CHAPTER VIII.

HUMOROUS POEMS.

I will next group a score of poems and doggerel rhymes with their

various degrees of humor.

THE FIRST NEEDLE.

BY LUCRETIA P. HALE.

"Have you heard the new invention, my dears,

That a man has invented?" said she.

"It's a stick with an eye

Through which you can tie

A thread so long, it acts like a thong,

And the men have such fun,

To see the thing run!

A firm, strong thread, through that eye at the head,

Is pulled over the edges most craftily,

And makes a beautiful seam to see!"

"What, instead of those wearisome thorns, my dear,

Those wearisome thorns?" cried they.

"The seam we pin

Driving them in,

But where are they by the end of the day,

With dancing, and jumping, and leaps by the sea?

For wintry weather

They won't hold together,

Seal-skins and bear-skins all dropping round

Off from our shoulders down to the ground.

The thorns, the tiresome thorns, will prick,

But none of them ever consented to stick!

Oh, won't the men let us this new thing use?

If we mend their clothes they can't refuse.

Ah, to sew up a seam for them to see--

What a treat, a delightful treat, 'twill be!"

"Yes, a nice thing, too, for the babies, my dears--

But, alas, there is but one!" cried she.

"I saw them passing it round, and then

They said it was fit for only men!

What woman would know

How to make the thing go?

There was not a man so foolish to dream

That any woman could sew up a seam!"

Oh, then there was babbling and scrabbling, my dears!

"At least they might let us do that!" cried they.

"Let them shout and fight

And kill bears all night;

We'll leave them their spears and hatchets of stone

If they'll give us this thing for our very own.

It will be like a joy above all we could scheme,

To sit up all night and sew such a seam."

"Beware! take care!" cried an aged old crone,

"Take care what you promise," said she.

"At first 'twill be fun,

But, in the long run,

You'll wish you had let the thing be.

Through this stick with an eye

I look and espy

That for ages and ages you'll sit and you'll sew,

And longer and longer the seams will grow,

And you'll wish you never had asked to sew.

But naught that I say

Can keep back the day,

For the men will return to their hunting and rowing,

And leave to the women forever the sewing."

Ah, what are the words of an aged crone?

For all have left her muttering alone;

And the needle and thread that they got with such pains,

They forever must keep as dagger and chains.

THE FUNNY STORY.

BY JOSEPHINE POLLARD.

It was such a funny story! how I wish you could have heard it,

For it set us all a-laughing, from the little to the big;

I'd really like to tell it, but I don't know how to word it,

Though it travels to the music of a very lively jig.

If Sally just began it, then Amelia Jane would giggle,

And Mehetable and Susan try their very broadest grin;

And the infant Zachariah on his mother's lap would wriggle,

And add a lusty chorus to the very merry din.

It was such a funny story, with its cheery snap and crackle,

And Sally always told it with so much dramatic art,

That the chickens in the door-yard would begin to "cackle-cackle,"

As if in such a frolic they were anxious to take part.

It was all about a--ha! ha!--and a--ho! ho! ho!--well really,

It is--he! he! he!--I never could begin to tell you half

Of the nonsense there was in it, for I just remember clearly

It began with--ha! ha! ha! ha! and it ended with a laugh.

But Sally--she could tell it, looking at us so demurely,

With a woe-begone expression that no actress would despise;

And if you'd never heard it, why you would imagine surely

That you'd need your pocket-handkerchief to wipe your weeping eyes.

When age my hair has silvered, and my step has grown unsteady,

And the nearest to my vision are the scenes of long ago,

I shall see the pretty picture, and the tears may come as ready

As the laugh did, when I used to--ha! ha! ha! and--ho! ho! ho!

A SONNET.

BY JOSEPHINE POLLARD.

Once a poet wrote a sonnet

All about a pretty bonnet,

And a critic sat upon it

(On the sonnet,

Not the bonnet),

Nothing loath.

And as if it were high treason,

He said: "Neither rhyme nor reason

Has it; and it's out of season,"

Which? the sonnet

Or the bonnet?

Maybe both.

"'Tis a feeble imitation

Of a worthier creation;

An aesthetic innovation!"

Of a sonnet

Or a bonnet?

This was hard.

Both were put together neatly,

Harmonizing very sweetly,

But the critic crushed completely

Not the bonnet,

Or the sonnet,

But the bard.

WANTED, A MINISTER.

BY MRS. M.E.W. SKEELS.

We've a church, tho' the belfry is leaning,

They are talking I think of repair,

And the _bell_, oh, pray but excuse us,

'Twas _talked of_, but never's been there.

Now, "Wanted, a _real live minister_,"

And to settle the same for _life_,

We've an organ and some one to play it,

So we don't care a fig for his wife.

