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Transcriber’s Note: Part I lacks a Chapter X.
THE SAHARA
[Illustration: “A STREET SCENE.”
_From the Painting by A. Lamplough._]
THE SAHARA
BY
PIERRE LOTI
TRANSLATED FROM THE FRENCH BY
MARJORIE LAURIE
[Illustration]
NEW YORK
BRENTANO’S
MCMXXI
PRINTED IN GREAT BRITAIN BY
THE DUNEDIN PRESS LIMITED, EDINBURGH
CONTENTS
INTRODUCTION 9
PART I. 20
II. 75
III. 161
INTRODUCTION
I
In your voyage down the west coast of Africa, after passing the southern
extremity of Morocco, you sail for days and nights together past the
shores of a never-ending land of desolation. It is the Sahara, “the
great sea without water,” to which the Moors have given also the name of
“Bled-el-Ateuch,” the land of thirst.
These desert shores stretch for five hundred leagues without one port of
call for the passing vessel, without one blade of grass, one sign of life.
Solitude succeeds solitude with mournful monotony; shifting sandhills,
vague horizons—and the heat grows each day more intense.
At last there comes in sight over the sands an old city, white, with
yellow palm trees set here and there—it is St Louis on the Senegal, the
capital of Senegambia.
A church, a mosque, a tower, houses built in Moorish style—the whole
seems asleep under the burning sun, like those Portuguese towns, St Paul
and St Philip of Benguela, that once flourished on the banks of the Congo.
As one draws nearer one sees with surprise that this town is not built
on the shore, that it has not even a port, nor any direct means of
communication with the outer world. The flat, unbroken coast line is
as inhospitable as that of the Sahara, and a ridge of breakers forever
prevents the approach of ships.
Another feature, not visible from a distance, now presents itself in the
vast human ant heaps on the shore, thousands and thousands of thatched
huts, lilliputian dwellings with pointed roofs, and teeming with a
grotesque population of negroes. These are the two large Yolof towns,
Guet n’dar and N’dar-toute, which lie between St Louis and the sea.
If your ship lies to awhile off this country, long pirogues with pointed
bows like fish-heads, and bodies shaped like sharks, are soon seen
approaching. They are manned by negroes, who row standing. These pirogue
men are tall and lean, of Herculean proportions, admirable build and
muscular development, and their faces are those of gorillas. They have
capsized ten times at least while crossing the breakers. With negro
perseverance, with the agility and strength of acrobats, ten times in
succession have they righted their pirogue and made a fresh start. Sweat
and sea water trickle from their bare skins, which gleam like polished
ebony.
Here they are in spite of all, smiling with an air of triumph, and
displaying their magnificent white teeth. Their costume consists of an
amulet and a bead necklet, their cargo of a carefully sealed leaden box,
which contains the mails.
In this box also are orders from the governor for the newly arrived ship,
and in it, too, are deposited papers addressed to members of the colony.
A man in a hurry can safely entrust himself to these boatmen, secure in
the knowledge that he will be fished out of the sea as often as necessary
with the utmost care, and that eventually he will be deposited on the
beach.
But it is more comfortable to continue one’s voyage as far south as the
mouth of the Senegal, where flat-bottomed boats take off the passengers
and convey them smoothly by river to St Louis.
This isolation from the sea is one of the chief causes of the stagnation
and dreariness of this country. St Louis cannot serve as a port of call
to mail-steamers or merchantmen on their way to the southern hemisphere.
One goes to St Louis if one must, and this gives one the feeling of being
a prisoner cut off from the rest of the world.
II
In the northern quarter of St Louis, near the mosque, there stood a
little solitary house belonging to one Samba-Hamet, trader on the upper
river. It was a lime-washed house. The cracks of its brick walls, the
crevices in its heat-shrunken wood-work harboured legions of white ants
and blue lizards. Two marabout cranes haunted its roof, clacking their
beaks in the sunshine, and solemnly stretching out their featherless
necks when anyone chanced to pass along the straight, unfrequented street.
O the dreariness of this land of Africa!
The slight shadow of a frail thorn palm moved in its slow daily course
along the whole length of the heated wall; the palm was the only tree
in the quarter, where no green thing refreshed the eye. On its yellowed
fronds flights of those tiny blue or pink birds, called in France
_bengalis_, would often come and perch. But all around lay sand, sand,
nothing but sand. Never a tuft of moss, never a fresh blade of grass grew
on the soil, parched by the burning breath of the Sahara.
III
On the ground floor dwelt a horrible old negress called Coura n’diaye,
once the favourite of a great negro monarch. There she had her collection
of grotesque tatters, her little slave girls, decked with beads of blue
glass, her goats, her big-horned sheep, her half-starved, yellow curs.
In the upper storey there was a large, lofty room, square in shape, to
which an outside staircase of worm-eaten wood gave access.
IV
Every evening at sunset, a man in a red jacket, with a Mussulman fez on
his head—in a word, a spahi—entered Samba-Hamet’s house. Coura n’diaye’s
two marabout cranes used to watch him from a distance as he approached.
From the farther end of the dead-alive town they would recognise his
gait, his step, the striking colours of his uniform, and would show no
nervousness at his entry—so long had they known him.
He was a tall man, of proud, erect carriage; he was of pure European
race, although the African sun had already deeply embrowned his face and
chest. This spahi was a remarkably fine-looking man, a grave and manly
type of beauty, with large clear eyes, almond-shaped like an Arab’s. From
under his fez, which was pushed to the back of his head, a lock of brown
hair had escaped and hung in disorder over his broad, unsullied brow.
The red jacket was admirably becoming to his well-moulded figure, and his
whole build was a compound of litheness and muscular strength.
As a rule he was serious and thoughtful, but his smile had a seductive
charm, and gave a glimpse of teeth of remarkable whiteness.
V
One evening, the man in the red jacket could be seen climbing
Samba-Hamet’s wooden staircase with more than his customary air of
abstraction.
He entered the lofty chamber, his own, and seemed surprised at finding no
one in it.
It was a curious place, this lodging of the spahi’s. It was a bare room,
furnished with mat-covered benches. Strips of parchment, written upon
by the priests of Maghreb, and talismans of various kinds hung from the
ceiling.
He went to a large casket, raised on feet, ornamented with strips of
copper and variegated with brilliant colours, a box such as is used by
the Yolofs for locking up their valuables. He tried it and found it
locked.
Thereupon he lay down on a _tara_, a kind of sofa made of light laths,
the work of negroes of the Gambia shore. Then he took from his pocket a
letter, and began to read it, first kissing the corner with the signature.
VI
It was without doubt a love-letter, written by some fair one—an elegant
Parisienne, perhaps, or possibly a romantic senora—to this handsome spahi
_d’Afrique_, who seems of the very mould for playing leading rôles as the
lover in melodrama.
This letter will perchance furnish us with the clue to some highly
dramatic adventure, which will serve as prelude to our tale.
VII
The letter, which the spahi had touched with his lips, bore the postmark
of a village hidden away in the Cevennes. It was written by a poor old
hand, trembling and unpractised. Its lines overlapped, and it was not
free from mistakes.
The letter said:—
My dear son,—The present is to give you news of our health,
which is pretty good just now; we thank the good God for it.
But your father says he feels himself growing old, and as his
eyes are failing a good deal, it is your old mother who is
taking up the pen to talk to you about ourselves. You will
forgive me, knowing that I cannot write any better.
My dear son, I have to tell you that we have been in great
trouble for some time. Since you left us three years ago,
nothing has gone well with us. Good fortune, as well as
happiness, left us when you did. It has been a bad year on
account of a heavy hailstorm which fell on the field and
destroyed nearly everything except at the side of the road.
Our cow went sick, and it cost us a lot of money to have her
attended to. Your father’s wages are sometimes short, since he
came back to this country of young men, who work faster than
he. Besides this we have had to have part of our roof repaired,
as it threatened to fall in with the heavy rains. I know that
soldiers haven’t much to spare, but your father says that if
you can send us what you promised without stinting yourself, it
will be very useful to us.
The Mérys, who have plenty of money, could easily lend us
some, but we don’t like asking them, especially as we do not
want them to think us poor people. We often see your cousin,
Jeanne Méry; she grows prettier every day. Her chief joy is
to come and see us, and to talk about you. She says she would
ask nothing better than to be your wife, my dear Jean. But
her father will not hear of the marriage, because he says we
are poor, and also that you have been a bit of a scapegrace
in your day. I think, however, that if you were to get your
quartermaster’s stripes, and if we could see you coming home
in your fine uniform, he would perhaps end by consenting after
all. I could die happy if I saw you married to her. You would
build a house near ours, which would no longer be fine enough
for you. We often make plans about it together with Peyral in
the evenings.
My dear son, send us a little money without fail, for I assure
you that we are in great trouble. We have not been able to
manage this year, as I told you, because of that hailstorm and
the cow. I see your father worrying himself terribly, and at
night I often see him, instead of sleeping, thinking about it
and turning from side to side. If you cannot send us the whole
amount, send what you can.
Good-bye, my dear son; the village folk often ask after you,
and want to know when you are coming back. The neighbours send
hearty greetings. As for me, you know that I have had no joy in
life since you went away.
I enclose my letter, embracing you, and Peyral does likewise.
Your loving old mother,
FRANÇOISE PEYRAL.
