C.D.

During my stay in England in that summer of 1869, I made many excursions

with Dickens both around the city and into the country. Among the most

memorable of these London rambles was a visit to the General

Post-Office, by arrangement with the authorities there, a stroll among

the cheap theatres and lodging-houses for the poor, a visit to

Furnival's Inn and the very room in it where "Pickwick" was written, and

a walk through the thieves' quarter. Two of these expeditions were made

on two consecutive nights, under the protection of police detailed for

the service. On one of these nights we also visited the lock-up houses,

watch-houses, and opium-eating establishments. It was in one of the

horrid opium-dens that he gathered the incidents which he has related in

the opening pages of "Edwin Drood." In a miserable court we found the

haggard old woman blowing at a kind of pipe made of an old penny

ink-bottle. The identical words which Dickens puts into the mouth of

this wretched creature in "Edwin Drood" we heard her croon as we leaned

over the tattered bed on which she was lying. There was something

hideous in the way this woman kept repeating, "Ye'll pay up

according, deary, won't ye?" and the Chinamen and Lascars made

never-to-be-forgotten pictures in the scene. I watched Dickens intently

as he went among these outcasts of London, and saw with what deep

sympathy he encountered the sad and suffering in their horrid abodes. At

the door of one of the penny lodging-houses (it was growing toward

morning, and the raw air almost cut one to the bone), I saw him snatch a

little child out of its poor drunken mother's arms, and bear it in,

filthy as it was, that it might be warmed and cared for. I noticed that

whenever he entered one of these wretched rooms he had a word of cheer

for its inmates, and that when he left the apartment he always had a

pleasant "Good night" or "God bless you" to bestow upon them. I do not

think his person was ever recognized in any of these haunts, except in

one instance. As we entered a low room in the worst alley we had yet

visited, in which were huddled together some forty or fifty

half-starved-looking wretches, I noticed a man among the crowd

whispering to another and pointing out Dickens. Both men regarded him

with marked interest all the time he remained in the room, and tried to

get as near him, without observation, as possible. As he turned to go

out, one of these men pressed forward and said, "Good night, sir," with

much feeling, in reply to Dickens's parting word.

Among other places, we went, a little past midnight, into one of the

Casual Wards, which were so graphically described, some years ago, in an

English magazine, by a gentleman who, as a pretended tramp, went in on a

reporting expedition. We walked through an avenue of poor tired sleeping

forms, all lying flat on the floor, and not one of them raised a head to

look at us as we moved thoughtfully up the aisle of sorrowful humanity.

I think we counted sixty or seventy prostrate beings, who had come in

for a night's shelter, and had lain down worn out with fatigue and

hunger. There was one pale young face to which I whispered Dickens's

attention, and he stood over it with a look of sympathizing interest not

to be easily forgotten. There was much ghastly comicality mingled with

the horror in several of the places we visited on those two nights. We

were standing in a room half filled with people of both sexes, whom the

police accompanying us knew to be thieves. Many of these abandoned

persons had served out their terms in jail or prison, and would probably

be again sentenced under the law. They were all silent and sullen as we

entered the room, until an old woman spoke up with a strong, beery

voice: "Good evening, gentlemen. We are all wery poor, but strictly

honest." At which cheerful apocryphal statement, all the inmates of the

room burst into boisterous laughter, and began pelting the imaginative

female with epithets uncomplimentary and unsavory. Dickens's quick eye

never for a moment ceased to study all these scenes of vice and gloom,

and he told me afterwards that, bad as the whole thing was, it had

improved infinitely since he first began to study character in those

regions of crime and woe.