We once had a pastor (don't tell it),

But we chanced on a time to discover

That his sermons were writ long ago,

And he had preached them twice over.

How sad this mistake, tho' unmeaning,

Oh, it made such a desperate muss!

Both deacon and laymen were vexed,

And decided, "He's no man for us."

And then the "old nick" was to pay,

"Truth indeed is stranger than fiction,"

His _prayers_ were so tedious and long,

People slept, till the benediction.

And then came another, on trial,

Who _actually preached in his gloves_,

His manner so _awkward_ and _queer_,

That we _settled him off_ and he moved.

And then came another so meek,

That his name really ought to 've been _Moses_;

We almost considered him _settled_,

When lo! the secret discloses,

He'd attacks of nervous disease,

That unfit him for every-day duty;

His sermons, oh, never can please,

They lack both in force and beauty.

Now, "wanted, a minister," really,

That won't preach his _old sermons over_,

That will make _short prayers_ while in church,

With no fault that the ear can discover,

That is very forbearing, yes very,

That blesses wherever he moves--

Not too zealous, nor lacking for zeal,

That _preaches without any gloves!_

Now, "wanted, a minister," really,

"That was born ere nerves came in fashion,"

That never complains of the "headache,"

That never is roused to a passion.

He must add to the wisdom of Solomon

The unwearied patience of Job,

Must be _mute in political matters_,

Or doff his clerical robe.

If he pray for the present Congress,

He must speak in an undertone;

If he pray for President Johnson,

_He_ NEEDS _'em_, why let him go on.

He must touch upon doctrines so lightly,

That no one can take an offence,

Mustn't meddle with _predestination_--

In short, must preach "common sense."

Now really wanted a minister,

With religion enough to sustain him,

For the _salary's exceedingly_ small,

And _faith alone_ must _maintain him_.

He must visit the sick and afflicted,

Must mourn with those that mourn,

Must preach the "funeral sermons"

With a very _peculiar_ turn.

He must preach at the north-west school-house

On every Thursday eve,

And things too numerous to mention

He must do, and must believe.

He must be of careful demeanor,

Both graceful and eloquent too,

Must adjust his cravat "a la mode,"

Wear his beaver, decidedly, so.

Now if _some one_ will deign to be shepherd

To this "our _peculiar people_,"

Will be first to subscribe for a bell,

And help us to right up the steeple,

If _correct_ in doctrinal points

(We've _a committee of investigation_),

If possessed of these requisite graces,

We'll accept him perhaps on probation.

Then if two-thirds of the church can agree,

We'll settle him here for life;

Now, we advertise, "_Wanted, a Minister_,"

And not a minister's wife.

THE MIDDY OF 1881.

BY MAY CROLY ROPER.

I'm the dearest, I'm the sweetest little mid

To be found in journeying from here to Hades,

I am also, nat-u-rally, _a prodid-_

Gious favorite with all the pretty ladies.

I _know_ nothing, but say a mighty deal;

My elevated nose, likewise, comes handy;

I stalk around, my great importance feel--

In short, I'm a brainless little dandy.

My hair is light, and waves above my brow,

My mustache can just be seen through opera-glasses;

I originate but flee from every row,

And no one knows as well as I what "sass" is!

The officers look down on me with scorn,

The sailors jeer at me--behind my jacket,

But still my heart is not "with anguish torn,"

And life with me is one continued racket.

Whene'er the captain sends me with a boat,

The seamen know an idiot has got 'em;

They make their wills and are prepared to die,

Quite certain they are going to the bottom.

But what care I! For when I go ashore,

In uniform with buttons bright and shining,

The girls all cluster 'round me to adore,

And lots of 'em for love of me are pining.

I strut and dance, and fool my life away;

I'm nautical in past and future tenses!

Long as I know an ocean from a bay,

I'll shy the rest, and take the consequences.

I'm the dearest, I'm the sweetest little mid

That ever graced the tail-end of his classes,

And through a four years' course of study slid,

First am I in the list of Nature's--donkeys!

--_Scribner's Magazine Bric-a-Brac, 1881._

INDIGNANT POLLY WOG.

BY MARGARET EYTINGE.

A tree-toad dressed in apple-green

Sat on a mossy log

Beside a pond, and shrilly sang,

"Come forth, my Polly Wog--

My Pol, my Ly,--my Wog,

My pretty Polly Wog,

I've something very sweet to say,

My slender Polly Wog!

"The air is moist, the moon is hid

Behind a heavy fog;

No stars are out to wink and blink

At you, my Polly Wog--

My Pol, my Ly--my Wog,

My graceful Polly Wog;

Oh, tarry not, beloved one!

My precious Polly Wog!"