VIII
... Jean leaning on his elbow at the window fell into a reverie, looking
absently at the wide prospect of African scenery stretched out before
him—the pointed outlines of the Yolof huts, grouped by hundreds at his
feet—in the distance the troubled sea and the ceaseless onset of the
African breakers; the yellow sun about to set, still shedding upon
the desert, further than the eye could see, its wan radiance; sand
interminable; a distant caravan of Moors; flights of birds of prey
swooping through the air; and yonder, a point on which he fixed his
eyes, the cemetery of Sorr, whither he had already escorted some of his
comrades, mountain-bred like himself, who had died of fever in that
accursed climate.
O to return home to his aged parents, to live in a little house with
Jeanne Méry, quite close to the humble paternal roof. Why had he been
exiled to this land of Africa? What had he in common with this country?
As for this uniform and this Arab fez in which they had dressed him up,
and which, for all that, gave him so grand an air, what a burlesque
disguise for him, the humble little peasant from the Cevennes.
He remained there a long time lost in thought, dreaming of his village,
this poor soldier on the banks of the Senegal. With sunset and nightfall,
his thoughts plunged themselves in unrelieved gloom.
From the direction of N’dar-toute came the hurried drumming of the
tom-tom, summoning the negroes to the _bamboula_, and fires were lighted
in the Yolof huts. It was an evening in December; a vexatious winter wind
sprang up, whirling the sand in eddies here and there, and the great,
parched land shuddered with an unwonted sensation of chill.
* * * * *
The door opened, and a yellow dog with straight ears and a look
suggesting the jackal, a dog of the country, of the Laobé breed, bounded
into the room and gambolled about his master.
At the same time, a young negro girl, with a merry smile, appeared at the
door of the lodging. She made a little jerky bow, brusque and comic, the
negresses’ salutation, and said _Kéou_! (Good-day).
IX
The spahi glanced at her absently.
“Fatou-gaye,” he said in a mixture of creole French and Yolof, “open the
casket; I want to take out my money.”
“Your _khâliss_!” (your coins), exclaimed Fatou-gaye, opening her eyes
so that the whites showed against the black eyelids. “Your _khâliss_!”
she repeated with the mixture of fear and effrontery of children who have
been surprised in a fault and are afraid they will be punished.
And then she showed him her ears, on which hung three pairs of
exquisitely worked gold earrings.
They were ornaments of pure Galam gold, wonderfully delicate, such as
are made by black craftsmen who possess the secret of this art, plying
their trade in the shade of small, low-roofed tents, where they work
mysteriously, crouching on the desert sands. Fatou-gaye had just been
buying these trinkets, long-coveted, and that was what had become of the
spahi’s _khâliss_, a hundred francs or so, accumulated little by little,
the fruit of a soldier’s petty economies, and set aside by him for his
old parents.
The spahi’s eyes flashed, and he made as if to strike her with his
whip, but his arm sank harmlessly to his side. He soon regained his
self-control, Jean Peyral; he was gentle, especially towards the weak.
He uttered no reproaches, knowing that they would be useless. It was his
fault no less than hers. Why had he not been more careful to hide away
this money, which he must now at all costs procure elsewhere?
Fatou-gaye knew how to soothe her lover with catlike caresses; how to
clasp him in her black silver-braceletted arms that were shapely as the
arms of a statue; how to lean her bare bosom against the red cloth of his
jacket, rousing in him feverish desires that would bring about pardon
for her offence....
And the spahi sank with indifference on the tara beside her, putting off
until the morrow the task of raising the money for which his old parents
were waiting in their cottage overseas.
PART I
I
It was three years since Jean Peyral had first set foot in this land
of Africa, and since his arrival he had undergone an extraordinary
transformation. He had passed through several phases of moral
development. Environment, climate, nature, had gradually exercised all
their enervating influence upon his youthful personality. Slowly he had
felt himself gliding down unknown slopes—and to-day he was the lover of
Fatou-gaye, a young negro girl of Khassonké race, who had cast upon him I
know not what sensual and impure seduction, what talismanic enchantment.
The story of Jean’s early life was not a very complicated one.
At twenty the ballot had snatched him from his old mother, who wept. He
had gone away like other lads of the village singing noisily to keep
himself from bursting into tears.
His height marked him out for cavalry. The mysterious attraction of the
unknown had induced him to choose the corps of spahis.
His childhood had been passed in the Cevennes, in an obscure village in
the heart of the woods.
In the strong, pure mountain air he had shot up like a young oak tree.
The first impressions graven on his childish mind were wholesome and
simple, the well-beloved forms of his father and mother, his home, a
little old-fashioned house shaded by chestnut trees. These things were
all imprinted ineffaceably upon his memory, and had their own sacred
place deep down in his heart. And then there were the great woods, his
wanderings at random along paths deep in moss—and there was freedom.
In the first years of his life he knew nothing of the rest of the world
beyond the bounds of the obscure village where he was born. He was aware
of no other neighbourhood, but the wild, open country where the shepherds
dwelt, the mountain sorcerers.
In these woods, where he was wont to roam all day long, he nursed the
dreams of a solitary child, the musings of a shepherd boy—and then
suddenly he would be seized with a wild desire to run, to climb, to break
branches from the trees, to catch birds.
One distasteful memory was that of the village school, a gloomy place,
where one had to stay quietly cooped up within four walls. His parents
gave up sending him there; he was always playing truant.
On Sunday he was given his fine mountaineer’s dress to wear, and he went
to church with his mother, hand in hand with little Jeanne, whom they
picked up as they passed Uncle Méry’s house. After service, he used to
play bowls on the common under the oak trees.
He was conscious that he was better looking and stronger than the other
children, and at play he was always the one to be obeyed, and he was
accustomed to meet with this submission wherever he went.
When he grew older his independence of spirit and his insatiable
restlessness became more marked. He would go his own way. He was forever
in mischief, untethering horses and galloping far away on them, forever
poaching with an old gun that would not go off, and frequently getting
into trouble with the rural constable, to the great despair of his Uncle
Méry, who had hoped to have him taught a trade, and to make of him a
steady man.
It was true. He had really been “a bit of a scapegrace in his time,” and
it was still remembered against him at home.
Nevertheless he was a general favourite even with those who had suffered
most at his hands, because he had a frank and open disposition. No
one could be seriously angry with him who saw his good-natured smile.
Besides, if he were spoken to gently and taken the right way, he could be
led like a docile child. Uncle Méry, with his lectures and threats, had
no influence over him. But when his mother reproved him, and he knew that
he had grieved her, his heart was very heavy, and this big boy, who had
already the air of a man, could be seen hanging his head, almost in tears.
He was undisciplined, but not dissolute. This big, strong, growing youth
was of a proud, and somewhat uncouth, demeanour. In his village young
men were safe from evil communications from the precocious depravity
of sickly, town-bred creatures, so much so, that when he reached his
twentieth year and had to begin his term of military service, Jean was as
pure as a child, and almost as ignorant of the facts of life.
II
But then came a period full of all kinds of surprises for him.
He had followed his new comrades to places of debauch, where he had made
the acquaintance of “love” in the most sordid and revolting conditions
that a great town affords. His youthful understanding was confused, what
between surprise and disgust, and also the devouring fascination of this
new thing just revealed to him.
And then, after some days of riotous life, a ship had carried him far,
far away over the calm, blue sea, and had landed him on the banks of the
Senegal, a bewildered exile.
III
One day in November—the season when the great baobabs shed their last
leaves on the sand—Jean Peyral had cast his first glance of curiosity on
this corner of the earth, where the hazard of destiny had condemned him
to pass five years of his life.
The strangeness of this land had in the first instance appealed strongly
to his imagination and inexperience. Besides that, he had appreciated
very keenly the joy of having a horse, of curling his rapidly growing
moustache, of wearing an Arab fez, a red jacket, and a big sabre. He
considered the ensemble very fine, and this gave him great pleasure.
IV
It was November—the fine weather season corresponding to our French
winter; the heat was less violent, and the dry wind of the desert had
taken the place of the great storms of the summer.
When the fine weather begins in Senegal, one may safely camp out in the
open without a roof to one’s tent. For six months not a drop of water
will fall on the land; every day without respite, without remorse, it
will be scorched by the consuming sun.
It is the season in which the lizards delight—but the water fails in the
cisterns; the marshes dry up; the grass dies; even the cactuses, the
thorny nopals, no longer open their melancholy yellow flowers. Yet the
evenings are chill. At sunset a strong sea-breeze invariably springs up,
rousing the breakers off the African coast to their everlasting moaning,
pitilessly shaking the last autumn leaves.
It is a dreary autumn, bringing with it neither the long evenings of
France, nor the charm of the first frosts, nor harvest, nor golden fruit.
Never a fruit in this land disinherited of God! Even the dates of the
desert are denied to it, nothing ripens there, except the ground nut and
the bitter pistachio.
The sensation of winter, experienced in the midst of heat which is still
extreme, has a curious effect upon the spirit.
Here and there upon the vast, hot plains, forlorn and desolate, covered
with dead grass, side by side with slender palms, tower huge baobabs,
mastodons, as it were, of the vegetable kingdom; their bare boughs are
inhabited by families of vultures, lizards, and bats.
V
Poor Jean had soon fallen a victim to boredom. He suffered from a kind
of vague, indefinable melancholy, such as he had never felt before,
the beginning of home-sickness for his mountains, his village, for the
cottage of the aged parents, so dear to him.
