STRATFORD-ON-AVON

WHEN you have seen Warwick Castle and Guy's Cliff and the Saxon

Mill--which is so old that it must be soothing to the most tempestuous

temperament--and you hasten back to your hotel and get your dog--if that

dog be Charles--on purpose to expose him to its calm influences, you go

to St. Mary's Church, which is, the guide-book tells you, "one of the

most remarkable specimens of ecclesiastical architecture extant," and

you see the Norman Crypt, and the clumsy sarcophagus of Fulke Greville,

Lord Brooke, who wrote his own epitaph, and you read how he was "servant

to Queen Elizabeth, Canceller to King James, and friend to Sir Philip

Sidney."

Also you see the Beauchamp Chapel, and love it and linger in it,

admiring the tombs of the earls of Warwick and other grown-ups, and

feeling, even after all these years, a thrill of sadness at the sight of

the little effigy of the child whose brocaded gown the marble so

wonderfully produces and whose little years knock at your heart for

pity.

"Here resteth," says the monument, "the body of the noble Impe Robert of

Dudley, . . . a child of greate parentage, but of farre greater hope and

towardness, taken from this transitory unto the everlasting life in his

tender age, . . . on Sunday the 19 of July, in the yeare of our Lorde

God 1584."

You see, also, the Warwick pew, and wish you could have worshiped there.

Then you go to Leicester's Hospital, half timbered and beautiful, with

the row of whispering limes on its terraced front, where the "brethren"

still wear the "gown of blew stuff with the badge of the bear and ragged

staff on the left sleeve." And the badges are still those provided by

Lord Leicester in 1571.

You are sorry that the old banqueting-hall should now be used for the

coal-cellar and the laundry of the brethren, and still more sorry that

the minstrels' gallery should have been cut off to enlarge the

drawing-room of the Master's house. If you are of a rude and democratic

nature you may possibly comment on this in audible voices beneath the

Master's windows, which, I am sorry to say, was what Mr. Basingstoke and

his companion did.

You will see the Sidney porcupine on the wall of the quadrangle, some

gilded quills missing, and no wonder, after all these years. You will

see--and perhaps neglect to reverence, as they did--the great chair once

occupied by that insufferable monarch and prig, James the First. You

will visit the Brethren's Chapel, which seems to be scented by all the

old clothes ever worn by any of the old brethren, and you will come out

again into the street, and, as you cross the threshold, it will be like

stepping across three hundred years, and you will say so. Then you will

probably say, "What about Stratford for this afternoon?" At least, that

is what Edward said. And as he said it he was aware of a figure in black

which said,

"Can you tell me the way to Droitwich?"

It was a woman, spare and pale, in black that was green, but brushed to

threadbareness.

"Do you want to walk?" Edward asked.

"I've got to, sir," she said.

"Do you mind," he asked, "telling me why you want to go?"

"I've got relations there, sir," said the woman in black, raising to his

the plaintive blue eyes of a child set in a face that fifty years and

more had wrinkled like a February apple. "My husband's relations, that

is. They might do something to help me. I might be able to be of use to

them, just to work out my keep. It isn't much I require. But I

couldn't--"

She stopped, and Edward Basingstoke knew that she couldn't even bring

herself to name the great terror of the poor--the living tomb which the

English call the workhouse.

"I'm afraid you've had a hard time," said Mr. Basingstoke.

"I had many happy days," she said, simply. "I always think you pay for

everything you have, sooner or later. And I'm paying now. I don't grudge

it, but I'd like to end respectable. And thank you for asking so kindly,

sir, and now I'll be getting on." And he saw in her eyes the fear that

he would offer her money to pay her way to Droitwich.

Instead he said: "We're motoring your way this afternoon. If you'll let

us give you a lift--"

The woman looked from one to the other. "Well," she said, "I do call

that kind. But I wasn't asking for any help. And I'd best be getting

on."

Then the other woman came quite close to the woman in black. "Won't

you," she said, "come and have dinner with us--and then we'll drive you

over? Do come. We're so happy and we do hate to think that you aren't.

Perhaps we can think of some way to help you . . . find you some work

or something," she added, hastily, answering the protest in the blue

eyes.