Just then away went clouds, and there

A sitting on the log--

The other end I mean--the moon

Showed angry Polly Wog.

Her small eyes flashed, she swelled until

She looked almost a frog;

"How _dare_ you, sir, call _me_," she asked,

"Your _precious_ Polly Wog?

"Why, one would think you'd spent your life

In some low, muddy bog.

I'd have you know--to _strange_ young men

My name's Miss Mary Wog."

One wild, wild laugh that tree-toad gave,

And tumbled off the log,

And on the ground he kicked and screamed,

"Oh, Mary, Mary Wog.

Oh, May! oh, Ry--oh, Wog!

Oh, proud Miss Mary Wog!

Oh, goodness gracious! what a joke!

Hurrah for Mary Wog!"

"KISS PRETTY POLL!"

BY MARY D. BRINE.

"Kiss Pretty Poll!" the parrot screamed,

And "Pretty Poll," repeated I,

The while I stole a merry glance

Across the room all on the sly,

Where some one plied her needle fast,

Demurely by the window sitting;

But I beheld upon her cheek

A multitude of blushes flitting.

"Kiss Pretty Poll," the parrot coaxed:

"I would, but dare not try," I said,

And stole another glance to see

How some one drooped her golden head,

And sought for something on the floor

(The loss was only feigned, I knew)--

And still, "Kiss Poll," the parrot screamed,

The very thing I longed to do.

But some one turned to me at last,

"Please, won't you keep that parrot still?"

"Why, yes," said I, "at least--you see

If you will let me, dear, I will."

And so--well, never mind the rest;

But some one said it was a shame

To take advantage just because

A foolish parrot bore her name.

--_Harper's Weekly._

THANKSGIVING-DAY (THEN AND NOW).

BY MARY D. BRINE.

Thanksgiving-day, a year ago,

A bachelor was I,

Free as the winds that whirl and blow,

Or clouds that sail on high:

I smoked my meerschaum blissfully,

And tilted back my chair,

And on the mantel placed my feet,

For who would heed or care?

The fellows gathered in my room

For many an hour of fun,

Or I would meet them at the club

For cards, till night was done.

I came or went as pleased me best,

Myself the first and last.

One year ago! Ah, can it be

That freedom's age is past?

Now, here's a note just come from Fred:

"Old fellow, will you dine

With me to-day? and meet the boys,

A jolly number--nine?"

Ah, Fred is quite as free to-day

As just a year ago,

And ignorant, happily, I may say,

Of things _I've_ learned to know.

I'd like, yes, if the truth were known,

I'd like to join the boys,

But then a Benedick must learn

To cleave to other joys.

So, here's my answer: "Fred, old chum,

I much regret--oh, pshaw!

To tell the truth, I've got to dine

With--_my dear mother-in-law!_"

--_Harper's Weekly._

CONCERNING MOSQUITOES.

_Feelingly Dedicated to their Discounted Bills._

BY MISS ANNA A. GORDON.

Skeeters have the reputation

Of continuous application

To their poisonous profession;

Never missing nightly session,

Wearing out your life's existence

By their practical persistence.

Would I had the power to veto

Bills of every mosquito;

Then I'd pass a peaceful summer,

With no small nocturnal hummer

Feasting on my circulation,

For his regular potation.

Oh, that rascally mosquito!

He's a fellow you must see to;

Which you can't do if you're napping,

But must evermore be slapping

Quite promiscuous on your features;

For you'll seldom hit the creatures.

But the thing most aggravating

Is the cool and calculating

Way in which he tunes his harpstring

To the melody of sharp sting;

Then proceeds to serenade you,

And successfully evade you.

When a skeeter gets through stealing,

He sails upward to the ceiling,

Where he sits in deep reflection

How he perched on your complexion,

Filled with solid satisfaction

At results of his extraction.

Would you know, in this connection,

How you may secure protection

For yourself and city cousins

From these bites and from these buzzin's?

Show your sense by quickly getting

For each window--skeeter netting.

THE STILTS OF GOLD.

BY METTA VICTORIA VICTOR.

Mrs. Mackerel sat in her little room,

Back of her husband's grocery store,

Trying to see through the evening gloom,

To finish the baby's pinafore.

She stitched away with a steady hand,

Though her heart was sore, to the very core,

To think of the troublesome little band,

(There were seven, or more),

And the trousers, frocks, and aprons they wore,

Made and mended by her alone.

"Slave, slave!" she said, in a mournful tone;

"And let us slave, and contrive, and fret,

I don't suppose we shall ever get

A little home which is all our own,

With my own front door

Apart from the store,

And the smell of fish and tallow no more."

These words to herself she sadly spoke,

Breaking the thread from the last-set stitch,

When Mackerel into her presence broke--

"Wife, we're--we're--we're, wife, we're--we're _rich_!"