The spahis, his new companions, had already worn their big sabres in
various Indian and Algerian garrisons. In the taverns of maritime towns,
where they had spent their youth, they had caught the mocking and
licentious turn of mind, peculiar to those who lead a roving life. They
were masters of ready-made, cynical jests, in slang, in Sabir, and in
Arabic, and with these jests they met every contingency. Good fellows at
heart, gay companions as they were, they had none the less certain habits
which Jean failed to understand, and certain pleasures that excited in
him extreme repugnance.
Jean was a dreamer, like all mountaineers. Reverie is a thing unknown
to the stupefied and corrupt faculties of the populace of great cities.
But among those who have been brought up on the land, among sailors,
among fishermen’s sons who have grown up in their father’s boat, amid
the perils of the deep, there are men who really dream, true, but
inarticulate poets, with a poet’s insight into all things. Only, they
have not the faculty of putting their impression into form, and remain
incapable of interpreting them.
Jean had plenty of leisure in barracks, and he spent it in observing and
thinking.
Every evening he was wont to take a walk along the great stretch of
beach, whose bluish sands were lighted up by sunsets of unimaginable
beauty.
He would bathe in those great breakers of the African sea, amusing
himself, like the child he still was, by letting himself be rolled over
and over by these enormous waves, which covered him with sand.
Or he would take long walks, for the mere pleasure of movement, of
breathing deeply the salt air that blew off the sea. At times this
unending flatness vexed him, oppressed his imagination, accustomed to the
contemplation of mountains. He felt, as it were, a need to go on and on
forever, to widen his horizon, to catch a glimpse of what lay beyond.
At dusk, the beach was crowded with negroes returning to the villages,
laden with sheaves of millet. Fishermen, too, were drawing in their nets,
surrounded by clamorous swarms of women and children.
These hauls of fish in Senegal were always miraculous draughts; the nets
would break under the weight of thousands of fish of every shape and
form. The negresses carried away on their heads baskets full of them; the
black babies returned home garlanded with big fish, still alive, strung
together through the gills.
There were extraordinary-looking people, just-arrived from the interior;
picturesque caravans of Moors and Peuhles, who had come down the Neck
of Barbary; incredible scenes at every step, in the white glow of an
unnatural radiance.
And then the blue summits of the sandhills turned pink; the last
horizontal rays of light glided across this whole region of sand; the sun
was quenched in blood-red vapour. And with one impulse all that black
throng cast themselves face downwards on the ground to offer up the
evening prayer.
It was Islam’s holy hour. From Mecca to the Sahara coast the name of
Mahomet passed from mouth to mouth, wafted like a mysterious breath over
Africa. Little by little it became fainter as it travelled over the
Soudan, until it expired there on those black lips by the shore of the
great, restless sea.
The old Yolof priests in their flowing robes, turned towards the sea,
recited their prayers with their faces bowed upon the sand, and all the
shores were covered with prostrate men. Then all was still, and night
fell with the rapidity usual in those countries of the sun.
At nightfall, Jean returned to the spahi’s quarters in the south of St
Louis.
In the great white barrack room, open to the evening breeze, all was
still and quiet. The numbered beds of the spahis were ranged in rows
along the bare walls; the tepid wind from the sea swayed their muslin
mosquito curtains. The spahis were out. Jean returned home at a time when
the other men were scattered about the deserted streets, hastening to
their pleasures, to their loves.
It was at such times that the isolated barracks seemed to him dreary, and
that he thought most of his mother.
VI
In the southern quarter of St Louis stood some old brick houses, Arab in
appearance, which were lighted up at evening, and whose lamps continued
to cast their red rays upon the sands at a time when all that dead-alive
town lay asleep. Strange odours of negroes and alcohol, all blended and
intensified by the torrid heat, issued thence. Here also at night broke
forth an uproar as from hell itself. In that quarter the spahis reigned
supreme. Thither betook themselves these unfortunate, red-jacketed
warriors, to raise a racket and to forget their troubles; to absorb,
actuated either by habit or bravado, incredible quantities of alcohol,
and wantonly to spend the sap of their lusty youth.
A dishonouring intimacy with mulatto women lay in wait for them in these
vile dens, and extravagant orgies were held, in a delirium caused by
absinthe and the torrid heat of Africa.
But Jean avoided with horror these haunts of vice. He was very steady,
and was already putting aside the little he could save out of his
soldier’s pay, against the blissful moment of his home-coming.
He was very steady, and yet his comrades did not rally him on the subject.
Handsome Muller, a tall Alsatian, who set the tone in the spahis’
barracks by virtue of a past full of duels and adventure—handsome Muller
thought a great deal of him, and every one was always of the same opinion
as Fritz Muller. But Jean’s real friend was Nyaor-fall, the black spahi,
a gigantic African, of the magnificent Fouta-Diallonké tribe, a strange,
imperturbable figure, with a delicate Arab profile, and a mysterious
smile always hovering on his thin lips—a splendid statue in black marble.
This man was Jean’s friend; he used to take Jean home to his native
dwelling in Guet n’dar; he would make him sit beside his wives on a white
mat, and offer him negro hospitality: _kouss-kouss_ and _gourous_.
VII
In the evenings at St Louis, social life followed the usual monotonous
routine of small colonial towns. The fine weather brought a little
animation to these dead-alive streets. After sunset, a few women who
had escaped fever displayed their European frocks on the Place du
Gouvernement, or in the avenue of yellow plains of Guet n’dar. This
introduced a suggestion of Europe into that country of exile.
On that large Place du Gouvernement, surrounded by symmetrical,
white buildings, one might have imagined oneself in some town of
southern Europe had it not been for that immense stretch of sand, that
interminable plain, which flung afar its uncompromising line.
These few persons who came to take the air were all acquaintances, and
passed the time in staring at one another. Jean would look at these
people, and they also would look at Jean. The handsome spahi, who walked
alone with such a grave seriousness, roused the curiosity of St Louis
society, who imagined that his life contained some romantic episode.
There was one woman, in especial, who looked at Jean, a woman better
dressed and prettier than the rest.
She was said to be a mulatto, but so white, so very white, that she might
have been taken for a Parisienne.
White and pale she was, of a Spanish pallor, with fair chestnut hair—the
fairness of mulattos—with large, half-closed, dark-shadowed eyes, which
she turned slowly with creole languor.
She was the wife of a rich farmer of revenue on the river. But at St
Louis she was referred to by her Christian name, like a coloured woman.
Cora they called her, in contempt.
She had just returned from Paris, as the other women could see from her
gowns. Jean, however, was not yet sufficiently experienced to be able to
define the difference. But he was well aware that her trailing gowns,
even when they were simple, had something distinctive about them, a
gracefulness, in which the other women’s gowns were lacking.
The point that he principally noticed was that she was very beautiful,
and as she always flung her glances around him, he felt a sort of tremor
when he met her.
“She’s in love with you, Peyral,” handsome Muller had declared, with the
knowing air of a man who has had his successes in the pursuit of love
affairs.
VIII
It was true that she was in love with him in her mulatto way, and one day
she summoned him to her house to tell him so.
* * * * *
For poor Jean the two months that followed fled past in the midst of
enchanting dreams. This unwonted luxury, this dainty, perfumed woman, all
these things worked terrible confusion in his hot head and chaste body.
Love, of which hitherto only a cynical travesty had been revealed to him,
now intoxicated him.
And all this had been bestowed upon him precipitately, without
reservation, like a splendid fortune in a fairy tale. Yet one reflection
troubled him. This woman’s avowal, this want of modesty, disgusted him a
little when he thought about it.
But he seldom pondered, and when he was at her side he was intoxicated
with love.
He, too, began to experiment with refinements of the toilet. He used
scent, and tended his moustache and his brown hair. It seemed to him, as
to all young lovers, that life had begun for him on the day when he first
met his mistress, and that all his past existence counted for nothing.
IX
Cora loved him, too, but the heart had little to do with the sort of love
she felt.
A mulatto of Bourbon, she had been brought up in the sensual idleness and
luxury of wealthy creoles, but had been kept at arm’s length by white
women with pitiless contempt, repulsed everywhere as a coloured woman.
The same racial prejudice had pursued her to St Louis; although she was
the wife of one of the leading farmers of revenue on the river, she was
left alone, an outcast.
In Paris she had had numbers of exquisites to love her; her ample means
had enabled her to make a presentable appearance in France, to taste vice
according to the most elegant standards of propriety.
At present she was tired of delicate gloved hands, the sickly
affectations of dandies, and their romantic languid airs. She had chosen
Jean because he was big and strong. In her way she loved this splendid,
wild growing plant. She loved his rough, simple manners; she found
attraction even in the coarse texture of his soldier’s shirt.
Cora’s dwelling was an immense brick building, with the somewhat
Egyptian aspect common to the old parts of St Louis, and white like an
Arab caravanserai. Below, there were great courts, whither came camels
and Moors of the desert to crouch upon the sand, and where swarmed a
grotesque, motley crowd of cattle, dogs, ostriches, and black slaves.
Up above there were endless verandahs, supported by massive, square
columns, like the terraces of Babylon.
The apartments were reached by means of outside staircases of white
stone, monumental of aspect. All this was dilapidated and dreary, like
everything else at St Louis, that town which has already lived its life,
that moribund colony of bygone days.
The drawing-room had a certain air of grandeur, with its lordly
proportions and its furniture of the past century.
