"Whoever wishes to know how great is the power which the charm of music
can exercise over humanity must visit one of Boris Lensky's concerts.
"Boris Lensky! The name in itself has a legendary sound--a magic
fascination surrounds the man and his violin. For every one who has
attended one of his concerts, the longing, listening expression on the
faces of the women who hear him is something which remains forever
interwoven in remembrance with the complaining sweetness of his art.
The best and noblest of women, when they listen to his wonderful
violin, fall into a feverish trance which makes them lose all power
over themselves.
"In Russia they call Boris Lensky the devil's violinist, and in
explanation of the godless charm which glows in his art, the following
neat little tale is told:
"Almost fifty years ago, crept through the poorest quarter of Moscow a
neglected, ugly child, who, in order to earn his scanty food, scraped
his violin as best he might, and sometimes received a copeck, but never
a caress. This child was Boris Lensky. His heart languished for
tenderness, like that of all repulsed ones. Then the devil met him, and
allured him with splendid temptations. He would lay the whole world at
his feet, if the boy would give him his soul for his own in exchange.
But the boy felt a terror at this hellish slavery and said: 'No.' Then
the devil at first went his way, and gnashed his teeth that he had not
succeeded in capturing a human soul. But suddenly he turned back and
called to the boy: 'I desire nothing of you; keep your soul; but you
shall accept a present from me--a gift. In your art shall dwell a charm
which no one can resist.'
"Then the boy was astonished at the devil's generosity, and accepted
the gift. But the devil rejoiced, for he said to himself: 'If I have
lost one soul, I have taken ten thousand others for it.' But the
violinist soon noticed what a curse had fallen to his share.
"Denying all nobility, and still feeling a horror of the degrading
power within him, he now goes through the world, restless, joyless, and
without power over his own demoniac art--a resisting tool in the
devil's hand. And he longs despairingly to find a being who could
resist the fiendish charm, but he finds none.
"Thus the Russian tale.
"Now Lensky has grown old and gray in the service of the devil. His
friends with fright notice in him the evermore plainly noticeable signs
of physical decay. In his art he stands greater than ever, and from his
violin sounds out to the public a wild, triumphing, and despairing swan
song!"
This somewhat exaggerated production an old lady read aloud with
declamatory emphasis, in whom at the first glance one perceived the
Englishwoman and the spinster. She sits in a pretty, charming room,
furnished with all kinds of rarities, by the hearth, and refreshes
herself by turns with the newspaper and with tea.
It is in Paris.
The newspaper in which the old Englishwoman revels is _Figaro_, and the
windows of the pretty little room look out on the Parc Monceau.
Already dressed to go out, a second, much younger lady in the same room
busies herself in hastily, and to all appearance disapprovingly,
looking through a just-opened package of books.
Somewhat vexed that her reading has called forth no remark from her
listener, the old Englishwoman now says:
"Well, what do you say to this legend?"
"What shall I say?" replies the young lady, without looking up from the
package of books, with blameless English accent, but in a decidedly
un-English deep, soft voice--"that the French write much nonsense, if it
is to raise the price of concert tickets."
"Nita!" said the Englishwoman, angrily; "you surely will not assert
that this article is a common advertisement?"
"Certainly I assert it, Miss Wilmot," is the calm answer. "I am firmly
convinced that Lensky's impressario has had the article printed."
"Well, I say, Nita, a strange change has taken place in you!" says Miss
Wilmot, astonished and discontented, while she at the same time let her
wrinkled hands sink down on her cinnamon-colored dress. "But,
advertisement or not, Nita, Lensky's results speak for themselves. The
Parisians run like mad to his concerts; recently there was such a crowd
before the doors of the Salle Erard that the police had to interfere!"
"Bah!" replied she addressed as Nita. "Reliable musicians have told me
that Lensky has gone very far back in his art. The animation with which
the French do him homage is only a new proof of their immoderate
worship of all that is Russian. This tasteless idolatry makes me
furious. Then, see here!" And Nita, for the first time in the course of
the above conversation, turned her face to the old lady, while at the
same time she drew a number of yellow books out from the package which
she had been busy glancing over. Piling these up on each other, she
said: "Three, five, seven books, translated from the Russian and mere
trash, not a sensible line in the whole! What does that matter? The
mere circumstance that 'from the Russian' stands upon it assures the
worst Galimathias in Paris a publisher and a circle of readers. It is
odious."
"Well, Nita, it seems to me that you least of all have the right to
wonder over any Russian worship," remarks the old Englishwoman
phlegmatically. "You yourself, in my recollection, have accomplished
considerable in this respect."
"Who has not some youthful folly to reproach one's self for?" said
Nita, shrugging her shoulders. "Fortunately, only in politics is one
sentenced to never perceive one's errors. I also once had a violent
passion for Russia leather, and I have gotten over that. Nothing in the
world is now more unbearable than too much Russia leather, especially
in a small room."
"A strange change has taken place in you, Nita," repeated the
Englishwoman, who, as if petrified with astonishment, sat there
motionless in the position of an Assyrian goddess, still with a hand on
each knee. "You not only raved over the Russians, you raved over Boris
Lensky; and how you raved!"
A dark blush rose in Nita's pale cheeks; at the same time her eyes
darkened. "Good-by, Miss Wilmot," said she, without replying anything
to the remarks of the old lady, and turned to the door.
"Will you not take a cup of tea before you go, Nita?" the Englishwoman
calls after her.
"No, Miss Wilmot; I must hurry a great deal without that in order to
reach the studio before twilight. I have promised Sonia to come; so
once more adieu; and I beg of you, send all this plunder"--pointing to
the books---"back to Calman Levy, and send him word he need no longer
disturb me with his Russian stories." With that Nita vanished.
"A strange change, a very strange change," says Miss Wilmot to herself,
while she still stares with the same abashed, astonished expression at
the door which has just closed behind her young friend. Then she wishes
to again take up _Figaro_ in order to translate the article on the
devil's violinist into German, for which language she has for twenty
years had a love. In vain--the paper is nowhere to be found.