What can be done about the suppression of news? At least, we can refrain

from arraigning and preaching. To urge the editor, under the thumb of

the advertiser or of the owner, to be more independent, is to invite him

to remove himself from his profession. As for the capitalist-owner, to

exhort him to run his newspaper in the interests of truth and progress

is about as reasonable as to exhort the mill-owner to work his property

for the public good instead of for his private benefit.

What is needed is a broad new avenue to the public mind. Already

smothered facts are cutting little channels for themselves. The immense

vogue of the “muck-raking” magazines is due to their being vehicles for

suppressed news. Non-partisan leaders are meeting with cheering response

when they found weeklies in order to reach their natural following. The

Socialist Party supports two dailies, less to spread their ideas than to

print what the capitalistic dailies would stifle. Civic associations,

municipal voters’ leagues, and legislative voters’ leagues, are

circulating tons of leaflets and bulletins full of suppressed facts.

Within a year [1909–10] five cities have, with the tax-payers’ money,

started journals to acquaint the citizens with municipal happenings and

affairs. In many cities have sprung up private non-partisan weeklies to

report civic information. Moreover, the spoken word is once more a

power. The demand for lecturers and speakers is insatiable, and the

platform bids fair to recover its old prestige. The smotherers are

dismayed by the growth of the Chautauqua circuit. Congressional speeches

give vent to boycotted truth, and circulate widely under the franking

privilege. City clubs and Saturday lunch clubs are formed to listen to

facts and ideas tabooed by the daily press. More is made of public

hearings before committees of councilmen or legislators.

When all is said, however, the defection of the daily press has been a

staggering blow to democracy.

Many insist that the public is able to recognize and pay for the truth.

“Trust the public” and _in the end_ merit will be rewarded. Time and

again men have sunk money in starting an honest and outspoken sheet,

confident that soon the public would rally to its support. But such

hopes are doomed to disappointment. The editor who turns away bad

advertising or defies his big patrons cannot lay his copy on the

subscriber’s doorstep for as little money as the editor who purveys

publicity for all it is worth; and the masses will not pay three cents

when another paper that “looks just as good” can be had for a cent. In a

word, the art of simulating honesty and independence has outrun the

insight of the average reader.

To conclude that the people are not able to recognize and pay for the

truth about current happenings simply puts the dissemination of news in

a class with other momentous social services. Because people fail to

recognize and pay for good books, endowed libraries stud the land.

Because they fail to recognize and pay for good instruction, education

is provided free or at part cost. Just as the moment came when it was

seen that private schools, loan libraries, commercial parks, baths,

gymnasia, athletic grounds, and playgrounds would not answer, so the

moment is here for recognizing that the commercial news-medium does not

adequately meet the needs of democratic citizenship.

Endowment is necessary, and, since we are not yet wise enough to run a

public-owned daily newspaper, the funds must come from private sources.

In view of the fact that in fifteen years large donations aggregating

more than a thousand million of dollars have been made for public

purposes in this country, it is safe to predict that, if the usefulness

of a non-commercial newspaper be demonstrated, funds will be

forthcoming. In the cities, where the secret control of the channels of

publicity is easiest, there are likely to be founded financially

independent newspapers, the gift of public-spirited men of wealth.

The ultimate control of such a foundation constitutes a problem. A

newspaper free to ignore the threats of big advertisers or powerful

interests, one not to be bought, bullied, or bludgeoned, one that might

at any moment blurt out the damning truth about police protection to

vice, corporate tax-dodging, the grabbing of water frontage by

railroads, or the non-enforcement of the factory laws, would be of such

strategic importance in the struggle for wealth that desperate efforts

would be made to chloroform it. If its governing board perpetuated

itself by coöptation, it would eventually be packed with “safe” men, who

would see to it that the newspaper was run in a “conservative” spirit;

for, in the long run, those who can watch for an advantage _all_ the

time will beat the people, who can watch only _some_ of the time.