Blue lizards haunted it; cats, parrots, tame gazelles chased one another
over the fine Guinea mats; negro women servants went dolefully backwards
and forwards across the room, shuffling their sandals, diffusing pungent
odours of soumaré and musk-scented amulets. The ensemble produced an
indefinably melancholy atmosphere of exile and solitude. It was very
dreary, all of it, especially in the evening, when the sounds of life
ceased and gave place to the eternal complaint of the African breakers.
In Cora’s bedroom everything was gayer and more modern. The furniture and
hangings, lately arrived from Paris, gave it an air of fresh elegance and
comfort. One breathed there the perfume of the most fashionable essences
bought at the scent shops on the boulevard.
It was there that Jean passed his hours of intoxication. This room seemed
to him an enchanted palace, surpassing in luxury and charm all that his
imagination could have pictured.
This woman had filled his life and had become his only happiness. With
the refinement of a creature sated with pleasure, she had desired to
possess Jean’s soul as well as body. With the feline guile of a creole
she had acted for the benefit of this lover, who was younger than
herself, an irresistible comedy of ingenuous love. She had succeeded; he
belonged to her, body and soul.
XI
A very comical little negress, of whom Jean took no notice, lived in
Cora’s house as a “captive.” This little girl was called Fatou-gaye.
She had been brought quite recently to St Louis and sold as a slave
by Douaïch Moors, who had captured her in one of their raids upon the
territory of the Khassonkés.
Her extreme mischievousness and her fierce independence had caused her to
be relegated to a very humble position in the household. She was looked
upon as a little nuisance, a useless mouth, and an acquisition to be
regretted.
Having not yet quite arrived at marriageable age, when the negresses of
St Louis deem it proper to clothe themselves, she generally went naked,
with a necklet of _grigris_ round her throat, and a few glass beads
strung round her loins. Her head was very carefully shaven, except for
five tiny locks of hair, knotted and stiffened with gum, five little
rigid tails, arranged at regular intervals from the forehead to the nape
of the neck. Each of these locks had a coral bead at the tip, except the
middle one, which displayed a more precious ornament. This was a gold
sequin of great antiquity, which must have been brought in old days from
Algiers by caravan, after long and complicated wanderings through the
Sahara.
Without this grotesque arrangement of hair, the regularity of
Fatou-gaye’s features would have been striking. She was of the purest
Khassonké type: a small delicate Grecian face, with a skin smooth
and black as polished onyx; teeth of dazzlingly whiteness; eyes of
extraordinary mobility, two large, jet black, restless orbs rolling left
and right, with whites of a bluish tint, and black eyelids.
When Jean was leaving his mistress, he often used to meet this little
creature.
As soon as she saw him she tucked a piece of blue cotton cloth around
her waist—this was her festal garment—and came towards him smiling. With
soft, caressing inflections in her small, shrill, piping negress’s voice,
with hanging head and the mincing airs of an enamoured ouistiti, she
would say,
_May man coper, souma toubab._ (Translated: Give me a copper, give me a
sou, my white man.)
That was the refrain of all the little girls in St Louis. Jean was used
to it. When he was in a good temper and had a sou in his pocket, he would
give it to Fatou-gaye.
But that was not the most curious feature of the incident. What was out
of the ordinary was Fatou-gaye’s behaviour. Instead of buying herself a
piece of sugar, as other girls might have done, she would go and hide
herself in a corner and set to work to sew very carefully into the
sachets of her amulets the sous that she received from the spahi.
XII
One night in February a suspicion crossed Jean’s mind.
Cora had asked him to leave at midnight, and just as he was going away,
he thought he heard a sound of pacing in an adjoining room, as if someone
were waiting there.
He left at midnight, and then he returned with stealthy tread, stepping
noiselessly over the sand. He climbed over a wall and on to a balcony,
and looked into Cora’s room through the half-opened door leading on to
the terrace.
* * * * *
Someone had taken Jean’s place by his mistress’s side—quite a young man,
wearing the uniform of a naval officer. He had made himself at home, and
was lounging in an arm chair with an air of disdainful ease.
She was standing, and they were talking.
At first it seemed to Jean that they were speaking an unknown tongue.
The words were French, yet Jean could not understand them. These scraps
of speech, which they interchanged so lightly, seemed to him mocking
enigmas, perfectly meaningless for him. Cora too, was no longer the same;
her expression had changed; a kind of smile hovered on her lips, a smile
such as he remembered to have seen on the lips of a tall girl in a place
of ill-repute.
* * * * *
Jean found himself trembling. He felt as if all the blood had left his
head, and had poured back into his heart. He heard a roaring in his ears,
like the noise of the sea; his eyes grew dim.
He was ashamed of being there, yet he was determined to remain and to
understand.
He heard his name spoken; they were talking about him; he drew nearer,
supporting himself against the wall, and he caught some words more
distinctly spoken.
“You are wrong, Cora,” said the young man in a very quiet voice, with an
exasperating smile. “In the first place, he is a very handsome fellow,
and then he, at all events, loves you.”
“True, but I wanted two of you. I chose you because your name is Jean,
like his. Otherwise I should have been capable of making a slip in the
name when I was talking to him. I am very absent-minded.”
* * * * *
And then she drew closer to the new Jean.
She was still more changed in voice and face. With the languorous,
lisping, coaxing inflections of the creole accent she murmured childish
words to him, and offered him her lips, still warm from the spahi’s
kisses.
* * * * *
But her lover had caught sight of the pale face of Jean Peyral gazing
at them through the half-open door, and for all reply he pointed Cora
towards him with his hand.
The spahi was standing there, motionless, petrified, fixing his wide,
haggard eyes upon them.
When he found that they in their turn were looking at him, he simply
stepped back into the shadow. Cora had advanced towards him, with the
hideous expression of an animal disturbed in its love-making; this woman
frightened him; she was almost near enough to touch him. She shut her
door with a furious gesture; shot a bolt behind it ... and all was over.
Through the disguise of the polished _élégante_ the mulatto woman,
grand-daughter of a slave, had betrayed herself again with her appalling
cynicism. She felt neither remorse, nor fear, nor pity....
The coloured woman and her lover heard a noise as of a body falling
heavily to the ground, a loud sinister noise in the silence of the
night—and then later, towards morning, a sob behind that door, and a
rustling sound as of hands fumbling in the dark.
The spahi had risen to his feet, and feeling his way, he went out into
the night.
XIII
Walking on aimlessly, like a drunken man, sinking ankle-deep in the sand
of the deserted streets, Jean came to Guet n’dar, the negro town with its
thousands of pointed huts. In the darkness he stumbled over men and women
who lay sleeping on the ground rolled in pieces of white cotton, seeming
to him like a population of phantoms. He walked on and on, feeling as if
he had lost his senses.
Soon he found himself on the shore of the sombre sea. The breakers
were roaring loudly. With a shudder of horror he distinguished swarms
of crabs, fleeing before his footsteps, in solid masses. He remembered
to have seen a corpse that had been washed up on the beach, torn and
excarnated by them. He had no wish for such a death.
Nevertheless these breakers attracted him; he felt himself fascinated,
as it were, by those great, glistening volutes, already gleaming silvery
in the doubtful light of the morning, curling over all along the vast
beaches, farther than the sight could reach.
It seemed to him that their coolness would be grateful to his burning
head, and that in their kindly waters death would appear less cruel.
* * * * *
And then he remembered his mother and Jeanne, the little friend and
sweetheart of his childhood. He no longer wished for death.
He threw himself on the sand and fell into a strange, heavy sleep.
XIV
For full two hours it had been daylight, and Jean’s sleep continued.
He was dreaming of his childhood and of the woods of the Cevennes. It was
dark in these woods, dark with the mysterious obscurity of dreamland;
his visions were clouded like far-off memories. He saw himself there,
a child, with his mother in the shade of immemorial oaks: in a spot
carpeted with moss and slender grasses he was plucking bluebells and
heather.
* * * * *
And when he awoke, he cast a bewildered glance around him.
The sands were glittering under a torrid sun. Black women, adorned with
necklets and amulets, were traversing the burning ground, singing weird
melodies. Great vultures glided backwards and forwards silently through
the still air; the grasshopper chirped noisily....
XV
Then he noticed that his head was sheltered under a little canopy formed
by a piece of blue cotton, supported by a series of small sticks planted
in the sand, the whole erection casting upon him a clear-cut, ashen
shadow with grotesque contours....
The patterns of the piece of cotton seemed to him familiar. He turned his
head and saw Fatou-gaye seated behind him, rolling her mobile eyeballs.
She it was who had followed him and had spread her festal garment above
his head.
Had it not been for this shelter he would undoubtedly have died of
sunstroke sleeping on those sands.
She it was who for several hours had been crouching there in ecstasy,
very gently kissing Jean’s eyelids when no one was passing, dreading to
wake him lest she should send him away, and no longer have him all to
herself; trembling, too, at times lest Jean should be dead, yet happy,
perchance, had it been so. For then she would have dragged him far away,
very far away, and would have stayed with him always until she died by
his side, clasping him tight, so that none should separate them again.
“It is I, my white man,” she said, “I did this, because I know that
the sun of St Louis is not good for the _toubabs_ of France.... I knew
very well,” continued the little creature with tragic solemnity, in an
indescribable jargon, “that there was another _toubab_ who came to see
her. I did not go to bed last night so that I might listen. I was hidden
on the staircase among the calebashes. When you fell down by the door, I
saw you. I watched over you the whole time. And then when you got up, I
followed you.”