Between eleven and twelve o'clock on one of the evenings I have

mentioned we were taken by Dickens's favorite Detective W---- into a

sort of lock-up house, where persons are brought from the streets who

have been engaged in brawls, or detected in the act of thieving, or who

have, in short, committed any offence against the laws. Here they are

examined for commitment by a sort of presiding officer, who sits all

night for that purpose. We looked into some of the cells, and found them

nearly filled with wretched-looking objects who had been brought in that

night. To this establishment are also brought lost children who are

picked up in the streets by the police,--children who have wandered away

from their homes, and are not old enough to tell the magistrate where

they live. It was well on toward morning, and we were sitting in

conversation with one of the officers, when the ponderous door opened

and one of these small wanderers was brought in. She was the queerest

little figure I ever beheld, and she walked in, holding the police

officer by the hand as solemnly and as quietly if she were attending her

own obsequies. She was between four and five years old, and had on what

was evidently her mother's bonnet,--an enormous production, resembling a

sort of coal-scuttle, manufactured after the fashion of ten or fifteen

years ago. The child had, no doubt, caught up this wonderful head-gear

in the absence of her parent, and had gone forth in quest of adventure.

The officer reported that he had discovered her in the middle of the

street, moving ponderingly along, without any regard to the horses and

vehicles all about her. When asked where she lived, she mentioned a

street which only existed in her own imagination, and she knew only her

Christian name. When she was interrogated by the proper authorities,

without the slightest apparent discomposure she replied in a steady

voice, as she thought proper, to their questions. The magistrate

inadvertently repeated a question as to the number of her brothers and

sisters, and the child snapped out, "I told ye wunst; can't ye hear?"

When asked if she would like anything, she gayly answered, "Candy, cake

and _candy_." A messenger was sent out to procure these commodities,

which she instantly seized on their arrival and began to devour. She

showed no signs of fear, until one of the officers untied the huge

bonnet and took it off, when she tearfully insisted upon being put into

it again. I was greatly impressed by the ingenious efforts of the

excellent men in the room to learn from the child where she lived, and

who her parents were. Dickens sat looking at the little figure with

profound interest, and soon came forward and asked permission to speak

with the child. Of course his request was granted, and I don't know when

I have enjoyed a conversation more. She made some very smart answers,

which convulsed us all with laughter as we stood looking on; and the

creator of "little Nell" and "Paul Dombey" gave her up in despair. He

was so much interested in the little vagrant, that he sent a messenger

next morning to learn if the rightful owner of the bonnet had been

found. Report came back, on a duly printed form, setting forth that the

anxious father and mother had applied for the child at three o'clock in

the morning, and had borne her away in triumph to her home.

It was a warm summer afternoon towards the close of the day, when

Dickens went with us to visit the London Post-Office. He said: "I know

nothing which could give a stranger a better idea of the size of London

than that great institution. The hurry and rush of letters! men up to

their chin in letters! nothing but letters everywhere! the air full of

letters!--suddenly the clock strikes; not a person is to be seen, _nor_

a letter: only one man with a lantern peering about and putting one

drop-letter into a box." For two hours we went from room to room, with

him as our guide, up stairs and down stairs, observing the myriad clerks

at their various avocations, with letters for the North Pole, for the

South Pole, for Egypt and Alaska, Darien and the next street.

The "Blind Man," as he was called, appeared to afford Dickens as much

amusement as if he saw his work then for the first time; but this was

one of the qualities of his genius; there was inexhaustibility and

freshness in everything to which he turned his attention. The ingenuity

and loving care shown by the "Blind Man" in deciphering or guessing at

the apparently inexplicable addresses on letters and parcels excited his

admiration. "What a lesson to all of us," he could not help saying, "to

be careful in preparing our letters for the mail!" His own were always

directed with such exquisite care, however, that had he been brother to

the "Blind Man," and considered it his special work in life to teach

others how to save that officer trouble, he could hardly have done

better.

