1. The poetical and prosaic composition

(_a_) The world of natural or prosaic fact relatively

excluded. Primarily what it deals with is the infinite

domain of Spirit and the energies of its life

(_b_) Distinction between poetical and prosaic conception 21

[(_α_) Poetical anterior to the prosaic form of artistic

speech. It is the original imaginative grasp of truth. Dates

from first effort of man at self-expression. Endeavours to

make that expression of a higher virtue than mere prose

(_β_) The kind of prose life from which poetry is separate

postulates a different kind of conception and speech. The

finite categories of the understanding applicable to the

former. The ideal rationale of fact is aimed at by poetry.

Its affinity with and distinction from pure thought

(_γ_) Difference between the relation of poetic conception

to prosaic in early times and more modern, where the prosaic

form of life has become stereotyped in a definite system]

(_c_) The nature of the differentiation of poetical activity

in different ages and nations

[(_α_) It has no particular epoch of unique celebration. It

embraces the collective Spirit of man. It is conditioned by

the outlook of various nations and epochs

(_β_) Some of these have closer affinity with its essential

spirit, _e.g.,_ the Oriental in comparison with the Western

nations, if we exclude Greece

(_γ_) Modern interest in Hellenic and certain portions of

Oriental poetry]

The Philosophy of Fine Art, volume 4 (of 4) Hegel's Aesthetik · 第 18 / 73 题