IV

The bright part of L'Enfant's life was over. His fame was great, and

appeals continued for some time to be made to him when important works

were contemplated. But his same tendency to ever see things "en grand,"

his unyielding disposition, his increasing and almost morbid fear of

speculators wrecked more than one of his undertakings.

Almost on his leaving his work at Washington he was asked to draw the

plans of the first manufacturing city, devised as such, in the United

States, and which is to-day one of the most important in existence,

Paterson, N.J. "Major L'Enfant, it is said," wrote Washington, who still

retained a friendly feeling for him, "is performing wonders at the new

town of Paterson."[136] The moving spirit was Hamilton, under whose

influence had been founded the "Society for the Establishing Useful

Manufactures." The chief point was to transform into a city a spot where

only ten houses were in existence, and to make of it an industrial one

by turning into use the Falls of the Passaic. Several letters of the

major to Hamilton, giving an account of the work, in which faithful

Roberdeau was helping, and of the increasing difficulties with all sorts

of people, are preserved in the Library of Congress. After one year's

toil, L'Enfant was once more notified that his services were no longer

wanted.

He is found in the same year and the following one working as an

engineer at Fort Mifflin, on the Delaware, and as an architect at a

mansion in Philadelphia which was to surpass in magnificence any other

in the States. It had been ordered of him by Robert Morris, the

financier of the Revolution, and the richest man in America.[137] Here

was, if ever, an occasion to do things "en grand." L'Enfant, however,

did them "en plus grand" than even the financier had dreamed;

improvements and afterthoughts, the use of marble for columns and

façades increased the delay and the expense. His being busy at Paterson

had also been at first another cause of complaint. "Dear Sir," Morris

beseechingly wrote him from Philadelphia, "I had like to have stopped my

house for fear of wanting money; that difficulty being removed, it will

now be stopped for want of Major L'Enfant."[138] The roof had at last

been put on, and one could judge of the beauty of the ensemble, quite

remarkable, as we can see from a sketch by Birch the Elder preserved in

the Philadelphia Library, when Morris's catastrophe occurred, putting an

end to the work, and swallowing part, if not all, of L'Enfant's

savings.[139]

In his delight at being intrusted with the plan of the federal city he

had never said a word about any remuneration, and he had not copyrighted

his plan. At the time of his dismissal Washington had written to the

Commissioners: "The plan of the city having met universal applause (as

far as my information goes), and Major L'Enfant having become a very

discontented man, it was thought that less than from two thousand five

hundred to three thousand dollars, would not be proper to offer him for

his services; instead of this, suppose five hundred guineas and a lot in

a good part of the city were substituted?"

The offer was made; L'Enfant refused, without giving reasons. More and

more gloomy times were in store for him; mishaps and disappointments

multiplied. He had laid great store on the selling of copies of his

plan, but since he had not copyrighted it, no royalty on the sale was

reserved for him. He protested against this, against the way in which

the engraving had been made, with grievous "errors of execution," and

against the suppression of his name on it, "depriving me of the repute

of the projector." Contrary, however, to the fear expressed at first by

Washington, that out of spite he might, in his discontent, side with the

many who disapproved of the vast and difficult undertaking, he remained

loyal to it, and "there is no record of any act or word that tarnishes

his life history with the blemish of disloyalty to the creation of his

genius. He bore his honors and disappointments in humility and

poverty."[140]

Poverty was, indeed, at his door, and soon in his house. Haunted by the

notion of his wrongs, some only too real, some more or less imaginary,

he sent to Congress memoir after memoir, recalling what he had done, and

what was his destitution, the "absolute destruction of his family's

fortune in Europe," owing to the French Revolution, his being reduced

"from a state of ease and content to one the most distressed and

helpless," living as he did, upon "borrowed bread"; but he would not

doubt of "the magnanimity and justice of Congress."[141]

The family's fortune had been reduced, indeed, to a low ebb, his own

lack of attention to his financial affairs making matters worse. His

inability to properly attend to them is only too well evidenced by some

letters from French relatives, showing that, while he was himself in

absolute want, he neglected to receive the pension bestowed on him by

the French Government, and which, in spite of the Revolution, had been

maintained. He had also inherited from the old painter, his father, a

small farm in Normandy, but had taken no steps about it, so that the

farmer never ceased to pocket the revenues.[142]

One of these letters, which tells him of the death of his mother, who

"died with the piety of an angel," shows what reports reached France as

to the major's standing among his American friends: "All the persons

whom I have seen and who know you, assured me that you enjoyed public

esteem. This is everything in a country of which people praise the

morals, the virtues, and the probity as worthy of our first

ancestors."[143]

On two occasions, after many years, Congress voted modest sums for

L'Enfant, but they were at once appropriated by his creditors. He was,

moreover, appointed, in 1812, "professor of the art of military

engineering in the Military Academy of the United States," a nomination

which, in spite of the entreaties of James Monroe, then secretary of

state, he declined. He is found in September, 1814, working at Fort

Washington, when fifty men with spades and axes are sent him.

He survived eleven years, haunting the lobbies of the Capitol, pacing

the newly marked avenues of "his" city, watching its growth, deploring

the slightest deviation from his original design, for, as Washington had

early noticed, he was "so tenacious of his plans as to conceive that

they would be marred if they underwent any change or alteration,"[144]

visiting the friends he had among the early settlers. "Mr. W.W.

Corcoran, who lately departed this life in the city of Washington, full

of years and honor ... had a very distinct recollection of the personal

appearance of L'Enfant, the latter having been a frequent visitor at his

father's house. He described him to me as a tall, erect man, fully six

feet in height, finely proportioned, nose prominent, of military

bearing, courtly air, and polite manners, his figure usually enveloped

in a long overcoat and surmounted by a bell-crowned hat--a man who

would attract attention in any assembly."[145]

He ended his days, the permanent guest of the Digges family, in their

house near Washington. His death occurred there in 1825, and he was

buried in their property at the foot of a tree. An inventory of his

"personal goods and chattels" showed that they consisted in three

watches, three compasses, some books, maps, and surveying instruments,

the whole being valued at forty-six dollars.

