CHAPTER XIV

In the course of this sad autumn of 1845, a new interest came up; faint,

indeed, and often lost sight of in the vivid pain and constant pressure

of anxiety respecting their brother. In the biographical notice of her

sisters, which Charlotte prefixed to the edition of "Wuthering Heights"

and "Agnes Grey," published in 1850--a piece of writing unique, as far as

I know, in its pathos and its power--she says:--

"One day in the autumn of 1845, I accidentally lighted on a MS. volume

of verse, in my sister Emily's handwriting. Of course, I was not

surprised, knowing that she could and did write verse: I looked it

over, and something more than surprise seized me--a deep conviction

that these were not common effusions, nor at all like the poetry women

generally write. I thought them condensed and terse, vigorous and

genuine. To my ear they had also a peculiar music, wild, melancholy,

and elevating. My sister Emily was not a person of demonstrative

character, nor one on the recesses of whose mind and feelings even

those nearest and dearest to her could, with impunity, intrude

unlicensed: it took hours to reconcile her to the discovery I had

made, and days to persuade her that such poems merited publication . .

. Meantime, my younger sister quietly produced some of her own

compositions, intimating that since Emily's had given me pleasure, I

might like to look at hers. I could not but be a partial judge, yet I

thought that these verses too had a sweet sincere pathos of their own.

We had very early cherished the dream of one day being authors. We

agreed to arrange a small selection of our poems, and, if possible,

get them printed. Averse to personal publicity, we veiled our own

names under those of Currer, Ellis, and Acton Bell; the ambiguous

choice being dictated by a sort of conscientious scruple at assuming

Christian names, positively masculine, while we did not like to

declare ourselves women, because--without at the time suspecting that

our mode of writing and thinking was not what is called 'feminine,' we

had a vague impression that authoresses are liable to be looked on

with prejudice; we noticed how critics sometimes use for their

chastisement the weapon of personality, and for their reward, a

flattery, which is not true praise. The bringing out of our little

book was hard work. As was to be expected, neither we nor our poems

were at all wanted; but for this we had been prepared at the outset;

though inexperienced ourselves, we had read the experience of others.

The great puzzle lay in the difficulty of getting answers of any kind

from the publishers to whom we applied. Being greatly harassed by

this obstacle, I ventured to apply to the Messrs. Chambers, of

Edinburgh, for a word of advice; _they_ may have forgotten the

circumstance, but _I_ have not, for from them I received a brief and

business-like, but civil and sensible reply, on which we acted, and at

last made way."

I inquired from Mr. Robert Chambers, and found, as Miss Bronte

conjectured, that he had entirely forgotten the application which had

been made to him and his brother for advice; nor had they any copy or

memorandum of the correspondence.

There is an intelligent man living in Haworth, who has given me some

interesting particulars relating to the sisters about this period. He

says:--

"I have known Miss Bronte, as Miss Bronte, a long time; indeed, ever

since they came to Haworth in 1819. But I had not much acquaintance with

the family till about 1843, when I began to do a little in the stationery

line. Nothing of that kind could be had nearer than Keighley before I

began. They used to buy a great deal of writing paper, and I used to

wonder whatever they did with so much. I sometimes thought they

contributed to the Magazines. When I was out of stock, I was always

afraid of their coming; they seemed so distressed about it, if I had

none. I have walked to Halifax (a distance of ten miles) many a time,

for half a ream of paper, for fear of being without it when they came. I

could not buy more at a time for want of capital. I was always short of

that. I did so like them to come when I had anything for them; they were

so much different to anybody else; so gentle and kind, and so very quiet.

They never talked much. Charlotte sometimes would sit and inquire about

our circumstances so kindly and feelingly! . . . Though I am a poor

working man (which I have never felt to be any degradation), I could talk

with her with the greatest freedom. I always felt quite at home with

her. Though I never had any school education, I never felt the want of

it in her company."

The publishers to whom she finally made a successful application for the

production of "Currer, Ellis, and Acton Bell's poems," were Messrs.

