Now this personal kind of gossip is everywhere condemned and is

everywhere an unfailing recreation. It began with the wild gestures and

uncouth jabbering of our remote ancestors, squatting in their caves;

perhaps it will end only when the last fire is quenched. Wise men,

priests, philosophers, and prophets have thundered against it, but their

very imprecations only floated about as flotsam and jetsam on the vast

ocean of gossip; their very names have come down to us only as a

whispered rumour. The stream of talk flows on, and as yet no

denunciations have dammed it up. Gossip is an endless game without

rules; a thing untouched by changing fashions and varying modes of

thought; one of the few everlasting diversions of humanity. Men, who

have had more say in public if less in private, have always been prompt

to accuse women of devoting too much of their time and energy to this

dubious sport. Gossip, they have declared, is woman’s greatest pastime.

But here at least our feminists, who have spluttered over so many

imaginary wrongs, have passed by one undoubted grievance, for the truth

is, men are as much given to gossiping as women. Man’s talk may sound

more important because it involves wider interests, yet a good deal of

it is nothing more nor less than gossip.

Now it seems to me that in this perpetual chatter about other people,

which we all hasten to denounce, but which gives all of us pleasure at

some time or other, our delight springs, broadly speaking, from two

main sources, one of which is good and the other bad. And according to

which predominates gossip may be described as profitable or hurtful to

those people concerned in it.

The good side of gossip arises out of that eager, seemingly insatiable

curiosity which distinguishes men from the brutes and civilised men from

savages. Much of our idlest chatter is secretly leavened by this

curiosity, which is in its purest form a noble thing. For what is the

pursuit of knowledge but the play of a splendid but entirely irrational

inquisitiveness? Most of the higher branches of knowledge, metaphysics,

pure mathematics, and so on, serve no practical purpose; sober

philosophers and studious mathematicians are in reality the wildest of

fellows, for ever pursuing a laborious quest into the absolute Unknown.

A great deal of this fine curiosity goes to the making of gossip, which

is something more than a casual exchange of news. When we talk over the

Smiths and the Browns, not only do we record events, but we examine

motives and estimate character, and in a roundabout way we exchange

ideas. The greatest historian can do little more; his subject is of more

importance, that is all. The difference between Mrs. Jones giving the

real reason why the Johnsons left the town so suddenly, and Professor

Jones, writing the _Life and Times of Cardinal Richelieu_, is one of

degree only; both are undertaking the same kind of work, and probably

both are stirred by the same motives. We are all historians without

knowing it.

Our gossip and scandal is a grub, which in a hundred years’ time, with

the advent of the historian, will become a chrysalis; and in four or

five hundred years’ time, the hard shell will be burst open, and there

will be seen the winged splendour of epic poetry or romantic drama. Have

not all the subjects of history and epic poetry once been nothing more

than eager talk in the court or the kitchen? ‘Have you heard the

latest?’--the cry went: then followed the pretty little scandal of

Helen, wife of Menelaus, and the Troy affair; or perhaps a full account

of that queer business of Prince Hamlet at the Court of Denmark; or the

whole story of those strange doings at Verona, in which Montague’s son,

young Romeo, cut such a figure. The names and stories that were

whispered in ante-rooms and bawled out in taverns, centuries ago, will

yet provoke future historians, fire poets and romancers yet unborn, and

will yet move unknown generations to wild laughter and tears, to anger

and pity. How many noble studies have arisen out of this eternal

curiosity of men! How many lovely things have flowered from this common

soil of Gossip!

The other source of our pleasure in this personal kind of gossip is less

innocent; indeed, it is--and ever has been--a great worker of mischief.

