CHAPTER XI

POLLY PENDLETON’S VISITOR

THE cynically smiling driver of Haddon’s car at a late hour that

morning deposited a solitary passenger at the door of a certain

apartment building high up on Manhattan Island. Seeing the bewilderment

of his charge, the chauffeur himself entered the elevator with him and

touched as with no unaccustomed hand a certain button near a door. He

then discreetly departed.

The door opened. There appeared almost in the face of the waiting

visitor the figure of a young woman—exceedingly comely even at that

hour of the day—a young woman of oval face, of dark, long-lashed eyes,

of dark curling hair, of shapeliness of figure scantly veiled by the

pink kimono which she wore in morning negligée.

It was Polly Pendleton. She was alone. Her praiseworthy partner had

before this arisen for her morning cocktail, her morning coffee, her

morning cigarette, and her morning stroll downtown.

Joslin stood motionless, silent. In a flash she recognized him. Then he

stalked in.

“Well!” said she. “I wasn’t expecting anyone this morning.” She

flushed, half angry. “I don’t allow this.”

“My name is Joslin—David Joslin,” began her visitor. “Ye don’t

remember me—last night——”

“Oh, yes, I do,” said Polly. “Of course I do. You wore the same clothes

then you’re wearing now.”

“They’re the only ones I have,” said the young man, “an’ they’re not

mine. I don’t reckon ye want me to come in?”

“Why, yes,” said she, for one half instant hesitant, and closed the

door. “Why not, after all?”

He looked about him curiously at the narrow quarters. So, then, this

was her home! These were her belongings—the half-emptied glasses on

the little buffet, the ashes in a tray, the powder puff, pink-stained,

on the dresser-top, the manicure nail pad, the little burnt cork on a

hairpin’s end.

“Won’t you sit down?” began Polly Pendleton, more flustered than she

had ever been in all her life. “Will you have a little drink?”

He looked at her in astonishment “Surely ye ain’t meanin’ that ye’d

take a drink of liquor, Ma’am?” said he.

“Well,” said Polly Pendleton, with a _moue_, “once in a long

_while_—in case I’m not feeling well, you know! How about yourself?

You look rocky.”

He looked in grave contemplation at the half-filled bottle upon the

tiny buffet—the glasses which had seen use.

“Ma’am,” said he, “sometimes in my country a man takes a drink of

liquor. Sometimes a woman smokes a pipe. But I don’t think I’ll take no

drink this mornin’. It ain’t my usual custom.”

Polly seated herself in a deep-cushioned armchair near the window, her

half-consumed cigarette still between her fingers. A pleasing enough

picture she presented, as, half leaning forward, she sat staring

curiously at this apparition of the morning.

“You’re an odd sort!” said she, at length, flinging up a hand

nervously. “Well, I’ve not got down to the pipe yet.”

“Say, friend,” she went on suddenly, half apologetically, “I was

talking to my partner last night. She said that she thought our act

rather broke you up. Of course you know it was all joshing—nothing

more. That’s the way we do at those dinner parties—they sort of expect

it of us girls, you know. There’s nothing in it, of course. I hope you

didn’t mind it?”

“No,” he said quietly, “I didn’t mind. The ways of sin are allurin’,

Ma’am.”

“What’s that!” But then she spread out her hands. An awkward silence

fell.

The eyes of David Joslin, roaming around the little apartment, spied

Polly’s violin resting upon the dresser-top.

“Ye play the violin, Ma’am,” said he. “Ye’re the first womern I ever

knew in all my life who could. I reckon ye studied?”

“Years,” said she simply. “It cost me a lot of money—and at that they

don’t like the best things I do. You can play?”—eagerly.

“Only a few of the mounting tunes—ballets such as our folks teached us

years ago.”

“Ballads? You mean the folk songs?”

“Maybe. I could play ‘Barbara Allen.’ They tolt me it was Scotch.”

“The Scotch have pretty melodies sometimes,” said Polly Pendleton

judicially. Then she smiled frankly. “You see, I’m half Irish

myself—and half French.”