"_We_ rich! ha, ha! I'd like to see;

I'll pull your hair if you're fooling me."

"Oh, don't, love, don't! the letter is here--

You can read the news for yourself, my dear.

The one who sent you that white crape shawl--

There'll be no end to our gold--he's dead;

You know you always would call him stingy,

Because he didn't invite us to Injy;

And I am his only heir, 'tis said.

A million of pounds, at the very least,

And pearls and diamonds, likely, beside!"

Mrs. Mackerel's spirits rose like yeast--

"How lucky I married you, Mac," she cried.

Then the two broke forth into frantic glee.

A customer hearing the strange commotion,

Peeped into the little back-room, and he

Was seized with the very natural notion

That the Mackerel family had gone insane;

So he ran away with might and main.

Mac shook his partner by both her hands;

They dance, they giggle, they laugh, they stare;

And now on his head the grocer stands,

Dancing a jig with his feet in air--

Remarkable feat for a man of his age,

Who never had danced upon any stage

But the High-Bridge stage, when he set on top,

And whose green-room had been a green-grocer's shop.

But that Mrs. Mac should perform so well

Is not very strange, if the tales they tell

Of her youthful days have any foundation.

But let that pass with her former life--

An opera-girl may make a good wife,

If she happens to get such a nice situation.

A million pounds of solid gold

One would have thought would have crushed them dead;

But dear they bobbed, and courtesied, and rolled

Like a couple of corks to a plummet of lead.

'Twas enough the soberest fancy to tickle

To see the two Mackerels in such a pickle!

It was three o'clock when they got to bed;

Even then through Mrs. Mackerel's head

Such gorgeous dreams went whirling away,

"Like a Catherine-wheel," she declared next day,

"That her brain seemed made of sparkles of fire

Shot off in spokes, with a ruby tire."

Mrs. Mackerel had ever been

One of the upward-tending kind,

Regarded by husband and by kin

As a female of very ambitious mind.

It had fretted her long and fretted her sore

To live in the rear of the grocery-store.

And several times she was heard to say

She would sell her soul for a year and a day

To the King of Brimstone, Fire, and Pitch,

For the power and pleasure of being rich.

Now her ambition had scope to work--

Riches, they say, are a burden at best;

Her onerous burden she did not shirk,

But carried it all with commendable zest;

Leaving her husband with nothing in life

But to smoke, eat, drink, and obey his wife.

She built a house with a double front-door,

A marble house in the modern style,

With silver planks in the entry floor,

And carpets of extra-magnificent pile.

And in the hall, in the usual manner,

"A statue," she said, "of the chased Diana;

Though who it was chased her, or whether they

Caught her or not, she could, really, not say."

A carriage with curtains of yellow satin--

A coat-of-arms with these rare devices:

"A mackerel sky and the starry Pisces--"

And underneath, in the purest fish-latin,

_If fishibus flyabus

They may reach the skyabus!_

Yet it was not in common affairs like these

She showed her original powers of mind;

Her soul was fired, her ardor inspired,

To stand apart from the rest of mankind;

"To be A No. one," her husband said;

At which she turned very angrily red,

For she couldn't endure the remotest hint

Of the grocery-store, and the mackerels in't.

Weeks and months she plotted and planned

To raise herself from the common level;

Apart from even the few to stand

Who'd hundreds of thousands on which to revel.

Her genius, at last, spread forth its wings--

Stilts, golden stilts, are the very things--

"I'll walk on stilts," Mrs. Mackerel cried,

In the height of her overtowering pride.

Her husband timidly shook his head;

But she did not care--"For why," as she said,

"Should the owner of more than a million pounds

Be going the rounds

On the very same grounds

As those low people, she couldn't tell who,

They might keep a shop, for all she knew."

She had a pair of the articles made,

Of solid gold, gorgeously overlaid

With every color of precious stone

Which ever flashed in the Indian zone.

She privately practised many a day

Before she ventured from home at all;

She had lost her girlish skill, and they say

That she suffered many a fearful fall;

But pride is stubborn, and she was bound

On her golden stilts to go around,

Three feet, at least, from the plebeian ground.

'Twas an exquisite day,

In the month of May,

That the stilts came out for a promenade;

Their first _entree_

Was made on the shilling side of Broadway;

The carmen whistled, the boys went mad,

The omnibus-drivers their horses stopped.

The chestnut-roaster his chestnuts dropped,

The popper of corn no longer popped;

The daintiest dandies deigned to stare,

And even the heads of women fair

Were turned by the vision meeting them there.

The stilts they sparkled and flashed and shone

Like the tremulous lights of the frigid zone,

Crimson and yellow and sapphire and green,

Bright as the rainbows in summer seen;

While the lady she strode along between

With a majesty too supremely serene

For anything _but_ an American queen.