It proceeds, I believe, from the strain of the Pharisee that is in most

of us. When we discuss the weaknesses and misfortunes of others, we are

not solely prompted by that spirit of curiosity to which I have

referred. Nor is it, as a rule, direct enmity or mere malice that

prompts us, for the people we discuss may be almost unknown to us, or,

on the other hand, they may be old, well-tried friends. But when we are

indulging in this sort of talk, we suddenly feel a sense of our own

superiority, we glow with added self-respect. Thus, there are four or

five of us chattering, and someone mentions the absent Jones, who is a

common acquaintance. ‘Ah! Poor old Jones!’ we exclaim; and are quickly

in full cry after the quarry. ‘The trouble with old Jones, ...’ one

begins. ‘You know, he ought not to have, ...’ opens the next critic. ‘As

I’ve told Jones many a time, ...’ cries a third. So voice after voice

swells the chorus of criticism. The superficial show of concern and

sympathy is a mere formality and deceives nobody; everyone is eager to

contribute his or her scrap of censure; eyes are brightening, tongues

are loosened. That slight but distinctly uncomfortable sense of

inferiority which we may possibly have felt in the actual presence of

Jones is now compensated for by a marked sense of our own superiority

and a glow of self-satisfaction.

Unless we are on our guard, we are ready to sacrifice victim after

victim for the sake of this delectable but transitory feeling. Every

night, in countless drawing-rooms, knives are reddened and altars smoke

to propitiate this dark god of self-righteousness. And the victim of

this dreadful worship is too often young and open-hearted and

beautiful--and a woman.

A ROAD AND SOME MOODS

I have been living lately near a fine highway, which cuts across the

blurred edge of a town and makes straight for the open country. By this

road a man may quickly escape from the town and start upon almost any

journey. The road will take him some part of the way to Edinburgh, or

Moscow, or Bagdad, or the mountains of the moon. Or he may use it, as I

do, for a saunter in the morning sunshine.

The road rises as it leaves the town, and a little way beyond my windows

it climbs to a summit, so that, walking forward, one sees nothing in

front but the sharp, slightly curved edge of the road against the sky.

Though I have travelled this way so often, each time that I set eyes on

the clean cut of the road and the great emptiness beyond, something in

me is thrilled, faintly yet perceptibly, like taut wires troubled by a

gust of wind. I know well, none better, what lies at the other side of

the hill, the easy stretch of highway descending into a pleasant green

valley; yet the sight of the little summit still holds for me some vague

promise. But every hill in the world is brother to that ‘peak in

Darien.’ One day, maybe, I shall stand on the crest of this tiny hill,

and find that all beyond is changed. I shall look down, maybe, upon a

sea covered with strange ships, or into the thronged streets of a

magical city.

The other morning I left the house for the first time for several days,

and walked slowly up the road. There was a touch of autumn abroad. In

the mellow sunlight the trees were putting on their last splendid

livery. The air was still, and had in it a faint odour of burning

leaves.

In such a season, golden, spacious, but already whispering of the end,

there will often come to a man a certain solemn mood, a vein of not

unpleasing melancholy, and for a little while he will see all life

moving to a grave measure, an adagio for strings. But the mood that

encompassed me that morning was very different, and much less welcome.

As I walked forward I seemed to sink into depression:

And fears and fancies thick upon me came;

Dim sadness--and blind thoughts, I knew not, nor could name.

In a fair state of health and unassailed by bad fortune, I walked in

that genial sunshine--as a man will--the victim of self-torment or

inexplicable misery, the Old Man of the Sea heavy on my shoulders.

Now when I came to the summit of the road and looked down the other

side, my whole mood was changed in a flash. And for no other reason than

this: an inn stands there, a little way back from the road, and its

walls had been newly done a creamy white, so that they showed dazzlingly

against the foliage near by. That is all.

But the moment that my eyes fell upon these gleaming white walls my mood

was changed, and I saw another vision of life. At that moment, as when a

loved person enters a room, it seemed to me as if the footlights of the

world were suddenly turned up, and I could hear the strings and flutes

of the great orchestra of life. I saw the road before me dancing away to

the hills, and the hills themselves standing in silent jubilation. It

was one of those rare moments when the passion, the wonder, the mystery

of life smite through a man’s flesh and bone, and set his spirit

towering above good and evil fortune, fearless, exultant, eager for the

best and worst of human existence. Such moments come to us on a sudden

wave of exultation, and then leave us to be carried gently forward by

the customary easy flow of thoughts and emotions. What marks their

passage in a man’s life, what heroic promptings they bring, what

valorous decisions are born of their passing cannot be told, least of

all by the man himself. I know that I stayed for a few seconds on the

crest of the hill, and then continued my walk. The rare moment had come

and gone, sweeping away my former dull mood and leaving me in a pleasant

reverie. I walked along, thinking, maybe, of inns and the part they have

played in Romance, or of whitened walls and the time when even London

was a city of white buildings; or I thought about myself (as you do),

and what a fine fellow I should be if I were not a fool. It is no great

matter what I thought.