Chloroformed the endowed newspaper will be, unless it be committed to

the onward thought and conscience of the community. This could be done

by letting vacancies on the governing board be filled in turn by the

local bar association, the medical association, the ministers’ union,

the degree-granting faculties, the federated teachers, the central labor

union, the chamber of commerce, the associated charities, the public

libraries, the non-partisan citizens’ associations, the improvement

leagues, and the social settlements. In this way the endowment would

rest ultimately on the chief apexes of moral and intellectual worth in

the city.

While giving, with headline, cut, and cartoon, the interesting

news,—forgeries and accidents, society and sports, as well as business

and politics,—the endowed newspaper would not dramatize crime, or gossip

of private affairs; above all, it would not “fake,” “doctor,” or

sensationalize the news. Too self-respecting to use keyhole tactics, and

too serious to chronicle the small beer of the wedding trousseau or the

divorce court, such a newspaper could not begin to match the commercial

press in circulation. But it would reach those who reach the public

through the weeklies and monthlies, and would inform the teachers,

preachers, lecturers, and public men, who speak to the people eye to

eye.

What is more, it would be a _corrective newspaper_, giving a wholesome

leverage for lifting up the commercial press. The big papers would not

dare be caught smothering or “cooking” the news. The revelations of an

independent journal that everybody believed, would be a terror to them,

and, under the spur of a competitor not to be frightened, bought up, or

tired out, they would be compelled, in sheer self-preservation, to tell

the truth much oftener than they do.

The Erie Canal handles less than a twentieth of the traffic across the

State of New York, yet, by its standing offer of cheap transportation,

it exerts a regulative pressure on railway rates which is realized only

when the canal opens in the spring. On the same principle, the endowed

newspaper in a given city might print only a twentieth of the daily

press output, and yet exercise over the other nineteen twentieths an

influence great and salutary.

THE PERSONAL EQUATION IN JOURNALISM

BY HENRY WATTERSON

I

The daily newspaper, under modern conditions, embraces two parts very

nearly separate and distinct in their requirements—the journalistic and

the commercial.

The aptitude for producing a commodity is one thing, and the aptitude

for putting this commodity on the market is quite another thing. The

difference is not less marked in newspaper-making than in other

pursuits. The framing and execution of contracts for advertising, for

printing-paper and ink, linotyping and press-work; the handling of money

and credits; the organization of the telegraphic service and postal

service; the supervision of machinery—in short, the providing of the

vehicle and the power that turns its wheels—is the work of a single

mind, and usually it is engrossing work. It demands special talent and

ceaseless activity and attention all day long, and every day in the

year. Except it be sufficient, considerable success is out of the

question. Sometimes its sufficiency is able to float an indifferent

product. Without it the best product is likely to languish.

The making of the newspaper, that is, the collating of the news and its

consistent and uniform distribution and arrangement, the representation

of the mood and tense of the time, a certain continuity, more or less,

of thought and purpose,—the popularization of the commodity,—call for

energies and capacities of another sort. The editor of the morning

newspaper turns night into day. When others sleep he must be awake and

astir. His is the only vocation where versatility is not a hindrance or

a diversion; where the conventional is not imposed upon his personality.

He should be many-sided, and he is often most engaging when he seems

least heedful of rule. Yet nowhere is ready and sound discretion in

greater or more constant need. The editor must never lose his head.

Sure, no less than prompt, judgment is required at every turning. It is

his business to think for everybody. Each subordinate must be so drilled

and fitted to his place as to become in a sense the replica of his

chief. And, even then, when at noon he goes carefully over the work of

the night before, he will be fortunate if he finds that all has gone as

he planned it, or could wish it.