A lady with jewels superb as those,

And wearing such very expensive clothes,

Might certainly do whatever she chose!

And thus, in despite of the jeering noise,

And the frantic delight of the little boys,

The stilts were a very decided success.

The _creme de la creme_ paid profoundest attention,

The merchants' clerks bowed in such wild excess,

When she entered their shops, that they strained their spines,

And afterward went into rapid declines.

The papers, next day, gave her flattering mention;

"The wife of our highly-esteemed fellow-citizen,

A Mackerel, of Codfish Square, in this city,

Scorning French fashions, herself has hit on one

So very piquant and stylish and pretty,

We trust our fair friends will consider it treason

_Not_ to walk upon stilts, by the close of the season."

Mrs. Mackerel, now, was never seen

Out of her chamber, day or night,

Unless her stilts were along--her mien

Was very imposing from such a height,

It imposed upon many a dazzled wight,

Who snuffed the perfume floating down

From the rustling folds of her gorgeous gown,

But never could smell through these bouquets

The fishy odor of former days.

She went on her golden stilts to pray,

Which never became her better than then,

When her murmuring lips were heard to say,

"Thank God, I am not as my fellow-men!"

Her pastor loved as a pastor might--

His house that was built on a golden rock;

He pointed it out as a shining light

To the lesser lambs of his fleecy flock.

The stilts were a help to the church, no doubt,

They kindled its self-expiring embers,

So that before the season was out

It gained a dozen excellent members.

Mrs. Mackerel gave a superb soiree,

Standing on stilts to receive her guests;

The gas-lights mimicked the glowing day

So well, that the birds, in their flowery nests,

Almost burst their beautiful breasts,

Trilling away their musical stories

In Mrs. Mackerel's conservatories.

She received on stilts; a distant bow

Was all the loftiest could attain--

Though some of her friends she did allow

To kiss the hem of her jewelled train.

One gentleman screamed himself quite hoarse

Requesting her to dance; which, of course,

Couldn't be done on stilts, as she

Halloed down to him rather scornfully.

The fact is, when Mackerel kept a shop,

His wife was very fond of a hop,

And now, as the music swelled and rose,

She felt a tingling in her toes,

A restless, tickling, funny sensation

Which didn't agree with her exaltation.

When the maddened music was at its height,

And the waltz was wildest--behold, a sight!

The stilts began to hop and twirl

Like the saucy feet of a ballet-girl.

And their haughty owner, through the air,

Was spin, spin, spinning everywhere.

Everybody got out of the way

To give the dangerous stilts fair play.

In every corner, at every door,

With faces looking like unfilled blanks,

They watched the stilts at their airy pranks,

Giving them, unrequested, the floor.

They never had glittered so bright before;

The light it flew in flashing splinters

Away from those burning, revolving centres;

While the gems on the lady's flying skirts

Gave out their light in jets and spirts.

Poor Mackerel gazed in mute dismay

At this unprecedented display.

"Oh, stop, love, stop!" he cried at last;

But she only flew more wild and fast,

While the flutes and fiddles, bugle and drum,

Followed as if their time had come.

She went at such a bewildering pace

Nobody saw the lady's face,

But only a ring of emerald light

From the crown she wore on that fatal night.

Whether the stilts were propelling her,

Or she the stilts, none could aver.

Around and around the magnificent hall

Mrs. Mackerel danced at her own grand ball.

"As the twig is bent the tree's inclined;"

This must have been a case in kind.

"What's in the blood will sometimes show--"

'Round and around the wild stilts go.

It had been whispered many a time

That when poor Mack was in his prime

Keeping that little retail store,

He had fallen in love with a ballet-girl,

Who gave up fame's entrancing whirl

To be his own, and the world's no more.

She made him a faithful, prudent wife--

Ambitious, however, all her life.

Could it be that the soft, alluring waltz

Had carried her back to a former age,

Making her memory play her false,

Till she dreamed herself on the gaudy stage?

Her crown a tinsel crown--her guests

The pit that gazes with praise and jests?

"Pride," they say, "must have a fall--"

Mrs. Mackerel was very proud--

And now she danced at her own grand ball,

While the music swelled more fast and loud.

The gazers shuddered with mute affright,

For the stilts burned now with a bluish light,

While a glimmering, phosphorescent glow

Did out of the lady's garments flow.

And what was that very peculiar smell?

Fish, or brimstone? no one could tell.

Stronger and stronger the odor grew,

And the stilts and the lady burned more blue;

'Round and around the long saloon,

While Mackerel gazed in a partial swoon,

She approached the throng, or circled from it,

With a flaming train like the last great comet;

Till at length the crowd

All groaned aloud.

