CHAPTER XII

LIGHT DAWNS ON MISS CAMILLA

"What do you make of it all, Sally?"

The two girls were sitting in the pine grove on the heights of Slipper

Point. They sat each with her back against a tree and with the

enchanting view of the upper river spread out panoramically before them.

Each of them was knitting,--an accomplishment they had both recently

acquired.

"I can't make anything of it at all, and I've thought of it day and

night ever since," was Sally's reply. "It's three weeks now since the

day we came through that tunnel and discovered where it ended. And

except what Miss Camilla told us that day, she's never mentioned a thing

about it since."

"It's strange, how she stopped short, just after she'd said the writing

was her brother's," mused Doris. "And then asked us in the next breath

not to question her about it any more, and to forgive her silence in

the matter because it probably concerned something that was painful to

her."

"Yes, and kept the paper we found in the cave," went on Sally. "I

believe she wanted to study it out and see what she could make of it. If

she's sure it was written by her brother, she will probably be able to

puzzle it out better than we would. One thing, I guess, is certain,

though. It isn't any secret directions where to find treasure. All our

little hopes about that turned out very differently, didn't they?"

"Sally, are you glad or sorry we've discovered what we did about that

cave?" demanded Doris suddenly.

"Oh, glad, of course," was Sally's reply. "At first, I was awfully

disgusted to think all my plans and hopes about it and finding buried

treasure and all that had come to nothing. But, do you know what has

made me feel differently about it?" She looked up quickly at Doris.

"No, what?" asked her companion curiously.

"It's Miss Camilla herself," answered Sally. "I used to think you were

rather silly to be so crazy about her and admire her so much. I'd never

thought anything about her and I'd known her most all my life. But since

she asked us that day to come and see her as often as we liked and stop

at her house whenever we were up this way, and consider her as our

friend, I've somehow come to feel differently. I'm glad we took her at

her word and did it. I don't think I would have, if it hadn't been for

you. But you've insisted on our stopping at her house so frequently, and

we've become so well acquainted with her that I really think I--I

almost--love her."

It pleased Doris beyond words to hear Sally make this admission. She

wanted Sally to appreciate all that was fine and admirable and lovely in

Miss Camilla, even if she were poor and lonely and deaf. She felt that

the friendship would be good for Sally, and she knew that she herself

was profiting by the increased acquaintance with this friend they had so

strangely made.

"Wasn't it nice of her to teach us to knit?" went on Sally. "She said we

all ought to be doing it now to help out our soldiers, since the country

is at war."

"She's taught me lots beside that," said Doris. "I just love to hear her

talk about old potteries and porcelains and that sort of thing. I do

believe she knows more about them than even grandfather does. She's

making me crazy to begin a collection myself some day when I'm old

enough. She must have had a fine collection once. I do wonder what

became of it."

"Well, I don't understand much about all that talk," admitted Sally. "I

never saw any porcelains worth while in all my life, except that little

thing she has on her mantel. And I don't see anything to get so crazy

about in that. It's kind of pretty, of course, but why get excited about

it? What puzzles me more is why she never has said what became of all

her other things."

"That's a part of the mystery," said Doris. "And her brother's mixed up

in it somehow, and perhaps her father. That much I'm sure of. She talks

freely enough about everything else except those things, so that must be

it. Do you know what I'm almost tempted to think? That her brother _did_

commit some crime, and her father hid him away in the cave to escape

from justice, but she couldn't have known about it, that's plain.

Because she did not know about the cave and tunnel at all till just

lately. Perhaps she wondered what became of him. And maybe they sold all

her lovely porcelains to make up for what he'd done somehow."

"Yes," cried Sally in sudden excitement. "And another idea has just come

to me. Maybe that queer paper was a note her brother left for her and

she can't make out how to read it. Did you ever think of that?"

