SCENE II.

Along one of the tortuous passages leading to the dressing-rooms, a

gentleman is conducting a lady, preceded by the dresser. They have

evidently come from the audience part of the theatre, as they are

both in modern evening dress. Presently the dresser pauses at a door,

and after tapping, enters; and returns to invite the lady to invade

the sacred precincts of the dressing-room of Miss Fonblanque, the

representative of Lady Teazle. After a few whispered words to her

escort, the lady accepts the invitation, and in another moment is

clasped in the embrace of the actress. ‘My dear Julia!’

‘My darling Emily!’

Certainly, Lady Teazle fully deserved the rapturous praises of

Montmorency. Her lovely dark eyes shone all the brighter from the

contrast to the powdered wig; while her splendid figure was displayed

to the utmost advantage by means of her handsome brocaded dress.

‘And so you recognised me under these tinsel robes, Julia?’

‘Your voice is unmistakable; I should have known it anywhere,

Emily.—When do you intend to return to your own sphere?’

‘First tell me, Julia, how you managed to penetrate these sacred

precincts?’

‘Oh! my husband, who knows everybody, said he could at once accomplish

it, directly I told him you were my old schoolfellow at Barbadoes.—Now,

answer me my question, there’s a dear!’

‘I _have_ found my proper sphere; I am free, popular, and admired.

Instead of one admirer, I have hundreds, and the number is increasing

nightly. What can woman wish for more?’

‘I’ll tell you, Emily: a nice husband, and domestic bliss.’

The actress indulged in a scarcely audible sigh. ‘That might have been

my lot. I mean the domestic bliss part of the affair, if I had not had

it dinned into my ears from morning till night that there was only one

road to happiness—a union with Mr Stanley, whom I have never seen.’

‘You might have liked him very much.’

‘Impossible, my dear Julia. The very fact of a man being ticketed like

a prize animal at a show, and then his being introduced to you as your

certain and future husband, would be quite sufficient to make me detest

him.—No, Julia; when _I_ marry, I will myself make the selection, and

he must be one who is ignorant that his intended is a rich heiress.’

‘That will not be a very easy matter to accomplish, Emily.’

‘Listen, Julia, and I’ll tell you a secret. There is a young man

acting in this company—a Mr Percy Montmorency. He is all I could

wish—handsome, clever, accomplished, and vastly agreeable.’

‘Then you have _made_ your selection?’

‘Not so, Julia. His profession renders our union impossible. He may

be heir to a peerage; he may be a lawyer’s clerk. There is the most

delightful mystery as to our antecedents, we play-actors! For instance,

who would suppose that I was the rich West Indian heiress, who utilised

her amateur theatrical talents, and adopted her present profession? And

all in order to escape being pestered into an unwelcome and distasteful

marriage. Heigh-ho! I wish I had never seen this captivating fellow.’

Mrs Sydney sighed as she rejoined: ‘Ah, Emily, there is the danger

of your present mode of life. Before you know where you are, finding

yourself over head and ears in love with some handsome fellow, even of

whose very name you are ignorant. As to the position in society of his

progenitors, that is a point which would require the research of the

Society of Antiquaries.’

The actress looked solemnly in the face of her friend, and taking both

her hands within her own, replied: ‘Julia, there is a fascination in

the life of a successful actress, of which you can form no conception.

There is the delight of selecting the costume you are to wear on

the eventful evening. No trifle to a woman, as you will admit. Then

there is the actual pleasure of wearing it, not for the sake of some

half-dozen friends, whose envy in consequence is a poor reward, but the

object of admiration to hundreds of spectators nightly! Then, instead

of monotonous domesticity, executing crewel-work to the accompaniment

of the snoring in an armchair of a bored husband, we have the nightly

welcome from a thousand pair of hands, and the final call before the

curtain amidst an avalanche of flowers! Your name on every tongue,

your photo. in every print-shop in London, and your acts and deeds the

subject of conversation at every dinner-table in the metropolis!’

Mrs Sydney shook her head with a melancholy smile as the actress

finished her oration. ‘I am still unconverted, Emily.’

‘Quite right, Julia. If we were all actresses, there would be no

audiences.’

The inexorable call-boy here put a compulsory finish to the interview

between the two friends, with the words ‘Lady Teazle.’

Chambers's Journal of Popular Literature, Science, and Art, Fifth Series, No. 30, Vol. I, July 26, 1884 · 第 2 / 3 章