For her exit she made from her own grand ball

Out of the window, stilts and all.

None of the guests can really say

How she looked when she vanished away.

Some declare that she carried sail

On a flying fish with a lambent tail;

And some are sure she went out of the room

Riding her stilts like a witch a broom,

While a phosphorent odor followed her track:

Be this as it may, she never came back.

Since then, her friends of the gold-fish fry

Are in a state of unpleasant suspense,

Afraid, that unless they unselfishly try

To make better use of their dollars and sense

To chasten their pride, and their manners mend,

They may meet a similar shocking end.

--_Cosmopolitan Art Journal._

JUST SO.

BY METTA VICTORIA VICTOR.

A youth and maid, one winter night,

Were sitting in the corner;

His name, we're told, was Joshua White,

And hers was Patience Warner.

Not much the pretty maiden said,

Beside the young man sitting;

Her cheeks were flushed a rosy red,

Her eyes bent on her knitting.

Nor could he guess what thoughts of him

Were to her bosom flocking,

As her fair fingers, swift and slim,

Flew round and round the stocking.

While, as for Joshua, bashful youth,

His words grew few and fewer;

Though all the time, to tell the truth,

His chair edged nearer to her.

Meantime her ball of yarn gave out,

She knit so fast and steady;

And he must give his aid, no doubt,

To get another ready.

He held the skein; of course the thread

Got tangled, snarled and twisted;

"Have Patience!" cried the artless maid,

To him who her assisted.

Good chance was this for tongue-tied churl

To shorten all palaver;

"Have Patience!" cried he, "dearest girl!

And may I really have her?"

The deed was done; no more, that night,

Clicked needles in the corner:--

And she is Mrs. Joshua White

That once was Patience Warner.

THE INVENTOR'S WIFE.

BY E.T. CORBETT.

It's easy to talk of the patience of Job. Humph! Job had nothin'

to try him;

Ef he'd been married to 'Bijah Brown, folks wouldn't have dared

come nigh him.

Trials, indeed! Now I'll tell you what--ef you want to be sick

of your life,

Jest come and change places with me a spell, for I'm an

inventor's wife.

And sech inventions! I'm never sure when I take up my coffee-pot,

That 'Bijah hain't been "improvin'" it, and it mayn't go off

like a shot.

Why, didn't he make me a cradle once that would keep itself

a-rockin',

And didn't it pitch the baby out, and wasn't his head bruised

shockin'?

And there was his "patent peeler," too, a wonderful thing I'll say;

But it hed one fault--it never stopped till the apple was peeled away.

As for locks and clocks, and mowin' machines, and reapers, and all

such trash,

Why, 'Bijah's invented heaps of them, but they don't bring in no cash!

Law! that don't worry him--not at all; he's the aggravatinest man--

He'll set in his little workshop there, and whistle and think and plan,

Inventin' a Jews harp to go by steam, or a new-fangled powder-horn,

While the children's goin' barefoot to school, and the weeds is

chokin' our corn.

When 'Bijah and me kep' company, he wasn't like this, you know;

Our folks all thought he was dreadful smart--but that was years ago.

He was handsome as any pictur' then, and he had such a glib,

bright way--

I never thought that a time would come when I'd rue my weddin'-day;

But when I've been forced to chop the wood, and tend to the

farm beside,

And look at 'Bijah a-settin' there, I've jest dropped down and cried.

We lost the hull of our turnip crop while he was inventin' a gun,

But I counted it one of my marcies when it bust before 'twas done.

So he turned it into a "burglar alarm." It ought to give

thieves a fright--

'Twould scare an honest man out of his wits, ef he sot it

off at night.

Sometimes I wonder ef 'Bijah's crazy, he does such curious things.

Have I told you about his bedstead yit? 'Twas full of wheels

and springs;

It hed a key to wind it up, and a clock-face at the head;

All you did was to turn them hands, and at any hour you said

That bed got up and shook itself, and bounced you on the floor,

And then shet up, jest like a box, so you couldn't sleep any more.

Wa'al, 'Bijah he fixed it all complete, and he sot it at

half-past five,

But he hadn't more 'n got into it, when--dear me! sakes alive!

Them wheels began to whizz and whirr! I heard a fearful snap,

And there was that bedstead with 'Bijah inside shet up jest

like a trap!

I screamed, of course, but 'twant no use. Then I worked that

hull long night

A-tryin' to open the pesky thing. At last I got in a fright:

I couldn't hear his voice inside, and I thought he might be dyin',

So I took a crowbar and smashed it in. There was 'Bijah

peacefully lyin',

Inventin' a way to git out agin. That was all very well to say,

But I don't believe he'd have found it out if I'd left him in all day.

