3. Historical evolution of the Lyric

(_a_) Oriental lyrical poetry

[Vital absorption in the object. Objective character as

compared with pure romantic. Hymns of exaltation. Metaphor,

image, and simile particularly favoured. Present in Chinese,

Hindoo, Hebrew, Arab and Persian poetry]

(_b_) The Lyric of the Greeks and Romans

[General character that of classic individuality.

Image and metaphor not so largely used. Emphasizes mainly on

the sensuous verbal quantity in the rhythm of its movement.

The dance not unfrequently attached. Point of departure

hymns. Elegiac measure. The lyric of the chorus. Pindar.

Roman lyric less original]

(_c_) Romantic Lyric.

[In certain nations epic material treated as lyrical

narrative. Lyric composition of modern nations still pagan.

In the Christian Middle Ages. That based on the principle of

Protestantism. Klopstock and his influence]

The Philosophy of Fine Art, volume 4 (of 4) Hegel's Aesthetik · 第 34 / 73 题