"I don't like to, miss," she said, "thanking you all the same. It's

truly good of you--but--"

Edward moved away a pace or two and lit a cigarette. He never knew what

his lady said to the woman in black, but when he turned again a

handkerchief was being restored to a rubbed black leather reticule and

the woman in black was saying,

"Well, ma'am, since you say that, of course I can't say no, and thank

you kindly."

The three had dinner together in the little private room over the porch

at the Warwick Arms, and as they passed through the hall there could

have been, for the little woman in black, no better armor against the

sniffs of chambermaids and the cold eyes of the lady in the glass case

than the feel of another woman's hand on her arm. She was very silent

and shy, but not awkward or clumsy, during the meal, and when it was

finished Edward got up and said,

"Well, Katherine, I'll leave you two to talk things over."

It was the first time he had called her by her name. She flushed and

sparkled, and was startled and amazed next moment to know that she had

answered,

"Yes, dear, do--"

Edward, however, was not unduly elated. He knew how women will play the

part set for them, to the least detail. She hoped he had not noticed the

slip which, quite unconsciously, the opening of her heart toward this

sad sister-woman had led her to make. He wished that she had not first

called him that in a mere desire to act up to what this woman would

expect.

He left them, and then the pitiful little story all came out, with fit

accompaniment of sighs, and presently tears, together with those sweet

and tender acts and words which blend with the sighs and tears of the

sorrowful into a melody as sad as beautiful. They had been married

thirty-seven years next Michaelmas; they had had a little shop--a little

needlework and fancy shop. She had done well enough with the customers,

but he had always done the buying, and when he was taken. . . .

"Ah, my dear, don't cry," said the one who was young and happy, "don't

cry. You'll make him so sad."

"Do you think he knows?" the widow asked.

"Of course he knows. He knows everything's going to be all right, only

he hates to see you miserable. _He_ knows it's only a little time,

really, before you and he will be together again, and happy for ever and

ever."

"I wish I could believe that."

"You must, because it's true. I expect he's been praying for you, and

that's why you met us--because, you know, I'm certain my"--she

hesitated, but the word came instead of "brother," which was what she

thought she meant to say--"my husband will think of something for you to

do to earn your living; he's so clever. And I suppose the business--"

Yes. The business had gone to pieces. Fashions change so, and the widow

had not known how to follow the fashions in needlework. There was only

enough left to pay the creditors, but every one _had_ been paid, and

with the pound or two left over she had lived, trying to get needle

work, or even, at last, charring or washing. But it had all been no

good; nothing had been any good.

"And now," said Katherine, "everything's going to be good. You'll see.

Edward will think of something. Don't cry any more. You must not cry. I

can't bear it, dear. Don't."

"I'm only crying for joy," said the woman whose life was over. "Even if

he doesn't think of anything, I can't ever despair again, and you being

like you have to me."

But when Edward came back he had thought of something. His old nurse, it

seemed, was in temporary charge of a house that wanted a housekeeper,

and he was sure Mrs. Burbidge understood housekeeping.

Mrs. Burbidge owned to an understanding of plain cooking and plain

housekeeping. Also needlework, both the plain and the fine. "But not

where butlers are kept," she said, apprehensively.

"This is a farm-house," said Edward. "Not a butler within miles."

"My father was a farmer, in Somerset," said Mrs. Burbidge, "but, oh,

sir, you don't know anything about me. Suppose I was a fraud like you

read of in the newspapers. But the vicar at home would speak for me."

"Your face speaks for you," said Katherine, and within half an hour all

was settled--the old nurse telegraphed to, money found for such modest

outfit as even a farmer's housekeeper must have, the train fixed that

should take the widow to London, the little hotel named where she should

spend a night, and the train decided on that should take her in the

morning to the farm-house that needed a housekeeper.

"It's no use me saying anything," said Mrs. Burbidge, at parting,

"but--"

"There's nothing to say," said Katherine, and kissed her, "only you will

write to the Reverend Smilie at Eccles vicarage. I can't be easy unless

you do," were her last words.

When she was gone they stood a moment looking at each other, and each

would have liked to hold out hands to the other, to come quite close in

the ecstasy of a kind deed jointly done. Instead of which he said,

awkwardly:

"I suppose that was a thoroughly silly thing to do."

The Incredible Honeymoon · 第 39 / 62 题