Aylott and Jones, Paternoster Row. Mr. Aylott has kindly placed the

letters which she wrote to them on the subject at my disposal. The first

is dated January 28th, 1846, and in it she inquires if they will publish

one volume octavo of poems; if not at their own risk, on the author's

account. It is signed "C. Bronte." They must have replied pretty

speedily, for on January 31st she writes again:--

"GENTLEMEN,

"Since you agree to undertake the publication of the work respecting

which I applied to you, I should wish now to know, as soon as possible,

the cost of paper and printing. I will then send the necessary

remittance, together with the manuscript. I should like it to be printed

in one octavo volume, of the same quality of paper and size of type as

Moxon's last edition of Wordsworth. The poems will occupy, I should

think, from 200 to 250 pages. They are not the production of a

clergyman, nor are they exclusively of a religious character; but I

presume these circumstances will be immaterial. It will, perhaps, be

necessary that you should see the manuscript, in order to calculate

accurately the expense of publication; in that case I will send it

immediately. I should like, however, previously, to have some idea of

the probable cost; and if, from what I have said, you can make a rough

calculation on the subject, I should be greatly obliged to you."

In her next letter, February 6th, she says:--

"You will perceive that the poems are the work of three persons,

relatives--their separate pieces are distinguished by their respective

signatures."

She writes again on February 15th; and on the 16th she says:--

"The MS. will certainly form a thinner volume than I had anticipated. I

cannot name another model which I should like it precisely to resemble,

yet, I think, a duodecimo form, and a somewhat reduced, though still

_clear_ type, would be preferable. I only stipulate for _clear_ type,

not too small, and good paper."

On February 21st she selects the "long primer type" for the poems, and

will remit 31_l_. 10_s_. in a few days.

Minute as the details conveyed in these notes are, they are not trivial,

because they afford such strong indications of character. If the volume

was to be published at their own risk, it was necessary that the sister

conducting the negotiation should make herself acquainted with the

different kinds of type, and the various sizes of books. Accordingly she

bought a small volume, from which to learn all she could on the subject

of preparation for the press. No half-knowledge--no trusting to other

people for decisions which she could make for herself; and yet a generous

and full confidence, not misplaced, in the thorough probity of Messrs.

Aylott and Jones. The caution in ascertaining the risk before embarking

in the enterprise, and the prompt payment of the money required, even

before it could be said to have assumed the shape of a debt, were both

parts of a self-reliant and independent character. Self-contained also

was she. During the whole time that the volume of poems was in the

course of preparation and publication, no word was written telling

anyone, out of the household circle, what was in progress.

I have had some of the letters placed in my hands, which she addressed to

her old schoolmistress, Miss W-. They begin a little before this time.

Acting on the conviction, which I have all along entertained, that where

Charlotte Bronte's own words could be used, no others ought to take their

place, I shall make extracts from this series, according to their dates.

"Jan. 30th, 1846.

"MY DEAR MISS W---,

"I have not yet paid my visit to ---; it is, indeed, more than a year

since I was there, but I frequently hear from E., and she did not fail to

tell me that you were gone into Worcestershire; she was unable, however,

to give me your exact address. Had I known it, I should have written to

you long since. I thought you would wonder how we were getting on, when

you heard of the railway panic; and you may be sure that I am very glad

to be able to answer your kind inquiries by the assurance that our small

capital is as yet undiminished. The York and Midland is, as you say, a

very good line, yet, I confess to you, I should wish, for my own part, to

be wise in time. I cannot think that even the very best lines will

continue for many years at their present premiums; and I have been most

anxious for us to sell our shares ere it be too late, and to secure the

proceeds in some safer, if, for the present, less profitable investment.

I cannot, however, persuade my sisters to regard the affair precisely

from my point of view; and I feel as if I would rather run the risk of

loss than hurt Emily's feelings by acting in direct opposition to her

opinion. She managed in a most handsome and able manner for me, when I

was in Brussels, and prevented by distance from looking after my own

interests; therefore, I will let her manage still, and take the

consequences. Disinterested and energetic she certainly is; and if she

be not quite so tractable or open to conviction as I could wish, I must

remember perfection is not the lot of humanity; and as long as we can

regard those we love, and to whom we are closely allied, with profound

and never-shaken esteem, it is a small thing that they should vex us

occasionally by what appear to us unreasonable and headstrong notions.

"You, my dear Miss W---, know, full as well as I do, the value of

sisters' affection to each other; there is nothing like it in this

world, I believe, when they are nearly equal in age, and similar in

education, tastes, and sentiments. You ask about Branwell; he never

thinks of seeking employment, and I begin to fear that he has rendered

himself incapable of filling any respectable station in life; besides,

if money were at his disposal, he would use it only to his own injury;

the faculty of self-government is, I fear, almost destroyed in him.

