APPEARANCES

I

All afternoon since three o'clock he had sat cooling his heels in a

corner of the hotel veranda. And all afternoon he had been a

spectacle of interest to the beautiful cosmopolitan creature who

watched him from her seat under the palm tree in the corresponding

corner.

She had two men with her, and when she was not occupied with one or

both of them she turned her splendid eyes, gaily or solemnly, on

Oscar Thesiger. And every time she turned them Thesiger in his

corner darkened and flushed and bit his moustache and twirled it,

while his eyes answered hers as he believed they meant him to

answer. Oscar Thesiger was not a cosmopolitan himself for nothing.

And all the time while he looked at her he was thinking, thinking

very miserably, of little Vera Walters.

She had refused him yesterday evening without giving any reason.

Her cruelty (if it wasn't cruelty he'd like to know what it was)

remained unexplained, incomprehensible to Oscar Thesiger.

For, if she didn't mean to marry him, why on earth had they asked

him to go abroad with them? Why had they dragged him about with them

for five weeks, up and down the Riviera? Why was he there now,

cooling his heels in the veranda of the Hotel Mediterranee, Cannes?

That was where the cruelty, the infernal cruelty came in.

And her reasons--if she had only given him her reasons. It was all

he asked for. But of course she hadn't any.

What possible reason could she have? It wasn't as if he'd been a bad

lot like her French brother-in-law, Paul de Vignolles (good Lord,

the things he knew about de Vignolles!). He was, as men go, a decent

sort. He had always known where to draw the line (de Vignolles

didn't). And he wasn't ugly, like de Vignolles. On the contrary, he

was, as men go, distinctly good looking; he knew he was; the glances

of the beautiful and hypothetical stranger assured him of it, and he

had looked in the glass not half an hour ago to reassure himself.

Solid he was, and well built, and he had decorative points that

pleased: a fresh color, eyes that flashed blue round a throbbing

black, a crisp tawny curl in his short moustache and shorter hair.

He was well off; there wasn't a thing she wanted that he couldn't

give her. And he was the admired and appreciated friend of her

admired and appreciated sister, Agatha de Vignolles.

And for poor little Vera, as far as he could see, the alternatives

to marrying him were dismal. It was either marrying a Frenchman,

since Agatha had married one, or living forever with that admired

and appreciated woman, looking after the little girls, Ninon and

Odette. She had been looking after them ever since he had first met

her and fallen, with some violence, in love with her.

It was a bit late now to go back on all that. It had been an

understood thing. Vera herself had understood it, and she--well, she

had lent herself to it very sweetly, shyly, and beautifully, as Vera

would. If she hadn't he wouldn't have had a word to say against her

decision.

It wasn't as if she had been a cold and selfish woman like her

sister. She wasn't cold; and, as for selfish, he had seen her with

Agatha and the little girls. It was through the little girls that he

had made love to her, that being the surest and shortest way. He had

worked it through Ninon and Odette; he had carried them on his back

by turns that very afternoon, in the heat of the sun, all the way,

that terrible winding way, up the Californie Hill to the Observatory

at the top, where they had sat drinking coffee and eating brioches,

he and Vera and Ninon and Odette. What on earth did she suppose he

did it for?

But she hadn't supposed anything; she had simply understood, and had

been adorable to him all afternoon. Not that she had said much (Vera

didn't say things); but her eyes, her eyes had given her away; they

had been as soft for him as they had been for Ninon and Odette.

Why, oh why, hadn't he done it, then?

He couldn't, because of those two infernal, bilingual little

monkeys. They were clinging to her skirts all the way down the hill.

They were all going to Nice the next day; and that evening the de

Vignolles had gone down to the Casino and Vera hadn't gone. It would

have been all right if the children had not been allowed to sit up

to see the conjuror conjuring in the lounge. But they had sat up;

and that had brought it to ten o'clock before he had Vera for a

minute to himself.

He may have chosen his moment badly (it wasn't easy to choose it

well, living, as the de Vignolles did, in public), and perhaps, if

they hadn't had that little difference of opinion, he and she---- It

was in the evening that they had had it, between the conjuring

tricks and the children's chatter, in the public, the intolerably

public lounge, and it was only a difference of opinion, opinion

concerning the beauty of the beautiful and hypothetical lady who was

looking at him then, who had never ceased to look at him and Vera

and the children when any of them were about.

Thesiger couldn't get Vera to say that the lady was beautiful, and

the little that she did say implied that you couldn't be beautiful

if you looked like that. She was not beautiful (Thesiger had

admitted it) in Vera's way, and on the whole he was glad to think

that Vera didn't look like that; but there was, he had contended, a

beauty absolute and above opinion, and the lady had it. That was

all. Perhaps, now he came to think of it, he ought not to have drawn

Vera's attention to her; for he knew what Vera had thought of her by

the things she hadn't said, and, what was worse, he knew what Paul

de Vignolles thought by the things he _had_ said, things implying

that, if the lady were honest, appearances were against her. Of her

and of her honesty Thesiger didn't feel very sure himself. He found

himself continually looking at her to make sure. He had been looking

at her then, across the little table in the lounge where she and her

two men sat drinking coffee and liqueurs. She kept thrusting her

face between the two as she talked; she had a rose in her bronze

hair, which made him dubious; and when their eyes met, as they were

always meeting (how could he help it?), his doubt leaped in him and

fastened on her face. Her face had held him for a moment so with all

his doubt, and he had stared at her and flamed in a curious

excitement born of Vera's presence and of hers, while he smiled to

himself furtively under the moustache he bit.

And then he had seen Vera looking at him.

For a moment she had looked at him, with wide, grave eyes that

stayed wide until she turned her head away suddenly.

And the lady, who was the cause of it all, had got up and removed

herself, softly and, for her, inconspicuously, taking her two men

with her out into the garden and the night.

Of course he had understood Vera. He had seen that it was jealousy,

feminine jealousy. And that was why, in the drawing-room afterward,

he had hurried up with his proposal, to make it all straight.

And she had refused him without giving any reasons. She had gone off

to Nice by the one-forty-four train with the de Vignolles, Paul and

Agatha and Ninon and Odette; she had left him in the great, gay,

exotic hotel above the palm trees, above the rose and ivory town,

above the sea; left him alone with the loveliness that made him mad

and miserable; left him cooling his heels on the veranda, under the

gaze, the distinctly interested gaze, of the beautiful and

hypothetical stranger.

The Return of the Prodigal · 第 51 / 135 题