X.

And so we crossed the world and stopped.

For where am I, in city or plain,

Since I am ’ware of the world again?

And what is this that rises propped

With pillars of prodigious girth?

Is it really on the earth,

This miraculous Dome of God?

Has the angel’s measuring-rod

Which numbered cubits, gem from gem,

’Twixt the gates of the New Jerusalem,

Meted it out,—and what he meted,

Have the sons of men completed?

—Binding, ever as he bade,

Columns in the colonnade

With arms wide open to embrace

The entry of the human race

To the breast of ... what is it, yon building,

Ablaze in front, all paint and gilding,

With marble for brick, and stones of price

For garniture of the edifice?

Now I see; it is no dream;

It stands there and it does not seem:

For ever, in pictures, thus it looks,

And thus I have read of it in books

Often in England, leagues away,

And wondered how these fountains play,

Growing up eternally

Each to a musical water-tree,

Whose blossoms drop, a glittering boon,

Before my eyes, in the light of the moon,

To the granite layers underneath.

There follows a description of the worship in the great cathedral—not

now, as before, unsympathetic and merely critical, but giving evidence

of the liveliest appreciation of the feelings of the intelligent and

devout ritualist, as in the following passage:—

Earth breaks up, time drops away,

In flows heaven, with its new day

Of endless life, when he who trod,

Very man and very God,

This earth in weakness, shame and pain,

Dying the death whose signs remain

Up yonder on the accursed tree,—

Shall come again, no more to be

Of captivity the thrall,

But the one God, All in all,

King of kings, Lord of lords,

As his servant John received the words,

“I died, and live for evermore!”

Still he cannot enter into it. He is left outside the door. Distracted

with conflicting emotions, his reason repelled by the superstition, his

spirit attracted by the lofty devotion which he discovers at the heart

of the too gorgeous ritual—he cannot make up his mind whether he should

join them for the one reason, or shun them for the other—

Pomegranates from an English Garden A selection from the poems of Robert Browning · 第 167 / 194 题