"Why, no!" exclaimed Doris, struck with the new idea. "I never thought

of it as anything he might have left for _her_. Do you remember, she

said once they were awfully fond of each other, more even than most

brothers and sisters? It would be perfectly natural if he _did_ want to

leave her a note, if he had to go away and perhaps never come back. And

of course he wouldn't want any one else to understand what it said. Oh,

wait!--I have an idea we've never thought of before. Why on earth have

we been so _stupid_!--"

She sprang up and began to walk about excitedly, while Sally watched

her, consumed with curiosity. At length she could bear the suspense no

longer.

"Well, for pity's sake tell me what you've thought of!" she demanded.

"I'll go wild if you keep it to yourself much longer."

"Where's that copy?" was all Doris would reply. "I want to study it a

moment." Sally drew it from her pocket and handed it to her, and Doris

spent another five minutes regarding it absorbedly.

"It is. It surely is!" she muttered, half to herself. "But how are we

ever going to think out how to work it?" At last she turned to the

impatient Sally.

"I'm a fool not to have thought of this before, Sally. I read a book

once,--I can't think what it was now, but it was some detective

story,--where there was something just a little like this. Not that it

looked like this, but the idea was the same. If it is what I think, it

isn't the note itself at all. The note, if there is one, must be

somewhere else. This is only a secret _code_, or arrangement of the

letters, so that one can read the note by it. Probably the real note is

written in such a way that it could never be understood at all without

this. Do you understand?"

Sally had indeed grasped the idea and was wildly excited by it.

"Oh, Doris," she cried admiringly. "You certainly _are_ a wonder to have

thought all this out! It's ten times as interesting as what we first

thought it was. But how do you work this code? I can't make anything out

of it at all."

"Well, neither can I, I'll have to admit. But here's what I _think_. If

we could see what that note itself looks like, we could perhaps manage

to puzzle out just how this code works."

"But how are we going to do that?" demanded Doris. "Only Miss Camilla

has the note, if there _is_ a _note_, and certainly we couldn't very

well ask her to let us see it, especially after what she said to us that

day."

"No, we couldn't, I suppose," said Doris, thoughtfully. "And yet--" she

hesitated. "I somehow feel perfectly certain that Miss Camilla doesn't

know the meaning of all this yet, hasn't even guessed what we have,

about this paper. She doesn't act so. Maybe she doesn't even know there

_is_ a note,--you can't tell. If she hasn't guessed, it would be a mercy

to tell her, wouldn't it?"

"Yes, I suppose so," admitted Sally dubiously. "But I wouldn't know how

to go about it. Would you?"

"I could only try and do my best, and beg her to forgive me if I were

intruding," said Doris. "Yes, I believe she ought to be told. You can't

tell how she may be worrying about all this. She acts awfully worried,

seems to me. Not at all like she did when we first knew her. I believe

we ought to tell her right now. Call Genevieve and we'll go over."

Sally called to Genevieve, who was playing in the boat on the beach

below, and that young lady soon came scrambling up the bank. Hand in

hand, all three started to the home of Miss Camilla and when they had

reached it, found her sitting on her tiny porch knitting in apparently

placid content. But, true to Doris's observation, there were anxious

lines in her face that had not been seen a month ago. She greeted them,

however, with real pleasure, and with her usual hospitality proffered

refreshments, this time in the shape of some early peaches she had

gathered only that morning.

But Doris who, with Sally's consent, had constituted herself spokesman,

before accepting the refreshment, began:

"Miss Camilla, I wonder if you'll forgive us for speaking of something

to you? It may seem as if we were intruding, but we really don't intend

to."

"Why, speak right on," exclaimed that lady in surprise. "You are too

well-bred to be intrusive, that I know. If you feel you must speak of

something to me, I know it is because you think it wise or necessary."

Much relieved by this assurance, Doris went on, explaining how she had

suddenly had a new idea concerning the mysterious paper and detailing

what she thought it might be. As she proceeded, a new light of

comprehension seemed to creep into the face of Miss Camilla, who had

been listening intently.

