CHARLES DICKENS.

We had often talked together of the addition to his _répertoire_ of some

scenes from "Oliver Twist," and the following letter explains itself:--

Glasgow, Wednesday, December 16, 1868.

Mr Dear ----: ...And first, as you are curious about the Oliver

murder, I will tell you about that trial of the same at which you

_ought_ to have assisted. There were about a hundred people present

in all. I have changed my stage. Besides that back screen which you

know so well, there are two large screens of the same color, set

off, one on either side, like the "wings" at a theatre. And besides

those again, we have a quantity of curtains of the same color, with

which to close in any width of room from wall to wall. Consequently,

the figure is now completely isolated, and the slightest action

becomes much more important. This was used for the first time on the

occasion. But behind the stage--the orchestra being very large and

built for the accommodation of a numerous chorus--there was ready,

on the level of the platform, a very long table, beautifully

lighted, with a large staff of men ready to open oysters and set

champagne corks flying. Directly I had done, the screens being

whisked off by my people, there was disclosed one of the prettiest

banquets you can imagine; and when all the people came up, and the

gay dresses of the ladies were lighted by those powerful lights of

mine, the scene was exquisitely pretty; the hall being newly

decorated, and very elegantly; and the whole looking like a great

bed of flowers and diamonds.

Now, you must know that all this company were, before the wine went

round, unmistakably pale, and had horror-stricken faces. Next

morning, Harness (Fields knows--Rev. William--did an edition of

Shakespeare--old friend of the Kembles and Mrs. Siddons), writing to

me about it, and saying it was "a most amazing and terrific thing,"

added, "but I am bound to tell you that I had an almost irresistible

impulse upon me to _scream_, and that, if any one had cried out, I

am certain I should have followed." He had no idea that on the night

P----, the great ladies' doctor, had taken me aside and said, "My

dear Dickens, you may rely upon it that if only one woman cries out

when you murder the girl, there will be a contagion of hysteria all

over this place." It is impossible to soften it without spoiling it,

and you may suppose that I am rather anxious to discover how it goes

on the 5th of January!!! We are afraid to announce it elsewhere,

without knowing, except that I have thought it pretty safe to put it

up once in Dublin. I asked Mrs. K----, the famous actress, who was

at the experiment: "What do _you_ say? Do it, or not?" "Why, of

course, do it," she replied. "Having got at such an effect as that,

it must be done. But," rolling her large black eyes very slowly, and

speaking very distinctly, "the public have been looking out for a

sensation these last fifty years or so, and by Heaven they have got

it!" With which words, and a long breath and a long stare, she

became speechless. Again, you may suppose that I am a little

anxious! I had previously tried it, merely sitting over the fire in

a chair, upon two ladies separately, one of whom was G----. They had

both said, "O, good gracious! if you are going to do _that_, it

ought to be seen; but it's awful." So once again you may suppose I

am a little anxious!...

Not a day passes but Dolby and I talk about you both, and recall

where we were at the corresponding time of last year. My old

likening of Boston to Edinburgh has been constantly revived within

these last ten days. There is a certain remarkable similarity of

tone between the two places. The audiences are curiously alike,

except that the Edinburgh audience has a quicker sense of humor and

is a little more genial. No disparagement to Boston in this, because

I consider an Edinburgh audience perfect.

I trust, my dear Eugenius, that you have recognized yourself in a

certain Uncommercial, and also some small reference to a name rather

dear to you? As an instance of how strangely something comic springs

up in the midst of the direst misery, look to a succeeding

Uncommercial, called "A Small Star in the East," published to-day,

by the by. I have described, with _exactness_, the poor places into

which I went, and how the people behaved, and what they said. I was

wretched, looking on; and yet the boiler-maker and the poor man with

the legs filled me with a sense of drollery not to be kept down by

any pressure.

The atmosphere of this place, compounded of mists from the highlands

and smoke from the town factories, is crushing my eyebrows as I

write, and it rains as it never does rain anywhere else, and always

does rain here. It is a dreadful place, though much improved and

possessing a deal of public spirit. Improvement is beginning to

knock the old town of Edinburgh about, here and there; but the

Canongate and the most picturesque of the horrible courts and wynds

are not to be easily spoiled, or made fit for the poor wretches who

people them to live in. Edinburgh is so changed as to its

notabilities, that I had the only three men left of the Wilson and

Jeffrey time to dine with me there, last Saturday.

I read here to-night and to-morrow, go back to Edinburgh on Friday

morning, read there on Saturday morning, and start southward by the

mail that same night. After the great experiment of the 5th,--that

is to say, on the morning of the 6th,--we are off to Belfast and

Dublin. On every alternate Tuesday I am due in London, from

wheresoever I may be, to read at St. James's Hall.

I think you will find "Fatal Zero" (by Percy Fitzgerald) a very

curious analysis of a mind, as the story advances. A new beginner in

A.Y.R. (Hon. Mrs. Clifford, Kinglake's sister), who wrote a story in

the series just finished, called "The Abbot's Pool," has just sent

me another story. I have a strong impression that, with care, she

will step into Mrs. Graskell's vacant place. W---- is no better, and

I have work enough even in that direction.

God bless the woman with the black mittens, for making me laugh so

this morning! I take her to be a kind of public-spirited Mrs.

Sparsit, and as such take her to my bosom. God bless you both, my

dear friends, in this Christmas and New Year time, and in all times,

seasons, and places, and send you to Gad's Hill with the next

flowers!

Yesterdays with Authors · 第 63 / 112 题