco, without attempting to weigh the probability of the details,

which I will leave to be settled by the reader, according to the measure

of his faith.

The Acolhuans came into the Valley, as we have seen, about the close of

the twelfth century, and built their capital of Tezcuco on the eastern

borders of the lake, opposite to Mexico. From this point they gradually

spread themselves over the northern portion of Anahuac, when their

career was checked by an invasion of a kindred race, the Tepanecs, who,

after a desperate struggle, succeeded in taking their city, slaying

their monarch, and entirely subjugating his kingdom.[265] This event

took place about 1418; and the young prince, Nezahualcoyotl, the heir to

the crown, then fifteen years old, saw his father butchered before his

eyes, while he himself lay concealed among the friendly branches of a

tree which overshadowed the spot.[266] His subsequent history is as full

of romantic daring and perilous escapes as that of the renowned

Scanderbeg or of the “young Chevalier.”[267]

Not long after his flight from the field of his father’s blood, the

Tezcucan prince fell into the hands of his enemy, was borne off in

triumph to his city, and was thrown into a dungeon. He effected his

escape, however, through the connivance of the governor of the fortress,

an old servant of his family, who took the place of the royal fugitive,

and paid for his loyalty with his life. He was at length permitted,

through the intercession of the reigning family in Mexico, which was

allied to him, to retire to that capital, and subsequently to his own,

where he found a shelter in his ancestral palace. Here he remained

unmolested for eight years, pursuing his studies under an old preceptor,

who had had the care of his early youth, and who instructed him in the

various duties befitting his princely station.[268]

At the end of this period the Tepanec usurper died, bequeathing his

empire to his son, Maxtla, a man of fierce and suspicious temper.

Nezahualcoyotl hastened to pay his obeisance to him, on his accession.

But the tyrant refused to receive the little present of flowers which he

laid at his feet, and turned his back on him in presence of his

chieftains. One of his attendants, friendly to the young prince,

admonished him to provide for his own safety, by withdrawing, as

speedily as possible, from the palace, where his life was in danger. He

lost no time, consequently, in retreating from the inhospitable court,

and returned to Tezcuco. Maxtla, however, was bent on his destruction.

He saw with jealous eye the opening talents and popular manners of his

rival, and the favor he was daily winning from his ancient

subjects.[269]

He accordingly laid a plan for making away with him at an evening

entertainment. It was defeated by the vigilance of the prince’s tutor,

who contrived to mislead the assassins and to substitute another victim

in the place of his pupil.[270] The baffled tyrant now threw off all

disguise, and sent a strong party of soldiers to Tezcuco, with orders to

enter the palace, seize the person of Nezahualcoyotl, and slay him on

the spot. The prince, who became acquainted with the plot through the

watchfulness of his preceptor, instead of flying, as he was counselled,

resolved to await his enemies. They found him playing at ball, when they

arrived, in the court of his palace. He received them courteously, and

invited them in, to take some refreshments after their journey. While

they were occupied in this way, he passed into an adjoining saloon,

which excited no suspicion, as he was still visible through the open

doors by which the apartments communicated with each other. A burning

censer stood in the passage, and, as it was fed by the attendants, threw

up such clouds of incense as obscured his movements from the soldiers.

Under this friendly veil he succeeded in making his escape by a secret

passage, which communicated with a large earthen pipe formerly used to

bring water to the palace.[271] Here he remained till nightfall, when,

taking advantage of the obscurity, he found his way into the suburbs,

and sought a shelter in the cottage of one of his father’s vassals.

The Tepanec monarch, enraged at this repeated disappointment, ordered

instant pursuit. A price was set on the head of the royal fugitive.

Whoever should take him, dead or alive, was promised, however humble his

degree, the hand of a noble lady, and an ample domain along with it.

Troops of armed men were ordered to scour the country in every

direction. In the course of the search, the cottage in which the prince

had taken refuge was entered. But he fortunately escaped detection by

being hid under a heap of maguey fibres used for manufacturing cloth. As

this was no longer a proper place of concealment, he sought a retreat in

the mountainous and woody district lying between the borders of his own

state and Tlascala.[272]