Leaving the hurry and bustle of the Post-Office behind us, we strolled

out into the streets of London. It was past eight o'clock, but the

beauty of the soft June sunset was only then overspreading the misty

heavens. Every sound of traffic had died out of those turbulent

thoroughfares; now and then a belated figure would hurry past us and

disappear, or perhaps in turning the corner would linger to "take a good

look" at Charles Dickens. But even these stragglers soon dispersed,

leaving us alone in the light of day and the sweet living air to

heighten the sensation of a dream. We came through White Friars to the

Temple, and thence into the Temple Garden, where our very voices echoed.

Dickens pointed up to Talfourd's room, and recalled with tenderness the

merry hours they had passed together in the old place. Of course we

hunted out Goldsmith's abode, and Dr. Johnson's, saw the site of the

Earl of Essex's palace, and the steps by which he was wont to descend to

the river, now so far removed. But most interesting of all to us there

was "Pip's" room, to which Dickens led us, and the staircase where the

convict stumbled up in the dark, and the chimney nearest the river

where, although less exposed than in "Pip's" days, we could well

understand how "the wind shook the house that night like discharges of

cannon, or breakings of a sea." We looked in at the dark old staircase,

so dark on that night when "the lamps were blown out, and the lamps on

the bridges and the shore were shuddering," then went on to take a peep,

half shuddering ourselves, at the narrow street where "Pip" by and by

found a lodging for the convict. Nothing dark could long survive in our

minds on that June night, when the whole scene was so like the airy work

of imagination. Past the Temple, past the garden to the river, mistily

fair, with a few boats moving upon its surface, the convict's story was

forgotten, and we only knew this was Dickens's home, where he had lived

and written, lying in the calm light of its fairest mood.

* * * * *

Dickens had timed our visit to his country house in Kent, and arranged

that we should appear at Gad's Hill with the nightingales. Arriving at

the Higham station on a bright June day in 1869, we found his stout

little pony ready to take us up the hill; and before we had proceeded

far on the road, the master himself came out to welcome us on the way.

He looked brown and hearty, and told us he had passed a breezy morning

writing in the châlet. We had parted from him only a few days before in

London, but I thought the country air had already begun to exert its

strengthening influence,--a process he said which commonly set in the

moment he reached his garden gate.

It was ten years since I had seen Gad's Hill Place, and I observed at

once what extensive improvements had been made during that period.

Dickens had increased his estate by adding quite a large tract of land

on the opposite side of the road, and a beautiful meadow at the back of

the house. He had connected the front lawn, by a passageway running

under the road, with beautifully wooded grounds, on which was erected

the Swiss châlet, a present from Fechter. The old house, too, had been

greatly improved, and there was an air of assured comfort and ease about

the charming establishment. No one could surpass Dickens as a host; and

as there were certain household rules (hours for meals, recreation,

etc.), he at once announced them, so that visitors never lost any time

"wondering" when this or that was to happen.

Lunch over, we were taken round to see the dogs, and Dickens gave us a

rapid biographical account of each as we made acquaintance with the

whole colony. One old fellow, who had grown superannuated and nearly

blind, raised himself up and laid his great black head against Dickens's

breast as if he loved him. All were spoken to with pleasant words of

greeting, and the whole troop seemed wild with joy over the master's

visit. "Linda" put up her shaggy paw to be shaken at parting; and as we

left the dog-houses, our host told us some amusing anecdotes of his

favorite friends.

Dickens's admiration of Hogarth was unbounded, and he had hung the

staircase leading up from the hall of his house with fine old

impressions of the great master's best works. Observing our immediate

interest in these pictures, he seemed greatly pleased, and proceeded at

once to point out in his graphic way what had struck his own fancy most

in Hogarth's genius. He had made a study of the painter's _thought_ as

displayed in these works, and his talk about the artist was delightful.

He used to say he never came down the stairs without pausing with new

wonder over the fertility of the mind that had conceived and the hand

that had executed these powerful pictures of human life; and I cannot

forget with what fervid energy and feeling he repeated one day, as we

were standing together on the stairs in front of the Hogarth pictures,

Dr. Johnson's epitaph, on the painter:--

"The hand of him here torpid lies,

That drew the essential form of grace;

Here closed in death the attentive eyes

That saw the manners in the face."