"So we think it must be a code,--a secret code,--Miss Camilla. And if

you happen to have any queer sort of note or communication that you've

never been able to make out, why this may explain it," she added.

When she had finished, Miss Camilla sat perfectly still--thinking. She

thought so long and so intently that it seemed as if she must have

forgotten completely the presence of the three on the porch with her.

And after what seemed an interminable period, she did a strange thing.

Instead of replying with so much as a word, she got up and went into

the house, leaving them open-mouthed and wondering.

"Do you suppose she's angry with us?" whispered Sally. "Do you think we

ought to stay?"

"No, I don't think she's angry," replied Doris in a low voice. "I think

she's so--so absorbed that she hardly realizes what she's doing or that

we are here. We'd better stay."

They stayed. But so long was Miss Camilla gone that even Doris began to

doubt the wisdom of remaining any longer.

But presently she came back. Her recently neat dress was grimy and

dishevelled. There was a streak of dust across her face and a cobweb lay

on her hair. Doris guessed at once that she had been in the old, unused

portion of her house. But in her hand she carried something, and

resuming her seat, she laid it carefully on her knee. It was a little

book about four inches wide and six or seven long, with an old-fashioned

brown cover, and it was coated with what seemed to be the dust of years.

The two girls gazed at it curiously, and when Miss Camilla had got her

breath, she explained:

"I can never thank you enough for what you have told me today. It throws

light on something that has never been clear to me,--something that I

have even forgotten for long years. If what you surmise is true, then a

mystery that has surrounded my life for more than fifty years will be at

last explained. It is strange that the idea did not occur to me when

first you girls discovered the cave and the tunnel, but even then it

remained unconnected in my mind with--_this_." She pointed to the little

book in her lap. Then she went on:

"But, now, under the circumstances, I feel that I must explain it all to

you, relying still on your discretion and secrecy. For I have come to

know that you are both unusually trustworthy young folks. There has been

a dark shadow over my life,--a darker shadow than you can perhaps

imagine. I told you before of my father's opinions and leanings during

the years preceding the Civil War. When that terrible conflict broke

out, he insisted that I go away to Europe with my aunt and stay there

as long as it lasted, providing me with ample funds to do so. I think

that he did not believe at first that the struggle would be so long.

"I went with considerable reluctance, but I was accustomed to obeying

his wishes implicitly. I was gone two years, and in all that time I

received the most loving and affectionate letters constantly, both from

him and also my brother. They assured me that everything was well with

them. My brother had enlisted at once in the Union Army and had fought

through a number of campaigns. My father remained here, but was doing

his utmost, so he said, in a private capacity, to further the interests

of the country. Altogether, their reports were glowing. And though I was

often worried as to the outcome, and apprehensive for my brother's

safety, I spent the two years abroad very happily.

"Then, in May of 1863, my first calamity happened. My aunt died very

suddenly and unexpectedly, while we were in Switzerland, and, as we had

been alone, it was my sad duty to bring her back to New York. After her

funeral, I hurried home here, wondering very much that my father had not

come on to be with me, for I had sent him word immediately upon my

arrival. My brother, I suspected, was away with the army.

"I was completely astounded and dismayed, on arriving home, at the

condition of affairs I found here. To begin with, there were no servants

about. Where they had gone, or why they had been dismissed, I could not

discover. My father was alone in his study when I arrived, which was

rather late in the evening. He was reserved and rather taciturn in his

greeting to me, and did not act very much pleased to welcome me back.

This grieved me greatly, after my long absence. But I could see that he

was worried and preoccupied and in trouble of some kind. I thought that

perhaps he had had bad news about my brother Roland, but he assured me

that Roland was all right.