Jean gazed up at her, his eyes wide with astonishment, and full of
kindness and gratitude. He was touched to the heart.
“Do not tell anyone, child.... Go home now quickly, and do not tell
anyone that I came and lay down on the beach. Go back to your mistress at
once, little Fatou. And I, I will go back to the spahi’s house.”
And he caressed her, patting her gently with his hand, with precisely
the same emotion as he felt when he used to scratch the neck of the big,
coaxing Tom cat, who at night in barracks would come and curl himself up
on Jean’s soldier’s cot.
Quivering under Jean’s innocent caress, with hanging head, half-closed
eyes, and heaving bosom, she took up her festal garment and went away
trembling all over with joy.
XVI
Poor Jean! Suffering was a new experience for him; he rebelled against
this unknown power that had seized him and was strangling his heart with
bruising hoops of iron.
Smothered rage, rage against that young man, whom he longed to break
in pieces with his own hands; rage against that woman, whom it would
have delighted him to maul with blows of his spurs and whip; all this
he endured, and at the same time he was possessed with I know not what
urgent physical need of action, an impulse to rush headlong into some
desperate piece of folly. He found, too, that his comrades vexed and
irritated him. He was conscious that they cast upon him glances which
were already inquisitive, and might to-morrow become ironical.
Towards evening he asked for, and obtained permission, to go with
Nyaor-fall to try some horses to the north of the Point of Barbary.
They had a furious gallop over the desert sands in gloomy weather,
under a wintry sky—for out there, too, there are wintry skies, less
frequent than our own, of a startling and sinister effect in that land
of desolation—unbroken clouds, so black and low that the plain beneath
appears white, and the desert seems an interminable, snow-covered steppe.
When the two spahis passed in their burnooses, carried at full speed on
their madly excited horses, huge vultures, that were lazily walking about
the ground in families, rose in startled flight and began to describe
fantastic curves in the air overhead.
* * * * *
At night Jean and Nyaor returned dripping with sweat to their quarters,
with their exhausted horses.
XVII
But on the morrow of this one day of unnatural excitement, fever attacked
Jean.
On the morrow, the spahi, lying on his wretched little grey mattress, was
placed on a stretcher and taken to hospital.
XVIII
Noon!... The hospital is as still as a great mortuary.
Noon!... The grasshopper is chirping. The African woman is singing in
her thin voice her vague and drowsy song. Upon the whole expanse of the
desert plains of Senegal the sun darts down its perpendicular rays of
torrid light, which the vast horizon reflects in shimmer and glitter.
* * * * *
Noon!... The hospital is as still as a great mortuary. The long, white
galleries, the long corridors are deserted. Half way up the high, bare
wall, lime-washed a dazzling white, hangs a clock, pointing to noon with
it slow-moving hands of steel. The grey-lettered, mournful inscription
around the dial is fading in the sun, _Vitæ fugaces exhibet horas_. The
twelve strokes ring out painfully, with that feeble tone that the dying
know; that tone, heard in feverish, wakeful hours, by those who have come
hither to die; that tone like a knell, tolled in an atmosphere too heavy
with heat to conduct the sounds.
Noon!... The mournful hour, when sick men die. The air of this hospital
is heavy with fever, the indefinable emanations, as it were, of death.
* * * * *
Above, in an open ward, are voices that whispered softly; little,
scarcely perceptible sounds; the good sister’s cautious footsteps, as she
moves carefully over the mats. She comes and goes with a troubled air,
Sister Pacôme, with her pale, sallow face under her nurse’s cap. Doctor
and priest are there, too, seated beside a bed, which is curtained with a
white mosquito net.
Out-of-door, through the open window, are sun and sand, sand and sun, and
far away, blue outlines and shimmering light.
Will he pass away, poor spahi?...
Is this the moment when Jean’s soul will take its flight thither into
that overwhelming noontide air?... So far from home, where will it find
a resting place in all these desert plains?... Whither will it vanish?...
* * * * *
No. The doctor, who had remained there a long time, expecting the final
departure, has quietly withdrawn.
The cooler hours of evening have come, and the breeze off the sea brings
relief to the dying. To-morrow, perhaps! But Jean is more tranquil, and
his head does not burn so terribly.
Down below in the street, outside the door, a small negro girl sat
crouching on the sand, playing at knucklebones with white pebbles to keep
herself in countenance when any one went past. She had been there since
morning, endeavouring to avoid notice, playing her little part, for fear
of being driven away. She did not venture to question any one, but she
knew very well that if the spahi were to die, he would be carried through
this door on his way to the cemetery of Sorr.
XIX
The fever lasted another week, and daily at noon Jean became delirious.
Each renewed attack was regarded with anxiety. Nevertheless the danger
was over, and the disease conquered.
Oh those hot hours of midday, hours that weigh most heavily upon the
sick! Those who have had fever on the banks of these African rivers know
them well, those deadly hours of torpor and slumber. Shortly before
noon, Jean would fall asleep. It was a kind of suspended existence,
haunted by confused visions and a persistent impression of suffering. And
from time to time he had the sensation of dying, and for an instant he
would lose all consciousness of himself. These were his moments of peace.
Towards four o’clock he would awake and ask for water. The visions faded,
shrank away into remote corners of the ward, behind the white curtains,
and vanished. Only his head continued to hurt violently, as if boiling
lead had been poured into it, but the delirium had passed its climax.
Among these faces, gentle or grimacing, real or imaginary, that hovered
around him, he had two or three times thought he recognised Cora’s lover
standing near his bed and looking at him kindly, but disappearing as soon
as Jean’s eyes were raised to his. Doubtless he, too, was an illusion,
like those people from his village whom he imagined he saw there, strange
in demeanour, vague and distorted in appearance.
Yet, curiously enough, since he had seemed to see him thus, he no longer
felt that he hated him.
But one evening—no, he was certainly not dreaming—one evening he really
saw him there before him, in the same uniform he had worn at Cora’s
house, with his two officer’s stripes shining on his blue sleeve. Jean
looked at him with his great eyes, raising his head slightly, and he
stretched out his wasted arm as if to feel if there were really someone
there.
Then, seeing that Jean recognised him, the young man, before he
disappeared as usual, took the spahi’s hand and pressed it, saying simply,
“Pardon me.”
Tears, his first tears, sprang to the spahi’s eyes and brought relief.
XX
Jean’s convalescence was rapid.
Once the fever had left him, his youth and strength soon gained the upper
hand. But nevertheless he could not forget, poor fellow, and he was very
unhappy. At times he fell into moods of wild despair, and nourished
almost savage notions of vengeance. But this phase was soon over, and
then he would say to himself that he would willingly endure whatever
humiliations she might choose to inflict, if he might see her and possess
her again, as before.
His new friend, the naval officer, came again from time to time, and
sat by his bedside. He spoke to him almost as one would speak to a sick
child, although he was scarcely as old as Jean.
“Jean,” he said one day very gently.... “Jean, you know, about that
woman—if my telling you this sets your mind at rest—I give you my word
of honour that I have never set eyes on her again since that night that
you remember. You see, there are many things, my dear Jean, that you
don’t know about yet. Some day you will realise; you, too, that one must
not take such a small matter so much to heart.... In any case, as far as
that woman is concerned, I am quite willing to swear to you never to go
near her again.”
This was the only reference to Cora made by either of them, and the
promise actually restored Jean’s peace of mind.
Oh yes! he realised clearly now, poor fellow, that there must be “many
things that he did not know about yet,” that there must be—commonplaces,
no doubt, to people moving in a social sphere more sophisticated than his
own—instances of cold-blooded, subtle perversity, outside the scope of
his imagination.
Little by little, moreover, he grew fond of this friend, whom he could
not understand; this friend once cynical, but now grown kind, who
regarded life with inexplicable serenity and light-heartedness, and who
had come to offer him his protection as an officer, by way of amends for
the suffering he had caused him.
But Jean had no wish for protection; neither promotion nor anything else
appealed to him any longer; his heart, so young still, was filled with
the bitterness of this first agony of despair.
XXI
... It was at Dame Virginie-Scholastique’s. (Missionaries sometimes have
veritable inspirations in naming their neophytes.) It was one in the
morning; the tavern showed large and dark. As is usual with places of
ill-repute, it was closed with thick doors, reinforced with iron.
A small evil-smelling lamp shed its light on a jumbled litter of objects,
crowded painfully together in the dense atmosphere—red jackets and bare,
black flesh, weird entanglements, broken glasses and broken bottles on
the table and on the ground; red caps, negro bon-bons, spahis’ sabres,
all in floods of beer and alcohol. The temperature of the hovel was that
of a vapour bath. The heat was maddening, the atmosphere dense with
black, or milky, smoke, and with the odours of absinthe, musk, spices,
soumaré, sweat of negroes.
It must have been a hilarious revel, and surpassingly uproarious, but now
it was over. There was an end to the songs and the racket. Now followed
the period of reaction, of stupefaction that comes after drinking. The
spahis were there, some of them dull-eyed, resting their foreheads on
the table, and smiling vacuously. Others still preserved their dignity,
bracing themselves against intoxication, still holding their heads
erect—handsome faces with strong features, the lustreless eyes retaining
their seriousness with an indescribable expression of melancholy and
loathing.
Distributed among them, haphazard, was Virginie-Scholastique’s whole pack
of little twelve-year-old negro girls and small negro boys.