Every day we had out-of-door games, such as "Bowls," "Aunt Sally," and

the like, Dickens leading off with great spirit and fun. Billiards came

after dinner, and during the evening we had charades and dancing. There

was no end to the new divertisements our kind host was in the habit of

proposing, so that constant cheerfulness reigned at Gad's Hill. He went

into his work-room, as he called it, soon after breakfast, and wrote

till twelve o'clock; then he came out, ready for a long walk. The

country about Gad's Hill is admirably adapted for pedestrian exercise,

and we went forth every day, rain or shine, for a stretcher. Twelve,

fifteen, even twenty miles were not too much for Dickens, and many a

long tramp we have had over the hop-country together. Chatham,

Rochester, Cobham Park, Maidstone,--anywhere, out under the open sky and

into the free air! Then Dickens was at his best, and talked. Swinging

his blackthorn stick, his lithe figure sprang forward over the ground,

and it took a practised pair of legs to keep alongside of his voice. In

these expeditions I heard from his own lips delightful reminiscences of

his early days in the region we were then traversing, and charming

narratives of incidents connected with the writing of his books.

Dickens's association with Gad's Hill, the city of Rochester, the road

to Canterbury, and the old cathedral town itself, dates back to his

earliest years. In "David Copperfield," the most autobiographic of all

his books, we find him, a little boy, (so small, that the landlady is

called to peer over the counter and catch a glimpse of the tiny lad who

possesses such "a spirit,") trudging over the old Kent Road to Dover. "I

see myself," he writes, "as evening closes in, coming over the bridge at

Rochester, footsore and tired, and eating bread that I had bought for

supper. One or two little houses, with the notice, 'Lodgings for

Travellers' hanging out, had tempted me; but I was afraid of spending

the few pence I had, and was even more afraid of the vicious looks of

the trampers I had met or overtaken. I sought no shelter, therefore, but

the sky; and toiling into Chatham,--which in that night's aspect is a

mere dream of chalk, and drawbridges, and mastless ships in a muddy

river, roofed like Noah's arks,--crept, at last, upon a sort of

grass-grown battery overhanging a lane, where a sentry was walking to

and fro. Here I lay down near a cannon; and, happy in the society of the

sentry's footsteps, though he knew no more of my being above him than

the boys at Salem House had known of my lying by the wall, slept soundly

until morning," Thus early he noticed "the trampers" which infest the

old Dover Road, and observed them in their numberless gypsy-like

variety; thus early he looked lovingly on Gad's Hill Place, and wished

it might be his own, if he ever grew up to be a man. His earliest

memories were filled with pictures of the endless hop-grounds and

orchards, and the little child "thought it all extremely beautiful!"

Through the long years of his short life he was always consistent in his

love for Kent and the old surroundings. When the after days came and

while travelling abroad, how vividly the childish love returned! As he

passed rapidly over the road on his way to France he once wrote: "Midway

between Gravesend and Rochester the widening river was bearing the

ships, white-sailed or black-smoked, out to sea, when I noticed by the

wayside a very queer small boy.

"'Halloa!' said I to the very queer small boy, 'where do you live?'

"'At Chatham,' says he.

"'What do you do there?' said I.

"'I go to school,' says he.

"I took him up in a moment, and we went on. Presently the very queer

small boy says, 'This is Gad's Hill we are coming to, where Falstaff

went out to rob those travellers, and ran away.'

"'You know something about Falstaff, eh?' said I.

"'All about him,' said the very queer small boy. 'I am old (I am nine)

and I read all sorts of books. But _do_ let us stop at the top of the

hill, and look at the house there, if you please!'

"'You admire that house,' said I.