Here he led a wretched, wandering life, exposed to all the inclemencies

of the weather, hiding himself in deep thickets and caverns, and

stealing out, at night, to satisfy the cravings of appetite; while he

was kept in constant alarm by the activity of his pursuers, always

hovering on his track. On one occasion he sought refuge from them among

a small party of soldiers, who proved friendly to him and concealed him

in a large drum around which they were dancing. At another time he was

just able to turn the crest of a hill as his enemies were climbing it on

the other side, when he fell in with a girl who was reaping _chia_,--a

Mexican plant, the seed of which was much used in the drinks of the

country. He persuaded her to cover him up with the stalks she had been

cutting. When his pursuers came up, and inquired if she had seen the

fugitive, the girl coolly answered that she had, and pointed out a path

as the one he had taken. Notwithstanding the high rewards offered,

Nezahualcoyotl seems to have incurred no danger from treachery, such was

the general attachment felt to himself and his house. “Would you not

deliver up the prince, if he came in your way?” he inquired of a young

peasant who was unacquainted with his person. “Not I,” replied the

other. “What, not for a fair lady’s hand, and a rich dowry beside?”

rejoined the prince. At which the other only shook his head and

laughed.[273] On more than one occasion his faithful people submitted to

torture, and even to lose their lives, rather than disclose the place of

his retreat.[274]

However gratifying such proofs of loyalty might be to his feelings, the

situation of the prince in these mountain solitudes became every day

more distressing. It gave a still keener edge to his own sufferings to

witness those of the faithful followers who chose to accompany him in

his wanderings. “Leave me,” he would say to them, “to my fate! Why

should you throw away your own lives for one whom fortune is never weary

of persecuting?” Most of the great Tezcucan chiefs had consulted their

interests by a timely adhesion to the usurper. But some still clung to

their prince, preferring proscription, and death itself, rather than

desert him in his extremity.[275]

In the mean time, his friends at a distance were active in measures for

his relief. The oppressions of Maxtla, and his growing empire, had

caused general alarm in the surrounding states, who recalled the mild

rule of the Tezcucan princes. A coalition was formed, a plan of

operations concerted, and, on the day appointed for a general rising,

Nezahualcoyotl found himself at the head of a force sufficiently strong

to face his Tepanec adversaries. An engagement came on, in which the

latter were totally discomfited; and the victorious prince, receiving

everywhere on his route the homage of his joyful subjects, entered his

capital, not like a proscribed outcast, but as the rightful heir, and

saw himself once more enthroned in the halls of his fathers.

Soon after, he united his forces with the Mexicans, long disgusted with

the arbitrary conduct of Maxtla. The allied powers, after a series of

bloody engagements with the usurper, routed him under the walls of his

own capital. He fled to the baths, whence he was dragged out, and

sacrificed with the usual cruel ceremonies of the Aztecs; the royal city

of Azcapozalco was razed to the ground, and the wasted territory was

henceforth reserved as the great slave-market for the nations of

Anahuac.[276]

These events were succeeded by the remarkable league among the three

powers of Tezcuco, Mexico, and Tlacopan, of which some account has been

given in a previous chapter.[277] Historians are not agreed as to the

precise terms of it; the writers of the two former nations each

insisting on the paramount authority of his own in the coalition. All

agree in the subordinate position of Tlacopan, a state, like the others,

bordering on the lake. It is certain that in their subsequent

operations, whether of peace or war, the three states shared in each

other’s councils, embarked in each other’s enterprises, and moved in

perfect concert together, till just before the coming of the Spaniards.

The first measure of Nezahualcoyotl, on returning to his dominions, was

a general amnesty. It was his maxim “that a monarch might punish, but

revenge was unworthy of him.”[278] In the present instance he was averse

even to punish, and not only freely pardoned his rebel nobles, but

conferred on some, who had most deeply offended, posts of honor and

confidence. Such conduct was doubtless politic, especially as their

alienation was owing, probably, much more to fear of the usurper than to

any disaffection towards himself. But there are some acts of policy

which a magnanimous spirit only can execute.

The restored monarch next set about repairing the damages sustained

under the late misrule, and reviving, or rather remodelling, the various

departments of government. He framed a concise, but comprehensive, code

of laws, so well suited, it was thought, to the exigencies of the times,

that it was adopted as their own by the two other members of the triple

alliance. It was written in blood, and entitled the author to be called

the Draco rather than “the Solon of Anahuac,” as he is fondly styled by

his admirers.[279] Humanity is one of the best fruits of refinement. It

is only with increasing civilization that the legislator studies to

economize human suffering, even for the guilty; to devise penalties not

so much by way of punishment for the past as of reformation for the

future.[280]