Outside a listening ear could hear in the distance the cry of jackals
prowling around the cemetery of Sorr, where for some of those now here
there were places already marked out beneath the sand.
Dame Virginie, copper-coloured, thick-lipped, with woolly hair wrapped in
a piece of red cotton—drunk herself—was sponging the blood from a head of
fair hair. A tall spahi, with a young, fresh-coloured face, and hair the
colour of ripe corn, lay there unconscious with broken head, while Dame
Virginie, assisted by a black wench more drunk than her mistress, was
sponging his wound with fresh water and applying compresses of vinegar.
She was not actuated by motives of compassion—certainly not, but by fear
of the police. She was really uneasy, Virginie Scholastique, for the
blood continued to flow. It had filled a whole bowl and it would not
stop, and the old harridan was sobered by her anxiety.
Jean was seated on a bench in a corner, more drunk than all the rest, yet
still holding himself stiffly, his eyes staring and glassy.
* * * * *
He it was who had inflicted this wound with an iron latch wrenched
off a door, and he was still holding the latch in his clenched hand,
unconscious of the blow he had struck with it.
It was a month since his recovery, and every evening he could have been
seen dragging himself from tavern to tavern, foremost among the dissolute
and drunken, practising himself in the insolent airs of rake and cynic.
There was still much in this behaviour that was due to mere childishness,
but the result was the same; he had travelled along a terrible road
during this month of suffering. He had devoured novels, whose every
detail was new to his imagination, and he had assimilated all their
unwholesome extravagances. And then he had gone the round of the easy
conquests of St Louis, coloured women and white, among whom his handsome
person had secured for him unresisted possession.
And to crown everything, he had begun to drink.
Oh you who lead a well-regulated domestic life, seated peacefully day
after day by your fireside, do not pass judgment on the sailors and
spahis, men of ardent natures, whom their destiny has plunged into
abnormal conditions of life upon the wide ocean, or in the far away lands
of the sun, exposed to unheard of privations, to desires and temptations
of which you have no conception. Do not pass judgment on these exiles, or
these wanderers, whose sufferings, joys, tortured imaginings are unknown
to you.
So Jean began to drink, and he drank more than the others; he drank
prodigiously.
“How can he do it?” said those around him, “a man who has never been
accustomed to it.”
It was precisely because he had “never been accustomed to it” that his
head was stronger, and for the moment he could stand more. And this
impressed his comrades greatly.
Yet through it all, in spite of the rakish airs he gave himself, like the
big, undisciplined child he was, poor Jean had kept himself almost chaste.
He would not stoop to a dishonouring intimacy with negresses, and when
Dame Virginie’s pupils let their hands stray over him, he pushed them
away with the end of his riding whip, like unclean animals, and the
miserable little creatures came to look upon him as a sort of human
fetish whom they might not approach.
But he was violent when he was drunk; when he lost his head and
his enormous physical strength was no longer under control, he was
terrifying. He had struck that blow just now, roused by some casual jest
on the subject of his love affairs, and he no longer remembered anything
about it. He remained there motionless, with lack-lustre eyes, still
holding in his hand the blood-stained latch.
Suddenly his eyes flashed. Now it was that old woman who was provoking
his unreasoning wrath, the senseless rage of a drunken man. He half rose
to his feet, threatening her in his fury. The old hag uttered a hoarse
cry; she went through a minute of horrible fear.
“Hold him,” she moaned to the inert beings who were already lying asleep
under the tables.
Some heads were raised; feeble, impotent hands tried to hold Jean back by
his jacket, but their efforts were futile.
“Give me some drink, you old witch,” he said; “some drink, you old devil
of night; you horrible old hag, some drink.”
“Yes, yes,” she answered, her voice choking with fear. “That’s it! Some
drink, Sam, some absinthe, quick, to finish him off; absinthe laced with
brandy.”
In these emergencies, Dame Virginie did not consider expense. Jean drank
it off at one draught, flung his glass against the wall, and fell back
as if struck by lightning.
He was successfully “finished off,” as the old harridan had said. He was
no longer dangerous.
She was strong, was old Scholastique, sturdily built—and wholly sober
now. With the help of her black wench and her little girls, she lifted
Jean like a dead weight, and after rapidly searching his pockets for the
last coins they might contain, she opened the door and threw him out.
Jean fell like a corpse, his arms extended, his face in the sand—and
the old hag, after discharging a flood of appalling abuse and savage
obscenities, drew to her door, which closed heavily with a loud clang of
iron.
All was still. The wind blew from the cemetery, and in the intense
silence of midnight could be clearly heard the shrill howling of the
jackals, the uncanny music of the body-snatchers.
XXII
Françoise Peyral to her son.
My dear son,—We have had no answer to our letter, and Peyral
says it is beginning to be quite time that something came for
us. I can see that he is very unhappy whenever Toinou goes past
with his box and says that he has nothing for us. I, too, am
very anxious. But I always believe that the good God will guard
my dear boy, as I so often beg of Him, and that no harm can
come to him, nor any trouble, either through bad behaviour or
punishment. If there were anything like that I should be too
unhappy.
Your father wishes me to say that memories come into his head
of what he himself was like, formerly, when he was in the army.
And he says, when he was stationed in garrison towns, he has
seen young men, who were not very sensible, have a rough time
of it, through comrades leading them on to drink and to mix
with bad women, who are always on the lookout to ruin them. I
am telling you this because he wants me to, but for my part I
know that my dear boy is steady, and that he has ideas in his
head which will surely keep him away from all these evil things.
Next month we will send you a little more money. Out there I
expect you have to pay a great deal for trifling things. I know
you will not spend money unnecessarily, when you think of all
the trouble your father takes. As for me, a woman’s trouble is
no great matter, and I speak for him, the dear man. The village
folk always talk about you at the evening working parties and
merrymakings, and no social gathering passes without some
conversation about our Jean. All the neighbours send hearty
messages.
My dear son, your father and I embrace you with all our hearts.
The good God keep you.
Your mother,
FRANÇOISE PEYRAL.
This letter was received by Jean in the prison attached to the barracks,
where he had been locked up “for drunkenness, and for having had himself
brought back by the guard.”
Fortunately the fair-haired spahi’s wound was not very serious, and
neither the injured man nor his comrades had wished to report Peyral.
Jean’s clothes were soiled and blood-stained, his shirt in rags, and his
head still confused with the fumes of alcohol. Mists swam before his
eyes, so that he could scarcely read. And besides, a dense veil now lay
upon the affection he felt for the friends of his childhood and for his
family. This veil was woven by Cora and his own despair and passions. (It
is thus, sometimes, during periods of bewilderment and loss of balance.
Then the veil fades away, and quite tranquilly one returns to all that
one used to love.)
In spite of all, this touching letter, so full of trust, found without
difficulty the way to Jean’s heart. He kissed it devoutly, and tears came
to his eyes.
And then he swore to himself to drink no more, and as the habit was not
yet inveterate he was able to keep strictly to his promise; he was never
drunk again.
XXIII
A few days later an unforeseen event created a fortunate and necessary
diversion in Jean’s existence.
The spahis were ordered, both horses and men, to go for a change of air
into camp at Dialamban, several miles to the south of St Louis, near the
mouth of the river.
The day before their departure, Fatou-gaye came to the quarters, wearing
her fine blue garment, to pay a farewell visit to her friend. He kissed
her for the first time on both her little black cheeks. At nightfall the
spahis set out on the march.
As for Cora, after the first moments of excessive excitement and
resentment, she missed her lovers. In truth she missed both of them,
both Jeans, each of whom had appealed equally to her senses. Treated by
the spahi as a goddess, it was a change to be treated by the other as the
light woman she really was. Hitherto no one had exhibited towards her
such calm, absolute contempt; the novelty of it charmed her.
But she was seen no more at St Louis trailing her flowing draperies over
the sand. She took her departure secretly one day, despatched by her
husband on the recommendation of the authorities, to one of the most
remote branches in the south.
Doubtless Fatou-gaye had been gossiping, and St Louis was shocked at this
last scandal in which this woman had figured.
XXIV
It is a calm night at the end of February, a typical cold weather
night—calm and cool, following upon a burning day.
The column of spahis bound for Dialamban is crossing at a walking pace
the plains of Legbar. Leave had been given to break rank, each man at his
choice and pleasure, and Jean, who has fallen to the rear, is marching
quietly along in the company of his friend Nyaor....
In the Sahara and the Soudan there are cold nights such as this,
possessing the clear splendour of our own winter nights, but with greater
transparency and luminousness.
A death-like stillness pervades the whole country. The sky is greenish
blue, sombre and deep, with an infinity of stars. The moon shines bright
as day, and defines the outlines of things with surprising sharpness,
tinging them with rosy light.
In the distance, farther than sight can penetrate, stretch swamps
overgrown with the depressing vegetation of the mangrove tree. Such is
all this region of Africa, from the left bank of the river as far as the
inaccessible borders of Guinea.
Sirius is rising; the moon has reached its zenith; the silence is
awe-inspiring.
Out of the pink sand rise the tall, bluish euphorbiæ, casting a short,
hard shadow. The moon outlines the smallest shadows of the plants with a
set and frozen precision, intense in its immobility and mystery.
Here and there are clumps of brushwood, blurred obscurities, forming
great gloomy patches on the luminous, pink background of the sands; then
sheets of stagnant water, with vapour floating above them like white
smoke, feverish miasma, more noxious and subtle than that of the day
time. There is a penetrating sensation of chilliness, strange after the
heat of the day; the moist air is all impregnated with the odour of great
swamps.