"'Bless you, sir,' said the very queer small boy, 'when I was not more

than half as old as nine, it used to be a treat for me to be brought to

look at it. And now I am nine, I come by myself to look at it. And ever

since I can recollect, my father, seeing me so fond of it, has often

said to me, "If you were to be very persevering and were to work hard,

you might some day come to live in it." Though that's impossible!' said

the very queer small boy, drawing a low breath, and now staring at the

house out of window with all his might. I was rather annoyed to be told

this by the very queer small boy; for that house happens to be _my_

house, and I have reason to believe that what he said was true."

What stay-at-home is there who does not know the Bull Inn at Rochester,

from which Mr. Tupman and Mr. Jingle attended the ball, Mr. Jingle

wearing Mr. Winkle's coat? or who has not seen in fancy the

"gypsy-tramp," the "show-tramp," the "cheap jack," the "tramp-children,"

and the "Irish hoppers" all passing over "the Kentish Road, bordered" in

their favorite resting-place "on either side by a wood, and having on

one hand, between the road-dust and the trees, a skirting patch of

grass? Wild-flowers grow in abundance on this spot, and it lies high and

airy, with the distant river stealing steadily away to the ocean, like a

man's life."

Sitting in the beautiful châlet during his later years and watching

this same river stealing away like his own life, he never could find a

harsh word for the tramps, and many and many a one has gone over the

road rejoicing because of some kindness received from his hands. Every

precaution was taken to protect a house exposed as his was to these wild

rovers, several dogs being kept in the stable-yard, and the large outer

gates locked. But he seldom made an excursion in any direction without

finding some opportunity to benefit them. One of these many kindnesses

came to the public ear during the last summer of his life. He was

dressing in his own bedroom in the morning, when he saw two Savoyards

and two bears come up to the Falstaff Inn opposite. While he was

watching the odd company, two English bullies joined the little party

and insisted upon taking the muzzles off the bears in order to have a

dance with them. "At once," said Dickens, "I saw there would be trouble,

and I watched the scene with the greatest anxiety. In a moment I saw how

things were going, and without delay I found myself at the gate. I

called the gardener by the way, but he managed to hold himself at safe

distance behind the fence. I put the Savoyards instantly in a secure

position, asked the bullies what they were at, forced them to muzzle the

bears again, under threat of sending for the police, and ended the whole

affair in so short a time that I was not missed from the house.

Unfortunately, while I was covered with dust and blood, for the bears

had already attacked one of the men when I arrived, I heard a carriage

roll by. I thought nothing of it at the time, but the report in the

foreign journals which startled and shocked my friends so much came

probably from the occupants of that vehicle. Unhappily, in my desire to

save the men, I entirely forgot the dogs, and ordered the bears to be

carried into the stable-yard until the scuffle should be over, when a

tremendous tumult arose between the bears and the dogs. Fortunately we

were able to separate them without injury, and the whole was so soon

over that it was hard to make the family believe, when I came in to

breakfast, that anything of the kind had gone forward." It was the

newspaper report, causing anxiety to some absent friends, which led, on

inquiry, to this rehearsal of the incident.

Who does not know Cobham Park? Has Dickens not invited us

there in the old days to meet Mr. Pickwick, who pronounced it

"delightful!--thoroughly delightful," while "the skin of his expressive

countenance was rapidly peeling off with exposure to the sun"? Has he

not invited the world to enjoy the loveliness of its solitudes with him,

and peopled its haunts for us again and again?

Our first _real_ visit to Cobham Park was on a summer morning when

Dickens walked out with us from his own gate, and, strolling quietly

along the road, turned at length into what seemed a rural wooded

pathway. At first we did not associate the spot in its spring freshness

with that morning after Christmas when he had supped with the "Seven

Poor Travellers," and lain awake all night with thinking of them; and

after parting in the morning with a kindly shake of the hand all round,

started to walk through Cobham woods on his way towards London. Then on

his lonely road, "the mists began to rise in the most beautiful manner

and the sun to shine; and as I went on," he writes, "through the bracing

air, seeing the hoar frost sparkle everywhere, I felt as if all nature

shared in the joy of the great Birthday. Going through the woods, the

softness of my tread upon the mossy ground and among the brown leaves

enhanced the Christmas sacredness by which I felt surrounded. As the

whitened stems environed me, I thought how the Founder of the time had

never raised his benignant hand, save to bless and heal, except in the

case of one unconscious tree."