He divided the burden of government among a number of departments, as

the council of war, the council of finance, the council of justice. This

last was a court of supreme authority, both in civil and criminal

matters, receiving appeals from the lower tribunals of the provinces,

which were obliged to make a full report, every four months, or eighty

days, of their own proceedings to this higher judicature. In all these

bodies, a certain number of citizens were allowed to have seats with the

nobles and professional dignitaries. There was, however, another body, a

council of state, for aiding the king in the despatch of business, and

advising him in matters of importance, which was drawn altogether from

the highest order of chiefs. It consisted of fourteen members; and they

had seats provided for them at the royal table.[281]

Lastly, there was an extraordinary tribunal, called the council of

music, but which, differing from the import of its name, was devoted to

the encouragement of science and art. Works on astronomy, chronology,

history, or any other science, were required to be submitted to its

judgment, before they could be made public. This censorial power was of

some moment, at least with regard to the historical department, where

the wilful perversion of truth was made a capital offence by the bloody

code of Nezahualcoyotl. Yet a Tezcucan author must have been a bungler,

who could not elude a conviction under the cloudy veil of hieroglyphics.

This body, which was drawn from the best-instructed persons in the

kingdom, with little regard to rank, had supervision of all the

productions of art, and of the nicer fabrics. It decided on the

qualifications of the professors in the various branches of science, on

the fidelity of their instructions to their pupils, the deficiency of

which was severely punished, and it instituted examinations of these

latter. In short, it was a general board of education for the country.

On stated days, historical compositions, and poems treating of moral or

traditional topics, were recited before it by their authors. Seats were

provided for the three crowned heads of the empire, who deliberated with

the other members on the respective merits of the pieces, and

distributed prizes of value to the successful competitors.[282]

Such are the marvellous accounts transmitted to us of this institution;

an institution certainly not to have been expected among the aborigines

of America. It is calculated to give us a higher idea of the refinement

of the people than even the noble architectural remains which still

cover some parts of the continent. Architecture is, to a certain extent,

a sensual gratification. It addresses itself to the eye, and affords the

best scope for the parade of barbaric pomp and splendor. It is the form

in which the revenues of a semi-civilized people are most likely to be

lavished. The most gaudy and ostentatious specimens of it, and sometimes

the most stupendous, have been reared by such hands. It is one of the

first steps in the great march of civilization. But the institution in

question was evidence of still higher refinement. It was a literary

luxury, and argued the existence of a taste in the nation which relied

for its gratification on pleasures of a purely intellectual character.

The influence of this academy must have been most propitious to the

capital, which became the nursery not only of such sciences as could be

compassed by the scholarship of the period, but of various useful and

ornamental arts. Its historians, orators, and poets were celebrated

throughout the country.[283] Its archives, for which accommodations were

provided in the royal palace, were stored with the records of primitive

ages.[284] Its idiom, more polished than the Mexican, was, indeed, the

purest of all the Nahuatlac dialects, and continued, long after the

Conquest, to be that in which the best productions of the native races

were composed. Tezcuco claimed the glory of being the Athens of the

Western world.[285]

Among the most illustrious of her bards was the emperor himself,--for

the Tezcucan writers claim this title for their chief, as head of the

imperial alliance. He doubtless appeared as a competitor before that

very academy where he so often sat as a critic. Many of his odes

descended to a late generation, and are still preserved, perhaps, in

some of the dusty repositories of Mexico or Spain.[286] The historian

Ixtlilxochitl has left a translation, in Castilian, of one of the poems

of his royal ancestor. It is not easy to render his version into

corresponding English rhyme, without the perfume of the original

escaping in this double filtration.[287] They remind one of the rich

breathings of Spanish-Arab poetry, in which an ardent imagination is

tempered by a not unpleasing and moral melancholy.[288] But, though

sufficiently florid in diction, they are generally free from the

meretricious ornaments and hyperbole with which the minstrelsy of the

East is usually tainted. They turn on the vanities and mutability of

human life,--a topic very natural for a monarch who had himself

experienced the strangest mutations of fortune. There is mingled in the

lament of the Tezcucan bard, however, an Epicurean philosophy, which

seeks relief from the fears of the future in the joys of the present.

