XVII

Frida had played high and yet she had won the game of life; that

dangerous game which most women playing single-handed are bound to

lose. She had won, but whether by apathy or care, by skill or

divine chance, he could not tell. As to himself he was very certain;

when he might have won her he did not care to win, now that he had

lost her he would always care. That was just his way.

Alone in the little hotel that looked over the harbor, left to the

tyrannous company of his own thoughts, he made a desperate effort to

understand her, to accept her point of view, to be, as she was,

comprehensive and generous and just.

He believed every word she had ever said to him, for she was truth

itself; he believed her when she said that she had loved him, that

she loved him still. Of course she loved him; but how?

They say that passion in a pure woman is first lit at the light of

the ideal, and burns downward from spirit to earth. But Frida's had

shot up full-flamed from the dark, kindled at the hot heart of

nature, thence it had taken to itself wings and flown to the ideal;

and for its insatiable longing there was no ideal but the whole.

Other women before Frida had loved the world too well; but for them

the world meant nothing but their own part and place in it. For

Frida it meant nothing short of the divine cosmos. Impossible to fix

her part and place in it; the woman was so merged with the object of

her desire. He, Maurice Durant, was as she had said a part of that

world, but he was not the whole; he was not even the half, that half

which for most women is more than the whole. From the first he had

been to her the symbol of a reality greater than himself; she loved

not him, but the world in him. And thus her love, like his own art,

had missed the touch of greatness. It was neither the joy nor the

tragedy of her life, but its one illuminating episode; or, rather,

it was the lyrical prologue to the grand drama of existence.

He did her justice. It was not that she was changeable or

capricious, or that her love was weak; on the contrary, its very

nature was to grow out of all bounds of sex and mood and

circumstance. Its progress had been from Maurice Durant outward;

from Maurice, as the innermost kernel and heart of the world, to the

dim verge, the uttermost margin of the world; and that by a million

radiating paths. It was not that she left Maurice behind her, for

all those million paths led back to him, the man was the center of

her universe; but then the center is infinitely small compared with

the circumference. He saw himself diminished to a mathematical point

in this cosmopolitan's cosmos. For Frida he had ceased to have any

objective existence, he was an intellectual quantity, what the

Colonel would have called an abstraction. There was nothing for him

to do but to accept the transcendent position.

Thus, through all the tension of his soul, his intellect still

struggled for comprehension.

Meanwhile, from his window looking over the white-walled harbor, he

could see the _Windward_ with all her sails spread, outward bound.

He watched her till there was nothing to be seen but her flying

sails, till the sails were one white wing on a dim violet sea, till

the white wing was a gray dot, indistinct on the margin of the

world.

The Return of the Prodigal · 第 103 / 135 题