"Then I asked him why the house was in such disorder and where the

servants were, but he only begged me not to make inquiries about that

matter at present, but to go to my room and make myself as comfortable

as I could, and he would explain it all later. I did as he asked me and

went to my room. I had been there about an hour, busying myself with

unpacking my bag, when there was a hurried knock at my door. I went to

open it, and gave a cry of joy, for there stood my brother Roland.

"Instead of greeting me, however, he seized my hand and cried: 'Father

is very ill. He has had some sort of a stroke. Hurry downstairs to him

at once. I must leave immediately. I can't even wait to see how he is.

It is imperative!'

"'But, Roland,' I cried, 'surely you won't go leaving Father like this!'

But he only answered, 'I must. I must! It's my duty!' He seized me in

his arms and kissed me, and was gone without another word. But before he

went, I had seen--a dreadful thing! He was enveloped from head to foot

in a long, dark military cape of some kind, reaching almost to his feet.

But as he embraced me under the light of the hall lamp, the cloak was

thrown aside for an instant and I had that terrible glimpse. Under the

concealing cloak my brother was wearing a uniform of _Confederate gray_.

"I almost fainted at the sight, but he was gone before I could utter a

word, without probably even knowing that I _had_ seen. This, then, was

the explanation of the mysterious way they had treated me. They had gone

over to the enemy. They were traitors to their country and their faith,

and they did not want me to know. For this they had even sent me away

out of the country!...

"But I had no time to think about that then. I hurried to my father and

found him on the couch in his study, inert in the grip of a paralytic

stroke that had deprived him of the use of his limbs and also of

coherent speech. I spent the rest of the night trying to make him

easier, but the task was difficult. I had no one to send for a doctor

and could not leave him to go myself, and of course the nearest doctor

was several miles away. There was not even a neighbor who could be

called upon for assistance.

"All that night, however, my father tried to tell me something. His

speech was almost absolutely incoherent, but several times I caught the

sound of words like 'notebook' and explain.' But I could make nothing of

it. In the early morning another stroke took him, and he passed away

very quietly in my arms.

"I can scarcely bear, even now, to recall the days that followed. After

the funeral, I retired very much into myself and saw almost no one. I

felt cut off and abandoned by all humanity. I did not know where my

brother was, could not even communicate with him about the death of our

father. Had he been in the Union Army I would have inquired. But the

glimpse I had had that night of his rebel uniform was sufficient to seal

my lips forever. There was no one in the village whom I knew well enough

to discuss any such matters with, nor any remaining relative with whom I

was in sympathy. I could only wait for my brother's return to solve the

mystery.

"But my brother never returned. In all these years I have neither seen

him nor heard of him, and I know beyond doubt that he is long since

dead. And I have remained here by myself like a hermit, because I feel

that the shame of it all has hung about me and enveloped me, and I

cannot get away from it. Once, a number of years ago, an old village

gossip here, now long since gone, said to me, 'There was something queer

about your father and brother, now wasn't there, Miss Camilla? I've

heard tell as how they were "Rebs" on the quiet, during the big war

awhile back. Is that so?' Of course, the chance remark only served to

confirm the suspicions in my mind, though I denied it firmly to her when

she said it.

"I also found to my amazement, when I went over the house after all was

over, that many things I had loved and valued had strangely disappeared.

All the family silver, of which we had had a valuable set inherited from

Revolutionary forefathers, was gone. Some antique jewelry that I had

picked up abroad and prized highly was also missing. But chief of all,

my whole collection of precious porcelains and pottery was nowhere to be

found. I searched in every conceivable nook and cranny in vain. And at

last the disagreeable truth was forced on me that my father and brother

had sold or disposed of them, for what ends I could not guess. But it

only added to my bitterness to think they could do such a despicable

thing without so much as consulting me.