* * * * *

The federal city, Washington had written in 1798 to Mrs. Sarah Fairfax,

then in England, will be a great and beautiful one "a century hence, if

this country keeps united, and it is surely its policy and interest to

do it." It took, indeed, a great many years, and for a long time

doubters could enjoy their doubts, and jokers their jokes. The Duke de

La Rochefoucauld-Liancourt visited the incipient town in 1797; he found

that it possessed one hundred and fifty houses, scattered here and

there; the house for the President was ready to be covered the same

year, and the only wing of the Capitol yet begun was to receive its roof

the year following, both being "handsome buildings, in white stones very

well wrought." But the unredeemable fault, in his eyes, was the very

magnitude and beauty of the plan. "The plan," he wrote, "is fine,

cleverly and grandly designed, but it is its very grandeur, its

magnificence, which causes it to be nothing but a dream." The distance,

so heartily approved of by Washington, between the President's house and

the Capitol, seemed to the traveller a serious objection; the raising of

five hundred houses would be necessary to connect the two buildings; not

one is in existence. "If this gap is not filled, communication will be

impracticable in winter, for one can scarcely suppose that the United

States would undergo the expense for pavement, footpaths, and lamps for

such a long stretch of uninhabited ground."[146] This wonder has,

however, been seen.

For a long time, for more than half the present duration of the city's

life, deriders could deride to their heart's content. Few cities have

ever been so abundantly nicknamed as Washington, the "wilderness city,"

the city "of magnificent distances," the "village monumental," the city,

as reported by Jean-Jacques Ampère, the son of the great scientist, who

visited it in 1851, of "streets without houses, and of houses without

streets." He saw in its fate "a striking proof of this truth that one

cannot create a great city at will." But this truth, as some others,

has proved an untruth.

The growth was slow, indeed, but constant, and when the century was

over, Washington's prophecy and L'Enfant's foresight were justified by

the event. A city had risen, ample and beautiful, a proper capital for a

wealthy and powerful nation, one quite apart, copied on no other, "not

one of those cities," as was remarked, in our days, by one of

Washington's successors, Mr. Roosevelt, "of which you can cut out a

piece and transplant it into another, without any one perceiving that

something has happened."

Then at last came L'Enfant's day. What he had always expected for "his"

city took place; what he had never expected for himself took place also.

In January, 1902, both the "Park Commission," composed of Daniel H.

Burnham, Charles F. McKim, Augustus Saint-Gaudens, and F.L. Olmsted, and

the Senate committee presented their reports on the improvement and

development of Washington; the conclusions were: "The original plan of

the city of Washington, having stood the test of a century, has met

universal approval. The departures from that plan are to be regretted,

and wherever possible, remedied." It was thus resolved to revert, as

much as circumstances allowed, and in spite of a heavy outlay, to

several of L'Enfant's ideas, especially to one which he considered of

greatest importance, and which had been kept so long in abeyance, the

giving of its proper character to that "grand avenue" between the

Capitol and the White House, meant to be "most magnificent and most

convenient." It is now going to be both.

As for L'Enfant himself, one more appropriation, this time not to go to

his creditors, was voted by Congress on account of the major, and it was

resolved that his ashes, the place of which continued to be marked only

by a tree, should be removed to Arlington National Cemetery, to lie in

that ever-growing army of the dead, former members of the regiments of

that Republic for which he had fought and bled. His remains were brought

to what had been "Jenkins's Hill," and placed under the great dome of

the Capitol. In the presence of the chief of the state, President Taft,

of representatives of Congress, the Supreme Court, the Society of the

Cincinnati, and other patriotic and artistic societies, and of a vast

crowd, on the 28th of April, 1909, orations were delivered by the

Vice-President of the United States, James Sherman, and by the Chief

Commissioner of the District, Henry B. McFarland, the latter amply

making up, by his friendly and eloquent address, for the long-forgotten

troubles of his predecessors with L'Enfant. The Vice-President

courteously concluded thus: "And turning to you, Mr. Ambassador ... I

express the hope that the friendship between our nations, which has

existed for more than a century, will be but intensified as time passes,

and that we will in the future join hands in advancing every good cause

which an all-wise Providence intrusts to our care." The hearse, wrapped

in the three colors of France and America, was accompanied to Arlington

by the French naval and military attachés, and an escort from one of

those regiments of engineers to which the major himself had belonged.

A handsome monument was unveiled two years later by Miss E.C. Morgan,

the great-granddaughter of William Digges, who had befriended L'Enfant

in his last days, the chief speeches being delivered by President Taft,

and by the secretary of state, Elihu Root.[147] "Few men," Mr. Root

said, "can afford to wait a hundred years to be remembered. It is not a

change in L'Enfant that brings us here. It is we who have changed, who

have just become able to appreciate his work. And our tribute to him

should be to continue his work." The monument, by W.W. Bosworth, who,

like L'Enfant had received in Paris his artistic education, is in the

shape of a table, on which has been engraved a facsimile of the original

plan of the city by the French soldier-artist. From the slope where it

has been raised can be seen, on the other side of the river, the

ceaselessly growing federal capital, called Washington, "a revered

name," another French officer, the Chevalier de Chastellux, had written,

when visiting, in 1782, another and earlier town of the same name in

Connecticut, "a revered name, whose memory will undoubtedly last longer

than the very city called upon to perpetuate it."

With Americans of Past and Present Days · 第 38 / 67 题