I am assuming that the make-up of the newspaper is an autocracy: the

product of one man, the offspring of a policy; the man indefatigable and

conscientious, the policy fixed, sober, and alert. In the famous

sea-fight the riffraff of sailors from all nations, whom Paul Jones had

picked up wherever he could find them, responded like the parts of a

machine to the will of their commander. They seemed inspired, the

British Captain Pearson testified before the Court of Inquiry. So in a

well-ordered newspaper office, when at midnight wires are flashing and

feet are hurrying, and to the onlooking stranger chaos seems to reign,

the directing mind and hand have their firm grip upon the tiller-ropes,

which extend from the editorial room to the composing-room, from the

composing-room to the press-room, and from the press-room to the

breakfast-table.

II

Personal journalism had its origin in the crude requirements of the

primitive newspaper. An editor, a printer, and a printer’s devil, were

all-sufficient. For half a century after the birth of the daily

newspaper in America, one man did everything which fell under the head

of editorial work. The army of reporters, telegraphers, and writers,

duly officered and classified, which has come to occupy the larger

field, was undreamed of by the pioneers of Boston, New York,

Philadelphia, and Baltimore.

Individual ownership was the rule. Little money was embarked. Commonly

it was “So-and-So’s paper.” Whilst the stories of private war, of

pistols and coffee, have been exaggerated, the early editors were much

beset; were held to strict accountability for what appeared in their

columns; sometimes had to take their lives in their hands. In certain

regions the duello flourished—one might say became the fashion. Up to

the War of Secession, the instance of an editor who had not had a

personal encounter, indeed, many encounters, was a rare one. Not a few

editors acquired celebrity as “crack shots,” gaining more reputation by

their guns than by their pens.

The familiar “Stop my paper” was personally addressed, an ebullition of

individual resentment.

“Mr. Swain,” said an irate subscriber to the founder of the

_Philadelphia Ledger_, whom he met one morning on his way to his place

of business, “I have stopped your paper, sir—I have stopped your paper.”

Mr. Swain was a gentleman of dignity and composure. “Indeed,” said he,

with a kindly intonation; “come with me and let us see about it.”

When the two had reached the spot where the office of the _Ledger_

stood, nothing unusual appeared to have happened: the building was still

there, the force within apparently engaged in its customary activities.

Mr. Swain looked leisurely about him, and turning upon his now expectant

but thoroughly puzzled fellow townsman, he said,—

“Everything seems to be as I left it last night. Stop my paper, sir! How

could you utter such a falsehood!”

Mr. James Gordon Bennett, the elder, was frequently and brutally

assailed. So was Mr. Greeley. Mr. Prentice, though an expert in the use

of weapons, did not escape many attacks of murderous intent. Editors

fought among themselves, anon with fatal result, especially about

Richmond in Virginia, and Nashville in Tennessee, and New Orleans. So

self-respecting a gentleman, and withal so peaceful a citizen, as Mr.

William Cullen Bryant, fell upon a rival journalist with a horsewhip on

Broadway, in New York. The prosy libel suit has come to take the place

of the tragic street duel,—the courts of law to settle what was formerly

submitted to the code of honor,—the star part of “fighting editor”

having come to be a relic of bygone squalor and glory. The call to arms

in 1861 found few of the editorial bullies ready for the fray, and no

one of them made his mark as a soldier in battle. They were good only on

parade. Even the South had its fill of combat, valor grew too common to

be distinguished, and, out of a very excess of broil and blood, along

with multiplied opportunities for the display of courage, gun-play got

its quietus. The good old times, when it was thought that a man who had

failed at all else could still keep a hotel and edit a newspaper, have

passed away. They are gone forever. If a gentleman kills his man

nowadays, even in honest and fair fight, they call it murder. Editors

have actually to be educated to their work, and to work for their

living. The soul of Bombastes has departed, and journalism is no longer

irradiated and advertised by the flash of arms.

We are wont to hear of the superior integrity of those days. There will

always be in direct accountability a certain sense of obligation lacking

to the anonymous and impersonal. Most men will think twice before they

commit their thoughts to print where their names are affixed. Ambition

and vanity, as well as discretion, play a restraining part here; they

play it, even though there be no provocation to danger. Yet, seeing that

somebody must be somewhere back of the pen, the result would appear

still to be referable to private character.

