THE POETRY OF THE NORTH.

THE Democratic Review not long since contained a singularly wild and

spirited poem, entitled the Norseman's Ride, in which the writer appears

to have very happily blended the boldness and sublimity of the heathen

saga with the grace and artistic skill of the literature of civilization.

The poetry of the Northmen, like their lives, was bold, defiant, and full

of a rude, untamed energy. It was inspired by exhibitions of power

rather than of beauty. Its heroes were beastly revellers or cruel and

ferocious plunderers; its heroines unsexed hoidens, playing the ugliest

tricks with their lovers, and repaying slights with bloody revenge,--very

dangerous and unsatisfactory companions for any other than the fire-

eating Vikings and redhanded, unwashed Berserkers. Significant of a

religion which reverenced the strong rather than the good, and which

regarded as meritorious the unrestrained indulgence of the passions, it

delighted to sing the praises of some coarse debauch or pitiless

slaughter. The voice of its scalds was often but the scream of the

carrion-bird, or the howl of the wolf, scenting human blood:--

"Unlike to human sounds it came;

Unmixed, unmelodized with breath;

But grinding through some scrannel frame,

Creaked from the bony lungs of Death."

Its gods were brutal giant forces, patrons of war, robbery, and drunken

revelry; its heaven a vast cloud-built ale-house, where ghostly warriors

drank from the skulls of their victims; its hell a frozen horror of

desolation and darkness,--all that the gloomy Northern imagination could

superadd to the repulsive and frightful features of arctic scenery:

volcanoes spouting fire through craters rimmed with perpetual frost,

boiling caldrons flinging their fierce jets high into the air, and huge

jokuls, or ice-mountains, loosened and upheaved by volcanic agencies,

crawling slowly seaward, like misshapen monsters endowed with life,--a

region of misery unutterable, to be avoided only by diligence in robbery

and courage in murder.

What a work had Christianity to perform upon such a people as the

Icelanders, for instance, of the tenth century!--to substitute in rude,

savage minds the idea of its benign and gentle Founder for that of the

Thor and Woden of Norse mythology; the forgiveness, charity, and humility

of the Gospel for the revenge, hatred, and pride inculcated by the Eddas.

And is it not one of the strongest proofs of the divine life and power of

that Gospel, that, under its influence, the hard and cruel Norse heart

has been so softened and humanized that at this moment one of the best

illustrations of the peaceful and gentle virtues which it inculcates is

afforded by the descendants of the sea-kings and robbers of the middle

centuries? No one can read the accounts which such travellers as Sir

George Mackenzie and Dr. Henderson have given us of the peaceful

disposition, social equality, hospitality, industry, intellectual

cultivation, morality, and habitual piety of the Icelanders, without a

grateful sense of the adaptation of Christianity to the wants of our

race, and of its ability to purify, elevate, and transform the worst

elements of human character. In Iceland Christianity has performed its

work of civilization, unobstructed by that commercial cupidity which has

caused nations more favored in respect to soil and climate to lapse into

an idolatry scarcely less debasing and cruel than that which preceded the

introduction of the Gospel. Trial by combat was abolished in 1001, and

the penalty of the imaginary crime of witchcraft was blotted from the

statutes of the island nearly half a century before it ceased to disgrace

those of Great Britain. So entire has been the change wrought in the

sanguinary and cruel Norse character that at the present day no Icelander

can be found who, for any reward, will undertake the office of

executioner. The scalds, who went forth to battle, cleaving the skulls

of their enemies with the same skilful hands which struck the harp at the

feast, have given place to Christian bards and teachers, who, like

Thorlakson, whom Dr. Henderson found toiling cheerfully with his beloved

parishioners in the hay-harvest of the brief arctic summer, combine with

the vigorous diction and robust thought of their predecessors the warm

and genial humanity of a religion of love and the graces and amenities of

a high civilization.

But we have wandered somewhat aside from our purpose, which was simply to

introduce the following poem, which, in the boldness of its tone and

vigor of language, reminds us of the Sword Chant, the Wooing Song, and

other rhymed sagas of Motherwell.

The Works of John Greenleaf Whittier, Volume VII, Complete The Conflict with Slavery, Politics and Reform, the Inner Life, and Criticism · 第 81 / 83 题