Place the hands upon the hips, and when coming into action, when seeking

the level of the tone, or during the act of singing, see that the hips

expand freely and evenly with the body. This should be tried and practiced

frequently by all in order that the movement may be from the hips up and

not above the hips only. When the hips are thus brought into action, the

abdominal muscles and the diaphragm are strengthened, and their position

and action are correct. When the upper part of the body only is brought

into action the position of the diaphragm and abdominal muscles is often

weakened. Remember that the basic law or foundation principle of our whole

system of movements is movement from the hips up, including the action or

expansion of the hips in connection with the movements of the entire body.

End of Project Gutenberg's The Renaissance of the Vocal Art, by Edmund Myer

The Renaissance of the Vocal Art A Practical Study of Vitality, Vitalized Energy, of the Physical, Mental and Emotional Powers of the Singer, through Flexible, Elastic Bodily Movements · 第 6 / 6 段