Now we found ourselves on the same ground, surrounded by the full beauty

of the summer-time. The hand of Art conspiring with Nature had planted

rhododendrons, as if in their native soil beneath the forest-trees. They

were in one universal flame of blossoms, as far as the eye could see.

Lord and Lady D----, the kindest and most hospitable of neighbors, were

absent; there was not a living figure beside ourselves to break the

solitude, and we wandered on and on with the wild birds for companions

as in our native wildernesses. By and by we came near Cobham Hall, with

its fine lawns and far-sweeping landscape, and workmen and gardeners and

a general air of summer luxury. But to-day we were to go past the hall

and lunch on a green slope under the trees, (was it _just_ the spot

where Mr. Pickwick tried the cold punch and found it satisfactory? I

never liked to ask!) and after making the old woods ring with the

clatter and clink of our noontide meal, mingled with floods of laughter,

were to come to the village, and to the very inn from which the

disconsolate Mr. Tupman wrote to Mr. Pickwick, after his adventure with

Miss Wardle. There is the old sign, and here we are at the Leather

Bottle, Cobham, Kent. "There's no doubt whatever about that." Dickens's

modesty would not allow him to go in, so we made the most of an outside

study of the quaint old place as we strolled by; also of the cottages

whose inmates were evidently no strangers to our party, but were cared

for by them as English cottagers are so often looked after by the kindly

ladies in their neighborhood. And there was the old churchyard, "where

the dead had been quietly buried 'in the sure and certain hope' which

Christmas-time inspired." There too were the children, whom, seeing at

their play, he could not but be loving, remembering who had loved them!

One party of urchins swinging on a gate reminded us vividly of Collins,

the painter. Here was his composition to the life. Every lover of rural

scenery must recall the little fellow on the top of a five-barred gate

in the picture Collins painted, known widely by the fine engraving made

of it at the time. And there too were the blossoming gardens, which now

shone in their new garments of resurrection. The stillness of midsummer

noon crept over everything as we lingered in the sun and shadow of the

old village. Slowly circling the hall, we came upon an avenue of

lime-trees leading up to a stately doorway in the distance. The path was

overgrown, birds and squirrels were hopping unconcernedly over the

ground, and the gates and chains were rusty with disuse. "This avenue,"

said Dickens, as we leaned upon the wall and looked into its cool

shadows, "is never crossed except to bear the dead body of the lord of

the hall to its last resting-place; a remnant of superstition, and one

which Lord and Lady D---- would be glad to do away with, but the

villagers would never hear of such a thing, and would consider it

certain death to any person who should go or come through this entrance.

It would be a highly unpopular movement for the present occupants to

attempt to uproot this absurd idea, and they have given up all thoughts

of it for the time."

It was on a subsequent visit to Cobham village that we explored the

"College," an old foundation of the reign of Edward III. for the aged

poor of both sexes. Each occupant of the various small apartments was

sitting at his or her door, which opened on a grassy enclosure with

arches like an abandoned cloister of some old cathedral. Such a motley

society, brought together under such unnatural circumstances, would of

course interest Dickens. He seemed to take a profound pleasure in

wandering about the place, which was evidently filled with the

associations of former visits in his own mind. He was usually possessed

by a childlike eagerness to go to any spot which he had made up his mind

it was best to visit, and quick to come away, but he lingered long about

this leafy old haunt on that Sunday afternoon.

