1749 April By 630 Bricks at 20/ p^r m. 10

Dec^r By Gen'l Charges for hewn

Stone from M^r Nicholson[98] 65 16 4

1750 June By Gen'l Charges for

sundrys by the Marigold

By Do for freight of

Stones to my House 5

It is interesting to note that bricks, probably carried from England as

ballast, were brought by Captain Lyndon.

[Illustration: Figure 11.--FIREPLACE MANTELS illustrated in William

Salmon's _Palladio Londonensis_.

(_Courtesy of the Library of Congress._)]

Not all the hewn stone was fashioned in England. William Copein, a

Prince William County mason, and Job Wigley were employed together in

1749 to the amount of £2 8s. In 1750 Copein was paid by Mercer for 64

days of work at 3s. 1d. per day, totaling £9 17s. 4d. Copein was another

accomplished craftsman, the marks of whose skill still are to be seen in

the carved stone doorways of Aquia Church in Stafford County and in the

baptismal font at Pohick Church in Fairfax.

The design of the house will be considered in more detail later in the

light of both archeological and documentary evidence. It is already

quite clear, however, that the new mansion was remarkably elaborate,

reflecting the workmanship of some of Virginia's best craftsmen. The

most significant clues to its inspiration are found in the titles of

four books which Mercer purchased in 1747. These are listed in the

inventory of his books in Ledger G as follows:

"Hoppne's Architecture." This was probably _The Gentlemans and

Builders Repository on Architecture Displayed. Designs Regulated

and Drawn by E. Hoppus, and engraved by B. Cole. Containing useful

and requisite problems in geometry ... etc_, (1738). Edward Hoppus

was "Surveyor to the Corporation of the London Assurance." He also

edited Salmon's _Palladio Londonensis_. We find no writer on

architecture named Hoppne and assume this was a mistake.

"Salmon's Palladio Londonensis." _Palladio Londonensis: or the

London Art of Building_, by William Salmon, which appeared in at

least two editions, in 1734 and in 1738, had a profound influence

on the formal architecture of the colonies during the mid-century.

"Palladio's Architecture." The Italian Andrea Palladio was the

underlying source of English architectural thought from Christopher

Wren down to Robert Adam. Under the patronage of Lord Burlington,

this book was brought out in London in an English translation by

Giacomo Leoni under the title _The Architecture of A. Palladio; in

Four Books_. It had appeared in three editions prior to this

inventory, in 1715, 1721, and 1742, according to Fiske Kimball

(_Domestic Architecture of the American Colonies and of the Early

Republic_; New York: Charles Scribner's Sons, 1924, p. 58). Mercer

probably owned one of these.

"Langley's City & Country Builder." _City and Country Builder's and

Workman's Treasury of Design_ by Battey Langley, 1740, 1745. This

was another copybook much used by builders and provincial

architects.

[Illustration: Figure 12.--DOORWAYS ILLUSTRATED IN WILLIAM SALMON'S

_Palladio Londonensis_ (the London Art of Building), one of the books

used by William Bromley, the chief joiner who worked on Mercer's

mansion. (_Courtesy of the Library of Congress._)]

All four of these books were listed in succession in the ledger and

bracketed together. Next to the bracket are the initials "WB," to

indicate that the books had been lent to someone who bore those

initials. In this case it is virtually certain that the initials are

those of William Bromley, to whom the books would have been of utmost

importance in designing the woodwork of the house.

Door hardware was purchased from William Jordan in June 1749, according

to an item for "Locks & Hinges" that amounted to the large sum of £13

8s. 8d.

The Cultural History of Marlborough, Virginia An Archeological and Historical Investigation of the Port Town for Stafford County and the Plantation of John Mercer, Including Data Supplied by Frank M. Setzler and Oscar H. Darter · 第 93 / 290 题