“Banish care,” he says: “if there are bounds to pleasure, the saddest

life must also have an end. Then weave the chaplet of flowers, and sing

thy songs in praise of the all-powerful God, for the glory of this world

soon fadeth away. Rejoice in the green freshness of thy spring; for the

day will come when thou shalt sigh for these joys in vain; when the

sceptre shall pass from thy hands, thy servants shall wander desolate in

thy courts, thy sons, and the sons of thy nobles, shall drink the dregs

of distress, and all the pomp of thy victories and triumphs shall live

only in their recollection. Yet the remembrance of the just shall not

pass away from the nations, and the good thou hast done shall ever be

held in honor. The goods of this life, its glories and its riches, are

but lent to us, its substance is but an illusory shadow, and the things

of to-day shall change on the coming of the morrow. Then gather the

fairest flowers from thy gardens, to bind round thy brow, and seize the

joys of the present ere they perish.”[289]

But the hours of the Tezcucan monarch were not all passed in idle

dalliance with the Muse, nor in the sober contemplations of philosophy,

as at a later period. In the freshness of youth and early manhood he led

the allied armies in their annual expeditions, which were certain to

result in a wider extent of territory to the empire.[290] In the

intervals of peace he fostered those productive arts which are the

surest sources of public prosperity. He encouraged agriculture above

all; and there was scarcely a spot so rude, or a steep so inaccessible,

as not to confess the power of cultivation. The land was covered with a

busy population, and towns and cities sprang up in places since deserted

or dwindled into miserable villages.[291]

From resources thus enlarged by conquest and domestic industry, the

monarch drew the means for the large consumption of his own numerous

household,[292] and for the costly works which he executed for the

convenience and embellishment of the capital. He filled it with stately

edifices for his nobles, whose constant attendance he was anxious to

secure at his court.[293] He erected a magnificent pile of buildings

which might serve both for a royal residence and for the public

offices. It extended, from east to west, twelve hundred and thirty-four

yards, and from north to south, nine hundred and seventy-eight.[294] It

was encompassed by a wall of unburnt bricks and cement, six feet wide

and nine high for one half of the circumference, and fifteen feet high

for the other half. Within this enclosure were two courts. The outer one

was used as the great market-place of the city, and continued to be so

until long after the Conquest,--if, indeed, it is not now. The interior

court was surrounded by the council-chambers and halls of justice. There

were also accommodations there for the foreign ambassadors; and a

spacious saloon, with apartments opening into it, for men of science and

poets, who pursued their studies in this retreat or met together to hold

converse under its marble porticoes. In this quarter, also, were kept

the public archives, which fared better under the Indian dynasty than

they have since under their European successors.[295]

Adjoining this court were the apartments of the king, including those

for the royal harem, as liberally supplied with beauties as that of an

Eastern sultan. Their walls were incrusted with alabasters and

richly-tinted stucco, or hung with gorgeous tapestries of variegated

feather-work.[296] They led through long arcades, and through intricate

labyrinths of shrubbery, into gardens where baths and sparkling

fountains were overshadowed by tall groves of cedar and cypress. The

basins of water were well stocked with fish of various kinds, and the

aviaries with birds glowing in all the gaudy plumage of the tropics.

Many birds and animals which could not be obtained alive were

represented in gold and silver so skilfully as to have furnished the

great naturalist Hernandez with models for his work.[297]

Accommodations on a princely scale were provided for the sovereigns of

Mexico and Tlacopan when they visited the court. The whole of this

lordly pile contained three hundred apartments, some of them fifty yards

square.[298] The height of the building is not mentioned. It was

probably not great, but supplied the requisite room by the immense

extent of ground which it covered. The interior was doubtless

constructed of light materials, especially of the rich woods which, in

that country, are remarkable, when polished, for the brilliancy and

variety of their colors. That the more solid materials of stone and

stucco were also liberally employed is proved by the remains at the

present day; remains which have furnished an inexhaustible quarry for

the churches and other edifices since erected by the Spaniards on the

site of the ancient city.[299]

We are not informed of the time occupied in building this palace. But

two hundred thousand workmen, it is said, were employed on it.[300]

However this may be, it is certain that the Tezcucan monarchs, like

those of Asia and ancient Egypt, had the control of immense masses of

men, and would sometimes turn the whole population of a conquered city,

including the women, into the public works.[301] The most gigantic

monuments of architecture which the world has witnessed would never have

been reared by the hands of freemen.

Adjoining the palace were buildings for the king’s children, who, by his

various wives, amounted to no less than sixty sons and fifty

daughters.[302] Here they were instructed in all the exercises and

accomplishments suited to their station; comprehending, what would

scarcely find a place in a royal education on the other side of the

Atlantic, the arts of working in metals, jewelry, and feather-mosaic.