You ask me if I do not think that men are strange beings? I do,

indeed. I have often thought so; and I think, too, that the mode of

bringing them up is strange: they are not sufficiently guarded from

temptation. Girls are protected as if they were something very frail

or silly indeed, while boys are turned loose on the world, as if they,

of all beings in existence, were the wisest and least liable to be led

astray. I am glad you like Broomsgrove, though, I dare say, there are

few places you would _not_ like, with Mrs. M. for a companion. I

always feel a peculiar satisfaction when I hear of your enjoying

yourself, because it proves that there really is such a thing as

retributive justice even in this world. You worked hard; you denied

yourself all pleasure, almost all relaxation, in your youth, and in

the prime of life; now you are free, and that while you have still, I

hope, many years of vigour and health in which you can enjoy freedom.

Besides, I have another and very egotistical motive for being pleased;

it seems that even 'a lone woman' can be happy, as well as cherished

wives and proud mothers. I am glad of that. I speculate much on the

existence of unmarried and never-to-be-married women now-a-days; and I

have already got to the point of considering that there is no more

respectable character on this earth than an unmarried woman, who makes

her own way through life quietly, perseveringly, without support of

husband or brother; and who, having attained the age of forty-five or

upwards, retains in her possession a well-regulated mind, a

disposition to enjoy simple pleasures, and fortitude to support

inevitably pains, sympathy with the sufferings of others, and

willingness to relieve want as far as her means extend."

During the time that the negotiation with Messrs. Aylott and Co. was

going on, Charlotte went to visit her old school-friend, with whom she

was in such habits of confidential intimacy; but neither then nor

afterwards, did she ever speak to her of the publication of the poems;

nevertheless, this young lady suspected that the sisters wrote for

Magazines; and in this idea she was confirmed when, on one of her visits

to Haworth, she saw Anne with a number of "Chambers's Journal," and a

gentle smile of pleasure stealing over her placid face as she read.

"What is the matter?" asked the friend. "Why do you smile?"

"Only because I see they have inserted one of my poems," was the quiet

reply; and not a word more was said on the subject.

To this friend Charlotte addressed the following letters:--

"March 3rd, 1846.

"I reached home a little after two o'clock, all safe and right

yesterday; I found papa very well; his sight much the same. Emily and

Anne were going to Keighley to meet me; unfortunately, I had returned

by the old road, while they were gone by the new, and we missed each

other. They did not get home till half-past four, and were caught in

the heavy shower of rain which fell in the afternoon. I am sorry to

say Anne has taken a little cold in consequence, but I hope she will

soon be well. Papa was much cheered by my report of Mr. C.'s opinion,

and of old Mrs. E.'s experience; but I could perceive he caught gladly

at the idea of deferring the operation a few months longer. I went

into the room where Branwell was, to speak to him, about an hour after

I got home: it was very forced work to address him. I might have

spared myself the trouble, as he took no notice, and made no reply; he

was stupified. My fears were not in vain. I hear that he got a

sovereign while I have been away, under pretence of paying a pressing

debt; he went immediately and changed it at a public-house, and has

employed it as was to be expected. --- concluded her account by

saying he was a 'hopeless being;' it is too true. In his present

state it is scarcely possible to stay in the room where he is. What

the future has in store I do not know."

"March 31st, 1846.

"Our poor old servant Tabby had a sort of fit, a fortnight since, but

is nearly recovered now. Martha" (the girl they had to assist poor

old Tabby, and who remains still the faithful servant at the

parsonage,) "is ill with a swelling in her knee, and obliged to go

home. I fear it will be long before she is in working condition

again. I received the number of the 'Record' you sent . . . I read

D'Aubigne's letter. It is clever, and in what he says about

Catholicism very good. The Evangelical Alliance part is not very

practicable, yet certainly it is more in accordance with the spirit of

the Gospel to preach unity among Christians than to inculcate mutual

intolerance and hatred. I am very glad I went to--when I did, for the

changed weather has somewhat changed my health and strength since. How

do you get on? I long for mild south and west winds. I am thankful

papa continues pretty well, though often made very miserable by

Branwell's wretched conduct. _There_--there is no change but for the

worse."

