By BELLA COHEN

(From _The Calendar of Modern Letters_)

Meyer lay on the bed, the covers drawn up over his mouth. His thin,

long nose projected over the quilt seemed very long and wax-like; and

his eyes were closed. His feet stuck out beyond the edge of the bed,

for Meyer was a tall man, and illness seemed to have stretched him out.

Hannah, his wife, stood near the bed, looking down upon him

sorrowfully, her fingers patching her mouth.

“A man who has never been sick in his life to fall so sick. And he only

fifty years old--the best years,” she thought.

She turned from the bed and silently began to clean the rooms she and

Meyer had lived in for the last eight years. Every now and then she

stopped to look at the man in the bed.

“It seems so strange for him to be in the house with me and yet not say

a word to me.” Hannah spoke to herself. “I don’t like that white sheet

over the quilt.”

Hannah carefully placed the broom in the corner near the stove and

pattered over to the wooden trunk where she kept her red shawl. A

close, layer-like smell of moth balls and unaired clothing lifted

itself sluggishly and receded. The red shawl was near the top. It had

white stripes and was made of sheep’s fleece. Hannah had knitted and

dyed the shawl when she was still young and wore a black plait down her

back.

She placed the red shawl over the sick man’s feet, but they persisted

in sticking out--their long, misshapen toes digging into each other

with soles as hard as leather. They stood up stiffly perpendicular.

Hannah looked at them and a strange terror gripped her. Her Meyer was

sick. Her Meyer was very sick! Desperately, she thought of the House.

Perhaps she had better call Mrs. Brandt. Some one....

A knock sounded.

Hannah hurried to the door and opening it softly, looked up into the

ruddy, round face of her sister Brahne.

“You!” she cried delightedly. For a moment, the sadness left her eyes.

She was no longer alone--all alone--for now, if only for a few moments,

she had her sister with her. Some one of her own blood.

“Yes, here I am!” And Brahne stepped into the room. Everything in it

became dwarfed, for Brahne was large, large of feet, hands, head,

mouth, teeth, and voice. By lifting her hand she could have flattened

its palm on the ceiling as easily as she carried her twins on each hip.

The two looked at each other, for they had not seen each other for a

year. Brahne had moved her bakery, her husband and children into a

suburb, and Hannah, who could not ride in cars because it made her

dizzy, did not visit her.

“Meyer is sick, very sick,” Hannah finally said. Her hand went up to

her mouth again.

Brahne turned to the bed and looked at the man.

“He doesn’t seem so bad,” she decided. “What is it, a cold?”

“No, it’s something more. The doctor wouldn’t tell me. I think it’s his

heart.”

“Heart! That’s how much you know about men.”

Brahne seated herself and discoursed in bellows.

“Men are children. They don’t know how to bear even a scratch on the

finger. They get a little cold and right away they want to go to

Coloraydo and get consumption. They want to be petted and fondled like

a month-old baby. The more attention you give them the more they want.

Many times I think to myself, why do they send men to fight in the wars

when they are such weaklings!”

Hannah listened meekly, her hand on her mouth.

“Maybe that’s true what you say, Brahne,” she offered timidly, “but

Meyer is now laying like this the third week. And, you know, he’s never

been sick since we’ve been married.”

The tears formed in her eyes and dropped down her cheeks.

Brahne’s large, limpid eyes wandered from the sick man’s face to his

feet. The red shawl threw a new light into her eyes.

Hannah wiped the tears away as she mumbled:

“God should spare him for me. If he should die----”

“Die!” scoffed Brahne, with difficulty shifting her eyes from the shawl

to the man’s face. “People don’t die so fast.”

The sick man stirred and the cover moved down from his mouth. He was

smiling.

Brahne rose from her chair and walked heavily to the bed. She beckoned

her sister.

“See!” she said. “He’s not sick. He’s smiling. A man who sees Death

doesn’t smile, hah Meyer?”

The sick man did not open his eyes nor move at all at the sound of his

name. But the smile was still there.

“I could make him laugh!” Brahne wagered.

“Laugh!” her sister repeated, sadly. “What wouldn’t I give to hear him

laugh again!”

Brahne looked at the red shawl, lips drawn in, one eye half shut.

“Well,” she said finally, “would you give me the red shawl if I made

him laugh?”

Again the hand went up to the mouth, and Hannah considered. Brahne had

always wanted that red shawl she knew.

She nodded.

“Yes,” she finally assented. “But you must make him laugh.”

Brahne leaned over the bed and tickled the soles of those stiff feet. A

broad smile already stretched across her face.

“Hah, Meyer,” she called out, “don’t think you can fool me!”

Again she trailed her large, square fingers over the calloused feet.

A slight trembling took hold of the man. His toes began to wriggle

stiffly--creakingly.

“Well, Meyer, how about a little laugh?” Brahne called cheerfully.

Hannah stood over her husband, her hand almost hiding her mouth. Now

and then she looked at her sister.

Brahne bent to her task with determined lips. She no longer smiled. She

wanted that red shawl. This time she played on the soles as if she were

playing the piano. Then she changed to a quick tattoo. A weak, little

gurgle issued from the parted lips of the man, but his eyes did not

open.

“Well, Meyer,” shouted Brahne. “You can do better than that!”

She tickled those stiff feet with the full vigour of her strong

fingers. And, suddenly, the covers flew back and the red shawl dropped

to the floor. A ringing laugh cut the silence of the room. The sick

man laughed again and again like a hysterical girl, but his eyes never

opened.

Brahne, her hands on her hips, joined in lustily, and even Hannah

smiled tenderly and without sadness.

Suddenly the laugh broke into two and the man stiffened from head to

toes. The lips drew themselves together slowly and painfully, and then

they were still. The soul of Meyer had fled on the back of a laugh.

“Brahne!” Hannah screamed. “Brahne!”

“What’s the matter?”

But Hannah had already fallen on her knees beside the bed, moaning:

“He is dead! My husband is dead! My husband is dead!”

Brahne, big and powerful, looked down upon the dead man and the weeping

woman with a puzzled look in her stupid eyes.

“But anyway I made him laugh,” she said. “The red shawl is mine.”

The best short stories of 1925, and the yearbook of the American short story · 第 49 / 141 题