Once in every four months, the whole household, not excepting the

youngest, and including all the officers and attendants on the king’s

person, assembled in a grand saloon of the palace, to listen to a

discourse from an orator, probably one of the priesthood. The princes,

on this occasion, were all dressed in _nequen_, the coarsest manufacture

of the country. The preacher began by enlarging on the obligations of

morality and of respect for the gods, especially important in persons

whose rank gave such additional weight to example. He occasionally

seasoned his homily with a pertinent application to his audience, if any

member of it had been guilty of a notorious delinquency. From this

wholesome admonition the monarch himself was not exempted, and the

orator boldly reminded him of his paramount duty to show respect for his

own laws. The king, so far from taking umbrage, received the lesson with

humility; and the audience, we are assured, were often melted into tears

by the eloquence of the preacher.[303] This curious scene may remind one

of similar usages in the Asiatic and Egyptian despotisms, where the

sovereign occasionally condescended to stoop from his pride of place and

allow his memory to be refreshed with the conviction of his own

mortality.[304] It soothed the feelings of the subject to find himself

thus placed, though but for a moment, on a level with his king; while it

cost little to the latter, who was removed too far from his people to

suffer anything by this short-lived familiarity. It is probable that

such an act of public humiliation would have found less favor with a

prince less absolute.

Nezahualcoyotl’s fondness for magnificence was shown in his numerous

villas, which were embellished with all that could make a rural retreat

delightful. His favorite residence was at Tezcotzinco, a conical hill

about two leagues from the capital.[305] It was laid out in terraces, or

hanging gardens, having a flight of steps five hundred and twenty in

number, many of them hewn in the natural porphyry.[306] In the garden on

the summit was a reservoir of water, fed by an aqueduct that was carried

over hill and valley, for several miles, on huge buttresses of masonry.

A large rock stood in the midst of this basin, sculptured with the

hieroglyphics representing the years of Nezahualcoyotl’s reign and his

principal achievements in each.[307] On a lower level were three other

reservoirs, in each of which stood a marble statue of a woman,

emblematic of the three states of the empire.[308] Another tank

contained a winged lion, (?) cut out of the solid rock, bearing in its

mouth the portrait of the emperor.[309] His likeness had been executed

in gold, wood, feather-work, and stone; but this was the only one which

pleased him.

From these copious basins the water was distributed in numerous channels

through the gardens, or was made to tumble over the rocks in cascades,

shedding refreshing dews on the flowers and odoriferous shrubs below. In

the depths of this fragrant wilderness, marble porticoes and pavilions

were erected, and baths excavated in the solid porphyry, which are still

shown by the ignorant natives as the “Baths of Montezuma”![310] The

visitor descended by steps cut in the living stone and polished so

bright as to reflect like mirrors.[311] Towards the base of the hill, in

the midst of cedar groves, whose gigantic branches threw a refreshing

coolness over the verdure in the sultriest seasons of the year,[312]

rose the royal villa, with its light arcades and airy halls, drinking

in the sweet perfumes of the gardens. Here the monarch often retired, to

throw off the burden of state and refresh his wearied spirits in the

society of his favorite wives, reposing during the noontide heats in the

embowering shades of his paradise, or mingling, in the cool of the

evening, in their festive sports and dances. Here he entertained his

imperial brothers of Mexico and Tlacopan, and followed the hardier

pleasures of the chase in the noble woods that stretched for miles

around his villa, flourishing in all their primeval majesty. Here, too,

he often repaired in the latter days of his life, when age had tempered

ambition and cooled the ardor of his blood, to pursue in solitude the

studies of philosophy and gather wisdom from meditation.

The extraordinary accounts of the Tezcucan architecture are confirmed,

in the main, by the relics which still cover the hill of Tezcotzinco or

are half buried beneath its surface. They attract little attention,

indeed, in the country, where their true history has long since passed

into oblivion;[313] while the traveller whose curiosity leads him to the

spot speculates on their probable origin, and, as he stumbles over the

huge fragments of sculptured porphyry and granite, refers them to the

primitive races who spread their colossal architecture over the country

long before the coming of the Acolhuans and the Aztecs.[314]

The Tezcucan princes were used to entertain a great number of

concubines. They had but one lawful wife, to whose issue the crown

descended.[315] Nezahualcoyotl remained unmarried to a late period. He

was disappointed in an early attachment, as the princess who had been

educated in privacy to be the partner of his throne gave her hand to

another. The injured monarch submitted the affair to the proper

tribunal. The parties, however, were proved to have been ignorant of the

destination of the lady, and the court, with an independence which

reflects equal honor on the judges who could give and the monarch who

could receive the sentence, acquitted the young couple. This story is

sadly contrasted by the following.[316]