Of Cobham Hall itself much might be written without conveying an

adequate idea of its peculiar interest to this generation. The terraces,

and lawns, and cedar-trees, and deer-park, the names of Edward III. and

Elizabeth, the famous old Cobhams and their long line of distinguished

descendants, their invaluable pictures and historic chapel, have all

been the common property of the past and of the present. But the air of

comfort and hospitality diffused about the place by the present owners

belongs exclusively to our time, and a little Swiss châlet removed from

Gad's Hill, standing not far from the great house, will always connect

the name of Charles Dickens with the place he loved so well. The châlet

has been transferred thither as a tribute from the Dickens family to the

kindness of their friends and former neighbors. We could not fail,

during our visit, to think of the connection his name would always have

with Cobham Hall, though he was then still by our side, and the little

châlet yet remained embowered in its own green trees overlooking the

sail-dotted Medway as it flowed towards the Thames.

The old city of Rochester, to which we have already referred as being

particularly well known to all Mr. Pickwick's admirers, is within

walking distance from Gad's Hill Place, and was the object of daily

visits from its occupants. The ancient castle, one of the best ruins in

England, as Dickens loved to say, because less has been done to it,

rises with rugged walls precipitously from the river. It is wholly

unrestored; just enough care has been bestowed to prevent its utter

destruction, but otherwise it stands as it has stood and crumbled from

year to year. We climbed painfully up to the highest steep of its

loftiest tower, and looked down on the wonderful scene spread out in the

glory of a summer sunset. Below, a clear trickling stream flowed and

tinkled as it has done since the rope was first lowered in the year 800

to bring the bucket up over the worn stones which still remain to attest

the fact. How happy Dickens was in the beauty of that scene! What

delight he took in rebuilding the old place, with every legend of which

he proved himself familiar, and repeopling it out of the storehouse of

his fancy. "Here was the kitchen, and there the dining-hall! How

frightfully dark they must have been in those days, with such small

slits for windows, and the fireplaces without chimneys! There were the

galleries; this is one of the four towers; the others, you will

understand, corresponded with this; and now, if you're not dizzy, we

will come out on the battlements for the view!" Up we went, of course,

following our cheery leader until we stood among the topmost

wall-flowers, which were waving yellow and sweet in the sunset air. East

and west, north and south, our eyes traversed the beautiful garden land

of Kent, the land beloved of poets through the centuries. Below lay the

city of Rochester on one hand, and in the heart of it an old inn where a

carrier was even then getting out, or putting in, horses and wagon for

the night. A procession, with banners and music, was moving slowly by

the tavern, and the quaint costumes in which the men were dressed

suggested days long past, when far other scenes were going forward in

this locality. It was almost like a pageant marching out of antiquity

for our delectation. Our master of ceremonies revelled that day in

repeopling the queer old streets down into which we were looking from

our charming elevation. His delightful fancy seemed especially alert on

that occasion, and we lived over again with him many a chapter in the

history of Rochester, full of interest to those of us who had come from

a land where all is new and comparatively barren of romance.

Below, on the other side, was the river Medway, from whose depths the

castle once rose steeply. Now the _débris_ and perhaps also a slight

swerving of the river from its old course have left a rough margin, over

which it would not be difficult to make an ascent. Rochester Bridge,

too, is here, and the "windy hills" in the distance; and again, on the

other hand, Chatham, and beyond, the Thames, with the sunset tingeing

the many-colored sails. We were not easily persuaded to descend from our

picturesque vantage-ground; but the master's hand led us gently on from

point to point, until we found ourselves, before we were aware, on the

grassy slope outside the castle wall. Besides, there was the cathedral

to be visited, and the tomb of Richard Watts, "with the effigy of worthy

Master Richard starting out of it like a ship's figurehead."

After seeing the cathedral, we went along the silent High Street, past

queer Elizabethan houses with endless gables and fences and

lattice-windows, until we came to Watts's Charity, the house of

entertainment for six poor travellers. The establishment is so familiar

to all lovers of Dickens through his description of it in the article

entitled "Seven Poor Travellers" among his "Uncommercial" papers, that

little is left to be said on that subject; except perhaps that no

autobiographic sketch ever gave a more faithful picture, a closer

portrait, than is there conveyed.

