III

The cool, bright air out of doors touched her like a reminding hand.

She turned awkwardly into the street that led from Bedford Square to

her own place. Wilton Caldecott and she had often walked along that

street together. She felt like one called upon to play a new part on

a familiar stage, where every object suggested insanely,

irrelevantly, the older inspiration.

Not that her conversation with Julia, or, rather (she corrected

herself) Julia's conversation with her, had altered anything. It had

all been so natural, so unamazing, like a conversation between two

persons in a dream. They had both seemed so ripe for their hour

that, when it struck, it brought no sense of the unusual. Only when

she lit her lamp in her room, and received the full shock of the old

intimate reality, did it occur to her that it was, after all, for

Julia Nethersole, a rather singular outpouring. The more she thought

of it the more startling it seemed--Julia's flinging off of the

reticence that had wrapped her round. Freda was specially appalled

by the audacity with which Julia had dragged Wilton Caldecott's

history into the light of day. Her own mind had always approached it

shyly and tenderly, with a sort of feeling that, after all, perhaps

she would rather not know. To Freda Julia seemed to have taken leave

suddenly of her senses, to have abandoned all propriety. One did, at

supreme moments, leave many things behind one; but Freda was not

aware that any moment in their intercourse had yet counted as

supreme.

Could Julia have meant anything by it? If so, what was it that she

precisely meant? The beginning of their conversation provided no

clue to its end. What possible connection could there be between

her, Freda's gift, such as it was, and Wilton Caldecott's marriage?

But as she pieced together, painfully, the broken threads she saw

that it did somehow hang together. She recalled that there had been

something almost ominous in the insistence with which Julia had held

her to her gift. Julia's manner had conveyed her disinclination to

acknowledge Wilton's part in it, her refusal to regard him as

indispensable in the case. She had implied, with the utmost possible

delicacy, that it would be well for Freda if she could contrive to

moderate her enthusiasm, to be a little less grateful; to cultivate,

in a word, her independence.

It was then that she had gone down into her depths. And emerging,

braced and bracing from the salt sea, she had landed Freda safe on

the high ledge, where she was henceforth to stand solitary, guarding

her gift.

It was, in short, a friendly warning to the younger woman to keep

her head if she wished to keep their friend.

Freda remembered her first disgraceful fear of Julia, her feeling

that Julia would presently take something--she hardly knew

what--away from her. That came of letting her imagination play too

freely round Wilton Caldecott's friend. What was there to alarm her

in the candid Julia? Wasn't it as if Julia, in their curious

conversation, had given herself up sublimely for Freda to look at

and see for herself that there was nothing in her to be afraid of?

It was possible that Julia had seen things in _her_. Freda had a

little thrill of discomfort at that thought; but she rallied from it

bravely. What if Julia did see? She was not aware of anything that

she was anxious to conceal from her. Least of all had she desired to

hide her part in Wilton Caldecott. It was, if you came to think of

it, the link between her and Julia, the ground of their

acquaintance. She could not suspect Julia of any vulgar desire to

take _that_ away from her.

If there had been any lapse from high refinement it had been in her

own little cry of "Ah, you don't know him," into which poor Freda

now felt that she had poured the very soul of passionate possession.

But Julia had been perfect. She had in effect said: "I see--and you

won't mind my seeing--that your friendship for Wilton Caldecott is

your dearest and purest possession, as it's mine. I'm not ashamed to

own it. And I'll show you how to keep it. Take care of the

gift--the gift. It'll see you both through." Julia had been fine.

What else _could_ she be? Of course she had seen; and she had

sacrificed her reticence beautifully, because it was the only way.

It was, said Freda to herself, what _she_ would have done if she had

been in Julia's place, and had seen.

Having reconstructed Julia, she unlocked the drawer that held the

hidden treasure, the thing that he had said was so perfect, the last

consummate manifestation of the gift. They had found between them

the right word for it. It was only a gift, a thing that he had given

her, that if he chose he could at any moment take away. What had

come from her came only through him. She owned, with a sort of

exultation, that there was nothing in the least creative in her. She

had not one virile quality; only this receptivity of hers,

infinitely plastic, infinitely tender. What lay in the lamplight

under her caressing hand had been born of their friendship. It was

their spiritual child.

She bowed her head and kissed it.

She said to herself: "It is not me, but his part in me that he

loves. If I am true to it he will be true to me."

As she raised her head her eyes were wet with tears. She looked

round the room. Everything in it (but the thing that lay there under

her hand) seemed suddenly to have lost its interest and its charm.

Something had gone from it, something that had been living with her

in secret for many days, that could not live with her now any more.

It had dropped into the deep when Julia stripped herself (it now

seemed to Freda) and took her shining, sacrificial plunge.

"What, after all," said Freda, "has she taken from me? Nothing that

I ever really had."

The Return of the Prodigal · 第 24 / 135 题