CHAPTER VI

A SECRET OF THE SANDS

The siesta was past. The sun was tilting towards the west and

shadows were beginning to jut out across the blazing sands.

Over the mounds of rubbish the bearers had resumed their slow

procession, a picturesque frieze of tattered, indigo-robed, ebony

figures, baskets on heads, against a cloudless cobalt sky, and again

the hot air was invaded with the monotonous rise and fall of their

labor chant.

A man with a short, pointed red beard and an academic face beneath a

pith helmet was stooping over the siftings from those baskets,

intent upon the stream of sand through the wire screens. Patiently

he discarded the unending pebbles, discovering at rare intervals

some lost bead, some splinter of old sycamore wood, some fragment of

pottery in which a Ptolemy had sipped his wine--or a kitchen wench

had soaked her lentils.

Beyond the man were traces of the native camp, a burnt-out fire, a

roll of rags, a tattered shelter cloth stuck on two tottering

sticks, and distributed indiscriminatingly were a tethered goat, a

white donkey with motionless, drooping ears, and a few supercilious

camels.

The camp was in the center of a broken line of foothills on the

desert's edge. North and south and west the wide sands swept out to

meet the sky, and to the east, shutting out the Nile valley, the

hills reared their red rock from the yellow drift.

Among the jutting rock in the foreground yawned dark mouths that

were the entrances of the discovered tombs, and within one of these

tombs was another white man. He was conducting his own siftings in

high solitude, a lean, bronzed young man, with dark hair and eyes

and, at the present moment, an unexhilarated expression.

It had been two weeks since Jack Ryder had returned to camp. Two

interminable weeks. They were the longest, the dullest, the

dreariest, the most irritatingly undelighting weeks that he had ever

lived through.

But bitterly he resented any aspersion from the long-suffering

Thatcher upon his disposition. He wanted it distinctly understood

that he was _not_ low-spirited. Not in the least. A man wasn't in

the dumps just because he wasn't--well, garrulous. Just because he

didn't go about whistling like a steam siren or exult like a cheer

leader when some one dug up the effigy of a Hathor-cow.... Just

because he objected when the natives twanged their fool strings all

night and wailed at the moon.

The moon was full now. Round and white it went sailing blandly over

the eternal monotony of desert.... Round and white, it lighted up

the eternal sameness of life.... He had never noticed it before, but

a moon was a poignantly depressing phenomenon.

He couldn't help it. A man couldn't make himself be a comedian. It

wasn't as if he wanted to be a grump. He would have been glad to be

glad. He wanted Thatcher to make him glad. He defied him to.

He didn't enjoy this flat, insipid taste of things, this dull grind,

this feeling of sameness and dullness that made nothing seem worth

while.... A feeling that he had been marooned on a desert island,

far from all stir and throb of life.

Suppose he did dig up a Hathor-cow? Suppose he dug up Hathor

herself, or Cleopatra, or ten little Ptolemies? What was the good of

it?

Not Jinny Jeffries herself could have cast more aspersions upon the

personal value of excavations.

When he was tired of denying to himself that there was anything

unusual the matter with him, he shifted the inner argument and took

up the denial that anything which had happened in Cairo those two

weeks before had anything to do with it. As if that rash encounter

_mattered_! As if he were the silly, senseless sentimental sort of

idiot to go mooning about his work because of a girl--and a girl

from a harem with a taste for secret masquerades and Turkish

marriages!

As if he cared--!

Of course--he admitted this logically and coldly now to himself, as

he sat there in the ray of his excavator's lantern, on the sanded

floor at the end of the Hall of Offerings--of course, he was sorry

for the girl. It was no life for any young girl--especially a

spirited one, with her veins bubbling with French blood.

The system was wrong. If they were going to shut up those girls,

they had no business to bring them up on modern ideas. If they kept

the mashrubiyeh on the windows and the yashmak on their faces they

ought to keep the kohl on their eyes and the henna on their fingers

and education out of their hidden heads.

It was too bad.... But, of course, they were brought up to it. Look

how quickly that girl had given in. She was Turkish, through and

through. Submissive. Docile.... And a darned good thing she was,

too! Suppose she had taken him at his fool word. Suppose she had

really wanted to get away!

Lucky, that's what he'd been. And it would be a lesson to him. Never

again. No more masked young things with their stolen keys and their

harem entrances. No more whispered tales of woe in a shady garden.

No more--

Violently he wrenched himself from his No Mores. Recollection had a

way of stirring an unpleasant tumult.

But it was all over. He had forgotten it--he _would_ forget it. He

would forget _her_. Work, that was the thing. Normal, sensible,

every day work.

But there was no joy in this tonic work. Somewhere, between a night

and a morning, he had lost that glow of accomplishment which had

buoyed him, which had made him fairly ecstatic over the discovery of

this very tomb.

For this tomb was his own find. It had been found long before by the

plundering Persians, and it had been found by Arabs who had

plundered the Persian remains--but between and after those findings

the oblivious sands had swept over it, blotting it from the world,

choking the entrance hall and the shafts, seeping through

half-sealed entrances and packing its dry drift over the rifled

sarcophagus of the king and over the withered mummy of the young

girl in the ante-room. The tombs had been cleared now, down almost

to the stone floors, and Ryder was busy with the drifts that had

lodged in the crevices about the entrance to the shaft.

It was really an important find. Although much plundered, the walls

were intact, and the delicate carvings in the white limestone walls

were exceptional examples. And there were some very interesting

things to decipher. A scholar and an explorer could well be

enthusiastic.

But Ryder continued to look far from enthusiastic. Even when his

groping fingers, searching a cranny, came in contact with a hard

substance his face did not change to any lightning radiance.

Unexpectantly he picked up the sand-encrusted lump and brushed it

off. A gleam of gold shone in his hand. But it was no ancient amulet

or necklace or breast guard--nor was it any bit of the harness of

the plundering Persians. It was a locket, very heavily and ornately

carved.

He stood a moment staring down at the thing with a curious feeling

of having stood staring down at exactly the same thing before--that

subconscious feeling of the repetition of events which supports the

theories of reincarnationists--and then, quite suddenly, memory came

to his aid.

In McLean's office. That day of the masquerade. Those visiting

Frenchmen and that locket they had shown him. Of course the thing

reminded him--

And it was remarkably alike. The same thick oval, the same ponderous

effect of the coat of arms--if it should prove the same coat of arms

that would be a clue!

With his mind still piecing the recollection and surmise together

his fingers pressed the spring. There was a miniature within, but it

was not the picture of Monsieur Delcassé. Ryder was looking down

upon the face of a girl, a beautiful, spirited face, with merry eyes

and wistful lips--dark eyes, with a lovely arch of brow, and

rose-red lips with haunting curves.

And eyes and brows and lips and curves, it was the face of the girl

who had gazed after him in the moonlight against the shadows of the

pasha's garden.

The Fortieth Door · 第 6 / 26 章