“What?” David Joslin sat up suddenly and looked at her straight.

“Ma’am, my own granny was half Irish and half French. There wasn’t

nuvver a womern in all the mountings like her. That maybe accounts fer

a heap of things. My granny loves to sing and dance. She’s over ninety

year old.”

The unweighed flattery of his tone was a thing to be valued. She

extended to him the instrument and bow.

“Play for me,” said she. “Play ‘Barbara Allen.’ Do something for _me_

this morning!”

So David Joslin, student of Calvin, Cumberland mountaineer,

self-elected minister—and as he now fully felt, lost soul—thus cast

away in a buffet flat of upper Manhattan, played the old ballad of

“Barbara Allen” to one of the gayest young persons at that time in the

great city. He played it in minors, bowing very badly, missing the key

sometimes a half-note or so, slurring here, over-accentuating there,

phrasing after his own quaint mountain fashion, but none the less

producing something which might have been called a melody. Polly’s foot

began to beat upon the floor, her fingers upon the arm of the chair.

“Man!” said she, after he had finished, “if I could take you into

vaudeville, we’d break this country! That’s _class_!”

“It’s not much,” said he, misunderstanding. “I nuvver had no lessons.

I’ve nuvver been to school in all my life, an’ I nuvver seen a music

book in all my life—I reckon that’s music ye got over thar?” He nodded

towards the sheets which he saw standing in their rack.

“You’re an odd chap,” said she, with a strange softness in her tone.

“I’ve never seen a man like you—never in all my life. You’re a strange

chap. What brought you here?”

“I come out, Ma’am, to build a college fer my people. I come out to git

my education. I come up here with Mr. Haddon, jest to talk to a few

friends of his’n about timber an’ oil, ye know.”

“Jimmy Haddon, eh?” Polly’s lips set rather tight together. “Well, he’s

a good business man. You have to hand him that. But say—keep an eye

on him, that’s all. Listen here, son—you’re what we call ‘easy’ in the

city. You don’t belong here—you’re too straight—you’re too good for

it.”

“What do ye mean?” said he. “Too good! I’m the wustest of sinners.

But if I accepted sin—say, if I made a lot of money—several hundred

dollars a month—an’ had it clear—would ye tell me to throw that over

an’ go back home?”

The dark eyes of Polly Pendleton looked straight into his face now.

“There’s a lot of things a girl can understand without explaining very

much,” said she, simply. She saw the rising somber flame in this man’s

eyes that met her own so straight. And then, suddenly, he broke out,

all restraints gone.

“Last night ye _touched_ me—it was in a joke—ye was makin’ me

foolish. Ye don’t know how foolish ye made me then. Ye took away my

brains. Ye got my soul. God!”

“I don’t want you to talk that way to me!” flashed Polly, swift tears

in her eyes. “No, no—don’t—don’t! It wasn’t right for me to make fun

of you—I ought to have known you were different. I came home last

night, and I talked about you to my partner. Somehow, I don’t know why,

you seem like a preacher to me. Besides, once in a while a woman sees

something in a real man that gets close to her.”

She rose now and spread out her arms, a very beautiful vision of young

womanhood, a sort of fair frailness about her after all, in spite of

her eager vitality and her overflowing joy in life.

“Why, listen,” said she. “I know about men. You needn’t make any map

to explain anything more to me. You’d be foolish, you’d be crazy; and

I’ll not have it. I’m not good enough for you. You mustn’t stay here.

You mustn’t be foolish over a girl like me—I’m not worth it. I’m—I’m

notgood!” She slurred the last two words hurriedly together. “Get on

out of here before you’re spoiled.”

Her voice trembled. “The city will get you, some time. It’s got me.

It’s got my partner. We’re gone. Lost souls! You? Oh, don’t, _don’t_!

You haven’t gone the gait that we have. Listen to me now—I think

enough of a good square chap not to want to see him go the wrong way.

Can’t you see that a dancing girl can be a good pal after all? I’m

trying to _help_ you.”

“Easy!” said he, his voice trembling in his own self-scorn. “I had

nothin’, only what ye taken away from me.”