But mark how little of a man’s life he can explain, no matter how often

he opens the doors and searches the dusty lumber rooms of his mind.

There was no reason, in or out of nature, for my first mood of

depression. And, to me, there would seem as little reason for the sudden

change, the momentary exultation, and the pleasant aftermath. At times

the sight of a mountain of felicity will not raise a man’s spirits; at

other times, if his foot trips over a molehill, he will cry out in

ecstasy at the goodness of life. We never talk to less purpose than when

we say of a man who is almost a stranger: ‘He ought to be happy, for he

has this and that at his command.’ Knowing our man, and being aware of

what life is doing with him and what he is doing with life, we might

hazard a guess at his state of mind, but even then it is perilous. Mark

also how we realise the beauty and blessing of life itself only in rare,

inexplicable moments, and then most keenly. It comes to us then like a

sudden blare of trumpets in the wind. We are always ready to talk and

write about the wonder of human existence, but, unless we are something

more than common men, we do not pass the day and lie down at night

thrilled by the thought of our participation in this greatest of games.

We go our way as best we can, carried forward or swept back by the ebb

and flow of circumstance, and are by turn triumphant, masterful,

listless, fearful, despairing.

Perhaps to some of us the moments of revelation, the flashes of insight,

never come at all; to the best of us they come but rarely. Life has

seemed to us, for months or years maybe, an overcrowded, beggarly

repast, at which a man must snatch at morsels and crumbs of joy: now, in

one flash of time, it will seem a divine banquet, the high festival of

immortal creatures. The moment passes, but something has been left

behind.

ON A CERTAIN CONTEMPORARY ESSAYIST

IN the early thirties of the last century, readers of _Fraser’s

Magazine_ were puzzled, startled or irritated by a certain

‘Clothes-Philosophy,’ which was expounded to them month by month by an

almost unknown Scotch fire-eater, a lover of brand-new words and riotous

syntax. Such readers were privileged to witness the first great eruption

of the Carlyle volcano. Doubtless it took most of them nearly twenty

years to bring themselves to say that they had enjoyed the spectacle,

and even then they were probably lying; but still, it was a privilege.

But lest we should be too humble about our own day, I hasten to point

out that we too have our ‘Clothes-Philosophy,’ and that it is cast in a

simpler, more pleasing mould than the older one. It is, too, much more

of a true ‘Clothes-Philosophy’ and is no elaborate mystification, no

clumping Teutonic allegory, born in a study, but the real thing, coming

newly every week or month from the tailor’s counter. Although he has his

place here as a man of letters and may never have handled a needle or a

pair of scissors, Mr. H. Dennis Bradley, I am sure, will not object to

being called a tailor. It would be absurd of him to do so, for it is

this very trade of tailoring, hitherto somewhat slighted, that he is now

ennobling with his pen. But it would be equally absurd if we, on our

part, set down Mr. Bradley merely as an astute advertiser who simply

wants to make us buy his suits, one who is satisfied with clothing our

carcases and is ready to leave mind and soul untended.

If Mr. Dennis Bradley is not at heart a man of letters, then I do not

know the breed. From the very beginning, I divined the essential quality

in him. I see him, in my mind’s eye, turning from the bundles of spring

suitings, from the company of cloth merchants and cutters, into his

sanctum to be alone with his art, or rather, his second and greater art,

that of writing. There, I see him laboriously yet lovingly beating out

phrase after phrase until each little essay is worthy of his great

public. Lamb once said of a man that he would have been a tailor only

he lacked the spirit. But think of how Lamb would have praised Mr.

Bradley, who has the spirit to be not only an excellent tailor but a

writer as well; and not, mark you, merely a tailor playing at authorship

and trying to keep the needle and thread out of our sight, but an author

and tailor at one and the same time, giving us, as it were, the

literature and philosophy of shopkeeping and suit-making. This is to be

a man of note, an originator, a force in letters. I fancy I can hear the

unborn professors rustling their papers on ‘Bradley and His Age’ or ‘The

Old Bond Street Circle.’