Meanwhile the printing of the volume of poems was quietly proceeding.

After some consultation and deliberation, the sisters had determined to

correct the proofs themselves, Up to March 28th the publishers had

addressed their correspondent as C. Bronte, Esq.; but at this time some

"little mistake occurred," and she desired Messrs. Aylott and Co. in

future to direct to her real address, "_Miss_ Bronte," &c. She had,

however, evidently left it to be implied that she was not acting on her

own behalf, but as agent for the real authors, since in a note dated

April 6th, she makes a proposal on behalf of "C., E., and A. Bell," which

is to the following effect, that they are preparing for the press a work

of fiction, consisting of three distinct and unconnected tales, which may

be published either together, as a work of three volumes, of the ordinary

novel size, or separately, as single volumes, as may be deemed most

advisable. She states, in addition, that it is not their intention to

publish these tales on their own account; but that the authors direct her

to ask Messrs. Aylott and Co. whether they would be disposed to undertake

the work, after having, of course, by due inspection of the MS.,

ascertained that its contents are such as to warrant an expectation of

success. To this letter of inquiry the publishers replied speedily, and

the tenor of their answer may be gathered from Charlotte's, dated April

11th.

"I beg to thank you, in the name of C., E., and A. Bell, for your

obliging offer of advice. I will avail myself of it, to request

information on two or three points. It is evident that unknown

authors have great difficulties to contend with, before they can

succeed in bringing their works before the public. Can you give me

any hint as to the way in which these difficulties are best met? For

instance, in the present case, where a work of fiction is in question,

in what form would a publisher be most likely to accept the MS.?

Whether offered as a work of three vols., or as tales which might be

published in numbers, or as contributions to a periodical?

"What publishers would be most likely to receive favourably a proposal

of this nature?

"Would it suffice to _write_ to a publisher on the subject, or would

it be necessary to have recourse to a personal interview?

"Your opinion and advice on these three points, or on any other which

your experience may suggest as important, would be esteemed by us as a

favour."

It is evident from the whole tenor of this correspondence, that the

truthfulness and probity of the firm of publishers with whom she had to

deal in this her first literary venture, were strongly impressed upon her

mind, and was followed by the inevitable consequence of reliance on their

suggestions. And the progress of the poems was not unreasonably lengthy

or long drawn out. On April 20th she writes to desire that three copies

may be sent to her, and that Messrs. Aylott will advise her as to the

reviewers to whom copies ought to be sent.

I give the next letter as illustrating the ideas of these girls as to

what periodical reviews or notices led public opinion.

"The poems to be neatly done up in cloth. Have the goodness to send

copies and advertisements, _as early as possible_, to each of the

undermentioned periodicals.

"'Colburn's New Monthly Magazine.'

"'Bentley's Magazine.'

"'Hood's Magazine.'

"'Jerrold's Shilling Magazine.'

"'Blackwood's Magazine.'

"'The Edinburgh Review.'

"'Tait's Edinburgh Magazine.'

"'The Dublin University Magazine.'

"Also to the 'Daily News' and to the 'Britannia' papers.

"If there are any other periodicals to which you have been in the habit

of sending copies of works, let them be supplied also with copies. I

think those I have mentioned will suffice for advertising."

In compliance with this latter request, Messrs. Aylott suggest that

copies and advertisements of the work should be sent to the "Athenaeum,"

"Literary Gazette," "Critic," and "Times;" but in her reply Miss Bronte

says, that she thinks the periodicals she first mentioned will be

sufficient for advertising in at present, as the authors do not wish to

lay out a larger sum than two pounds in advertising, esteeming the

success of a work dependent more on the notice it receives from

periodicals than on the quantity of advertisements. In case of any

notice of the poems appearing, whether favourable or otherwise, Messrs.

Aylott and Co. are requested to send her the name and number of those

periodicals in which such notices appear; as otherwise, since she has not

the opportunity of seeing periodicals regularly, she may miss reading the

critique. "Should the poems be remarked upon favourably, it is my

intention to appropriate a further sum for advertisements. If, on the

other hand, they should pass unnoticed or be condemned, I consider it

would be quite useless to advertise, as there is nothing, either in the

title of the work, or the names of the authors, to attract attention from

a single individual."

