CHAPTER XXVI.

THE BANQUET ON THE AERIAL SHIP.

The saloon, which was also the _salle a manger_, was situated in the

centre of the ship. Thus the entire travellers could assemble together

without disturbing the centre of gravity of the structure.

The saloon was composed of woven cane, and ornamented with a dado of

sage-green silk, on which were embroidered storks, pheasants and

eagles flying through space. An elongated table, also of wicker work,

contained a sumptuous repast.

The goddess congratulated the guests on their safety, which proved

that the skill that produced the _Aeropher_ had successfully grappled

with the difficult problem of aerial navigation.

The inventor of the _Aeropher_ said it was the apex of mechanical

skill. Invention had raised humanity from the depths of slavery,

ignorance, and weakness to a height of empire undreamed of in earlier

ages. Such material greatness expands the soul with godlike

attributes. The ideal, inventive soul, the typical soul, was a god.

The poet said that the _Aeropher_ was the symbol of that kind of

poetry in which energy and art were in equipoise. It glorified

mechanical skill. It had been prophesied that as civilization advanced

poetry would decline. There was a period in the history of Atvatabar

in which matters of taste, imagination and intellectual emotion had

been utterly neglected by a universal preference for scientific and

mechanical pursuits. The country was overrun with reasoners, debaters,

metaphysicians, scientists and mechanical artists, but there were no

poets. Such mechanical civilization was unfavorable to their

development. The founding of such institutions as the art palace of

Gnaphisthasia and the spiritual palace of Egyplosis had grafted on

their modern life the soul life of more ancient times, until

soul-worship had become the universal religion.

The goddess said that the aerial ship was the symbol of an ideal and

passionate temperament resolved on discovering new spheres of

spiritual beauty, so as to spiritualize the race. Such a soul ought to

be free to surround itself with that atmosphere from which it absorbs

life. It must choose its own weapons and armor, so as to be adequately

equipped for the battle. In its eagerness to climb on discovering

wings it must be accompanied by its own retinue of spirits, by

enthusiastic and lasting friendships so consoling to its nature. Such

was the idea of Egyplosis.

Captain Lavornal at this point stated that when the company regained

the deck he would put the rotating wheel, placed at the stern of the

ship, in motion, so as to produce the combination of a revolving as

well as an onward flight.

"These wheels," said he, "will spin us around, and by means of our

double rudder we produce both vertical and lateral undulations, which,

combined with the rotary movement of the deck, will produce a

delirious sensation. All the abandon of great and strong birds are

ours. We can imitate the sonorous sweep of the seemorgh, who plunges

with supreme majesty in the abyss of air."

"These elaborations of flight," said Lyone, "are not pursued merely

for physical pleasure, but in a mysterious way they are the moulders

of the soul itself. That essence, re-enforced with such subtle and

powerful enthusiasm, develops sensibility and assumes a grandeur and

ecstasy unknown to those who merely travel on the earth. Each gesture

of flight is a stride nearer omnipotence, an attribute more godlike by

reason of its supremacy over those obstacles that crush and

overwhelm."

I shared the same seat with Lyone at the prow of the vessel.

The scenery had in our absence developed into more marked grandeur.

Under the spell of an eternal morning, of such light as poets only

dream of, there rose on either side of us consummate rocks and

cataracts that signalled heaven. The swinging pillars of incredible

streams leaped thousands of feet into the gulf beneath. They charmed

us like glittering serpents. The gorge, the rocks, the cataracts, the

heavens of the earth above us were a prodigal feast to which nature

had bidden us.

[Illustration: THEN THE SHIP ROSE AGAIN TOWARD THE MAMMOTH ROCKS,

ADORNED WITH THE TAPESTRIES OF FALLING WAVE.]

As we explored the depths of the gulf the _Aeropher_ assumed an

undulating motion. For several miles the vessel kept descending,

until we swept through an overwhelming jungle of wild flowers. There

were acres of roses riotous in bloom, there was the trailing of wild

peas sweet as honey, the blue of larkspurs, the fragrance of musk

flowers, and the swaying cups of scarlet poppies.

Then the ship rose again toward the mammoth rocks that shimmered in

the sunlight adorned with the tapestries of falling wave. Still upward

we rose into the spell-bound sky, feeding on the savage sweets of

nature, the rhythm of the golden cliffs, the echoes of the waterfalls.

We were the associates of mighty pines that on the Theban peaks spread

incomparable solaces for mind and heart. Then, as we descended from

our extreme altitude, we began also to revolve with a splendid sweep

of motion, until the landscape swam around us like a dream.

It was a delirious phantasy of airy clouds, fluttering leaves, songs

of birds, milky avalanches, balsamic forests, and the awe-inspiring

silences of revolving walls!

The intoxication of such wheeling flight filled us with a strange joy.

Our journey became wistful, eager, breathless. We became poets, and

the soul of a poet is a chameleon that takes its glow and color from

the surrounding infection. The motion that bore us in daring circles

produced a euthanasia of mind and an exaltation of soul. The jugglery

of flight under such conditions produced a Nirvana of soul and a

Dharana of body. An exquisitely sweet whirlwind of emotion swept

through I know not how many souls on the _Aeropher_, but certainly

through the souls of Lyone and myself.

We both flew round and round like birds in intoxicating converse.

During the progress of the flight, intellect, will and memory

slumbered. I was deprived of the use of all external faculties, while

those of the soul were correspondingly increased. Imagination and

emotion were excited with rapturous energy. Lyone's eyes sparkled with

a celestial joy. She was again the goddess in her ecstasy!

The Goddess of Atvatabar Being the history of the discovery of the interior world and conquest of Atvatabar · 第 26 / 59 章