Being an original, Mr. Dennis Bradley cannot be fitted into any of our

little pigeon-holes; he is not easily labelled; but as I have already

spoken of his essays, we will keep the term and call him an essayist.

His work, however, has had, and still has, so many phases that we shall

do well to discriminate a little. There has been, for example, a change

in his manner; and it has shown us, on the whole, a steady development,

that advance towards the perfection of the instrument which marks the

true artist. In his early work there was an irregularity, a wildness, a

careless profusion, which promised much but hinted that the artist was

not yet fully grown. He tried, if I remember rightly, to push his prose

as near to poetry as it would go; and it was only later, when the

thought became more weighty, that he turned to the quieter yet more

impressive manner, the chiselled form and the pregnant phrase. During

this early period, one of his favourite themes was Youth and Age; no new

thing, it is true, but one to which he gave new significance by his

characteristic treatment. When he exalted Youth and covered Age with

ridicule, was he not interpreting the spirit of the times? One can

discover, in that alone, the born man of letters. The times,

disillusioned, were all for Youth, and he, divining it, stepped forth as

our spokesman. Just because he happened to be also a tailor, just

because young men happen to spend more on clothes than old men do, is no

reason why Mr. Bradley should be robbed of his praise as a writer

sensitive to our subtle changes of feeling.

Although there are some persons, not unpretending in criticism, who

would have us believe that they prefer the earlier, wilder note, happily

they are few, and most of us, I imagine, pass with pleasure to the

later, more chastened form. Here we can remark his versatility, his

admirable method of appealing to one type of mind after another. Now, he

will give us a bright little philosophical treatise, and, sweeping away

the accumulation of trivialities, he will dig in a brisk sentence or two

to the roots of life, as in his essay on ‘The Three Essentials.’ Now, he

will frankly appeal to the hard-headed man of affairs, and will

annihilate half-a-dozen economic heresies in one paragraph. Sometimes it

is the social rather than the purely economic problem that engages him.

But his large sweep does not make for easy classification, and I, for

one, cannot attempt to discriminate between such things, say, as ‘A

Prophet on Profits,’ ‘Comparisons,’ and ‘Economy and Rubbish.’ Now and

again, it is true, he seems to lay himself open to the charge of

sacrificing everything to the topical appeal; but, after all, these are

critical times, when men are looking for light; and, at the worst, the

manner, unique in our letters, will remain to beguile us. Moreover,

there also will remain the personal note, for like all your true

essayists he does not hesitate to reveal his personality, to make the

reader his confidant.

But when all is said and done, the most remarkable thing about Mr.

Bradley, the thing that makes him unique, is his double rôle. One would

have thought that his author-self would have come to despise and ignore

his tailor-self. But no--their allegiance holds, and is, indeed,

stronger than ever. In the early days, there was not always a perfect

understanding between the two. The author would come forward and have

his say, without leaving any opening for the tailor, who had perforce to

push his way to the front and shout the louder. In short, the transition

from pure literature to commerce was not always well done: one was often

uncomfortably aware of a hiatus. But now--to be apt in metaphor--such

creases have been ironed out and the whole thing fits together and is

apparently seamless. We begin in the outside world, with all its

heart-breaking problems, its gloom and strife; we are driven hither and

thither, menaced with ruin; and yet when we come to the end, always we

find ourselves in the same solemn temple, our one place of refuge,

serene as demi-gods among the spring and autumn suitings. We never know

at first what terrible problem we shall be asked to face, but always we

have but to follow this new Ariel of ours to be led out of the world

into the sanctuary in Old Bond Street. There are times, indeed, when the

author, the victim of temperament, is so plunged into gloom that it is

the tailor alone who saves the situation, who arrives just when we seem

altogether lost, so that his inevitable final refrain of ‘Lounge Suits,

Dinner Suits, Dress Suits, and Overcoats’ comes to our ears like a

benediction.