I suppose the little volume of poems was published some time about the

end of May, 1846. It stole into life; some weeks passed over, without

the mighty murmuring public discovering that three more voices were

uttering their speech. And, meanwhile, the course of existence moved

drearily along from day to day with the anxious sisters, who must have

forgotten their sense of authorship in the vital care gnawing at their

hearts. On June 17th, Charlotte writes:--

"Branwell declares that he neither can nor will do anything for himself;

good situations have been offered him, for which, by a fortnight's work,

he might have qualified himself, but he will do nothing except drink and

make us all wretched."

In the "Athenaeum" of July 4th, under the head of poetry for the million,

came a short review of the poems of C., E., and A. Bell. The reviewer

assigns to Ellis the highest rank of the three "brothers," as he supposes

them to be; he calls Ellis "a fine, quaint spirit;" and speaks of "an

evident power of wing that may reach heights not here attempted." Again,

with some degree of penetration, the reviewer says, that the poems of

Ellis "convey an impression of originality beyond what his contributions

to these volumes embody." Currer is placed midway between Ellis and

Acton. But there is little in the review to strain out, at this distance

of time, as worth preserving. Still, we can fancy with what interest it

was read at Haworth Parsonage, and how the sisters would endeavour to

find out reasons for opinions, or hints for the future guidance of their

talents.

I call particular attention to the following letter of Charlotte's, dated

July 10th, 1846. To whom it was written, matters not; but the wholesome

sense of duty in it--the sense of the supremacy of that duty which God,

in placing us in families, has laid out for us, seems to deserve especial

regard in these days.

"I see you are in a dilemma, and one of a peculiar and difficult

nature. Two paths lie before you; you conscientiously wish to choose

the right one, even though it be the most steep, strait, and rugged;

but you do not know which is the right one; you cannot decide whether

duty and religion command you to go out into the cold and friendless

world, and there to earn your living by governess drudgery, or whether

they enjoin your continued stay with your aged mother, neglecting,

_for the present_, every prospect of independency for yourself, and

putting up with daily inconvenience, sometimes even with privations. I

can well imagine, that it is next to impossible for you to decide for

yourself in this matter, so I will decide it for you. At least, I

will tell you what is my earnest conviction on the subject; I will

show you candidly how the question strikes me. The right path is that

which necessitates the greatest sacrifice of self-interest--which

implies the greatest good to others; and this path, steadily followed,

will lead, I believe, in time, to prosperity and to happiness, though

it may seem, at the outset, to tend quite in a contrary direction.

Your mother is both old and infirm; old and infirm people have but few

sources of happiness--fewer almost than the comparatively young and

healthy can conceive; to deprive them of one of these is cruel. If

your mother is more composed when you are with her, stay with her. If

she would be unhappy in case you left her, stay with her. It will not

apparently, as far as short-sighted humanity can see, be for your

advantage to remain at ---, nor will you be praised and admired for

remaining at home to comfort your mother; yet, probably, your own

conscience will approve, and if it does, stay with her. I recommend

you to do what I am trying to do myself."

The remainder of this letter is only interesting to the reader as it

conveys a peremptory disclaimer of the report that the writer was engaged

to be married to her father's curate--the very same gentleman to whom,

eight years afterwards, she was united; and who, probably, even now,

although she was unconscious of the fact, had begun his service to her,

in the same tender and faithful spirit as that in which Jacob served for

Rachel. Others may have noticed this, though she did not.

A few more notes remain of her correspondence "on behalf of the Messrs.

Bell" with Mr. Aylott. On July 15th she says, "I suppose, as you have

not written, no other notices have yet appeared, nor has the demand for

the work increased. Will you favour me with a line stating whether

_any_, or how many copies have yet been sold?"

But few, I fear; for, three days later, she wrote the following:--

"The Messrs. Bell desire me to thank you for your suggestion respecting

the advertisements. They agree with you that, since the season is

unfavourable, advertising had better be deferred. They are obliged to

you for the information respecting the number of copies sold."

On July 23rd she writes to the Messrs. Aylott:--

"The Messrs. Bell would be obliged to you to post the enclosed note in

London. It is an answer to the letter you forwarded, which contained an

application for their autographs from a person who professed to have read

and admired their poems. I think I before intimated, that the Messrs.