Now, since I've told you my story, do you wonder I'm tired of life,

Or think it strange I often wish I warn't an inventor's wife?

AN UNRUFFLED BOSOM.

(_Story of an old Woman who knew Washington._)

BY LIZZIE W. CHAMPNEY.

An aged negress at her door

Is sitting in the sun;

Her day of work is almost o'er,

Her day of rest begun.

Her face is black as darkest night,

Her form is bent and thin,

And o'er her bony visage tight

Is stretched her wrinkled skin.

Her dress is scant and mean; yet still

About her ebon face

There flows a soft and creamy frill

Of costly Mechlin lace.

What means the contrast strange and wide?

Its like is seldom seen--

A pauper's aged face beside

The laces of a queen.

Her mien is stately, proud, and high,

And yet her look is kind,

And the calm light within her eye

Speaks an unruffled mind.

"Dar comes anodder ob dem tramps,"

She mumbles low in wrath,

"I know dose sleek Centennial chaps

Quick as dey mounts de path."

A-axing ob a lady's age

I tink is impolite,

And when dey gins to interview

I disremembers quite.

Dar was dat spruce photometer

Dat tried to take my head,

And Mr. Squibbs, de porterer,

Wrote down each word I said.

Six hundred years I t'ought it was,

Or else it was sixteen--

Yes; I'd shook hands wid Washington

And likewise General Greene.

I tole him all de generals' names

Dar ebber was, I guess,

From General Lee and La Fayette

To General Distress.

Den dar's dem high-flown ladies

My _old_ tings came to see;

Wanted to buy dem some heirlooms

Of real Aunt Tiquity.

Says I, "Dat isn't dis chile's name,

Dey calls me Auntie Scraggs,"

And den I axed dem, by de pound

How much dey gabe for rags?

De missionary had de mose

Insurance of dem all;

He tole me I was ole, and said,

Leabes had dar time to fall.

He simply wished to ax, he said,

As pastor and as friend,

If wid unruffled bosom I

Approached my latter end.

Now how he knew dat story I

Should mightily like to know.

I 'clar to goodness, Massa Guy,

If dat ain't really you!

You say dat in your wash I sent

You only one white vest;

And as you'se passin' by you t'ought

You'd call and get de rest.

Now, Massa Guy, about your shirts,

At least, it seems to me

Dat you is more particular

Dan what you used to be.

Your family pride is stiff as starch,

Your blood is mighty blue--

I nebber spares de indigo

To make your shirts so, too.

I uses candle ends, and wax,

And satin-gloss and paints,

Until your wristbands shine like to

De pathway ob de saints.

But when a gemman sends to me

Eight white vests eberry week,

A stain ob har-oil on each one,

I tinks it's time to speak.

When snarled around a button dar's

A golden har or so,

Dat young man's going to be wed,

Or someting's wrong, I know.

You needn't laugh, and turn it off

By axing 'bout my cap;

You didn't use to know nice lace,

And never cared a snap

What 'twas a lady wore. But folks

Wid teaching learn a lot,

And dey do say Miss Bella buys

De best dat's to be got.

But if you really want to know,

I don't mind telling you

Jus' how I come by dis yere lace--

It's cur'us, but it's true.

My mother washed for Washington

When I warn't more'n dat tall;

I cut one of his shirt-frills off

To dress my corn-cob doll;

And when de General saw de shirt,

He jus' was mad enough

To tink he got to hold review

Widout his best Dutch ruff.

Ma'am said she 'lowed it was de calf

Dat had done chawed it off;

But when de General heard dat ar,

He answered with a scoff;

He said de marks warn't don' of teef,

But plainly dose ob shears;

An' den he showed her to de do'

And cuffed me on ye years.

And when my ma'am arribed at home

She stretched me 'cross her lap,

Den took de lace away from me

An' sewed it on her cap.

And when I dies I hope dat dey

Wid it my shroud will trim.

Den when we meets on Judgment Day,

I'll gib it back to him.

So dat's my story, Massa Guy,

Maybe I's little wit;

But I has larned to, when I'm wrong,

Make a clean breast ob it.

Den keep a conscience smooth and white

(You can't if much you flirt),

And an unruffled bosom, like

De General's Sunday shirt.

HAT, ULSTER AND ALL.

BY CHARLOTTE FISKE BATES.

_John Verity's Experience._

I saw the congregation rise,

And in it, to my great surprise,

A Kossuth-covered head.

I looked and looked, and looked again,

To make quite sure my sight was plain,

Then to myself I said:

That fellow surely is a Jew,

To whom the Christian faith is new,

Nor is it strange, indeed,

If used to wear his hat in church,

His manners leave him in the lurch

Upon a change of creed.

