1. General character of lyric poetry

(_a_) The content of lyric poetry

[(_α_) Not merely translation of content from immediacy of

experience. Creation of object purified from the incidental

mood. Deliverance thus effected. Self-expression not the

development of objective action. We have the universal as

such. The entire sphere of human belief, religion, art, and

to some extent scientific thought comprised as they fall

into a personal view of the world

(_β_) Aspect of particularity. The Eumenides chorus in the

"Cranes" of Ibicus. The Elegy and Epistle

(_γ_) Emphasis throughout on personal feeling. Parallel with

genre painting. Contingency of content. Growth of whole in

temperament]

(_b_) The form of the same

[(_α_) Unity different from that of Epos. Mysterious

intimacy of personal mood. Approximates to Epos in heroic

songs, ballads, and romances. The Greek Anthology

(_β_) _Poems d'occasion._ Personal aspect. Pindaric Odes.

Goethe. Individual soul supplied focus of unity rather than

positive reality

(_γ_) Point of departure an external occurrence either in

personal experience or that of others. Element of narrative

as in songs of Anacreon]

(_c_) The external culture condition of the Lyric.

[(_α_) Different from that of Epic. Not limited to one

particular epoch, but exceptionally displayed in modern

times. Folk-songs and the lyric poem

(_β_) Possesses a power of free expansion into all kinds of

subject-matter, a free recognition of imaginative conception

no less than artistic activity

(_γ_) The philosophical lyric poem. A false and a genuine

style compared. Schiller's poetry]

The Philosophy of Fine Art, volume 4 (of 4) Hegel's Aesthetik · 第 32 / 73 题