Surely it is pleasant to reflect that one so unique in our letters is

able, week by week and month after month, to appeal to such a large

public, to dower his work with such lordly space and noble type, to have

his own illustrator, even though this last is somewhat out of key, being

a trifle too flippant and sybaritic for such solemn letterpress. I will

wager that this ‘Clothes-Philosophy’ of ours has made more friends, not

least among editors and others, than ever did the one our grandfathers

knew. Which is a fine feather for Mr. Bradley’s cap--if ever he should

take to wearing one.

ON LIFE AND LUCKY-BAGS

Reader, does your mind ever run back to the time when you were in

receipt of a regular allowance, when you could be described almost as a

‘person of independent means’? The other day I mused in this vein, and

fell to thinking of the day before yesterday, when I was a chubby,

pudding-fed lad, and the aforesaid allowance amounted to four shillings

and fourpence at the end of a year, but was delivered into my hands at

the rate of one penny per week. Saturday morning was the appointed time,

I believe. Of course, I often received other and larger sums; aunts and

uncles were usually good for half-a-crown, or even more, and

grandfathers in those days seemed to be literally made of silver coin.

But the Saturday penny differed from these occasional presents in that

it was my very own; there were no hints of money-boxes and savings-banks

and ‘rainy-days’; the penny was placed in my hand, and could be used

immediately as a sacrifice on the glittering altar of Juvenile Folly.

This was very much to my taste, for, like most healthy children, I

scorned those doubtful deities, Thrift and Prudence; even now I can

hardly bring myself to accord them the worship which is, from what I

hear, their due.

A number of my playmates received their weekly pennies at the same

time--almost at the same moment, I imagine--and it was our invariable

custom to retire in a body to a little shop near by. It was a tiny

fancy-goods and sweet shop, whose owner must have subsisted almost

entirely on the patronage of such small fry as ourselves. To us, as we

clustered round the window, it was a veritable land of Heart’s Delight,

for a penny was a potent talisman in those days, and we had the choice

of a bewildering array of entirely useless articles. (What do children

receive on Saturday mornings these times, I wonder; a ten shilling note

or a War Bond?). So, clutching our pennies in warm, moist little hands,

we would spend a delicious half-hour gazing through the shop window, a

round-eyed, shrill-voiced crowd of speculators, until, after much

discussion, our minds made up, we would clatter--one by one--into the

shop and come out triumphantly hugging our purchases. The rest was a

swift descent into prosaic life. The great moment had come and gone.

Now, sympathetic reader, I will discover to you the depths of my folly.

For you must know that some poetic rogue, some Autolycus of the

fancy-goods trade, had invented and placed upon the market the thing

called the lucky-bag. It was my bane, and the cause of my weekly

undoing. Never was there such a snare for an imaginative child! It was a

large, sealed paper-packet, bulging auspiciously; it contained articles

of great variety, and some, so ran the legend on the cover, were of

‘immense value.’ Here was wealth, touched with chance and mystery and

magic; here was El Dorado within sight. When I add that the price of

this marvel was exactly one penny, there is nothing more to be said.

At first we were all victims. But, alas!--nothing of ‘immense value’ was

forth-coming. The packets contained nothing of more importance than some

trivial little wooden article, and a few contemptible pink sweets--a

vile pennyworth! The bulging, which gave one the idea that the bag was

crammed with bulky toys, was caused, I regret to say, by a sheet of

stiff brown paper artfully disposed beneath the outer covering. So my

companions, worldly wise in their generation, laughed to scorn the wiles

of the lucky-bag merchant, and betook themselves to other and more solid

purchases--a top, a ball, or a pennyworth of bulls-eyes or toffee. Here

they receive a pennyworth for a penny and were satisfied.

It was otherwise with me. I wanted the land of Heart’s Delight for a

penny, and though I have never got it, there were moments when, holding

the newly-bought, unopened bag in my hand, I had glimpses of joys beyond

mere pennyworths of this and that. Week after week, month after month,

the lure of the magic packet held me in thrall. There were times when I

would resolve to break my bonds, and traffic no more with the cheater,

the mocker of sweet innocence, but it was all to no purpose; as soon as

I approached the fateful shop and caught sight of the bulging packets my

resolutions went like smoke, and once again my penny would be swept into

the till, and once more I would stand, with heart beating high, looking

into the mysterious bag.

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