Bell are desirous for the present of remaining unknown, for which reason

they prefer having the note posted in London to sending it direct, in

order to avoid giving any clue to residence, or identity by post-mark,

&c."

Once more, in September, she writes, "As the work has received no further

notice from any periodical, I presume the demand for it has not greatly

increased."

In the biographical notice of her sisters, she thus speaks of the failure

of the modest hopes vested in this publication. "The book was printed;

it is scarcely known, and all of it that merits to be known are the poems

of Ellis Bell.

"The fixed conviction I held, and hold, of the worth of these poems, has

not, indeed, received the confirmation of much favourable criticism; but

I must retain it notwithstanding."

FOOTNOTES:

{1} A reviewer pointed out the discrepancy between the age (twenty-seven

years) assigned, on the mural tablet, to Anne Bronte at the time of her

death in 1849, and the alleged fact that she was born at Thornton, from

which place Mr. Bronte removed on February 25th, 1820. I was aware of

the discrepancy, but I did not think it of sufficient consequence to be

rectified by an examination of the register of births. Mr. Bronte's own

words, on which I grounded my statement as to the time of Anne Bronte's

birth, are as follows:--

"In Thornton, Charlotte, Patrick Branwell, Emily Jane, and Anne were

born." And such of the inhabitants of Haworth as have spoken on the

subject say that all the children of Mr. and Mrs. Bronte were born before

they removed to Haworth. There is probably some mistake in the

inscription on the tablet.

{2} In the month of April 1858, a neat mural tablet was erected within

the Communion railing of the Church at Haworth, to the memory of the

deceased members of the Bronte family. The tablet is of white Carrara

marble on a ground of dove-coloured marble, with a cornice surmounted by

an ornamental pediment of chaste design. Between the brackets which

support the tablet, is inscribed the sacred monogram I.H.S., in old

English letters.

In Memory of

Maria, wife of the Rev. P. Bronte, A.B., Minister of Haworth,

She died Sept. 15th, 1821, in the 39th year of her age.

Also, of Maria, their daughter, who died May 6th, 1825, in the 12th year

of her age.

Also, of Elizabeth, their daughter, who died June 15th, 1825, in the 11th

year of her age.

Also, of Patrick Branwell, their son, who died Sept. 24th, 1848, aged 31

years.

Also, of Emily Jane, their daughter, who died Dec. 19th, 1848, aged 30

years.

Also, of Anne, their daughter, who died May 28th, 1849, aged 29 years.

She was buried at the Old Church, Scarborough.

Also, of Charlotte, their daughter, wife of the Rev. A. B. Nicholls, B.A.

She died March 31st, 1855, in the 39th year of her age.

"The sting of death is sin, and the strength of sin is the law, but

thanks be to God which giveth us the victory through our Lord Jesus

Christ."--1 Cor. xv. 56, 57.

{3} With regard to my own opinion of the present school, I can only give

it as formed after what was merely a cursory and superficial inspection,

as I do not believe that I was in the house above half an hour; but it

was and is this,--that the house at Casterton seemed thoroughly healthy

and well kept, and is situated in a lovely spot; that the pupils looked

bright, happy, and well, and that the lady superintendent was a most

prepossessing looking person, who, on my making some inquiry as to the

accomplishments taught to the pupils, said that the scheme of education

was materially changed since the school had been opened. I would have

inserted this testimony in the first edition, had I believed that any

weight could be attached to an opinion formed on such slight and

superficial grounds.

{4} "Jane Eyre," vol. I., page 20.

{5} Scott describes the sport, "Shooting at the Popinjay," "as an

ancient game formerly practised with archery, but at this period (1679)

with firearms. This was the figure of a bird decked with parti-coloured

feathers, so as to resemble a popinjay or parrot. It was suspended to a

pole, and served for a mark at which the competitors discharged their

fusees and carbines in rotation, at the distance of seventy paces. He

whose ball brought down the mark held the proud title of Captain of the

Popinjay for the remainder of the day, and was usually escorted in

triumph to the most respectable change-house in the neighbourhood, where

the evening was closed with conviviality, conducted under his auspices,

and if he was able to maintain it, at his expense."--Old Mortality.

{6} In this Gutenberg eBook M. Heger's comments are given in {} at

approximately the place where they occur--DP.

The Life of Charlotte Brontë — Volume 1 · 第 14 / 14 章