Joining my friend on going out,

Conjecture soon was put to rout

By smothered laugh of his:

Ha! ha! too good, too good, no Jew,

Dear fellow, but Miss Moll Carew,

Good Christian that she is!

Bad blunder all I have to say,

It is a most unchristian way

To rig Miss Moll Carew--

She has my hat, my cut of hair,

Just such an ulster as I wear,

And heaven knows what else, too.

AUCTION EXTRAORDINARY.

BY LUCRETIA DAVIDSON.

I dreamed a dream in the midst of my slumbers,

And as fast as I dreamed it, it came into numbers;

My thoughts ran along in such beautiful meter,

I'm sure I ne'er saw any poetry sweeter:

It seemed that a law had been recently made

That a tax on old bachelors' pates should be laid;

And in order to make them all willing to marry,

The tax was as large as a man could well carry.

The bachelors grumbled and said 'twas no use--

'Twas horrid injustice and horrid abuse,

And declared that to save their own hearts' blood from spilling,

Of such a vile tax they would not pay a shilling.

But the rulers determined them still to pursue,

So they set all the old bachelors up at vendue:

A crier was sent through the town to and fro,

To rattle his bell and a trumpet to blow,

And to call out to all he might meet in his way,

"Ho! forty old bachelors sold here to-day!"

And presently all the old maids in the town,

Each in her very best bonnet and gown,

From thirty to sixty, fair, plain, red and pale,

Of every description, all flocked to the sale.

The auctioneer then in his labor began,

And called out aloud, as he held up a man,

"How much for a bachelor? Who wants to buy?"

In a twink, every maiden responsed, "I--I!"

In short, at a highly extravagant price,

The bachelors all were sold off in a trice:

And forty old maidens, some younger, some older,

Each lugged an old bachelor home on her shoulder.

A APELE FOR ARE TO THE SEXTANT.

BY ARABELLA WILSON.

O Sextant of the meetinouse which sweeps

And dusts, or is supposed to! and makes fiers,

And lites the gas, and sumtimes leaves a screw loose,

In which case it smells orful--wus than lampile;

And wrings the Bel and toles it when men dies

To the grief of survivin' pardners, and sweeps paths,

And for these servaces gits $100 per annum;

Wich them that thinks deer let 'em try it;

Gittin up before starlite in all wethers, and

Kindlin' fiers when the wether is as cold

As zero, and like as not green wood for kindlins

(I wouldn't be hierd to do it for no sum);

But o Sextant there are one kermodity

Wuth more than gold which don't cost nuthin;

Wuth more than anything except the Sole of man!

I mean pewer Are, Sextant, I mean pewer Are!

O it is plenty out o' dores, so plenty it doant no

What on airth to do with itself, but flize about

Scatterin leaves and bloin off men's hats;

In short its jest as free as Are out dores;

But O Sextant! in our church its scarce as piety,

Scarce as bankbills when ajunts beg for mishuns,

Which sum say is purty often, taint nuthin to me,

What I give aint nuthing to nobody; but O Sextant!

You shet 500 men women and children

Speshily the latter, up in a tite place,

Sum has bad breths, none of em aint too sweet,

Sum is fevery, sum is scroflus, sum has bad teeth

And sum haint none, and sum aint over clean;

But evry one of em brethes in and out and in

Say 50 times a minnet, or 1 million and a half breths an hour;

Now how long will a church full of are last at that rate?

I ask you; say fifteen minnets, and then what's to be did?

Why then they must breth it all over agin,

And then agin and so on, till each has took it down

At least ten times and let it up agin, and what's more,

The same individible doant have the privilege

Of breathin his own are and no one else,

Each one must take wotever comes to him,

O Sextant! doant you know our lungs is belluses

To blo the fier of life and keep it from

Going out: und how can bellusses blo without wind?

And aint wind are? I put it to your konshens,

Are is the same to us as milk to babies,

Or water is to fish, or pendlums to clox,

Or roots and airbs unto an Injun doctor,

Or little pills unto an omepath,

Or Boze to girls. Are is for us to brethe.

What signifize who preaches ef I cant brethe?

What's Pol? What's Pollus to sinners who are ded?

Ded for want of breth! Why Sextant when we dye

Its only coz we cant brethe no more--that's all.

And now O Sextant? let me beg of you

To let a little are into our cherch

(Pewer are is sertin proper for the pews);

And dew it week days and on Sundays tew--

It aint much trobble--only make a hoal,

And then the are will come in of itself

(It love to come in where it can git warm).

And O how it will rouze the people up

And sperrit up the preacher, and stop garps

And yorns and fijits as effectool

As wind on the dry boans the Profit tels of.

--_Christian Weekly._

The Wit of Women Fourth Edition · 第 8 / 10 章