Here and there by the roadside lie large skeletons, contorted with
pain, carcases of camels, swimming in a black, fetid fluid. There they
lie, grinning at the moon, shamelessly displaying their flanks, torn by
vultures, their bodies hideously disembowelled.
* * * * *
From time to time the cry of a swamp bird breaks the immense silence.
* * * * *
At long intervals a baobab stretches its massive branches into the still
air, like a great dead madrepore, a tree of stone, and the moon defines
with surprising sharpness the contours of its structure, rigid like a
mastodon’s, conveying to the imagination the impression of a thing inert,
petrified and cold.
In the midst of its polished branches perch black masses: the inevitable
vultures. Whole families of them roost there confidingly, sleeping
heavily; they suffer Jean to approach, with the indifference of fetish
birds, and the moon casts blue reflections and metallic gleams on their
great folded wings.
And Jean is full of wonder at this first revelation at dead of night of
all the intimate details of this land.
* * * * *
At two o’clock there bursts forth a chorus of yells, as of dogs baying
the moon, but more savage, more grating, more weirdly sinister.
Sometimes at night at St Louis, when the wind blew from the direction
of the cemetery, Jean had fancied he heard in the far distance similar
lamentations. But to-night this lugubrious music was close at hand,
there, in the brush. The dismal yelping of jackals mingled with piercing
strident caterwaulings of hyenas. A battle was in progress between two
wandering packs on the prowl in search of dead camels.
“What is it?” Jean asked the black spahi.
It was, perhaps, a presentiment: a kind of horror seized him. The thing
was undoubtedly there, quite near him, in the brush, and the sound of
these voices made his flesh creep and his hair stand on end.
“Those who are lying dead,” replied Nyaor-fall with expressive pantomime,
“those who are lying dead on the ground, these beasts find them and eat
them.”
And when he said “eat them,” he made as if to bite his black arm with his
magnificent white teeth.
Jean understood and shuddered. Afterwards, whenever he heard at night
these dismal concerts, he remembered the explanation which Nyaor’s
mimicry had made so clear, and he, who in broad daylight was seldom
afraid, shuddered and felt chilled to the bone by one of those vague and
gloomy forebodings that assail the superstitious mountaineer.
The noise grows fainter and dies away in the distance; it breaks out
again, somewhat muffled, at another point of the horizon, then it ceases
and all is still again.
The white vapours that hang above the sleeping waters grow denser with
the approach of morning. One is penetrated and chilled to the bone by the
glacial dampness of the swamps. It is a curious sensation, to experience
cold in this country. The dew falls. Little by little the moon glides
down the western sky, is obscured, extinguished. The heart is wrung by
the solitude.
At last, low on the horizon, appear the thatched roofs of the village of
Dialamban, where at dawn the spahis are to pitch their camp.
XXV
The land surrounding the camp of Dialamban is desolate—never-ending
swamps of stagnant water, alternating with plains of arid sand, yielding
a growth of stunted mimosas.
Jean used to take long, solitary walks, with his rifle over his shoulder,
shooting or dreaming—ever the same vague reveries of the mountaineer.
It amused him, too, to paddle a pirogue up the banks of the yellow river,
or to plunge into the mazes of the creeks of the Senegal.
There were swamps, extending further than the eye could see, where the
warm, still waters lay asleep; banks, whose treacherous soil would not
support a human foot.
White herons stalked solemnly among the monotonous verdure of the
mangroves. Enormous blowing-lizards crawled upon the mud; great
waterlilies, white or rose-coloured, unfolded their beauty to the tropic
sun, to delight the eyes of alligators and fish-eagles.
* * * * *
Jean Peyral came near falling in love with this country.
XXVI
The month of May had come. The spahis were gaily packing up their
kit. With enthusiasm they struck their tents and put together their
equipment. They were going back to St Louis to take possession again of
their great white barracks, newly repaired and lime-washed, and to pick
up again all their old pleasures—mulatto women and absinthe.
The month of May! In our land of France, the lovely month of flowers
and greenery! But in the dismal plains of Dialamban May had brought no
verdure.
Trees and herbage, every plant not rooted in the yellow water of the
swamps, remained blighted, withered, lifeless. For six months not a drop
of rain had fallen from the sky, and the land was stricken with dreadful
thirst.
And all the time the temperature continued to rise; the strong breezes
that used to spring up each evening had ceased; the rainy season was at
hand, the season of sultry heat and torrential rain; the season to which
each year the Europeans in Senegal look forward with apprehension, as
bringing them fever, anæmia, and often death.
Nevertheless, it is necessary to have lived in “the land of thirst” in
order to appreciate the delights of this first shower of rain, the joy
experienced in exposing oneself to the big drops of this first burst of
storm.
O the first tornado!... In a leaden, impassive sky like a gloomy vault, a
strange weather sign appears, rising above the horizon.
It rises and rises, assuming unusual and terrifying shapes. At first one
might imagine it to be the eruption of a gigantic volcano, the explosion
of an entire world. It forms itself into great arches across the sky,
ever rising higher, one above the other, with sharply outlined contours,
in opaque, heavy masses. One might imagine them vaults of stone about to
precipitate themselves upon the world, and the whole is lighted on the
under side with metallic gleams, livid, greenish or copper-coloured. And
it continues to rise without a check.
The artists who have painted the deluge, the cataclysms of the primeval
world, have never conceived scenes so fantastic, skies so terrifying.
And still there is not a breath of air. Nature lies prostrate, without a
tremor.
* * * * *
Suddenly a terrific onslaught of wind, like the crack of a heavy whip,
beats to the ground trees, herbage, birds. It whirls the maddened
vultures round and round, upsetting everything in its track.
It is the tornado, bursting its chains. All things tremble and reel;
nature is convulsed under the terrible might of the hurricane passing on
its way.
For perhaps twenty minutes all the sluices of heaven are opened upon the
earth. Rain, as of the great flood, refreshes the thirsty soil of Africa,
and the wind blows furiously, strewing the earth with leaves, branches,
and _débris_.
* * * * *
Then suddenly all is peace. It is over. The final gusts of wind put to
flight the last copper-coloured clouds, and sweep away the tattered
shreds of the cataclysm. The hurricane is over, and the sky is once more
clear, impassive, blue.
The first tornado took the spahis by surprise, while they were on the
march. There was a laughing, noisy stampede. The village of Touroukambé
lay in the way, and they made for it, helter-skelter.
Women who had been pounding millet, children playing in the brush, hens
pecking up food, dogs sleeping in the sun, all of them had hurried home,
and were herded together beneath the narrow, peaked roofs.
Then the huts, already overcrowded, are invaded by the spahis, who step
into calebashes and upset the kouss-kouss. Some kiss the little girls;
others peep out-of-doors, like big children, for the pleasure of getting
wet and of feeling the rain from heaven trickling down upon their heated,
harum-scarum heads. The horses, tethered haphazard, are neighing, pawing
the ground, kicking out in terror. Dogs, goats, sheep, all the cattle of
the village, are huddled against the doors, yelping, bleating, leaping,
thrusting with heads or horns to force an entry—all demanding their share
of protection and shelter.
There is a discordant uproar—a mingling of shouts, bursts of laughter
from the negresses, the whistling of the storm wind, and the thunder
drowning all other sounds with its mighty artillery. Wild confusion
prevails beneath the black sky—darkness at midday, pierced by sudden
flashes of green lightning; rain in torrents, the deluge pouring down
at its pleasure, trickling in through all the chinks in the dried up
thatch—here and there administering an unexpected shower-bath to the
back of a curled-up cat, or to a startled chicken, or a spahi’s head.
* * * * *
When the tornado was over, and order re-established, the spahis took the
road again, marching along flooded paths. Across the sky flitted the last
little curious wisps of cloud, like little parcels of rags and scraps of
brown cloth, torn and twisted like curl papers.
Strong, unwonted odours rose from the parched earth, at its contact with
these first drops of water. Nature was preparing for new births.
XXVII
Fatou-gaye had posted herself since morning at the entrance to St Louis,
so that she might not miss the arrival of the column.
When she saw Jean pass by, she welcomed him with a discreet _kéou_,
accompanied by a very correct little bow. She did not wish to embarrass
him further while he was in the ranks, and she had the good taste to wait
two long hours before she came to pay her respects to him in barracks.
Fatou had changed greatly. In three months she had grown and developed a
swift maturity like the plants of her native country.
She no longer asked for coppers. She had actually a certain graceful
timidity, proper to a young girl.
A bou-bou of white muslin now covered her rounded breasts, as is the
custom with young girls who have come to marriageable age. A strong
scent of musk and soumaré hung about her.
Her head no longer displayed its five stiff little tails. She was letting
her hair grow, and would presently put herself into the skilful hands
of the hairdressers, who would pile up her locks into the complicated
erection which is proper to the head of an African woman.
At present her hair was still too short, and it stood out in a
dishevelled woolly mass, which gave an entirely new character to her
face. Formerly pleasing but comical, it had now become attractive and
quaint, almost charming.
She was a mixture of young girl, child, and little black devil—a very odd
little person.
“The child is pretty, Peyral, you know,” said the spahis smiling.
Jean had noticed, certainly, that she was pretty, but at present this
fact interested him very little. He tried to resume quietly his former
mode of life, his walks on the beach, and his long expeditions into the
country.