“Take some of this, won’t you?” said Polly Pendleton, her doubled hands

full of bills which she held out to him, her dark eyes shining. “Here,

take it. Do something with it. You wouldn’t call that tainted money,

would you?... It isn’t tainted yet. Look!”

But he put back her hands. “No,” said he. “My God! No! From ye?”

He hurt her, because she wholly mistook his real meaning. Her face

fell, but she shook her head bravely, like a fighter taking a blow in

the ring.

“Ye never cared,” he added; “ye don’t feel—ye don’t care.” The low

notes of his voice rumbled through the little room.

An odd feeling of helplessness seized her all at once. “It’s a good

thing for you, I don’t,” said she at length. “Don’t I know men are

fools enough without making another fool to add to the list? If I

cared—good God, if I _cared_! Why, I don’t _dare_ care for anybody.

Now, don’t you think you’d better be going?”

She had his hat in her hand, and was replacing the violin and bow.

He rose and stood before her, his hands clenched tight, his eyes still

burning, his voice vibrant.

“Ma’am,” said he, “I nuvver seen ye but once. Maybe I nuvver will agin.

But I’ll al-_ways_remember what ye said to me.”

“What do you mean?”

“I was hopin’ ye’d say it would be a good piece of business fer me to

stay here this winter fer a while. I was hopin’ I could see ye an’

hear ye play some time, now an’ then. I was hopin’—I was hopin’ what

I ortern’t to hope. Ma’am, I nuvver seen no womern like ye in all my

life. I reckon I nuvver will agin.”

“Well,” said Polly Pendleton, at length having herself in hand, “you’ve

got none the best of me at that—I’ve seen a considerable many fools in

my time, but you’re the human limit, son! The best thing I can do is to

tie a can to you and get you started West as soon as possible. You’ll

spoil over _night_. You ain’t strictly human. You’re the worst Rube

that ever hit this island from any place on earth. Get out now—you’re

liable to be arrested any minute!

“And yet,” she added—still laughing kindly, and all the half-virginal

softness of her original nature coming into the wistfulness of her

tone—“I’m so glad you came! You’re a good sort.” She held out her

hand. “Listen, friend—when you think of me I hope you’ll say I was a

good sort too.”

He reached out his arms, his hands trembling. “Ma’am,” said he, “I’m

a married man. I had two children, onct. My father was a preacher. Ye

was right, I’m startin’ out to be a preacher myself. I was startin’ out

to do something in the world to hep the rest of them. But if ye hadn’t

said what ye said jest now to me, I’d be willin’ to throw it all away

for jest—for jest—for jest——”

How, he knew not, nor she, he caught her arms, soft and white, in the

grip of his great hands, and stood looking down at her fiercely, she as

helpless as a child in his grasp.

She was struggling to escape him now. “It’s not right!” said she. “I’m

alone here—Oh, are you any kind of a man after all?”

At this he dropped her arms, his own falling lax.

“Why, of course I’m a man,” said he quietly. “Of course I am. That’s

all I am. I’m a lost man, a damned one.”

“Go!” she whispered to him hoarsely. “I’m not worth that. Go on away,

and leave me something decent to remember.” She heard the door close

softly.

Within half an hour after Joslin had left, Polly Pendleton, unfinished

cigarette in hand, turned in her cushioned armchair as she heard the

strident call of the telephone.

“Yes?” she replied. “Who is it, please?... You, Jimmy?... No, don’t

come up. I’m awfully busy to-day.... I’ve got to work.

“Who?—the wild man?... Keep him?... Ask him to stay here this winter?

I should say _not_! I told him to get out of town!

“Oh, come now, Jimmy,” she went on in rejoinder to what she evidently

heard. “There’s no use talking that way.... Oh, you’re sore? Well, I

can’t help it. I wouldn’t have done any different even if you had told

me what you wanted.... You don’t care if I never come back? Oh, very

well—same to you, and many of ‘em!... So long, Jimmy, and when you get

decent come up. I may let you in, and then again maybe not.”

The Way Out · 第 11 / 13 章