"But now, at last, I come to the notebook. I found it among some papers

in my father's study desk, a while after his death, and I frankly

confess I could make nothing of it whatever. It seemed to be filled with

figures, added and subtracted, and, as my father had always been rather

fond of dabbling with figures and mathematics, I put it down as being

some quiet calculations of his own that had no bearing on anything

concerning me. I laid it carefully away with his other papers, however,

and there it has been, in an old trunk in the attic of the unused part

all these years. When you spoke of a 'secret code,' however, it

suddenly occurred to me that the notebook might be concerned in the

matter. Here it is."

She held it out to them and they crowded about her eagerly. But as she

laid it open and they examined its pages, a disappointed look crept into

Sally's eyes.

[Illustration: "Why, there's nothing there but numbers"]

"Why, there's nothing here but _numbers_!" she exclaimed, and it was

even so. The first few lines were as follows:

56 + 14 - 63 + 43 + 34 + 54 + 64 + 43 +

16 - 52 + 66 + 52 + 15 + 23 - 66 + 24 -

15 + 44 + 43 - 43 + 64 + 43 + 24 + 15 -

61 + 53 - 36 + 24 + 14 - 51 + 15 + 53 +

54 + 43 + 52 + 43 + 43 + 15 - 16 + 66 +

52 + 36 + 52 + 15 + 43 + 23 -

And all the rest were exactly like them in character.

But Doris, who had been quietly examining it, with a copy of the code in

her other hand, suddenly uttered a delighted cry:

"I have it! At least, I _think_ I'm on the right track. Just examine

this code a moment, Miss Camilla. If you notice, leaving out the line of

figures at the top and right of the whole square, the rest is just the

letters of the alphabet and the figures one to nine and another '0'

that probably stands for 'naught.' There are six squares across and six

squares down, and those numbers on the outside are just one to six, only

all mixed up. Don't you see how it could be worked? Suppose one wanted

to write the letter 't.' It could be indicated by the number '5'

(meaning the square it comes under according to the top line of figures)

and '1' (the number according to the side line). Then '51' would stand

for letter 'T,' wouldn't it?"

"Great!" interrupted Sally, enthusiastically, who had seen the method

even quicker than Miss Camilla. "But suppose it worked the other way,

reading the side line first? Then 'T' would be '15.'"

"Of course, that's true," admitted Doris. "I suppose there must have

been some understanding between those who invented this code about which

line to read first. The only way we can discover it is to puzzle it out

both ways, and see which makes sense. One will and the other won't."

It all seemed as simple as rolling off a log, now that Doris had

discovered the explanation. Even Miss Camilla was impressed with the

value of the discovery.

"But what is the meaning of these plus and minus signs?" she queried. "I

suppose they stand for something."

"I think that's easy," answered Doris. "In looking over it, I see there

are a great many more plus than minus signs. Now, I think the plus signs

must be intended to divide the numbers in groups of two, so that each

group stands for a letter. Otherwise they'd be all hopelessly mixed up.

And the minus signs divide the words. And every once in a while, if you

notice, there's a multiplication sign. I imagine those as the periods at

the end of sentences."

They all sat silent a moment after this, marveling at the simplicity of

it. But at length Doris suggested:

"Suppose we try to puzzle out a little of it and see if we are really on

the right track? Have you a piece of paper and a pencil, Miss Camilla?"

Miss Camilla went indoors and brought them out, quivering with the

excitement of the new discovery.

"Now, let's see," began Doris. "Suppose we try reading the top line

first. '56' would be '1' and '14' would be '2.' Now '12' may mean a word

or it may not. It hardly seems as if a note would begin with that. Let's

try it the other way. Side line first. Then '56' is 'm,' and '14' is

'y.' '_My_' is a word, anyway, so perhaps we're on the right track.

Let's go on."

From the next series of letters she spelled the word "beloved" and after

that "sister." It was plain beyond all doubting that at last they had

stumbled on a wonderful discovery.

But she got no further than the words, "my beloved sister," for, no

sooner had Miss Camilla taken in their meaning than she huddled back in

her chair and, very quietly, fainted away.

The Slipper Point Mystery(#39900) · 第 12 / 15 章