Most of the personal journalists were in alliance with the contemporary

politicians; all of them were the slaves of party. Many of them were

without convictions, holding to the measures of the time the relation

held by the play-actors to the parts that come to them on the stage.

Before the advent of the elder Bennett, independent journalism was

unknown. In the “partnership” of Seward, Weed, and Greeley,—Mr. Greeley

himself described it, he being “the junior member,”—office, no less than

public printing, was the object of two members at least of the firm.

Lesser figures were squires instead of partners, their chiefs as knights

of old. Callender first served, then maligned, Jefferson. Croswell was

the man-at-arms of the Albany Regency, valet to Mr. Van Buren. Forney

played majordomo to Mr. Buchanan until Buchanan, becoming President,

left his poor follower to hustle for himself; a signal, but not

anomalous, piece of ingratitude. Prentice held himself to the orders of

Clay. Even Raymond, set up in business by the money of Seward’s friends,

could call his soul his own only toward the end of his life, and then by

a single but fatal misstep brought ruin upon the property his genius had

created.

Not, indeed, until the latter third of the last century did independent

journalism acquire considerable vogue, with Samuel Bowles and Charles A.

Dana to lead it in the East, and Murat Halstead and Horace White,

followed by Joseph Medill, Victor F. Lawson, Melville E. Stone, and

William R. Nelson, in the West.

III

The new school of journalism, sometimes called impersonal and taking its

lead from the counting-room, which generally prevails, promises to

become universal in spite of an individualist here and there uniting

salient characteristics to controlling ownership—a union which in the

first place created the personal journalism of other days.

Here, however, the absence of personality is more apparent than real.

Control must be lodged somewhere. Whether it be upstairs, or downstairs,

it is bound to be—if successful—both single-minded and arbitrary, the

embodiment of the inspiration and the will of one man; the expression

made to fit the changed conditions which have impressed themselves upon

the writing and the speaking of our time.

Eloquence and fancy, oratory and rhetoric, have for the most part given

place in our public life to the language of business. More and more do

budgets usurp the field of affairs. As fiction has exhausted the

situations possible to imaginative writing, so has popular declamation

exhausted the resources of figurative speech; and just as the novel

seeks other expedients for arousing and holding the interest of its

readers, do speakers and publicists, abandoning the florid and

artificial, aim at the simple and the lucid, the terse and incisive, the

argument the main point, attained, as a rule, in the statement. To this

end the counting-room, with its close kinship to the actualities of the

world about it, has a definite advantage over the editorial room, as a

school of instruction. Nor is there any reason why the head of the

counting-room should not be as highly qualified to direct the editorial

policies as the financial policies of the newspaper of which, as the

agent of a corporation or an estate, he has become the executive; the

newspaper thus conducted assuming something of the character of the

banking institution and the railway company, being indeed in a sense a

common carrier. At least a greater show of stability and respectability,

if not a greater sense of responsibility, would be likely to follow such

an arrangement, since it would establish a more immediate relation with

the community than that embraced by the system which seems to have

passed away, a system which was not nearly so accessible, and was,

moreover, hedged about by a certain mystery that attaches itself to

midnight, to the flare of the footlights and the smell of printers’ ink.

I had written thus far and was about to pursue this line of thought with

some practical suggestion emanating from a wealth of observation and

reminiscence when, reading the _Atlantic Monthly_ for March, I

encountered the following passage from the very thoughtful paper of Mr.

Edward Alsworth Ross, entitled “The Suppression of Important News”:—

“More and more the owner of the big daily is a business man who finds it

hard to see why he should run his property on different lines from the

hotel proprietor, the vaudeville manager, or the owner of an amusement

park. The editors are hired men, and they may put into the paper no more

of their conscience and ideals than comports with getting the biggest

return from the investment. Of course, the old-time editor who owned his

paper tried to make money—no sin, that!—but just as to-day the author,

the lecturer, or the scholar, tries to make money, namely, within the

limitations imposed by his principles and his professional standards.