The quiet, contemplative months spent in camp had done him good. He had
almost regained his moral equilibrium. His memories of his aged parents
and of his young betrothed, trustfully waiting for him at home in their
village, held him once more with their wholesome charm and influence.
He had done with childish folly and bravado, and now he could not
understand how it was that Dame Virginie had come to number him among
her clients. He had vowed not only to give up absinthe, but likewise to
remain faithful to his betrothed until the blissful day of their marriage.
XXVIII
The air was charged with sluggish exhalations, seething with the vital
odours and scents of young, growing things. Nature was hastening to carry
out her vast plans of procreation.
Formerly, on his first arrival, Jean had cast a general look of repulsion
on this black population. In his eyes they all seemed alike; they all
wore for him the same simian mask, and under that polished surface of
oiled ebony he could not have distinguished one individual from another.
Little by little, however, he had grown accustomed to these faces. Now he
could distinguish among them. When he saw the silver-braceletted, black
girls go by, he would compare them; one he considered plain, another
pretty, one refined, another degraded.
In the end the negresses had for him individual faces, just like white
women, and he found them less repulsive than before.
XXIX
June! It was spring time indeed, but a tropical spring time—fleeting,
feverish, full of enervating odours and the air heavy with thunder.
Butterflies and birds returned, life was renewed; the humming birds had
cast off their grey dress, and arrayed themselves in their brilliant
summer colours. The whole country turned green as if by enchantment; the
leafy trees now cast a little shade, warm and soft, upon the moist soil;
the mimosas, in full flower, looked like enormous bouquets, with pink or
orange sprays, where the humming birds sang in tiny little soft voices,
like the muted twittering of swallows. Even the clumsy baobabs had put on
for a few days fresh leaves of pale, delicate green....
The plains were carpeted with strange flowers, wild grasses, daturas
with large, scent-laden calyces. And the showers that watered all things
were warm and fragrant, and at evening, above the tall grasses sprung up
overnight, the ephemeral fire-flies danced their rounds, like sparks of
phosphorus.
Nature had been so impatient to bring forth all this abundance that in a
single week she had exhausted all her gifts.
XXX
In his evening walks, Jean invariably came upon little Fatou, Fatou
with a head like a woolly, black lamb. Her hair grew quickly—like the
grasses—and soon the skilful hairdressers would be able to make something
of it.
XXXI
Marriages were frequent during this spring time. Often at evening,
during those enervating June nights, Jean would meet these marriage
processions meandering across the sands in long fantastic trains. Every
one was singing, and the chorus of all these falsetto, monkey-like voices
had a syncopated accompaniment of handclapping and tom-toms. There was
something ponderously voluptuous, brutishly sensual in these songs and
this negro gaiety.
Jean used often to visit his friend Nyaor at Guet n’dar, and the scenes
of Yolof family life and domesticity disturbed him.... How lonely he
felt, cut off from his own people in this accursed country!... He thought
of Jeanne Méry, the girl whom he loved with the pure affection of
childhood.... Alas! he had only been six months in Africa.... More than
four years to wait until he saw her again!... He began to say to himself
that perhaps the courage to endure his solitary existence might fail him,
that soon at all costs he might need someone to help him to pass his term
of exile.... But whom?...
Fatou-gaye perhaps?... Oh come!... what profanation of himself!... Was he
to resemble his comrades, old Virginie’s customers?... To maltreat like
them little black girls?... He had a kind of self-respect, instinctive
modesty, which had hitherto preserved him from such degradation; he could
never stoop so low.
XXXII
He took a walk every evening. He took a great many walks.... Thunder
showers still fell.... The immense, evil-smelling swamps, the stagnant
waters saturated with feverish miasma covered a wider area every day.
This country of sand was now overgrown with tall, grassy vegetation....
The evening sun was pale as if exhausted by excessive heat and noxious
emanations....
At the setting of that yellow sun, when Jean found himself alone in
the midst of these desolate marshes, where so many strange new things
worked upon his imagination, he was possessed by inexplicable sadness....
He cast his eyes all around the wide, flat landscape, overhung with
motionless vapours; he could not understand what there was in the aspect
of things, so mournful and so abnormal, thus to oppress his heart.
Above the damp grass floated clouds of dragon flies, with great
black-spotted wings, while birds whose song was strange to him called
plaintively to one another among the tall grasses.... And the eternal
melancholy of this land of Ham brooded over everything.
In these twilight hours of spring time these African marshes are steeped
in a melancholy that no human tongue could express....
* * * * *
XXXIII
_Anamalis fobil!_ shrieked the _griots_, as, with eyes inflamed, muscles
taut, bodies dripping with sweat, they beat their tom-toms.
And the whole assembly, frenziedly clapping their hands, repeated
_Anamalis fobil!_ _Anamalis fobil!_ ... words whose translation would
blister these pages.... “Anamalis fobil!” the first words, the motive and
refrain of a diabolical song, delirious with licentious passion, the song
of the spring _bamboulas_....
_Anamalis fobil!_ the howling of frenzied desire of the sap of negroes
heated to excess by the sun, of burning hysteria ... the negro’s alleluia
of love, a hymn of seduction chanted likewise by nature, air, earth,
plants, and scents.
At the spring _bamboulas_, the young men mingled with the young girls who
had just arrayed themselves in the pomp of their wedding finery. To a
maddening rhythm, to a frantic melody, they all sang, as they danced upon
the sand, _Anamalis fobil!_ ...
XXXIV
_Anamalis fobil!_ All the big, milky buds on the baobabs had burst into
tender leaf....
And Jean felt this negro spring-time burning in his blood, flowing like a
consuming poison through his veins....
He was exhausted by all this renewal of life, because it was a life in
which he had no part. The blood that boiled in men’s veins was black; the
sap that rose in the plants was poisonous; the perfume of the flowers was
dangerous, and the insects were swollen with venom.
In him, too, the sap was rising, the sap of his two-and-twenty years,
but with a feverishness that exhausted the source from which it sprang,
and in the end this terrible renascence would have brought him to the
verge of death.
_Anamalis fobil!_ How rapidly this spring advanced!... June was scarcely
over, and already, under the influence of deadly heat, in an atmosphere
no longer endurable, the leaves were turning yellow, the plants were
dying, and the sere grasses drooped earthwards....
XXXV
_Anamalis fobil!_ ... There are in hot countries certain fruits of harsh
and bitter flavour—such as the gourous of Senegal—that are detestable
to the palate in our cool latitudes, but which, out there, appeal to
the taste in special conditions of thirst or ill-health. You may have a
passionate craving for them, and they may seem to you curiously delicious.
It was the same with that little creature with her shock of black sheep’s
wool, her body of sculptured marble, and her glittering eyes, already
fully aware of what they asked of Jean, yet downcast in his presence with
a childish presence of timid modesty.
This highly-flavoured fruit of the Soudan was precociously ripened by
the tropical spring, bursting with poisonous juices, rife with morbid
voluptuousness, febrile and foreign.
* * * * *
XXXVI
_Anamalis fobil!_
Jean had dressed for the evening hastily, almost frenziedly.
That morning he had told Fatou to go at nightfall to the foot of a
certain solitary baobab in the marshes of Sorr, and to wait for him there.
* * * * *
Then, before setting out, he had leaned on his elbow at one of the large
windows of the barracks, troubled in mind, trying to think—to think, if
that were possible, while he drew a few breaths of less oppressive air.
He shuddered at the thing he was about to do.
If he had withstood temptation for several days, his resistance was
due to the very complicated emotions struggling within him. A kind of
instinctive horror still mingled with the terrible urgency of his senses.
And superstition, too, played a part, the superstition inborn in a
mountaineer, a vague dread of charms and amulets, horror of I know not
what enchantments, what bonds of darkness.
It seemed to him that he was about to cross the fatal threshold, to sign
some sort of sinister pact with that black race, that darker veils would
descend, separating him from his mother and his betrothed and all that he
had loved and regretted in his home overseas.
The warm twilight sank upon the river; the old, white town turned rosy in
the light, blue in the shadows; long lines of camels were wending their
way across the plain, moving northwards to the desert.
Already in the distance could be heard the griots’ tom-toms beginning,
and the song of frantic desires. _Anamalis fobil!—Faramata hi!_
The hour of his assignation with Fatou-gaye was almost past. Jean set off
at a run to join her in the marshes of Sorr.
* * * * *
A solitary baobab cast its shadow upon their strange nuptials. The
saffron sky stretched above them its impassive vault, melancholy,
oppressive, laden with electricity, with terrestrial emanations and vital
elements.
To paint that nuptial couch would require warmer tints than any palette
could provide—African words, sounds, rustling noises, and, above all,
silence, all the odours of Senegal, tempest, sombre fire, transparency,
obscurity.
And yet there was nothing to be seen, save a single, solitary baobab in
the midst of a great, grassy plain.
Mingled with his delirious infatuation, Jean still felt a sort of secret
horror, as he saw, contrasting with the background of dusky twilight, the
intenser blackness of his bride; as he saw, close to his own, the glitter
of Fatou’s rolling eyes.
Great bats flitted noiselessly above them, their silken-winged flight
seemed like the rapid fluttering of black cloth. They flew so low that
they brushed them with their wings, their bat-like curiosity greatly
excited by Fatou’s garment of white cotton, which showed up on the
parched grass.
_Anamalis fobil!_ ... _Faramata hi!_ ...