Dickens's fancy for Rochester, and his numberless associations with it,

have left traces of that city in almost everything he wrote. From the

time when Mr. Snodgrass first discovered the castle ruin from Rochester

Bridge, to the last chapter of Edwin Drood, we observe hints of the

city's quaintness or silence; the unending pavements, which go on and

on till the wisest head would be puzzled to know where Rochester ends

and where Chatham begins, the disposition of Father Time to have his own

unimpeded way therein, and of the gray cathedral towers which loom up in

the background of many a sketch and tale. Rochester, too, is on the way

to Canterbury, Dickens's best loved cathedral, the home of Agnes

Wickfield, the sunny spot in the life and memory of David Copperfield.

David was particularly small, as we are told, when he first saw

Canterbury, but he was already familiar with Roderick Random, Peregrine

Pickle, Humphrey Clinker, Tom Jones, The Vicar of Wakefield, Don

Quixote, Gil Blas, and Robinson Crusoe, who came out, as he says, a

glorious host, to keep him company. Naturally, the calm old place, the

green nooks, the beauty of the cathedral, possessed a better chance with

him than with many others, and surely no one could have loved them more.

In the later years of his life the crowning-point of the summer holidays

was "a pilgrimage to Canterbury."

The sun shone merrily through the day when he chose to carry us thither.

Early in the morning the whole house was astir; large hampers were

packed, ladies and gentlemen were clad in gay midsummer attire, and,

soon after breakfast, huge carriages with four horses, and postilions

with red coats and top-boots, after the fashion of the olden time, were

drawn up before the door. Presently we were moving lightly over the

road, the hop-vines dancing on the poles on either side, the orchards

looking invitingly cool, the oast-houses fanning with their wide arms,

the river glowing from time to time through the landscape. We made such

a clatter passing through Rochester, that all the main street turned out

to see the carriages, and, being obliged to stop the horses a moment, a

shopkeeper, desirous of discovering Dickens among the party, hit upon

the wrong man, and confused an humble individual among the company by

calling a crowd, pointing him out as Dickens, and making him the mark of

eager eyes. This incident seemed very odd to us in a place he knew so

well. On we clattered, leaving the echoing street behind us, on and on

for many a mile, until noon, when, finding a green wood and clear stream

by the roadside, we encamped under the shadow of the trees in a retired

spot for lunch. Again we went on, through quaint towns and lonely roads,

until we came to Canterbury, in the yellow afternoon. The bells for

service were ringing as we drove under the stone archway into the

soundless streets. The whole town seemed to be enjoying a simultaneous

nap, from which it was aroused by our horses' hoofs. Out the people ran,

at this signal, into the highway, and we were glad to descend at some

distance from the centre of the city, thus leaving the excitement behind

us. We had been exposed to the hot rays of the sun all day, and the

change into the shadow of the cathedral was refreshing. Service was

going forward as we entered; we sat down, therefore, and joined our

voices with those of the choristers. Dickens, with tireless observation,

noted how sleepy and inane were the faces of many of the singers, to

whom this beautiful service was but a sickening monotony of repetition.

The words, too, were gabbled over in a manner anything but impressive.

He was such a downright enemy to form, as substituted for religion, that

any dash of untruth or unreality was abhorrent to him. When the last

sounds died away in the cathedral we came out again into the cloisters,

and sauntered about until the shadows fell over the beautiful enclosure.

We were hospitably entreated, and listened to many an historical tale of

tomb and stone and grassy nook; but under all we were listening to the

heart of our companion, who had so often wandered thither in his

solitude, and was now rereading the stories these urns had prepared for

him.

Yesterdays with Authors · 第 72 / 112 题