The king devoured his chagrin in the solitude of his beautiful villa of

Tezcotzinco, or sought to divert it by travelling. On one of his

journeys he was hospitably entertained by a potent vassal, the old lord

of Tepechpan, who, to do his sovereign more honor, caused him to be

attended at the banquet by a noble maiden, betrothed to himself, and

who, after the fashion of the country, had been educated under his own

roof. She was of the blood royal of Mexico, and nearly related,

moreover, to the Tezcucan monarch. The latter, who had all the amorous

temperament of the South, was captivated by the grace and personal

charms of the youthful Hebe, and conceived a violent passion for her. He

did not disclose it to any one, however, but, on his return home,

resolved to gratify it, though at the expense of his own honor, by

sweeping away the only obstacle which stood in his path.

He accordingly sent an order to the chief of Tepechpan to take command

of an expedition set on foot against the Tlascalans. At the same time he

instructed two Tezcucan chiefs to keep near the person of the old lord,

and bring him into the thickest of the fight, where he might lose his

life. He assured them this had been forfeited by a great crime, but

that, from regard for his vassal’s past services, he was willing to

cover up his disgrace by an honorable death.

The veteran, who had long lived in retirement on his estates, saw

himself with astonishment called so suddenly and needlessly into action,

for which so many younger men were better fitted. He suspected the

cause, and, in the farewell entertainment to his friends, uttered a

presentiment of his sad destiny. His predictions were too soon

verified; and a few weeks placed the hand of his virgin bride at her

own disposal.

Nezahualcoyotl did not think it prudent to break his passion publicly to

the princess so soon after the death of his victim. He opened a

correspondence with her through a female relative, and expressed his

deep sympathy for her loss. At the same time, he tendered the best

consolation in his power, by an offer of his heart and hand. Her former

lover had been too well stricken in years for the maiden to remain long

inconsolable. She was not aware of the perfidious plot against his life;

and, after a decent time, she was ready to comply with her duty, by

placing herself at the disposal of her royal kinsman.

It was arranged by the king, in order to give a more natural aspect to

the affair and prevent all suspicion of the unworthy part he had acted,

that the princess should present herself in his grounds at Tezcotzinco,

to witness some public ceremony there. Nezahualcoyotl was standing in a

balcony of the palace when she appeared, and inquired, as if struck with

her beauty for the first time, “who the lovely young creature was, in

his gardens.” When his courtiers had acquainted him with her name and

rank, he ordered her to be conducted to the palace, that she might

receive the attentions due to her station. The interview was soon

followed by a public declaration of his passion; and the marriage was

celebrated not long after, with great pomp, in the presence of his

court, and of his brother monarchs of Mexico and Tlacopan.[317]

This story, which furnishes so obvious a counterpart to that of David

and Uriah, is told with great circumstantiality, both by the king’s son

and grandson, from whose narratives Ixtlilxochitl derived it.[318] They

stigmatize the action as the basest in their great ancestor’s life. It

is indeed too base not to leave an indelible stain on any character,

however pure in other respects, and exalted.

The king was strict in the execution of his laws, though his natural

disposition led him to temper justice with mercy. Many anecdotes are

told of the benevolent interest he took in the concerns of his subjects,

and of his anxiety to detect and reward merit, even in the most humble.

It was common for him to ramble among them in disguise, like the

celebrated caliph in the “Arabian Nights,” mingling freely in

conversation, and ascertaining their actual condition with his own

eyes.[319]

On one such occasion, when attended only by a single lord, he met with a

boy who was gathering sticks in a field for fuel. He inquired of him

“why he did not go into the neighboring forest, where he would find a

plenty of them.” To which the lad answered, “It was the king’s wood, and

he would punish him with death if he trespassed there.” The royal

forests were very extensive in Tezcuco, and were guarded by laws full as

severe as those of the Norman tyrants in England. “What kind of man is

your king?” asked the monarch, willing to learn the effect of these

prohibitions on his own popularity. “A very hard man,” answered the boy,

“who denies his people what God has given them.”[320] Nezahualcoyotl

urged him not to mind such arbitrary laws, but to glean his sticks in

the forest, as there was no one present who would betray him. But the

boy sturdily refused, bluntly accusing the disguised king, at the same

time, of being a traitor, and of wishing to bring him into trouble.

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