But, now that the provider of the newspaper capital hires the editor

instead of the editor hiring the newspaper capital, the paper is

likelier to be run as a money-maker pure and simple—a factory where ink

and brains are so applied to white paper as to turn out the largest

possible marketable product. The capitalist-owner means no harm, but he

is not bothered by the standards that hamper the editor-owner. He

follows a few simple maxims that work out well enough in selling shoes

or cigars or sheet-music.”

There follow many examples of the “suppression” of “news.” Some of these

might be called “important.” Others are less so. Here enters a question

as to what is “news” and what is not; a question which gives rise to

frequent and sometimes considerable differences of opinion.

If the newspaper manager is to make no distinction between vaudeville

and journalism, between the selling of white paper disfigured by

printer’s ink and the selling of shoes, or sheet-music, comment would

seem superfluous. I venture to believe that such a manager would nowhere

be able long to hold his own against one of an ambition and intelligence

better suited to supplying the requirement of the public demand for a

vehicle of communication between itself and the world at large. Now and

then we see a very well-composed newspaper fail of success because of

its editorial character and tone. Now and then we see one succeed,

having no editorial character and tone. But the rule is otherwise. The

leading dailies everywhere stand for something. They are rarely without

aspiration. Because of the unequal capabilities of those who conduct

them, they have had their ups and downs: great journals, like the

_Chicago Times_, passing out of existence through the lack of an

adequate head; failing journals, like the _New York World_, saved from

shipwreck by the timely arrival of an adequate head.

My own observation leads me to believe that more is to be charged

against the levity and indifference of the average newspaper—perhaps I

should say its ignorance and indolence—than against the suppression of

important news. As a matter of fact, suppression does not suppress.

Conflicting interests attend to that. Mr. Ross relates that on the desk

of every editor and sub-editor of a newspaper run by a certain

capitalist, who was also a promoter, lay a list of sixteen corporations

in which the owner was interested. This was to remind them not to print

anything damaging to those particular concerns. In the office the

exempted subjects were jocularly referred to as “sacred cows.”

This case, familiar to all newspaper men, was an extreme one. The

newspaper proved a costly and ignominious failure. Its owner, who ran it

on the lines of an “amusement park,” landed first in a bankruptcy and

then in a criminal court, finally to round up in the penitentiary.

Before him, and in the same city, a fellow “journalist” had been given a

state-prison sentence. In another and adjacent city the editor and owner

of a famous and influential newspaper who had prostituted himself and

his calling escaped the stripes of a convict only through executive

clemency.

The disposition to publish everything, without regard to private feeling

or good neighborhood, may be carried to an excess quite as hurtful to

the community as the suppressions of which Mr. Ross tells us in his

interesting résumé. The newspaper which constitutes itself judge and

jury, which condemns in advance of conviction, which, reversing the

English rule of law, assumes the accused guilty instead of innocent,—the

newspaper, in short, which sets itself up as a public prosecutor,—is

likely to become a common scold and to arouse its readers out of all

proportion to any good achieved by publicity. As in other affairs of

life, the sense of decency imposes certain reserves, and also the sense

of charity.

The justest complaint which may be laid at the door of the modern

newspaper seems to me its invasion of the home, and the conversion of

its reporters into detectives. Pretending to be the defender of liberty,

it too often is the assailant of private right. Each daily issue should

indeed aim to be the history of yesterday, but it should be clean as

well as truthful; and as we seek in our usual walks and ways to avoid

that which is nasty and ghastly, so should we, in the narration of

scandal and crime, guard equally against exaggeration and pruriency, nor

be ashamed to suppress that which may be too vile to tell.

The Profession of Journalism A Collection of Articles on Newspaper Editing and Publishing, Taken From the Atlantic Monthly · 第 8 / 22 段